Posted by Literary Titan
Don’t Ever Look Behind Door 32 takes young readers on a journey through the magical Hotel of Hoo where they’re introduced to many strange guests. What served as your inspiration for this imaginative hotel and its occupants?
The concept was really born from the title. I had wanted to write a counting book for a while but one that carried a stronger narrative than many others in this particular category. After I had the title, everything else just came together. I think that there is something about doors that sparks a natural curiosity, particularly in young children. I wanted to extend that curiosity by placing the story in a setting that would really compound the mystery. A magical castle, to me, holds a lot of intrigue and seemed like an excellent place to begin a curious journey.
There are a lot of interesting creatures behind each door. My favorite was the miniature giants. What was your favorite to write and animate?
I have so many! For most of the characters there is a fascinating juxtaposition between the general perception of their stereotype and a characteristic they embody in the story. Some of the other creatures are simply a play on popular culture. However a few of them are just plain cute. If I had to choose only one favourite, I think it would be from this last category – the big-headed monkeys.
While I was writing this character, I had in my mind something so adorable that it would make a great stuffed toy. What’s exciting about working with Lenny is that we both think similarly. She was able to take my thoughts for this idea and really bring it to life with brilliant expression. They may not be a typical mythical creature, but I think they nevertheless compliment the overall enjoyment of exploring this hotel by diffusing the expectation that each character needs to have some kind of creepy characteristic.
The story is told in rhyme and each door has a theme which, I think, makes this book great for the classroom. Was it challenging to write the story in this way or was it natural?
After I had the idea, the story itself flowed quite naturally. The fantastical nature of the castle meant that each door wasn’t restricted to a single concept or any established rules. I think this is (in part) what both pulls you along in the story and tempts you to linger – every door is a portal to its own unique and perhaps unexpected theme.
I don’t want it to send like I’m begging, but please tell me this story is going to be expanded on in future books?
Ooh, now that’s an interesting question. It was definitely a fun story to write so I wouldn’t rule out a sequel. I’ll let you know…
The magical Hotel of Hoo is a mysterious place with some very unusual occupants. As our guests explore the strange hotel, they are invited to experience everything it has to offer with just one warning… don’t ever look behind door 32.
This imaginative picture book aims to take children beyond the first ten cardinal numbers, and introduces them to the patterns of counting in a fun and accessible way. With rooms to explore and unique objects to count, children will enjoy lingering on each page as they make their way closer to the forbidden door.
Posted in Interviews
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Posted by Literary Titan
Stygian, by Sean Michael, is a thematic arrangement of 52 poems based on the author’s life, interspersed with occasional quotes. The anthology is completed by an additional three poems in memory of three late friends. Stygian is organised in chronological order, from the author’s tragic childhood to the events that likely contributed to his incarceration, as mentioned in the author’s biography; in this way, the collection presents itself as a poetic autobiography. It’s a frank and dark work, which doesn’t hold back from the usage of swear words or in the stark descriptions of abuse, neglect and self-harm, so readers should use their discretion.
There’s a lot that could be said about this author, but after a read through, what stood out the most was the wide variety of poetic styles he used. The contents range from poems that read almost like a rap, written with short staccato lines and a regular rhyme scheme, to others that feel classical, with long and flowing verses. Partly, this seems to be a stylistic choice, and a clever one, too. Poems from his youth embody the language of a child, such as the word “doggie”, while the adult mind raids the full English lexicon to produce descriptions containing such gems as “empyrean” and “tenebrous”. It’ll give your linguistic knowledge a workout, that’s for sure. Other poems have a more contemporary feel; one appears to be a piece of prose, while The Monster is written entirely in capital letters.
However, there is much to recommend; poems like Sleeping with my Shoes On, which throws away a rhyme scheme to convey a sense of childish excitement, at odds with the glimpses of a deprived childhood. My personal favourites are The Man in the Box and the subsequent Endless Tunnels of Darkness which are beautifully descriptive and flowing summaries of the author’s life (and therefore Stygian) and his emotions about his current situation.
The order of other poems feels like an emotional jump as a reader, yet this is easily explained by the author’s unsettled life – art reflecting life in every way. It is uncomfortable to read the memories described in Away From the Disarray or Something to Cry About, but this is beside the point, which is to honestly portray everything the author has been through.
With this in mind, it can only be said that this is an effective piece of work. Just as no human can be fully understood by another. The content cannot be dismissed, because it is true, although it could be argued that it was still a little raw in places – like the emotions it conveys. The author does show great competency with a range of styles, though, and I would personally love to read more from him on other topics after he has developed some of his ideas further.
Pages: 97 | ASIN: B01G5WFHUE
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