I Am and the Spirit Walks with Me shares real life experiences to show readers how to attain a higher level of consciousness and healthier spiritual living. Why was this an important book for you to write?
My life was tragedy after tragedy enough to break anyone down I was walking and existing in a very dark place. Regardless of what I was going through not knowing love and just being on this planet with no one to connect to there was something there deep inside me that allowed me to keep hanging on and to never give up. There were thoughts of suicide there were alcohol and drugs around me. There were thoughts of taking my life via self-harm using many methods but the spirit within me was stronger than my situations, circumstances, and problems. Holding on to the belief that there had to be a better life for me and not giving up through the darkness I found Gods light and it is glorious. My heart went out to all those who have suffered abuse or is going through situations, circumstances, and problems in their life. I wanted to connect so that they know to keep fighting don’t give up you are stronger than the darkness and weakness you are and have experienced in your life.
In this book you discuss the spiritual pathways toward higher consciousness. What is a common misconception people have when taking this journey and how can they overcome it?
Spiritual growth requires action if we are seeking the best out of life we must accept that there will be paradigm shifts. Don’t get comfortable with where you are. Elevated consciousness means change not being ok with where you are in the now. Many have the misconception that because they have seen someone for healing it took care of what they need in many cases it did and you walked away feeling better, however you are in control of your life and you must take action daily to contribute to your spiritual growth. Move out of the shadow of dependency and giving your power to someone else. Many have the misconception that they’ve said their affirmations for the day and that this is all it takes. We must clean the slate of our mind for any affirmations to work this means self-mastery work dumping your baggage of situations that impacted your life forgiving yourself for it and others. Do a self-work by using the people in your life be an observer witness of how you feel when people say things if an uncomfortable feeling surfaces write it down don’t blame the other party you called them into your life to help you transcend use what they say to empower you. If you felt hurt when they said something, ask yourself why did you feel hurt they only triggered something deep within you that requires healing. If it is sorrow you feel un-create, delete, and destroy it in the now and across all time dimension space and reality this is how you rid it and you began to heal and feel lighter. If you pay attention you can feel the negative energy of it leaving your body.
This book is good at helping readers examine and understand themselves. What do you hope readers take away from this book?
Faith, Belief, and Trust in themselves don’t look to others to find it search within all you need is within you the answers are there waiting for you to unlock the mysteries of your own life. Create a connection with spirit and just trust your own inner guidance and intuition. It is magical. Surrender your control to your own inner spirit it brings your power and control back to you and makes you stronger than ever.
What is the next book that you are working on and when will it be available?
The next book will dive deeper into being trapped in my own body living a life of existing and not being able to identify with it, however a deeper knowing that something didn’t feel right. I will be sharing healing techniques that one can use to bring healing to themselves and real-life story events, and cases of how the techniques have saved not only my life but the lives of others. Revealing and disclosing an epidemic that is swooping the universe and how it’s being associated with everyday common diagnosis causing us to overlook truth. I anticipate the deliverance of this book early in 2019.
In my book, I share a variety of examples that are real life-related events, and how each negative event created negative brain patterns. Negative experiences can be transformed into positive brain patterns which create a healthier way of living, and open spiritual pathways toward higher consciousness.
It feels great to be in a state of awareness, and consciousness to know where my life is heading. The things that impacted my life that kept me closed up for so many years no longer have a hold on me. It wasn’t always that way. I had taken on victim energy, and through my transformation, I learned how to release this energy and regain my power. Overcoming these traumas has opened my heart to sharing information as a healing tool for many other people.
My goal is to reach and transform as many lives as possible to awaken other people to this same level of consciousness, one soul at a time tarting with mine. I am inspired and motivated by the outer realms of my mind that which I see but may not yet be visible to others. I try to stay open at all times to receive new information to deliver to those who are open to new possibilities and want to receive healing for the body-mind-spirit.
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In Anam Cara you speak of the ‘soul friend’ as the bridge to enlightenment and creativity. How did you discover your ‘soul friend’ and how has it helped in your life?
The soul friend can emerge at any point of time in your life. There is hardly a need to go out and seek a soul friend. Doing so makes the process artificial and inauthentic. There is a saying: When the student is ready the master will appear. This principle applies to the Anam Cara. There are times in our lives when we are challenged, tested and at the very point of folding someone appears to listen, to guide and counsel. The Anam Cara does not provide us with answers but his or her presence facilitates the learning process. Notable is that the Anam Cara is not a spirit guide or discarnate being. The key attribute of the Anam Cara is the power of listening and the ability to subtly guide others toward discovering their own truths.
I have been fortunate to have a number of Anam Caras and do believe that their presence in my life has accorded me the ability to experience and explore truths without criticism and condemnation.
In this audio book you guide readers through 42 confessions to the soul. Why do you think these are essential for spiritual growth?
The 42 confessions are comprehensive and pertain to every aspect of human consciousness. The principles are timless, cross-cultural and aim at developing the human spirit with virtue, righteousness and kindness.
How do you see Anam Cara working in conjunction with, or supplementing, Buddhist and Christian principles?
The Anam Cara is neither Christian nor Buddhist. In fact the Anam Cara is found in every culture and clime The Anam Cara can only strenghten the principles of the great faiths. I am here reminded of St Ignatius’ Spiritual Exercises where the Anam Car is referred to as a confessor.
What is the next book that you are working on and when will it be available?
My next book, “In Search of Truth: A Course in Religious Psychology” will be available in March 2018. It offers incredible insights into metaphysics, philosophy, religion and spirituality. The reader is encouraged to conduct his or her own research and to challenge the various themes presented. The subjects covered will no doubt stir debate.
This essential reading teaches us how to transform our lives by showing gratitude, acceptance and forgiveness. Your Anam Cara or Soul Friend, or confessor is never is judgmental and facilitates this process by listening and listening.When we remove our psychic blockages and barriers we begin to experience the fathomless potential of our soul, the very source of creativity ad intuition. Eric Ober, media consultant and former President of CBS News, calls Anam Cara, “an inspirational book that will maximize our quality of life.”
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Black Inked Pearl follows Kate, a young Irish girl, as she searches for her lost lover. What was the initial idea behind this story and how did that transform as you were writing the novel?
It began in a dream when I was in New Zealand visiting my daughter and granddaughter who live there. This was, essentially, the first page (and chapter) of the novel when Kate, panicked and feeling she was too young for love runs away desperately as her best childhood friend (I never learn his name) tries for the first time, a teenager to kiss her. That scene, that act, is the foundation for the story as she years later discovers that she as frantically and desperately loves him as she had frantically fled from him years before
I say ‘dream’ as that is the nearest word I can get, vision perhaps they would have called in in the middle Ages. But that word’s a bit misleading. In two ways.
First, it wasn’t exactly a dream in the sense of being, asleep more an experience in that liminal in-between state of being neither awake nor asleep but somehow fully both – the whole novel came in that somehow enchanted enspelled state ( I suppose you might call it ‘inspiration’). I planned nothing, but it was still a chapter a night, written down effortlessly (I don’t even remember doing it! or, by now, what the words were. it surprises me every time – so many times – I reread the book now).
Second, ‘dream’ suggests something visual, But it was more a kind of very intense node of emotion, something very personal to me (in a metaphorical sort of way the whole book is kind of autobiographical – what serious novel is not? – and the second chapter about a small girl experiencing the magical world of Donegal – is directly so.
Then the novel – and Kate – just grew. I came to know the hero well, but wish that my ‘dreams’ had given me his name
Black Inked Pearl is told in a dreamlike, almost stream of consciousness, style of writing. Why did you want to tell the story in this style and what were the challenges?
Well, it arose in dreams and the writing essential came from, and took place in, my unconscious – at least that is the only way I can understand and it. So the style is scarcely surprising, it was little under my deliberate control and almost not at all revised later.
I didn’t know in what style I was writing – the process was almost unconscious – but when it was finished I saw (or rather heard when I read it aloud ih my inner ear as I always do with my writing)that it had the rhythms and sonorities of African and Irish story-telling (my mother was a wondrous story-binder) and that some literary giants (Joyce, Fulkner, Hopkins … many others) had written in similar styles. Poetry is mixed with prose – well in a way, as with its oral resonances (a subject on which I have written in academic contexts, in Oral Poetry for example), it is all poetry, some fully, some ore in a kind of blank verse: all unexpected by me!
Also, the content. Part of what I learned as the story revealed itself to me was that the division between dream and reality is an elusive and perhaps non–existent one.
Problems – well some of my readers have problems with it! Some object because they cannot abide what they see as ‘incorrect’ grammar orthography words, not what they learned in the first form at school – I appreciate that they have tried but think they miss the point (how do they cope with Shakespeare?).
Others including my deeply wise best friend, get a bit lost in the plot from time to time, too full of Celtic mists said one. It’s too late now to amend that (and maybe it is just a necessary feature of the novel – mystic, mysterious – anyway) but I have tried to make things clearer, while not abandoning what has now has now become my signature style, in the related ‘Pearl of the Seas’ and, on the way, The helix pearl’ (the latter the same story but this time as told by the garrulouos ever-sprarklng laughing sea (a very different perspective but equally born in dreams). I wonder what is coming next ..
Oh yes, the unusual spellings were loved by the Garn Press, the lovely publishers, but at the same time gave the copy-editor real problems. Microsoft, can yoy believe it (the cheeky thing) kept automatically ‘correcting’ the ‘wrong’ spellings. In the end they got me to send a special list to add to their ‘glossary’ of all my new spellings and word and abbreviations etc. I thought that would be quick and easy – about fifty cases? Whew, no! They tell me, incredibly, that it was nearly two thousand! Don’t believe it! Ut they ear that’s true. Anyway, hey did a great job whatever.
Kate is an enthralling and curious character. What were the driving ideals behind her characters development throughout the story?
As I say it wasn’t conscious since it all came in dreams. So in a way no ‘driving ideas’.
Still I have noticed some abiding themes , detected, later, in the text, as if looking at someone else’s writing (well in way it’s NOT exactly mine, not t=in the normal way anyway – not of the deliberate, conscious careful academically trained me). /tow especially, the ones `I swoudl like to think readers will take form the novel (and from the movie if it gets made a I hope it one day will)
First as I said earlier is the understanding , that we may pretend or think we do, but that actually we do not really know the difference between reality and dreams. Given the way we have been brought up as children of the scientific revolution, this is an exceedingly difficult idea, is it not – but so important to try to accept, specially now as we become more aware of the lives, and, in a way, precious value of those with dementia. Perhaps it is only through literature and metaphor that we can eventually begin to grasp this.
Second is the thought, revealed near the end, that it is and was indeed right as Kate did, to search for others and try to help them carry their burdens. But that in the end it isourselves we are responsible for, it is our own souls for which we have to answer before (whatever metaphor we prefer here) the last judgement throne. As Kate in the final chapters had to do.
Also, after I had finished the book, I was inspired by the little butterfly that, unknown to me, the publishers had put, with the pearl and the jagged black, on the beautiful cover. ‘Butterfly’ in Greek –elsewhere too I think – is the same word and concept as for the soul, breath, spiritus, life: psyche (as in ‘psychology’, ‘psychiatry’). So the soul – figured as Kate, as every man – flies through the black ink print of the story and at the end settles down on the back cover, life fulfilled story told, with her wings folded.
Kate’s discovery of herself at the end was also, I now see, a kind of discovery of myself as person, as soul.
What are some of your inspirations as a writer that helped shape Black Inked Pearl?
Again, ‘dreams’, my unconscious I suppose. But, as one perceptive reviewer put it, only someone with my background and personality would have had those dreams. So – my life, my loves, my experiences of the resonances and styles and images of great literature, above all Shakespeare, Rumi, Homer and the Bible.
An epic romance about the naive Irish girl Kate and her mysterious lover, whom she rejects in panic and then spends her life seeking. After the opening rejection, Kate recalls her Irish upbringing, her convent education, and her coolly-controlled professional success, before her tsunami-like realisation beside an African river of the emotions she had concealed from herself and that she passionately and consumingly loved the man she had rejected.
Searching for him she visits the kingdom of beasts, a London restaurant, an old people’s home, back to the misty Donegal Sea, the heavenly archives, Eden, and hell, where at agonising cost she saves her dying love. They walk together toward heaven, but at the gates he walks past leaving her behind in the dust. The gates close behind him. He in turn searches for her and at last finds her in the dust, but to his fury (and renewed hurt) he is not ecstatically recognised and thanked. And the gates are still shut.
On a secret back way to heaven guided by a little beetle, Kate repeatedly saves her still scornful love, but at the very last, despite Kate’s fatal inability with numbers and through an ultimate sacrifice, he saves her from the precipice and they reach heaven. Kate finally realises that although her quest for her love was not in vain, in the end she had to find herself – the unexpected pearl.
The novel, born in dreams, is interlaced with the ambiguity between this world and another, and increasingly becomes more poetic, riddling and dreamlike as the story unfolds. The epilogue alludes to the key themes of the novel – the eternity of love and the ambiguity between dream and reality.
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