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Lost In His Own World

Dawnette Brenner Author Interview

Dawnette Brenner Author Interview

The Ancient Sacred Tree: Birth of a Hero follows a 12-year-old boy who finds himself thrust into a magical land full of danger. What was your inspiration for this thrilling novel?

My inspiration for my story hit me after several episodes of depressive and manic scenarios with my son Joshua back in 2006. I felt helpless, as I watched my youngest child suffering from the throngs of what I learned to be bipolar disorder. He often would daydream and seem lost in his own world and although I researched to find answers, support and help, I couldn’t imagine this world he lived in, full of darkness. It was dreadful. Anyone with this disorder knows that it can cripple a family. I couldn’t fathom this life and so I created a world in which I wanted him to be the hero, one where he could over come any obstacle, to tell his story.

Joshua struggles with being bipolar and his parents divorce. I felt that you handled both with care and realism. Why did you want to cover such sensitive topics in your novel?

As a mother it was heart-wrenching and I learned so much, but still the world seemed to stigmatize the mental disorder my son suffered with and I wanted to change that for my son and others like him. As a teacher, I felt this story, in the hands of kids, could help them relate to a character like Joshua and they could empathize. Kids like Joshua would also enjoy reading that a character like them could overcome obstacles and become a hero, faltering along the way, but always striving to overcome. These are both important in our world with kids in schools, to help end the stigma and normalize these kids in not only their eyes, but others in school as well.

The world Joshua entered is full of magic and wonder that is described superbly. What were some themes you wanted to capture when creating your world?

I actually wanted to describe a fantastic world, full of intrigue and one in which I felt my son would enjoy, he seemed to love imaginary play outside with his action figures. So in the beginning that’s what I wrote, but as I progressed and the characters formed in my mind, and real life also took us on a journey through darkness, it was dreadful. Secondary to the imaginary world, it was essential Joshua Creed faces grave darkness, soul crippling darkness, although not as prevalent in this book, the series will encompass thematic elements of the darkness in anger and the peace at the end of the tunnel.

Will this book be part of a series? Where will book two pick up and when will it be available?

Yes! The book will be a series of three, possibly more books. I’m currently in the editing stage with book 2 and will come out this year, with book three later this year or early 2019.
The book will pick up two years later, where Joshua continues struggling in school and learns a great deal more about the prophecy of his destiny. If you pick up a copy of the first book, there’s a preview of the first chapter at the end. Enjoy!

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The Ancient Sacred Tree: Birthing a Hero by [Brenner, Dawnette N.]Joshua Creed receives disturbing news about his parents, but before he is able to process it, he is flung into a world of intrigue and danger where he must fight for his life and the lives of the inhabitants. He discovers he has secret powers, and the mystery of his eye is revealed, but it isn’t easy being bipolar and only nine years of age. His newly found friends and family help him through his adventure but not before he’s forced to change schools.

The action-packed, fun, and exciting adventures of Joshua begin in this first adventure of his destiny.

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Entrancement: The Consciousness of Dreaming, Music and the World

Entrancement: The Consciousness of Dreaming, Music and the World

If you’ve ever wondered where your mind goes in those moments when you’re not quite awake or when you’ve been staring out the window for just a tad too long, you will find some clues to an answer in Ruth Finnegan’s Entrancement. This collection of essays from educated professionals will expose you to different viewpoints on the topics of dreaming, trancing and the collective unconscious. Fashioned the same way a textbook might be, readers will gain insight into various hypotheses on what happens to our minds when we enter these states. Exploring the world from a slight occultist view, readers are privy to personal stories from professionals in the field of the social sciences who have backed up their personal experiences with data and sources. Investigate how music and dreaming contribute to artistic expression; identify your own personal cues and what might draw you into a trance.

Finnegan begins with her own personal experience with trancing. During her sections at the beginning and the end of the book she uses language that is friendly for non-academic readers. The same can be said for all of those who have contributed to this piece. By using common language, Finnegan has opened up the potentials for her audience. Anyone who is interested in this topic will find useful information within its pages.

There are some typos in the book which were distracting in such a highly educated piece. But the errors are few and can be easily forgotten. The presentation of the book leaves a little to be desired. The table of contents could use some formatting and the pages between essays could have been laid out better. These are all minor things, but they impact the reader experience.

It is interesting to read a collection of essays on a somewhat supernatural topic that is rife with research. For someone who is studying psychology or the other social sciences, Entrancement by Ruth Finnegan would be an excellent resource piece to read. The abilities of the mind have been studied for decades and we are no closer to unraveling the secrets now than we were in the beginning. If you’re a beginner doing preliminary readings or research on this topic, you will find this book useful. The content is not only useful, but the suggested readings in the back open up a whole library of future readings. For those who hunger for more information, who want to explore this world and our place in it, this is a delightful bonus.

Pages: 288 | ASIN: B06XVD9WKM

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Could the Legends be True

S.M. Porter Author Interview

S.M. Porter Author Interview

The Mystery of St. Arondight’s tells the story of six teenagers on a mysterious supernatural quest across Europe. What was the inspiration for the setup to this thrilling novel?

Like my characters I was a teenager when I had my first taste of field archaeology. It was exciting, that feeling that you never quite knew what was waiting under the ground for you. It didn’t seem to matter how many of the experienced archaeologists on the site told me that treasure is unlikely, I firmly believed that every shovel full of dirt could hold some priceless artefact of great importance. Now, having been a professional archaeologist for ten years I have learned that not every excavated site uncovers great historical mysteries. In fact the closest I have ever come to treasure is five scattered Roman Denarii, probably from a lost purse. But I still have that belief that something important could be hiding just under my feet.

History itself consists of so many unanswered questions, so many what ifs, so many intangible stories. Folk law suggests the presence of ghosts at sites of violence, or in places they knew when alive. Legends tell of strange women living in trees, lakes or isolated ruins, of heroes who transcend time. There are so many mysteries out there to solve, who is to say that the conclusions must always be rational. Some stories tell of tangible artefacts, a philosopher’s stone, a sacred cup or a powerful sword. Legends give us all the chance to daydream … What might happen if one day I excavate a sword of Arthurian date from a waterlogged deposit. Could the legends be true?

The story has a host of young characters all with their own unique personalities. What themes did you want to capture while creating your characters?

With my characters I aimed to create firstly a group with a shared interest, archaeology, but to give them their own skills, knowledge and personality. The intention was to balance them so that no one character held all the aces and there was essentially no go-to hero of the piece.

I wanted to make sure that the girls were just as capable as the boys. When I was growing up I spent most of my time wanting to be one of the lads. So called ‘girly’ activities did not interest me and I felt that as a teenager there were no characters in my world, with perhaps the exception of ‘George’ from Enid Blyton’s ‘Famous Five’, that represented me as a perpetually bruised, knee skinned tomboy, hanging out with the boys, fencing with sticks and pretending that my bicycle was a motorbike. What I wanted to do here was to create characters that represented my sixteen year old self. The girly side, the tomboy side and the downright laddish part of me. Alongside my own traits I have borrowed elements of personality from the many wild, passionate, and possibly crazy archaeologists of all ages and genders, that I have met whilst digging holes all over the country. I had to try and capture some of that combination of crude humour, intelligence and boundless enthusiasm, encountered on all archaeological sites.

The action scenes and references to historical sites was well developed. Was there anything you pulled from you own life and used in this novel?

I first started fencing at university and was lucky enough to fence for my university, even becoming captain of the team and later the club. Fencing is a lot like chess, but played at the speed of light and with significantly bigger bruises, but you get a real appreciation that timing and intelligence are every bit as important as strength and skill. In writing the sword fights in St. Arondight’s, I wanted to put across some of my own experience as a fencer – the noises, the exertion required and the clear presence of mind required to make a successful attack.

Having lived in the UK all my life, I have visited many of the locations from the book, although I do admit that for a few of them I may have used a little creative licence  – getting to the “beach” below the White Cliffs of Dover is much more difficult than Sarah and Jerry found it and I certainly wouldn’t advise trying it!

What is the next book that you are working on and when will it be available?

I am currently working on the sequel to The Mystery of St. Arondight’s, following the same characters on their next archaeological adventure. I’m hoping it will be available March/ April 2018 although the first draft is playing hardball right now, and it’s fair to say that working full time as an archaeologist, active fencer and motorcycle enthusiast does take up some writing time. So I’m afraid the date is tentative and it may be a little later.

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The Mystery of St. Arondight's (Archaeological Adventures Book 1)

Camping at ruined abbey at the end of the summer holidays, six teenage archaeologists find themselves witness to a violent haunting and discover a secret crypt below the abbey.

The discoveries they make set them on an epic quest across the country. In a race against an unhinged academic and armed with only their honour, knowledge and swordsmanship the group will have to trust one another and work together, as reality and mythology merge and the quest for an artefact of legend becomes a fight for survival.

Told in a unique blend of first and third person narration, The Mystery of St. Arondight’s follows Suzannah Jones, Melody Knight, Sarah Heddon, Claire Scott, Jerry Llewellen and Símon James Matherson in their first archaeological adventure.

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