Walking Over Eggshells is an autobiography about your life and how you survived growing up and living with mental abuse. What inspired you to put your experiences into a book?
Originally I never intended to publish my experiences of growing up, I wrote about my life solely for my children to explain my parenting skills, or lack of them and to give them a greater understanding of me as a person. I was aware of the effects of the fraught relationship I had with my mother but totally unaware of the cause. As I recount in the closing chapters, it was only after her death that quite by chance I read about Narcissistic personality disorder and my mother’s reactions, behaviour and responses ticked all the boxes. I was over 60 when she died and only then I learned that no matter what I’d done, I would never, ever have been able to make her love me. If only I had walked away decades earlier I could have saved myself years of heartbreak. From talking to other victims in various forums I realized there were thousands of people out there in a similar position and that’s when I decided to publish my story. From the huge number of emails I’ve received, I know it has helped many others and that has been the greatest award of all.
In this book you talk about many of your life experiences. What was the hardest thing for you to write about?
The way my mother behaved towards me, belittled, mocked me and hurt me. I was also aware that many people would not understand why I was so stupid and returned time and time again only to receive more abuse. Only those who have been conditioned and brainwashed from birth to revere parents and respect families would understand this, many other people wouldn’t. As I wrote it opened the wounds, but at the same time pouring it all out on paper helped the healing process.
The novel covers the entire span of your life including your childhood. What is one common misconception you find people have about child abuse?
The media is full of stories relating to sexual abuse. To the outside world I was an only child, with all the comforts, food, nice clothes, private school, even the hated ballet lessons, living in a beautiful area in England. But what went on behind closed doors was ongoing mental abuse, and I think this has a more damaging effect that any other kind of abuse. It strips away your sense of worth, your self confidence, destroys any chance of achieving your potential. It doesn’t stop the day you are old enough to say ‘no this is not right’ because you can’t rely on your own judgement you have been taught that you are the problem. It follows you through life and while some simply give up, others will try again and again to be the perfect person and will fail again and again. I grew up in the days when there was no such thing as Child Line, no one to talk to, all adults stuck together, no one criticised the older generation. I was totally alone in an ongoing nightmare.
What is the next book that you are writing and when will it be available?
I published Walking over Eggshells in 2013, and since then, I had written two further memoirs about my career in writing for radio and television full of funny and tragic stories.
I have also written four action/adventure books set in Africa featuring my heroine Amie and the latest of these is Cut for Life published in October 2017.
I am taking a month off to co-ordinate my marketing strategies (which are a disaster!) and then I will begin the next Amie book.
Walking Over Eggshells is an autobiography that tells the story of a mentally abused child, who married a “Walter Mitty” clone who took her to live in many different countries. They moved from England to Kenya, from Libya to Botswana and on again to South Africa. It took all her courage to survive in situations that were at times dangerous, sometimes humorous, but always nerve wracking. She had a variety of jobs, different types of homes, and was both a millionairess and totally broke. At one end of the scale she met royalty, hosted ambassadors, and won numerous awards for her writing and for her television programmes. At the other end, she climbed over garbage dumps, fended off the bailiffs, and coped with being abandoned in the African bush with a seven week old baby, no money and no resources. She admits to being the biggest coward in the world, but her survival instincts kicked in and she lived to tell her story. This book will make you laugh and cry, but also it also explains the damage being brought up by a mother with a personality disorder can inflict on a child. However, it is not all doom and gloom, and hopefully it will inspire others who did not have the best start in life either. All names have been changed to protect both the guilty and the innocent – and that includes the author as well!
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Walking Over Eggshells: Surviving Mental Abuse by Lucinda Clarke is an autobiography where she has changed all the names to protect the innocent and guilty. The novel is about Lucinda’s life and how she survived growing up and living with mental abuse. Lucinda’s mom had narcissistic personality disorder, and this impacted her entire life. She uses this novel to show that despite growing up with this abuse she still lived a life full of adventure, had a family and eventually had a successful career. You will laugh at some of the stories, cry at others, and be outright shocked by many and wonder how this girl survived to write this. Through it all Lucinda was able to grow and keep up with the times, she was born in the 1950’s and has had to adapt with a drastically changing society while continuing to endure the mental abuse of her mother at every turn even into her adult years.
The beginning chapters of the book tell of how Lucinda’s parents met and the eventual death of her father when she was only two. From there we are introduced to the never-ending criticism, punishments, and agony that Lucinda as a child endured. It is heartbreaking reading her words begging for a cuddle or a word of love and compassion from the women that called herself her mother. As a teen, the typical back and forth arguments continued, the younger generation is ungrateful, they need to do their part, so selfish, these are common themes even today we hear about the millennials. With Lucinda though, it is deeper, her mother really did expect her to do everything for her, and even when she did it was never good enough. The emotional struggle and need for love and acceptance is one that many readers can relate to, those that live with constant mental abuse will relate to Lucinda and see how she coped with the abuse while understanding why she continues to have a relationship with her mother.
Once Lucinda meets and marries Jeremy her life adventures take off. They never stay in one place long, always moving from one job to the next, involving everything from traveling encyclopedia sales to sketchy engineering jobs in South Africa. In a way Lucinda traded one form of abuse for another, she loves Jeremy but he takes advantage of her and plays on her need to be loved. This is the part of the story where you read and think ‘is this real?’ how can one person put up with so much? That, I think, is the real story behind this book. You can survive though mental abuse even when that abuse spans the majority of your life.
Throughout the book, Lucinda finds a way to make the best of her situation. She is willing to work be it animal breeding, filling, cleaning hotel rooms or writing. She never gave up no matter where she lived or what was going on with her and Jeremy, or her children, or her mother, she pushed forward and didn’t just survive the abuse, she made something of her life that she is proud of and even enjoyed at times. It is emotional, and at times hard to read; but Lucinda will make you believe anything is possible to overcome with the right mindset.
Pages: 239 | ASIN: B00E8HSNDW
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Fractured details your revelations and strides toward bettering yourself both mentally and physically. What was the inspiration that made you want to capture your experiences in a book?
I originally started writing the book as a form of therapy, a way to help get the trauma, events and details of the accident out of my body and mind. Then around my 30th birthday, I had a breakdown. I felt like a failure, I thought I should have been at a different place in my life, I thought I should have accomplished more. After many therapy sessions and allowing myself to cry, be mad, and feel all the feelings – I realized I had so much more to share than just the details of the accident. I took a step back and saw how hard I had fought to be healthy and have a successful life. I knew at that point that my book was supposed to be about that. I wanted to share my struggles and adversity in hopes of helping others going through something similar.
I greatly appreciated your candor in detailing the obstacles you faced and I could truly feel the tragedies as well as the victories. What was the hardest thing for you to write about?
The hardest thing, hands down, to write about was the rape when I was a freshman in college. It was something only my therapist really knew about. I hadn’t even told my parents at the time I was writing it in the book. It brought back all sorts of memories, feelings, and shame. As I was writing it I had to take many breaks, remember that I was not the same person nor in the same place, and keep telling myself I was enough. THEN came the hard part of having to tell my parents about the event. I had hid it from them for 12 years but I knew I needed to tell them before the book came out. Again, all the fears, shame, embarrassment, and emotions came rushing in. But I knew it was something I had to do before I let them read the book – that was probably the only thing they didn’t know about that was in the book. I also knew it was something that I absolutely needed to include in the book since the book is all about finding my voice and sharing my truth. This was a huge part of losing both of those things. I am so thankful to have such supportive, encouraging and loving parents. It was extremely hard for them to hear, but I know it ultimately brought us closer and deepened our relationship.
In Fractured you reveal a past with issues like body dysmorphia and a struggle to find your own voice. What is the message you hope readers take away from your book?
I hope readers can take away the lesson I learned after my 14+ year struggle with diet pills, anorexia, and body dysmorphia… YOU ARE ENOUGH. Beauty comes in all shapes and sizes. The image society portrays that you have to be skin and bones to be beautiful is so distorted. I hope readers, especially young girls can read this and have an “aha moment” before they enter into a self-destructive path. It also my hope that men and women learn that it is ok to be vulnerable, to speak, share, and use your authentic voice, live in their authentic skin, and follow their own rules. Don’t shrink yourself to make others like you. It is not worth it. It is so much more fun to live life celebrating your bigness.
You are the founding director of the nonprofit company Step Up Chicago Playwrights. How did that start and where do you see it going in the future?
I founded what was then Step Up Productions in 2009 with the mission to share truth onstage and inspire the audience to embrace their own personal truths (haha see a pattern?) We had 3 successful seasons of shows in which we chose a social service organization – whose mission matched the theme of the show we were producing- in Chicago to partner with and donate a portion of our proceeds to. In 2015, funding was low and we were struggling to be able to fund our next production. I took a step back and cancelled the remainder of our season. I talked with a mentor, friend, and phenomenal artist in Chicago, Brad Akin, and together we came up with Step Up Chicago Playwrights as it is now. A company that pairs Chicago Communities with local playwrights who will write a play based off that community. Our hope is to make theater sound and look more like Chicago, All of Chicago! I have since taken on an advisory role since I moved to California with my fiancé who was relocated for work and Brad has taken on the Executive Director role. I know the model we have sets us up for success. We are in the process of choosing our first playwright and community to kick off the inaugural year with Step Up Chicago Playwrights.
Fractured is about your journey of self discovery, but it’s also about your family. Was there anything about your family that you only learned through this journey?
In talking with my therapist about different patterns I was trying to break and learn the history of where they started (me always being good, my need to please, not using my voice) I learned a lot about my family. I brought different topics up to my mom and asked her a lot of questions about my young childhood that helped me figure out why I embedded certain thoughts, behaviors and patterns into my system. I have to say, even though it was not always pleasant to learn and a lot of hard work, it was a lot of fun putting all the pieces together and learning why I did and thought certain things.
From the outside looking in, Elizabeth had the perfect life. She had a family who loved her, numerous friends, and a successful career. No one knew the hurt, pain, and angst she hid inside, struggling to keep herself small so that those around her would still like her.
It all came to a head on October 23, 2007, when her parents received a call that she was lying lifeless in the ICU in a hospital in Utah — “You better get out here, your daughter is not going to make it.” Fractured: My Journey Back From Death and the Lessons I’ve Learned Along the Way is the memoir of Elizabeth’s recovery, spiritually, physically, mentally, and emotionally. It is about her deliberate decision to begin the hard work finding and using her voice and the struggle to break out of the box that society tried to keep her in.
This is the story of what happens when one woman stared death in the face and decided to make a conscious choice not to go back to sleep, but to wake up and live the life she knew she was meant to live.
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Glossolalia is a thrilling ride through the mind of a woman who is seemingly normal but her life slowly unfolds to reveal something bizarre. What was the inspiration that made you want to write this book?
I have a keen interest in mind control of individuals, and the way controlling each individual can effectively affect a large number of people. All my life I’ve studied in depth the methods that agencies such as the CIA has historically used, and they often have manipulated people’s interest in the occult. And that seems like a topic rich with dramatic fictional possibilities, especially for Psychological Suspense, in which gaslighting is such a common element.
I know I love that electric shudder I get when realize something is not what I thought it was, when I’m just starting to put the pieces together and it’s first making sense, grim as the truth may be. I wanted to give readers that entertainment as well.
Nancy, is like many women at first, but she suffers from narcolepsy and has an addiction to pills that she is trying to kick. How her character unfolds and develops is fascinating. What was your plan as you wrote Nancy’s character?
The only way she can explain her fugues at first is to believe she has narcolepsy, but when she discovers what she does during her periods of amnesia, she realizes her problem is something entirely different from that illness. Similarly, she thinks she’s addicted to the pills to keep hallucinations and delusions at bay, but once she manages to stop taking them, she realizes her visions have been actual memories.
My plan with her was to create an anti-hero who finds a way to redeem herself while staying true to the dubious skills she’s been taught all her life. And she gives readers a way to inhabit the sympathetic victim as well as to perhaps develop compassion for people who are compelled to commit violent acts. In a way, she stands for all of us, because everyone has fallen prey to disinformation at some point, and thus has been an unwilling promulgator of it. And all of us have some chance at heroically redeeming ourselves for that, though of course, I don’t promote violence in any way.
There are a lot of fantastic twists in this novel along with a variety of surprises that kept me turning pages. Did you plan the novel before you wrote or did the story develop organically?
I planned it out to make sure all the plot points, pinch points, act breaks and all were in proper order. However, as I wrote it, I got new ideas for twists that were great fun to conceive of. For example, Brandon the YouTube conspiracy journalist with gigantism wasn’t in the completed first draft. Just as much as I enjoy the shudder of realization, I love the feeling of coming up with new plot twists. It feels delightful.
Glossolalia is book one in the Agents of the Nevermind series. Where does book two, Remember to Recycle, take readers?
People who like Glossolalia will probably like Remember to Recycle because it falls within the same genre categories including Conspiracy Thriller and Political Thriller, and while book one focuses on how coups are created, book two focuses on how proxy wars are created. In both cases, the emphasis is on how intelligence agents deceive the public into going along with the terrible treatment of other countries for profit motive, while pretending it’s for humanitarian aid.
Glossolalia referenced our society’s history, particularly related to intelligence agencies, as a foundation for the series, as well as a pattern of coups that’s been recurring for a very long time; Remember to Recycle specifically addresses what’s happening right now. It goes into all the types of trafficking that go along with war, which is the secondary meaning of the title.
However, the first meaning of the title is more obvious, because a major character is Dave, a homeless man who survives by going through people’s recycling bins and selling the stuff, like all the other guys on the street. But he comes up with a brilliant plan. As in Glossolalia, there’s a darkly humorous aspect to it, and he provides a lot of that. He was really fun for me to write, especially as it’s first person present tense, while he describes his life moment by moment to the “character” he affectionately calls Mr. Interrogator. He’s got a hell of a personality. He likes to wear a wide variety of costumes that he keeps under the bridge, and fancies himself an actor of sorts. He idolizes the Rescuers, who are based on the White Helmets.
No one but her uncle would hire Nancy, considering her habit of snapping out of amnesiac fugues, wondering where she got her bruises and the scent of men’s cologne. When she sees a crime of poison in progress at the company, she chases the truck carrying away the chemical legally deemed too toxic to use or to dump. Her pursuit leads to a convoluted world of political intrigue, esoteric rituals and an arcane Elizabethan spy code, and assassinations she never imagined – though her imagination is what holds that world together.
This conspiracy novel introduces a young woman with an ambiguous past involving herself in a killer organization with one layer after another of her psyche. DARK, even possibly DISTURBING ROMANCE, is key to finding elusive authenticity.
The old cartoonish formula of good CIA VS bad guys no longer is fresh and relevant. Though through a fictionalized agency, the books in this series, like Barry Eisler’s spy thrillers, explore the shady side of the CIA secret psy-ops, covert experiments, illusions, coups, media theater, psychological warfare, and illicit methods of funding. The Agents of the Nevermind series dares to explore the edgiest controversies and the convoluted lives intelligence agents must endure as they create bizarre delusions for the world in order to hide the truth about their nation’s financial foundation.
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