Rathen: Into Bramblewood Forest follows Rathen and his crew as they fight against an ancient and terrible deity. What was your inspiration for the setup to this novel?
Bramblewood Forest is the second book in the Rathen Series and continues from the first, but also reads well as a stand-alone story. The inspiration for the series came from when Steve and I played role playing games in the early 80’s. Steve, as my step-father would bring home a variety of board and card games where you had to create background stories. I am not sure many people these days can imagine a life without the internet or well-made computer games, but we had to be creative and use our own imaginations for entertainment.
We also played a lot of Dungeon & Dragons back then where we created entire worlds with a complete cast of characters. I was just a teenager but I learned what went into creating a story. My particular passion homed in on how the characters were influenced by their environments and worlds and how an ordinary inhabitant could strive to be a superhero even without supernatural powers.
The legend of Ghrakus Castle was roughly based on a story Steve created a long time ago. I took the idea, drew more into it, and added that as a background for the characters to interact. Steve and I have endeared a long lasting collaboration on stories and role playing game ideas and hope to keep it going for a while longer.
This is a thrilling book that combines elements of science fiction and fantasy. What was the collaboration like between the two of you while writing this book?
This was the fun part. Steve and I would sit and talk for hours brainstorming new ideas and concepts that we could integrate into the story. We created the magic system in Rathen’s world and explains in detail the strengths and weaknesses. We described things from completely other worlds and even went as far as explaining how the deities came into being. My favorite creation was the ancient being known as “Arg’grimorem” Rathen and his group had to face. Believe me, it isn’t easy coming up with new ideas in the fantasy genre, but I think this creature was unique.
There were so many intriguing characters in this novel. Who was your favorite character to write for?
That is a difficult question. I really got into the heads of all the characters giving me such a strong connection to them. Rathen is always fun to write, but we had such a variety in this book. Magom, who is the character that really stands out in the group, was a challenge since he is an undead being. I had to really think what it would be like to be dead but yet still walking around and interacting with others. But I have to say my favorite character to write for in this book was Caswen, the young cleric from the temple. She had such a fun `coming of age` story and her character arc really made her feel complete. I wanted to continue writing her even after her story had ended.
This is book two in The Rathen Series. Where will book three take readers and when will it be available?
Book three, “The Battle for Korganis”, is still being written. Rathen will enter Bandark’s strange new world and help fight against the forces of the evil deity. It is shaping up to be quite an epic battle. It may be overly optimistic, but I am hoping for a release near the end of 2019.
A man driven by revenge. Another world in peril. A long-forgotten deity determined to destroy all in its path to ultimate power.
Rathen, ex-captain of the late king’s army, pulls together a team to defeat the evil that threatens them all. The Book of Ziz, with its instructions for protective spells against an evil deity has fallen into the nefarious hands of High Priest Litagus, meaning soon untold evil will reign unchecked if Rathen fails.
Consumed by his personal vengeance for the betrayer in the earlier death of his friends, Rathen travels to the ruins of Ghrakus Castle to enlist the aid of the very being who tried to kill Rathen once before. Only the black powers of this ancient evil can ensure their mission to steal the book back, but can those powers be trusted?
To safeguard his group, Rathen also recruits Caswen, an inexperienced young healer determined to make her mark on the world. Together with Bulo, an ex-gladiator and fellow warrior, Thack, a one-armed half-orc, and Bandark, a mysterious mage from another world, the group heads through the menacing Bramblewood Forest to confront Litagus and his followers.
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Damaged follows Kiera as she is struggling to deal with her painful past and her emotions for a love from her past. What was the inspiration for the setup to this emotional novel?
I never wanted to be a writer. It honestly never crossed my mind. This novel developed because I had a scenario that kept repeating in my head over and over again. One day I figured I would write it down and maybe it would stop. Once I started writing everything began to click together. Kiera is a lot like me. She is very self conscious about the way she looks. She suffers from severe anxiety and PTSD. These are elements that hit close to home with me and my family.
Damaged is a genre-crossing novel with elements of a romance, mystery, and thriller as well. Did you start writing with this in mind, or did this happen organically as you were writing?
This happened organically as I wrote. I actually wrote the scene at the club first and branched out from there. I love books that keep you on the edge of your seat. I’m one of those readers that will put a novel down unless it catches my attention and holds it. I tried to soup that into this novel.
The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
I loved writing about Kiera, but Anna has been my favorite. She’s sassy, independent and knows exactly what she wants.
What is the next book that you are working on and when will it be published?
I’m currently writing Anna’s story. I had to take a break as I entered into the US Army as an Officer. I’m back at it now and hope to have it out before the end of the year.
Ethan can’t forget the day he’d found her, beaten and bloody on the side of the road, barely alive. That one unsolved case changed Ethan’s life as a detective.
Kiera never told anyone what had happened to her the night she’d gone missing. In the aftermath of the attack, she flees town, leaving everything behind. Over time, she manages to build a new life for herself, keeping the painful memories locked in the deep recesses of her mind. But a chance encounter releases them with a vengeance, along with an attraction she never expected to have.
When her past threatens her future, will Kiera be able to trust Ethan to help her once more? Will Ethan still want her after he learns the truth?
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In 17th century Japan, a battle between the shoguns and the Lees raged for a lengthy period of time. The shoguns wanted the Lees to come join their elite army, but the Lees remained neutral and peaceful people. After much harassing, the husband and wife became supreme warriors. The Lees began killing whatever shoguns threatened them. After a particularly violent, gruesome battle with the shoguns, the Lees disappeared into the Oakla Mountains for about twenty years . The mastermind, an ancient wizard siding with the shoguns, commanded what was left of the shoguns to patrol the mountains of Oakla trying to find the Lees. Decades would pass.
In those twenty long years, the Lees raised a son who would become known as “the Master.” Phenomenal genetics would breed an individual who became a far better warrior and stronger fighter then both of his parents put together. In the Master’s infantile years, the mother and father went up on the mountains of Oakla, similar to Moses’ summoning of God, where they asked their God for a sacrifice. He answered, and in return of this sacrifice, he would give their extraordinary son, the Master, the power of immortality in the form of Five Scrolls of Terror. Their God asked for the skin from their baby’s head, a threatening request, but would ultimately create a child who would grow into that of the Master: the Skulled Warrior.
As the Lees returned from Oakla on that twentieth or so year, they got ambushed and killed—an attack decades in the making. When the Master found the bodies of his parents, he naturally flew into a blind rage and killed many shoguns, slaughtering anyone who stood in his way. As he battled on Oakla Mountain, his scrolls disappeared off the mountain and were never seen again. As the Master went to the end of Oakla searching for the ancient wizard for retribution, he came across an ancient hut, and inevitably the wizard and the Master did battle. The Master would ultimately kill the wizard, but he would put a curse on the Master that would remain with the Master for nearly four hundred years. As the Master’s statue, which in reality was the curse turning him to stone, was moved by cult followers and believers, it eventually found its way to New Amsterdam, which as we know, would evolve into present-day New York City.
An adventure unfolds as the Master awakens after a four-hundred-year slumber, masked as a mysterious piece of art, to deal with our current world as we know it. And so begins The Dark Legend of The Foreigner.
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Sudden and violent loss is the introduction to this story, a war veteran and his family fall victim to a tragic and yet seemingly deliberate attempt on their lives. Our main character survives, along with the family dog, but we quickly learn the fate of his wife and son was far more grisly. When local law enforcement fail to provide the answers he seeks, our war veteran takes matters into his own hands. Answers alone will not right this; we follow the recently widowed down the rabbit hole of his own thirst for revenge, strongly driven in his pursuit.
Death by the Jaguar piqued my interest right away, a personal fan of sailing and being on the water, and I definitely enjoyed how often it returned to that setting. Either James Ruby is experienced himself or did his research, as his attention to detail regarding many basic mechanics and proper names surrounding the handling of water craft was on point. His technical skill as a writer shined through once more in regards to setting the scene. Ruby paints a picture well, giving enough focus on the characters surroundings to immerse the reader without putting too much weight in to detail. One aspect that continuously distracted me was his over use of commas. The flow of the story remained choppy throughout, thoughts consistently broken up too much by the trip of a comma.
I feel Ruby did a solid job portraying the scattered and distracted mindset of the main character, writing his portions of the story from a first person point of view. Consistently being pulled into the memories of a war veteran while he doggedly pursues justice for his family shows a glimpse of what it is like living with PTSD. I was a little bit back and forth on how I felt overall about just how quickly he gained his thirst for revenge, with little to no mourning and not even attending the funeral. However, I still felt he wrote this broken character with fair knowledge of human psychology. One thing that caught my attention was that we never seem to catch the name of our main character. I could be wrong and just missed it, but I personally find myself relating to a character better when I at least know their name.
Another issue was the repetitive interactions of Sullivan, an arrogant Chief of the local law. It seemed that with every interaction there was so much focus on this characters need to assert his station of power, his need for it to be recognized. The story itself left me wanting; the entire tale is a build up of vengeful actions, but in many respects it lacks the expected action factor, making it somewhat difficult to stay interested.
I was impressed with James Ruby’s ability to set the scene and draw the reader in, as well as his attention to detail regarding areas that the common person wouldn’t be too educated in.
Pages: 291 | ASIN: B0755JWFNR
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Necessities tells the story of David Lewis, a double amputee Iraq War veteran who has taught himself to box and run half-marathons. David is bitter and angry but determined to succeed despite his injury. He has a promising career as a reporter for the Cleveland Post. His life is turned upside down when Cordelia Lehrer, with whom he had a brief fling in college seeks him out. Cory’s father is the publisher of a chain of an ultra right libertarian newspapers. Cory is looking for a newspaper man who can win her father’s approval and father an heir. David buys into the arrangement and finds himself in the middle of dysfunctional family wars and an increasingly difficult marriage, especially after young Tony, the heir, is born.
Coming in November 2017
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In Typhoon of Fire we follow Ace Mcdagger who teams up with Captain Loxwell of November squad to rescue her teammates scattered in the forests of Malaysia. What was the inspiration for the setup to this thrilling novel?
During Call of the Conjurer, when the characters were new recruits to the hidden world of modern, magical combat; they spent a lot of time in a regulated, clean environments. The characters were usually safe. I wanted to go the opposite way in Typhoon of Fire. I wanted the situation throughout to be very rough, challenging and dangerous. My very first thought, visually, was of Vietnam era war films like “Platoon” and “Apocalypse Now”.
The jungle is wild and hostile, and Malaysia is a location brimming with different environments which greatly inspired the events throughout. The characters explore flat, arid plains and damp rainforests, a rundown laboratory overrun by plants, an abandoned mine, a floating fortress above the clouds… I had a great time using colour schemes to set the mood. The use of natural environments also helped me to emphasise major themes in the book. Subjects such as ‘corruption of life’, ‘man versus nature’ and ‘Hell on Earth’.
I felt that the novel was very well paced and kept me engaged throughout. Did you plan the novel as you wrote or did it all happen organically?
It happened organically, for the most part. From my perspective, Typhoon of Fire is a prequel to another book I have written – but I decided it would be better to publish them chronologically. Certain events had to happen in Typhoon of Fire, and with that in mind I just had fun writing what I wanted: a creepy science-gone-wrong scenario!
Developing the supporting cast and their stories happened organically as well. They were new characters, who would not necessarily be seen again; so their personalities, roles and fates were all blank slates. I enjoyed unravelling these characters, adding little twists to their personalities to surprise the reader. A lot of the characters are very different people by the end of the story, for better or for worse. I suppose in essence, the main plot of Typhoon of Fire was an after thought for me. The subplots, however; the individual character arcs which pave the way for future instalments, are the real meat and bones of the book. Away from all the magic and sci-fi, this is a book about humanity and frailty.
Ace, Shimon, Tiffany, and Loxwell have brilliant dialogue and they feel like living characters. What things did you focus your character development on to bring your characters to life?
I absolutely adore writing flawed characters. I like my characters fumble their dialogue, on occasion, or misunderstand information given to them. It makes them more human, to be far from perfect. I enjoy the concept of the “unreliable protagonist” and bear that in mind when I write. Sometimes the characters make mistakes, and sometimes they lie, even to themselves. They are supposed to be human, despite any super human magical powers they possess. Careful dialogue keeps them grounded and relatable.
What is the next novel that you are working on and when will it be available?
Tricky one! I actually have two books in the proof reading stage now. One is a direct follow up to Typhoon of Fire, called Bloodfest, which was the book I had written before this one but decided to release later. The other book I’ve completed is a supplementary story called The Sardonyc, which focuses on the Science Department mentioned throughout Typhoon of Fire. The Sardonyc is a very different book to what I have written before, but it is still within the same self contained universe.
Bloodfest will be a straight up action horror / macabre comedy, continuing the adventures of Ace Mcdagger. He is more grown up and world weary by now, and is deployed to a mysterious island to dispatch a rising army of the undead. Definitely one for zombie fans!
The Sardonyc is more of a psychological thriller, about a troubled new character named Sidney. He is part of a research team stuck on a ship in the middle of the ocean, and everybody is slowly going mad. Sidney must figure out why it is happening before he succumbs as well, and there are plenty of twists along the way.
I hope the Literary Titan will review my next book soon – whichever one is out first!
Three years after training; learning about magic combat and of monsters that terrorise our world, soldier Ace Mcdagger and his allies join Captain Rafaella Loxwell of November Squad for a rescue mission. Her team mates have been scattered following a disastrous attempt to seek out a rogue scientist deep in the forests of Malaysia. Their path is mired by many obstacles; treachery, psychic warnings, scientific abominations, and an overwhelming storm – the Typhoon of Fire, slowly closing in on the region without a known cause.
Worst of all, Ace has to contend with a personal challenge – keeping his mad cousin out of trouble.
Can Captain Loxwell save her team mates and complete the mysterious mission? And will Ace and his friends survive out here in the midst of true, heated battle?
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Decades after the fateful battle with the ruinous shadow monster, the Neverlanders are living comfortably in the afterglow of victory and harmony. As families grow and tribes evolve, the congruous balance amoung civilizations has nourished fairies, men, and mermaids alike. All good things must inevitably come to an end though, and with the abruptness of a sudden treacherous storm, the Neverlanders once again find themselves prey to a cataclysmic force, an invading army of Malomen. Author Juna Jinsei returns to the Neverland series with Underlord of the Netherworld, once again brilliantly melding age old wisdom and youthful spirit into this daring tale of life after Peter Pan.
As a fan of the first title in the series, The Essence of Neverland, I had naturally high hopes for this sequel. There was a charming poignancy to the first book, as impactful as it was impressive. Author Jinsei certainly did not disappoint with the caliber of thoughtfulness infused into this followup story. The profoundness of self-discovery is every bit as present, although the lessons themselves have shifted somewhat. Again, I really have to applaud Jinsei’s remarkable talent for exploring significant themes with such clever insight and casual relatability.
Although Underlord of the Netherworld may be lacking some of the more macabre moments entailed in its predecessor, the story is still steeped with hearty action, interjected on occasion by gut-wrenching moments of tragedy. The invasion of Malomen, a swarthy society of bloodlusting sea creatures, has brought with it the tides of war. Despite the love and unity shared among the Neverlanders, the cruel reality of battle leaves many villages devastated, ravaged by the unwelcome army. These passages were particularly moving to me, written with such vividness and sincerity that I couldn’t help but to imagine vast cities of war-torn wreckage, not unlike those we sometimes see on the news. In fact, much of the conflict within The Underlord of the Netherworld can be paralleled to our society’s current political struggles. Despite their progression and intelligence, the Malomen have little regard for the lives of the foreign land-faring civilizations, seeking to claim those territories as their own. Their lust for conquest is driven by greed, and fueled by ego, pride, and racial tension. I was incredibly impressed at Jinsei’s ability to craft such strong parallels to modern society, while remaining loyal to the setting and tone of Neverland and its inhabitants.
True to the style of the first novel, Underlord of the Netherworld earnestly explores the powers of communication, compassion, and community. Without spoiling any of the juicy bits, I will say that the resolve comes together beautifully, with a respectful nod to the opening title. It is almost incomprehensible to me how casually Jinsei weaves the severity of self-discovery into the light-hearted nature of the characters. Without being too stuffy or, alternatively, too childish, Underlord of the Netherworld is the perfect balance of altruistic deeds and daring actions. I’d happily recommend this book and will be crossing my fingers for the next title in the series!
Pages: 248 | ASIN: B06XS121SH
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Adam’s Stepsons follows Dr. Heimann as he designs the perfect soldiers for the United America’s in their war against the Martian colonies. What was your inspiration for the setup to this interesting science fiction story?
At the time I wrote the kernel of the story, I was working in a used bookstore and devouring all the short stories and novels by Phillip K Dick and Robert Heinlein that I could lay hands on. I was (and still am) fascinated by questions of “what is reality?” but I was (and still am) also intrigued by the question “who am I?” not only in terms of shared realities and perceptions but also ethnicities, religions, and personal relationships within the family. The sense of self is inextricably bound with community and history; my own family history, for example, is filled with generation after generation of soldier in nearly every major conflict since the 1680s. So I knew that I wanted the story of Dr. Heimann and his clones to take place during a military conflict of some sort. The US made it to the Moon first, so I figured any Moon Base would be set up by a future version of the US. But the rising powers of India and China would necessarily lead to competition and colonial expansion elsewhere in space. So I based the UAAF on the Moon, India on the ISS, and China (basically) on Mars. But something has gone wrong, as it usually does, and that sets off the conflict.
I should point out that, when I initially plotted the story and sketched out the characters, Dolly the Sheep hadn’t been announced, Battlestar Galactica was a late ’70s TV show starring Lorne Greene, and “The Clone Wars” still consisted of a single line spoken by Obi-Wan Kenobi. So as much as I’d love to say that I got the idea for soldier clones from the current zeitgeist, the underlying premise of Adam’s Stepsons actually predates the trend. My high school library had beat-up copies of Nancy Freedman’s Joshua, Son of None, and Ben Bova’s The Multiple Man, so it’s likely I internalized elements from those stories and subconsciously reproduced them in my own story.
Dr. Heimann and one of his cloned soldiers, Seth, have an intriguing relationship that becomes very deep. What were the driving ideals that drove the characters development throughout the story?
Dr. Heimann prides himself on his scientific bent of mind, but he struggles to cope to grips with the fact that he basically has no family left, and as Seth grows and begins to develop a real emotional attachment, the doctor desperately tries to push away the feelings he had for the person Seth is clone of. Meanwhile Seth has been trained (“brainwashed,” as the doctor puts it) to be an efficient killing machine, and his need for order compels him to seek out and eliminate anything unknown or unreasonable. Yet he, himself, can’t help feeling strong conflicting emotions, first toward the doctor and then toward his fellow clones. Both characters are driven to discover, deep down, who they really are as people, outside their rigid societal roles as scientist and soldier. Dr. Heimann knows that Seth is not his real son, but can’t help treating his stepson’s clone familiarly because it reminds him of what he has lost. Seth has been “programmed” not to think of anything other than army orders, but he can’t shake the sense that there is more to who he is as a person. Finding out he is a clone, and who his “brothers” are, is the trigger for the final confrontation.
Science fiction has always asked the ‘what if’ questions, but I feel that your novel went a step further. What were some ideals you used in building your story?
My original intention was to investigate not just the “what if” of human cloning (i.e., how would this be done? how would the clones grow physically and mentally?) but also the “what is self?” to a cloned human being. The scientists argue that personality is partly inherited and partly environmental; so if you were to make several different clones of one person and then controlled the information input, they would all become the same person. But personality also consists of emotional attachments made with other human beings on a deeper social level. Human beings are social animals; we need other humans to survive and thrive, and without others we have no clear sense of who we are and what our purpose is. So in order to examine this in a futuristic setting like a clone facility on the Moon, I needed to have a reason for making clones in the first place, plus other people who would provide the clones with that social environment. Once that was established, the real question became “Is what we’re doing morally ethical?” The military paying for the clones display classic cognitive dissonance, by using people they claim are not really people but know they actually are, in order to win what they call a morally righteous war but actually is destroying their entire society. Yet the General clearly also feels a sense of internal conflict, feeling obligated to protect every member under his command, including the clones, and also knowing through his friendship with Dr. Heimann who the clone really is and how this might affect his friend. Ultimately, I was interested in making sure none of the characters were typical “scifi” stereotypes, that they had ideals but were deeply flawed people, and ultimately would find themselves trying to make the best of what basically could turn out to be a lose-lose situation in the end.
What is the next book that you’re working on and when will it be available?
Right now I have a couple of projects I’m working on in various stages, but the one most closely related to Adam’s Stepsons is a metaphysical science fiction series set mostly on Mars. The first book is called Bringer of Light; a crew of ethnically diverse and somewhat misfit asteroid hunters recovers an extra solar object from beyond the solar system, experiences physical and spiritual changes, and ultimately becomes the new leaders of the united Mars colonies as they break away from the old political chaos of Earth and form a new society. The story combines hard science with various mystical systems of belief, ethnic and religious sense of self and identity, and international/interspacial political intrigue. I’m about a third the way through the initial draft; the aim is to finish writing by the end of summer 2017, and have an edited, polished manuscript done by spring 2018. The next two books (Defenders of Aeropagus and Return to Omphales) have already been outlined and plotted.
Dr. Johann Heimann designed the perfect soldiers: superhuman in strength and intelligence, immune to sickness and disease, programmed to lead the United Americas to a quick victory in the Mars Colony War. But Heimann didn’t anticipate the military’s unrealistic demands, or his own emotional responses to his creations. And now Number Six is calling him “Father”! What exactly is going on during the clones’ personality imprinting cycle? As Heimann starts his investigation, Number Six grows in confidence and self-awareness…and both discover the project hides a secret even Heimann, himself, doesn’t suspect…
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End of Knighthood Part I: The Chess Pieces by Joshua Landeros is a ripping tale of military science fiction. The novel follows the continued struggle of William Marconi a cyborg super soldier as he continues to figure out his place and duty as a soldier and knight in this futuristic warzone. Will ends up joining the resistance movement. Fighting the UNR, the new world government superstructure, or curbing its growth becomes the center of conflict. Chancellor Venloran is the locus of these plans and wishes to destroy his enemies completely. Can non-UNR countries survive the rising tide and hardened troops? The principal question is, what will Will do to make up for his past transgressions on behalf of his former role?
Landeros paints a picture worthy of the classic military science fiction writers in their hay day. Robert Heinlein’s Starship Troopers can be felt in every leap of Will from rooftop to rooftop. He masterfully borrows what made these novels great by their action and dialogue. One of the strong parts of the End of Knighthood is not just the fantastic action, but the dialogue between the soldiers is some of the best I have ever read. This is what keeps these soldiers human and what makes them instantly relatable to the reader. Sure, it is cool to read the amazing action scenes that Landeros crafts, but in the quiter moments we get to see how these individuals struggle with their in between status and their struggle in the midst of war.
As far as action goes, you can’t get too much wrong when you have cyborg on cyborg action, but Landeros takes painstakingly careful steps so that the reader does not become lost in the rain of bullets and blows. We are able see every body fall, but we are also able to see the glimpses of humanity from these soldiers as they reflect later their deeds. Will, the main protagonist, and one of the few carry overs from the previous book, is one such character that we get to see who continues to develop.
In our current times of political upheavals and nation states, one would think a book such as End of Knighthood would be hard to swallow. The UNR seems to be something that could occur in the not so distant future, but with the addition of these tech enhanced soldiers, Landeros has given the reader enough of an escape to enjoy oneself rather than wallow in more reality. Despite having a military science fiction bend, the novel could appeal to anyone looking for an action centered yarn along with some political thriller overtones. The genre blending on Landeros’ part is spot on and should please a wide variety of readers.
All in all, the reader may lose some sleep going through one battle scene and turning the page for another, but it is sleep happily given up. I look forward to the next installment of the Reverence series.
Pages: 233 | ASIN: B06ZZCDJ44
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