A young American physician Dr. Scott Fitzgerald from Pennsylvania sets out on a journey to fulfill his fathers dream by returning to Afghanistan where his father Bryan had spent nearly twenty years as the first American in that remote kingdom. Bryan had befriended Prince Akbar, the hero of First Anglo-Afghan, and won the hearts and minds of Afghans receiving a golden sword and the title of the American Prince. Like his father, Scott wanted to take the Declaration of Independence and the American Constitution to the farthest lands of the world. Following many adventures he joins Prince Ayoub, the hero of the Second Afghan War.
Scott travels from Philadelphia across Europe, Russia, Afghanistan, India to the Far East. He returns with lessons learned and truths he discovered and writes them in this book to reach the present and future generations. He regards the American Republic as an indestructible fortress of freedom and democracy that all extremes of left and right factions are inevitably drawn back into the fortress of ‘Immortal Ideas”, built by their forefathers with their genius, their fortunes and their lives. Scott believes, as Americans we have never claimed to convert or to rule the world. We just want for others to have the same inalienable rights of life, liberty and pursuit of their own happinesss.
Scott quotes a great American, The Constitution of the United States is the impassioned and inspired vehicle by which we travel through history. It grew out of the deepest inspiration of our existence that we are here to serve Him by living free. That living free, releases in us the noble impulses and our best abilities so that we use these precious gifts for good and generous purposes and that we will secure them not just only for ourselves and our children but for all mankind.
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Stella Ryman and the Fairmount Manor Mysteries, by Mel Anastasiou, is a series of dramatic detective mysteries. The novel contains four different detective stories, each of which are interconnected yet independent. In addition to the stories, the opening of the book contains an interesting philosophical and logical argument. It also gives a hint to some of the content of the book. Anastasiou does an excellent job of providing depth to not only the characters and their actions and motivations, but also in the general style of her writing.
The novel practically seems to drip with British style. So much so, that without careful reading and generous knowledge of Canadian and American culture and institutions, most readers will probably assume that it is set somewhere in Britain instead of actually being set in Vancouver, British Columbia.
Having read her, Stella Ryman engenders the same feelings as most Dorothy Sayers detective stories. However, there are some subtle differences between the style of Stella Ryman and the British detective novels of the 19th and early 20th century. Those old stories tended to deal with a static, aristocratic society, police forces that were not corrupt, but were certainly not in any position to solve the case, and a lack of emotion among the affected cast of characters. Stella Ryman is similar and brings in other classic mystery themes: a senior care home provides a rather static environment (even though the residents may invariably change from time to time), the managers of the care home are bumbling but not corrupt, there are no supernatural causes in the story, there is a secret passageway, and Stella has a tendency to honestly declare her thoughts, intuitions, and deductions.
There are also significant tie-ins to American pulp detective novels as well, primarily in the commonality of the characters (there are almost no aristocrats and most people are average and middle-class) and the feeling of inevitability—that truth will out and that justice will be done. Overall, Stella Ryman seems to fit roughly a quarter of the way between British and American writing styles—perfect for Canada.
Stella Ryman, as a character, is quintessentially heroic — in the classic sense. At points throughout the book, it appears that Anastasiou is reading Campbell’s The Hero with a Thousand Faces as she is writing her own book. In the beginning, Stella refuses the call to adventure (being a detective), is completely content with her own mortality, and is merely waiting to die. Eventually, she realizes that there is a third option—something besides life and death. As a side note, herein lies a common theme within the novel, the breaking of logical fallacies—ad hominem, false dichotomies, circular arguments, causal fallacies, and hasty generalizations being the most common. Stella, after making her third choice, is confronted with supernatural assistance (Mad Cassandra, whom is herself rife with mythological allusions). Stella runs across a few other mentors along the way, makes a deep, personal transformation, and returns with a gift for her fellow residents: the ability to make life worth living again.
Overall, this book is an excellent read, full of colorful characters. Stella Ryman and the Fairmount Manor Mysteries, is appropriate for teenage and adult readers. Although younger demographics may have difficulty with some of the allusions and references that are peppered throughout the book. Younger readers may also have difficulty relating to an octogenarian, but Stella’s tenacity is something certainly worth emulating. There is no obvious sexual content (there are hints, however) or illicit drug use, there is some personal violence, and a lot of discussion of heavy, emotional and existential topics.
Pages: 151 | ASIN: B06XTG2GWJ
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Voice of a Crimson Angel is an intimate and thrilling story that leads up to your debut military science fiction book. What was the inspiration that made you want to explore a prequel?
Creating VOCA was something that was on my mind for many years, but it seemed too monumental a task to handle. It wasn’t until I was in the midst of writing Ballad of Demise that I began to see a grand tale in the making. I took that single scene of Julissa Marconi from Reverence and then imagined what her life had been like up to that point and after. That was the only push for the new trilogy. Many reviewers asked questions about how the characters got to where they are, so I figured it was an opportunity to give them answers. It turned out to be a fun experience.
Your currently studying history at the University of Riverside. How has your major helped you write your story and develop your characters?
A TON. The sad but fascinating aspect of history is that the story of the oppressed vs. an oppressor is a familiar one. From ancient Rome to the Spanish Empire, to the British and French empires, superpowers have always had their reign unimpeded for decades before eventual collapse. I wanted to build up the history of the United Nation Republic before it too faces its ultimate crisis. Whether it is still standing when the dust settles is to be determined in future installments.
I also drew influence from the revolutionaries of old, people such as Che Guevara and George Washington. Once the VOCA trilogy is completed, I believe people will see the connections in a new light. History was also a valuable tool in discovering how a revolution starts. First come the words, then the fight to crush those words, and then bullets. The term ‘regime change’ is one perhaps not widely known by the average person, but it is an unquestionable factor in global history. The U.S. has often played a pivotal role in such operations, among them Guatemala, Vietnam, and Iran. The more I read, the more The Expansion seemed very possible.
When writing, do you look at current events, and use them as a springboard for ideas or try to incorporate them into your story?
Current events play a big role most definitely. In VOCA Part I, we see a world where warfare is basically common place. The majority of the people either ignore or don’t care about the conflicts abroad. Once again, I looked to the U.S. The U.S. has been involved in some sort of war for almost its entire history, from the Civil War, Spanish-American, the World Wars, Korea, Vietnam, Desert Storm, and now the war on terror. Vietnam was the first U.S. war to not split the American conscious on a massive scale. Since 9/11, the U.S. hasn’t slowed down its war game, now in Niger, Syria, Iraq, Afghanistan, and other countries. Despite this, there are no longer large protests confronting this reality. As we listen to music and watch the latest films, the war machine goes on expanding.
These issues, primarily our war driven economy, were the focal points for me in writing the VOCA trilogy.
Any chance you’ll write a prequel that shows the rise of Chancellor Venloran? Kind of like how Star Wars episodes 1-3 showed the rise of Darth Vader? In either case, what do you think that would be like?
I actually have played around with this idea, and the framework is definitely there. I can imagine a young Venloran who sees his country struggling and decides to act. In a way, he’d be comparable to Joseph Halsey, which would be a great foil. It would take time to plan out, especially since I have much planned for the Reverence series. The idea is very tantalizing, though. As of now, I’ve only hinted at the rise of the UNR. For this envisioned ‘prequel-prequel’, I would go in depth to the formation of the UNR Party itself.
The evilest of deeds start with the best of intentions.
Julissa Marconi’s life has never been quite the same since her husband slipped into a coma. Her relationship with her daughter is hanging by a thread, she’s lost all her friends, and she’s retreated to the bottle amidst her sorrows. Truth is, Julissa is struggling to find a reason to wake up in the morning. That all changes when the mysterious Dr. Neeson offers her a chance to discover the truth, and reclaim her life. With the help of the scheming Captain Halsey, Julissa finally has a reason to fight again. She’ll have to act fast, however. Her nation, the United Nation Republic, is hungry for aggressive expansion and the ravenous Chancellor Venloran will stop at nothing to achieve his own twisted goals. Return to the world of the Reverence series with Voice of a Crimson Angel Part I: Persecution, the long-awaited story that sets the stage for the entire saga.
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I Spy with My Little Eye analyses and discusses our changing behaviours as a society. Why was this an important book for you to write?
This book was important for me to write for three different reasons. First, on a personal level, researching and writing this book has helped me think through a number of concerns that have been in the back of my mind for a while about the direction in which our society is heading. As a result of this process, I’m more convinced than ever that I, as a parent, need to make active choices that go against some of today’s societal trends if I’m to provide my children with a sensible worldview and a solid starting point in life.
Second, I find it worrying that there isn’t greater debate about the values and norms underpinning our society. I think we need to acknowledge and perhaps rethink many of our behaviours if we wish to solve some of the symptoms of ill-health that are plaguing our societies, such as stress and anxiety, financial indebtedness and shallow aspirations. It’s difficult to change course if we don’t know where we’re heading. Acknowledging the problems is therefore a good start. I raise a lot of issues for discussion in this book and it’s my hope that it will be used for spurring debates in schools, book clubs and other places.
Finally, as I see it, questions around morality have too often been outsourced to, and monopolized by, organized religion. What I want to show by using the seven deadly sins and seven heavenly virtues is that being religious is not a precondition for being concerned about, and engaging in discussions around, morality.
This book uses a combination of statistics, quotes and recent topics to illustrate various points. I thought the research was outstanding. What was one thing that surprised you while you were researching this book?
On the whole, the data I used in the various chapters supported the hunches I already had about the issues I raise. In that sense I wasn’t particularly surprised by what the data showed. That said, I was still horrified to have my suspicions confirmed, especially when it came to statistics concerning children, such as the large amount of time they, on average, spend in front of screens, and the little time they spend outdoors.
This book looks at some of the problems affecting Britain s society today. Is there a problem that is unique to Britain? What is a problem that is shares with the world?
Although I’m drawing on material mainly from the British context, the issues I’m discussing are applicable to many more countries than the UK. I would argue that much of what I write about are trends found across the Western world. For example, in the first chapter titled Pride I discuss how today’s ‘celebritisation’ – the increased celebration of celebrities – affects the aspirations of young people towards careers that come with fame and glamour. This trend is far from unique to Britain. Seeing, for example, that the reality TV series Keeping Up with the Kardashians is apparently aired in 167 countries, I would say this issue is rather widespread.
Also, the role of the West as a predominant exporter of popular culture and information means that the norms and values we experience today in Britain may well be the norms and values experienced across the developing world in the years to come, if they aren’t already.
I think it would be a worth-while exercise to organize cross-cultural debates around the issues I raise in this book. For example, it would be interesting to set up panel debates at universities for students from different countries to discuss commonalities and differences in how they perceive values and norms playing out in their respective societies.
I understand that you currently live in London, but you’ve also lived in various other countries. How has this affected you as a citizen?
I was born and raised in the Northern Swedish countryside and I have moved many times as an adult, both within countries and across countries and continents. For over a decade now I’ve called England my home; starting off in London, moving out to the Essex commuter belt, and more recently setting up shop in rural Devon.
These moves have naturally altered the mirrors in which I see myself in relation to other people and cultures. Each time these contextual mirrors have changed I have had to step out of autopilot mode and take stock. In that sense, I think the many moves have made me wiser and more understanding as a person. They have also added a comparative perspective to my societal observations. For example, I think I have a better grasp of American politics because I’ve lived in both Montana and Washington D.C. And, I think I understand European geopolitics better because I’ve called Sweden, France, Spain and the UK my home.
On the other hand, I would probably have exercised a louder societal and political voice if I had stayed in my home country. Being an immigrant comes with a natural wish to blend in, and to be accepted. Especially after Brexit, I have sadly found myself adding things like ‘my husband is British’ or ‘I’ve been in England for many years’ when I meet new people simply to justify my existence in this country. I must also admit that I’ve had a fear when writing this book that people will think ‘who are you to come here and judge us?’ I sincerely hope the book won’t evoke such feelings.
What is the next book that you are writing and when will it be available?
In my next book I highlight the Western world’s evaporated trust in politics, business, and international institutions and argue that we need to tackle this lack of trust through greater focus on integrity and honesty in public life. I shed light on a number of the mechanisms believed to induce integrity through interesting (and hopefully amusing) cases from around the world, including whether Donald Trump’s fibbing can be stopped by naming and shaming, and if FIFA’s culture of corruption is finally an issue of the past. My intention with the book is to re-package academic research into an approachable format and let interesting cases bring the theories to life.
The book is only in its research phase so it won’t be ready for publishing for quite a while still.
Which direction is our society heading in? Does it provide a good enough nurturing ground for the next generation to flourish? Is it time we took a good look at our values and behaviour and changed course? Dr Linnea Mills offers a frank discussion about the prevailing norms and values in today’s Britain, interpreted through the seven deadly sins and seven heavenly virtues. She tackles head-on topics as diverse as celebrity culture, work-life balance, immigration politics and economic divisions. This is a book for anyone with a keen interest in society, philosophy and politics. Get inspired and join the debate.
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I Spy With My Little Eye: A journey through the moral landscape of Britain, written by Linnea Mills, is a novel written in an attempt to understand the morals, norms and values held by Britain’s current society. It is based around the seven deadly sins and seven heavenly virtues and uses these ideas as metaphors for the current issues present in society. There is a combination of statistics, quotes and recent topics to illustrate the consequences of economic divides, celebrity status, money, power and greed. It will leave you wondering- what is your interpretation of wealth, happiness and success?
I Spy With My Little Eye is a masterpiece that analyses and discusses our changing behaviours as a society. Prepare to reconsider your personal views and be confronted with statistics and studies that prove just how much of our lives are shaped by media, “celebrities” and power.
It challenges the norms held by today’s social standards and instead encourages the reader to consider whether the behaviour we partake in is a reflection of our true intentions and beliefs or are we just following the crowd mentality. It also pushes you to contemplate whether your behaviours actually contribute to any form of personal or societal gain. At times I felt as though I could see the world in a new light, especially reading alarming studies about what children aspire to be or the implications of the celebrity phenomenon on our culture and identity.
Even though the chapter titles are based around Christian values, the author stresses that this is not a religious book and instead uses these sins and virtues to simply reference problems in Britain’s society- with a cheeky nod to our internal moral compasses. At what point does wealth become an addiction as opposed to a simple goal? And is it moulded by society or what truly makes you happy?
One of my favourite chapters was one that discussed Envy. With social media being such an integral part of most people’s lives, it was interesting to see the comparative statistics of happiness between those who continued to use the social media platforms or compared to those who gave them up. It also discusses trolls, consequences of online abuse and the implementations of social media on politics.
I was impressed at the depth of knowledge presented in the book as well as the sourced quotes and studies. The staggering statistics are mind-boggling and emphasise the manipulation of greed in positions of power. Linnea Mills also uses current events and trends to strengthen her arguments further and increase the validity of her ideas.
I would recommend this book to anyone and everyone! It a perfect balance of social issues, philosophy and facts, combined to create a piece of literature that challenges your belief on what makes you innately happy.
Pages: 145 | ASIN: B077PLR3FK
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“Where shadows of past sins are revealed in the Light”
Abandonment. Dark Amish secrets. And an unforgettable romance between the daughter of an American minister and a famous British music producer tormented by tragedy.
When magazine editor Faith Edwards must take an assignment away from her tightly controlled life to travel to London—or else—she is not prepared for the series of unfortunate events that follow, or her intense attraction to David Ashton, a man who condemns all in life that she holds dear.
Set against the haunting backdrop of Cotswold, an English medieval monastery nestled high against the raging sea cliffs, and spanning an ocean’s width of unrequited love, Faith and David are forced to battle their greatest fears—unwittingly setting themselves on a course to bind their fragmented hearts together.
But will the dark chains of bitterness, not so easily broken, threaten the light of their future?
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Stygian is a collection of poems that are presented as a poetic autobiography. Why was this an important book for you to write?
Great question. As you know the biographical material in Stygian shows that I had a very disturbing childhood, and the things that happened to me then have weighed on my mind for many years. I had to write this book in order to get my feelings about this stuff off my chest before I could ever write about anything else. Since the release of Stygian, I have written poems about the gold rush, politics, war, the discovery of King’s tut’s tomb, and so much more. I’m really interested in historical stuff right now. Stygian opened up a doorway of creativity to me by releasing me from the past. In writing this book, I learned quite a bit about the craft as well as myself.
My personal favorites are “The Man in the Box” and the “Endless Tunnels of Darkness” which are beautifully descriptive. What was your favorite poem in this collection?
Wow, let’s see. I love to utilize nature and animals in my writing so a couple of my favorites are “A Forest Called Madness” and “The Elusive Bird,” as well as “Lies Kill,” which features a purple elephant.
What I like most about this book was that it was frank and dark and didn’t hold back. What do you hope readers take away from Stygian?
I think that there is a stereotype attached to poetry that it is always lovey-dovey, flowery hillsides, and blue skies, but that certainly was not the case with Sylvia Plath or Edgar Allan Poe, nor is it with me. I hope that readers will see how powerful poetry can be and range of emotions, thoughts, and ideas that can be expressed in verse. Furthermore, I hope to inform the uninformed, but most of all I hope to touch a wounded soul, so that they know they are not alone, that no matter how broken one’s life seems there’s always the choice to build something beautiful from the ugly pain.
What is the next book that you are working on and when will it be available?
Since the release of Stygian, I have finished a complete autobiography, and compiled another collection of poems. I am also working on a full-length novel called Broken Homes. I’m usually working on a few projects at a time. Most recently, I had a short story called “A Murder of Crows” published in the British horror magazine, Morpheus Tales. I’ve had several other short stories and poems appear in on-line publications. Two of my poems have been accepted for a poetry anthology to come out sometime this year. I’m hoping to get a release date soon. My dear grandmother maintains a blog for me, where I post about my current life and opinions, give updates about my work, and talk about writing techniques.
Poverty, drugs, child abuse… The streets’ incarceration… Questions of life and contemplations of death, Stygian is the darker side of poetry collected from teen years into young adulthood and composed in homeless camps, churches and a jail cell. The emotion is raw, the poetry is real.
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Across the Realm: When Two Tribes Go To War is the second book in the Across The Realm series that continues the overall story yet is able to stand on it’s own. What direction did you take in this novel that you felt was different from the first book?
In the first book I was introducing my story and how the war that my series is based on came to be. I was giving background information and introducing the main characters. I was also describing this Earth of the 27th century. I knew then that I would write the consequent books in the series based on each territory of the North. There is a book for each one coming.
When Two Tribes go to War is based on the war front of The Arab Territories. That gave me a chance to develop the Arab Territories, show my readers their way of life and their belief systems. I wanted that unique feel of the Middle East.
I created new characters and a new story for the North. I kept my Southern characters intact from book 1. I didn’t use all the Southern characters because I split them up. In each book in the series, four or five of my Southern characters will get center stage. The series gives me a chance to develop them so that the reader gets to know them better.
I would say that When Two tribes go to War goes straight into action and stays there. There is no need for background information because the first book, Across the Realm Life Always Finds a Way had already dealt with that. I could increase the pace of war without being encumbered with explanations. I loved that.
You have a fantastic ability to create three dimensional characters. What was your favorite character to write for and why?
I love all my characters. In fact, I am very protective of them all. But, Khadija stood out for me. She came to me very softly. (I totally believe my characters introduce themselves to me.) She was meek and didn’t have a story to tell for a while. And then she rose and shared with me her past, her present, her strengths and her weaknesses. I fell in love. She lives in a very masculine world and was a child bride whose husband raped her. But, she retained love and compassion despite her hardships and in the war she found her strength. She was a surprise to me. I had not expected her to develop that way.
What science fiction novels or writers do you feel most influenced you?
I am going to make you laugh at me and admit that I have never read a single scifi novel. Ever. I am however a trekkie to the day I die and I have all of Battlestar Galactica in every way that I could store it. I am a scifi movie or cartoon or comic junkie. Anything scifi and I am there.
My greatest influence in writing. Stephen King. He weaves a world and characters that blow my mind. I read everything he writes and I watch every Stephen King based movie. The shocker is that I don’t like horror stories. His books keep me awake at night, absolutely frightened out of my mind. And that is why I am a fan! That is amazing writing. When I grow up, I want to write like him.
Besides Stephen King, I will have to hand the baton to Suzanne Collins’ Hunger Games. That trilogy blew my mind. I like to think though that the authors who influenced me the most were British Author Enid Blyton of the Famous Five series and William Shakespeare.
Where does book 3 in the Across the Realm series take readers?
Book three, The Land of the Forefathers takes readers to the war front of Asia! The Asian territories get a spotlight. The themes are slavery, heredity and so much more. I must warn my readers that this is a dark story. It is very dark.
Isobel Mitton seamlessly weaves in love, humor, betrayal, loyalty and brutality in a new fantasy novel that stands uniquely on its own. This is one of her best new science fiction books. Across the Realm 2: When Two Tribes Go to War is a reflection from the future that hits close to home as the reader comes to realize that this future world is not so different from our own. There are many fiction books on sale. However this is one of the best science fiction books because it has action, adventure, fantasy, diversity, technology, and more.
One of the most exciting parts of this tale is its subtle exploration of larger current societal issues like racism; the fuzzy lines of ethics created by scientific advancement and the unwillingness to compromise with those we view as “different” in a futuristic landscape. This Science Fiction Space Adventure will not disappoint.
Across the Realm 2: When Two Tribes Go to War is a science fiction short story about complex relationships that endure trying times and experiences. Forbidden love, illegitimate pregnancy, strong childhood attachments, betrayal, abuse, and bastard kings reminiscent of the Game of Thrones, all complicated by the rules of a rigid society makes this latest instalment of the Across the Realm franchise difficult to put down.
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Fleeing the Shadows is a satisfying follow-up in the continuing Dangerous Loyalties series by Phyllis A. Still. Continuing only days after the events of the previous Defiance on Indian Creek, we are swept away as our brave, thirteen-year-old heroine, Mary Shirley, must flee with her family deeper into the Kentucky frontier. They seek to escape the British loyalists who dog their every step, but as they run farther from colonial territory proper, the family finds themselves in equal peril and at the mercy of Native American braves. Mary’s Papa relies on her to do what is right and help protect their family.
Having read the previous book in the series, this was a welcome return to the world of Dangerous Loyalties. Still has a great YA voice that carries the reader away with her pages. The novel has a faster pace to it, considering the family is always running from something and danger seems to lurk around every bend. For a historical YA novel, Still does not hold back on making sure that we feel the desperation of the family in every chapter. This anxiety is only enhanced as the family drives deeper into the wild unknown North American frontier.
Still keeps the reader much more on the edge of our seat with this narrative, because the stakes or that much higher. If the first could be called a ‘slow burn’, this can be called a ‘flash fire’. The story rips right off the page. The setting of the summer of 1775 keeps the historical urgency matching the urgency of this very personal story, but the overarching nationwide feelings are much more muted in this second book of the series by virtue of the very present danger. At times the narrative leans on the setup of the previous too much to be a true standalone narrative, but as a second book it works perfectly well enough.
Mary continues to carry the bulk of the family’s worries as her Papa makes increasingly difficult and sometimes questionable decisions of what they should do, while running from the loyalists, even while Indians shadow their every step. Mary is still dealing with the emotional turmoil after delivering the dispatches and her Papa only makes this worse. Overall, Fleeing the Shadows is a stirring, nail-biter of a read and will be sure to please fans of the first book of the series.
Pages: 212 | ASIN: B072C23D6R
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Book 3 in the Dreadnought Collective series returns to the home of Terry and Sandra Tumbler. Terry and his wife plan a return holiday to Turkey, recalling their last visit with their grandson, Seb, when his tour group from the Sombrella Syndicate got into trouble in the underground city of Derinkuyu. They’d like to go again to see it at their leisure. Terry invites several couples who had accompanied them on an earlier visit to Santiago. Since they’d had trouble on that particular tip, Terry sweetens the deal by booking a luxury version of fast-travel flying cars, colloquially known as “potties,” to speed them on their way.
On arrival in Istanbul, the five couples embark on a grand tour of historic sites on a large coach, shared by a group of Spanish tourists. During their travels, Terry meets with a mysterious man named Marius. Marius asks Terry for help regarding Alien visitations, and Terry is delighted. His love of researching UFO phenomena may help save lives, and Marius may be able to explain the odd dreams Terry is having. When the tour visits the ancient hospital of Asklepion, the true nature of the “Magic Carpet” tour coach (dubbed the Turkish Floater by Wilf) is revealed, and the travelers slip back in time to witness ancient Rome in person. This leads to uncovering the mystery of the aliens who have been living under the auspices of the Sombrella Syndicate, and a threat to earth.
If you can’t tell by the irreverent names of the vehicles, this is a very funny book. The Time Slipsters is a delightfully fun read. It crosses genre borders as easily as the Magic Carpet crosses timelines. The story spans science fiction, travelogue, historical fiction and comedy while showing a vibrant world of the future and the past. Terry is a loveable rogue, and his gaffes are both funny and important to the story. Laughing at phallic rock formations and obsessing over bathroom facilities in ancient buildings could be jokes, but they may come in handy later.
But the trip is not all fun and games. When the ship begins to slip between time zones, the travelers are under very explicit orders to stay away from the locals. One of them foolishly ignores that advice, and like any time travel story, what you do in the past can have a ripple effect into the future.
The author’s imagination is truly fantastic. Even the little details of this future world are well fleshed out. There’s the concept of Democracy on Demand that allows people to guide their government by instantaneous voting. And sure, the flying cars are neat, but what about smart suitcases that carry themselves to and from your hotel, or having delicate surgery performed by nanobots while you sleep? I can’t start on the alien technology without spoilers, so you’ll have to read for yourself.
One thing I liked was the occasional break in the intrigue so I could wander the streets of ancient monuments along with the characters. It’s clear the author has visited these places and wants to share these remarkable places and their histories with others.
Though Seb Cage Begins His Adventures was a book aimed at young readers, The Time Slipsters is decidedly more adult. The adult humor and a few sexual references, though never explicit, wouldn’t be appropriate for a young reader. If you like SF, time travel stories, or dry British humor, you’ll like this book.
Pages: 291 | ASIN: B018MLKT7M
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