Blog Archives
Literary Titan Gold Book Award: Fiction
The Literary Titan Book Award honors books that exhibit exceptional storytelling and creativity. This award celebrates novelists who craft compelling narratives, create memorable characters, and weave stories that captivate readers. The recipients are writers who excel in their ability to blend imagination with literary skill, creating worlds that enchant and narratives that linger long after the final page is turned.
Award Recipients
The Cauldron: A Struggle for Survival by Joe Clark
A Jericho’s Cobble Miscellany by Tom Shachtman
Childhood’s Hour: The Lost Desert by E.E. Glass
Visit the Literary Titan Book Awards page to see award information.
Literary Titan Silver Book Award
Celebrating the brilliance of outstanding authors who have captivated us with their skillful prose, engaging narratives, and compelling real and imagined characters. We recognize books that stand out for their innovative storytelling and insightful exploration of truth and fiction. Join us in honoring the dedication and skill of these remarkable authors as we celebrate the diverse and rich worlds they’ve brought to life, whether through the realm of imagination or the lens of reality.
Award Recipients
Witness in the Dust by Lorrie Reed
The Glass Pyramid by Vesela Patton
Visit the Literary Titan Book Awards page to see award information.
Templar of Archaea
Templar of Archaea tells the story of Augen, a young initiate in the Templar Order, who quickly finds himself tangled in a brutal mission that spirals into violence, regret, and soul-crushing doubt. The world of Archaea is painted in storm-lashed skies, colossal cities, and shadowy orders that blur the line between protector and monster. The novel begins with a raid gone wrong, where Augen kills an innocent priest, one he once knew, and it sets him on a painful journey of guilt, loyalty, and questions about faith, power, and destiny. The book is a dark, sprawling tale about a man caught between his duty as a weapon and his humanity as a flawed soul.
I found myself pulled in by the sheer energy of the writing. The world feels alive, hostile, and dangerous, and the author has a gift for cinematic description. The opening storm over Pallerheim is one of the best scene-setters I’ve read in a while, and the pace rarely lets up after that. Augen is both compelling and frustrating, which is exactly what I want in a protagonist. He is powerful yet riddled with insecurity, and the way he wrestles with guilt over killing a childhood friend hit me hard. The conversations with Zhatka, his terrifying half-brother, stood out as some of the most gripping passages, with menace dripping off every page. There are moments where the prose is heavy, and the dialogue is densely packed with exposition, but I still enjoyed the story.
Emotionally, the book left me uneasy in a good way. Augen’s inner turmoil is brutal to witness. His doubts about Deos, his fractured relationship with Christine and her father, and his brushes with death all left me feeling that I was not reading a hero’s journey so much as watching a man crumble under the weight of impossible choices. I liked that. It felt honest. There’s no clean redemption arc here, at least not yet. Instead, we get blood, betrayal, and painful reminders of what happens when power is mixed with grief. It made me pause more than once and think about what I would have done in his place, and not many fantasy books make me do that.
Templar of Archaea is a powerful, heavy, and at times unsettling story that will resonate with readers who enjoy gritty, morally complex fantasy. If you like your worlds grim and your heroes flawed, this book will be right up your alley. It’s not light reading, and it’s not meant to be. But for those who want to sink into a dark tale of loyalty, guilt, and the search for meaning in a broken world, it is more than worth the ride.
Pages: 347 | ASIN : B0FS4TQQYX
Falling into Shadow
Falling into Shadow follows multiple characters: Kyra, Sophie, Dante, and Renette. Each is grappling with survival, power, and the shifting balance of their world. Kyra’s desperate flight from Shadow Demons sets a brutal tone. Sophie, an Ionian Knight, carries the burden of protecting others while wrestling with betrayal and political intrigue. Dante is caught between family expectations and his own fractured past. Renette navigates the clash between ambition and the pull of her roots. The threads weave together into a sweeping tale of survival, politics, and looming war in a fragile world that feels as real as it is dangerous.
What I loved most was the immediacy of the writing. It feels cinematic, almost like watching a series unfold on screen. The pacing is relentless in places, then slows down just enough to let you breathe, and that kept me hooked. The action scenes hit hard. They’re vivid, raw, and sometimes gruesome in a way that made me flinch. Yet, they’re balanced with quieter moments that reveal doubts, guilt, and flashes of humanity. I found myself rooting for characters even when they made questionable choices. Kyra’s guilt and Sophie’s frustration, Dante’s longing for approval, Renette’s heartbreak; they all felt painfully real.
Still, there were times when the dialogue carried a little too much explanation, almost like it was doing double duty as worldbuilding. It didn’t ruin anything for me, but I noticed it. And some of the big concepts, like the Eidan’s glimpses of the future or the cloaked armies, had such massive implications that I wanted more space to sit with them. The book barrels forward, and part of me wished for more lingering in those big, head-spinning ideas. But then again, that urgency is part of what made it addictive.
Falling into Shadow is a ride worth taking. It’s brutal, imaginative, and packed with heart. I’d recommend it to readers who love fast-paced sci-fi with strong characters and aren’t afraid of a little blood and grit. Reading Falling into Shadow felt like a mix of the gritty survival of The Expanse and the mythic, character-driven drama of Dune, only with a rawer edge and a faster pulse. If you like stories that mix political intrigue with personal stakes, this one will pull you in and not let go.
Pages: 518 | ASIN : B0FB3RZ1DM
Fairy Lights: Bed Time Poems & Gallery of Fairytale Art from Yesteryear
Fairy Lights is a wonderful collection of bedtime poems interwoven with fairy lore, myth, and timeless art. Moving through the seasons of the year, the book gathers stories of spirits, shape-shifters, ocean dwellers, elven royalty, and everyday enchantments. It draws from Irish, Nordic, Greek, and New World traditions, blending them into verses that feel both ancient and freshly spoken. Each section carries its own mood, from the playful revels of spring to the melancholy mysteries of autumn and the haunting stillness of winter. Alongside the words, the author curates a gallery of fairytale art from past centuries, which adds a lovely echo of history to the poetry.
What struck me most was the way the poems refused to be pinned down. They could be lyrical and delicate in one breath, then strange, even eerie, in the next. A piece like A Piece of Amber felt tender and tragic, like a whispered legend by firelight, while something like The Baallad of Blaackie Coal made me grin with its folkloric humor and Scots cadence. I loved how the writing carried me away from reason into a place where fairies still dance, seashells sing, and even the smallest bird is mourned with reverence. The language is musical and sometimes unpredictable. At times, I found myself rereading lines not because I needed to but because I wanted to savor the rhythm.
The author clearly delights in layering metaphor upon metaphor, which creates a rich tapestry. This very quality also gives the book its dreamlike atmosphere. It reminded me of wandering through a forest at dusk, you don’t always know what you’re seeing, but the mystery is the point. I also appreciated how personal some of the poems felt. Knowing that pieces like To Wee Russet Tuft came from real experiences gave the collection an intimacy that balanced out the more mythic material.
Fairy Lights feels like a gift for anyone who still listens for magic in the quiet hours. I would recommend it to readers who love fairytales, folklore, or poetry that doesn’t mind breaking free from neat structure. It’s especially suited for those who want to share stories aloud, whether with children at bedtime or with the inner child who still believes in hidden worlds.
Pages: 181 | ISBN : 0473742454
Invisible Tragedy
Driven follows a woman recovering from the brink of madness who discovers a man is searching for unammi survivors to experiment on, and humans are being kidnapped, leaving her determined to find a way to save them all. What was the inspiration for the setup of your story?
Our own world is beset with social issues. I wanted to take these two—slavery and medical experimentation on living beings (humans and animals)—and kind of push them into the reader’s face, so that they couldn’t be ignored. Slavery, also known as “human trafficking” or “sex trafficking,” takes place every day, but for those of us who are insulated in privilege, it’s an invisible tragedy and easy to overlook.
It’s the same with the experimentation; though that’s a bit harder to see in contemporary civilization, it’s definitely there, hidden behind closed doors and shuttered windows. Because we don’t see these problems, it’s easy to pretend they don’t exist.
There are many ways to fight these issues, not all of which are as bold as Alira’s choices. But here’s the thing: if we don’t face them with unflinching outrage, they will never stop.
Regardless of the methods we choose with which to fight, no one person can solve all these problems. Not alone. Yet even though one person can’t save everyone, they can help a few. And that can start a larger movement.
Alira is that person, the one who saves those she can reach. She’s already gone through so much; she is the unflinching (okay, she does flinch on occasion, but it doesn’t stop her from moving forward) individual who says, “If not me, then who?”
Alira is a fascinating character. What scene was the most interesting to write for that character?
That’s a tough choice. Alira’s whole character arc is so tightly woven that choosing a single scene as “most interesting” is like trying to choose a single favorite thread in a completed tapestry. And Alira has her peak moments in each book in this trilogy.
For Driven, I lean toward one of Alira’s “rescue” scenes—either of Bika (which has two parts, the rescue and the aftermath), the ikanne harvesters, or the brothel slaves. Each of those times gave Alira’s spur-of-the-moment creative problem-solving skills room to shine.
I find that authors sometimes ask themselves questions and let their characters answer them. Do you think this is true for your characters?
Definitely. Sometimes, their answers surprise me.
But at least one major focus of my writing is to ask big questions, sometimes even the ones we don’t want to face. I think The Founder’s Seed trilogy manages to do that. I feel like Alira’s answers to those questions came from a courageous heart and a strong spirit.
Where do you see your characters after the book ends?
Oh, their story continues in the coming follow-up trilogy, tentatively titled Nexus. That trilogy will be told through the eyes of non-POV characters that were introduced in The Founder’s Seed, but Alira, Botha, and Galen/Thrace will all be there. We see the start of that at the end of Driven, in the new secret colony Alira and Kilbee have established.
Stay tuned.
Author Links: GoodReads | Facebook | BlueSky | Website | Niveym Arts | Amazon
On Danua, acting Clan Admiral Knøfa experiments on his unammi prisoner. Except the squib isn’t healing any longer, and the medics aren’t working fast enough to save her. Knøfa starts searching for another unammi—maybe a male this time, so he can create all the test subjects he wants.
Stopping the Cartel is enough to keep Alira’s hands full. She doesn’t want to fight the Clan, too. Yet, when she learns Knøfa is searching for the unammi survivors, she races to warn them. As Knøfa’s ship approaches them on Earth, the council tries to force it to leave. But Alira knows that if the humans escape, the unammi are doomed. Knøfa’s “experiments” will escalate, and other humans will follow his example. To protect her people’s secrets, she must stop that ship. Her only hope is to attempt something no Founder’s Daughter has ever done.
LITERARY TITAN 