Antebellum Struggles follows the lives of several characters and shows how they are all intertwined as a result of slavery in the south. What served as your inspiration while writing this book?
I couldn’t comprehend how people could “own” other people and treat them like farm animals. I wanted to “get into their heads” to understand this mentality, from the perspectives of both slaves and owners.
I really enjoyed the depth of each character. What were some driving ideals behind your characters?
In all events, each person has their own unique perspective, feelings, and prejudices. I try to describe these so the reader understands each character’s outlook from their distinct perceptions.
The book delivers a graphic image of life during slavery. How did you go about setting up the backdrop for this story and what were some conscious decisions you made along the way?
A few scenes were difficult to write about. People hear and read about slavery, but rarely choose to envision the actual horror that some slaves suffered. I felt some examples had to be exposed in order to convey that truth.
What is the next book that you are writing and when will it be available?
The second book (“Keeper of Slaves”) was published through Amazon on April 11, 2019. It’s a continuation of the characters revealed in “Antebellum Struggles”.
After toiling in the Colonel’s sugar cane fields, Amana’s brought into his mansion as a house servant for the Colonel and his wife, Collette. Collette’s suspicions and jealousies arise, but are tempered from the guilt of her own infidelity. The field slave, Tabari, finally escapes but is hunted by two saddle tramps and the law. Throughout it all, the scalawag Doctor disrupts everyone’s lives, managing to line his own pockets all the while. Set in and around New Orleans, this deeply moving tale of scandal, sex, and suspense follows the voyages of these very different characters in the 1850s.
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And Be Free offers a fresh insight into American history from the perspective of POCs (Person of colour). Barry Roy Nager examines the ways in which history has often overlooked the experiences of POCs and how their contributions to significant events are often minimized and treated as an afterthought. Nager takes this opportunity to give a comprehensive history of the experience of POCs in America and to give individuals a voice when, for so long, their stories have gone unheard.
Nager creates a timeline of American history from the perspective of POCs giving an overview of the experiences lived. The book covers various sections of American history giving instances of various events and how they effected the lives of POCs. The book covers for example the role of Abraham Lincoln, Brown v. Board of education, and the role of black soldiers in the Vietnam war. The book brings the reader right up to the present day and looks ahead to the future of civil rights and the lives of POCs in the modern day.
One particularly notable point is that the book reflects on the brutality of the slave trade and, unlike most accounts, it successfully humanizes the numbers. Often the personal histories of these events are reduced to a numeric digit which means the raw experience is often lost. However, Nager successfully depicts the reality for these individuals in graphic detail and pays respect to the people that were treated in such horrendous ways.
Nager gives the reader a haunting insight and delves into the fake assertions made about various races. These assertions, that were based on unscientific principles, were a factor that lead to the divisions created within society. The ways in which people were treated and the justifications for such treatment appear Orwellian; Nager does not hold back and confronts the reader with the harsh reality.
The book looks at the broad history of POCs in America, using the past as a warning for the future and investigating contemporary problems that may be a result of the past. I give this book a five out of five as it gives an overview of the challenges faced, the progress made, and the hopes, and sadly, fears for the future. I think that this book is essential for anyone looking to begin their journey into the history of POCs in America and American history as a whole. More importantly the book emphasizes that the histories are united insofar as history does not occur in a vacuum.
Pages: 160 | ISBN: 1450089615
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This saga begins amid the wealth of Southern plantation owners and Northern investors. By identifying the equities gained, greater concerns began to rise among the nation’s abolitionists. As a consequence, regional politicians began moving the citizenry into opposing camps.
COTTONBLOOD tracks the lives of two adolescent murderers: The first, a mixed-breed Canadian entering American waters as a deckhand aboard a French freighter. The second, a youngster captured from Sierra Leone to a foreign land where a strange language is spoken. Although the two men never meet, their journeys lattice one another as each search for some form of security. When false hope leads one into an unsolicited life of labor, the other haphazardly finds a future of opulence.
The plot traces their lives, and relations, through generations of survival leading the inheritors into the first year of America’s horrendous Civil War.
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Book of Matthew Part I is a tale of forbidden love in rural Missouri in 1850 which was a tumultuous time in the U.S. What was the inspiration that inspired the setup to this intriguing novel?
It all began with a conversation. I had just started dating the man who is now my husband and we were still getting to know one another. He asked if I would vote in the upcoming election and I replied, “of course I will. My ancestors fought and died to give me the right to. Without their sacrifices I wouldn’t be able to vote, own property, read, let alone attend my university. I wouldn’t even be able to date you.” After that conversation I started to wonder how difficult it would have been to have an interracial relationship centuries ago and my first book was born.
I have always been a lover of suspense, mystery and horror so I decided to write in these genres. My goal was to create a Jack the Ripper sort of villain, while maintaining the drama, romance and personal conflicts that make characters relatable and memorable.
While growing up I noticed a double standard in regard to history. If you were white and you wanted to trace your lineage back to the Mayflower this was perfectly acceptable. People were intrigued to hear your family’s history and they encouraged and praised your vast knowledge of a bygone era… but if you were black you were often discouraged from learning anything about your ancestry. I was told things like, “Black people need to leave the plantation,” and “Black people live in the past and need to just forget things.” Yearning to educate myself about the past is not the same as living in it. I didn’t desire someone to blame or scapegoat, all I wanted was the same answers that other races of children were encouraged to seek out.
When I received correspondence from readers in England, France, Ireland and several countries in Africa they applauded my stories and said, “Wow! This was a fascinating look at American history.” Not Black history, nor African American history. Other countries acknowledge this topic as American history because that’s exactly what it is. When I am criticized for this subject matter my response remains the same,
I don’t write racist literature. Nor do I write black history. I write American history.
The book touches on sensitive social topics rarely discussed, slavery and the dynamic between master and slave. What were some themes you wanted to capture in this story?
The main theme I wanted to capture was that every form of this institution was morally reprehensible. When I grew up in school most of my teachers refused to teach this subject whatsoever. We would skip over huge chunks of our textbooks just to avoid it. The few who did teach about it romanticized the hell out of it, and made it seem acceptable because “most slaves were like part of the family” …I actually heard this more than once. What I desired to express in this story was that even if you were a house slave who was treated better than others and much like part of the family, merely being owned endangered your life because someone has diminished your social standing from that of a human being to that of a piece of property. This fact alone placed even the best treated of slaves at risk for kidnapping, rape and murder with no law enforcement to save them.
Second, I wanted to make it known that when some of us are slaves, we all are. Destitute white men, minorities and women of all colors were treated as second class citizens because of that system of inequality.
Third, I wanted to acknowledge all the people who were adamantly opposed to slavery and fought against it at every turn. 400 years of Americans are blamed and villainized for what some people did. Though slavery was socially acceptable, not everyone agrees with 100% of what is socially acceptable. Disagreeing with social norms is what makes us individuals. Fighting against corrupt social norms is what makes us heroes. The people who stood against these heinous acts are rarely recognized, but without them our society would’ve failed to evolve.
Sarah is a slave that is targeted by a serial killer that murders with impunity. What were the driving ideals behind Sarah’s character development?
The driving force behind Sarah’s character development was the total lack thereof I have witnessed in similar stories. In many of the plantation novels I have read the slaves are faceless one-dimensional victims who serve as little more than background for white main characters. The female slave characters were poorly developed and served as little more than objects of lust incapable of inspiring true feelings of love and affection. Reading a plantation novel with no black main characters is like reading Memoirs of a Geisha with no geisha. These stories failed to capture my attention and I found the characters unrealistic and totally unrelatable. When I wrote a book I was determined to make sure there were black main characters as well as white ones, and that ALL of my characters have depth and unique personalities. I wanted Sarah’s character to have hopes, dreams, ambitions, drama and romantic conflicts of her own. I yearned to put a human face on a slave character, an aspect rarely seen in books of this nature. Though there have been many forbidden lust stories in this genre I wanted to give Sarah an against all odds forbidden love story readers wouldn’t soon forget.
What is the next book that you are working on and when will it be available?
Revelations: The Colburn Curse is a prequel to Book of Matthew that traces the Colburn family back to their beginnings in New Orleans, Louisiana. In this story Matt Colburn Sr. is a young plantation heir who has been given the duty of protecting an aristocrat named, Arial. He falls madly in love with the elusive heiress, but she is hiding a deadly secret that has made her the target of the Louisiana Strangler, a secret that endangers everyone she holds dear, especially Matt. This book is already available for purchase on amazon.com.
The Infinity series is based on the many star crossed lifetimes of Sarah and Matthew. I wrote this series for readers who enjoy historical suspense but prefer a tale with less violence and adult content. Three of the ten books are already available on amazon.com.
Book of Matthew II: Ancient Evil will be released December 2018.
Women of color are not a priority of law enforcement in 1800’s Missouri. They are not even considered human. These social injustices allow a serial killer to run rampant. Sarah, a beautiful black slave, finds herself in the crosshairs of a monster who murders with impunity. The only one concerned with her plight is the master’s son. Will Matthew find the strength to rescue this slave girl, even if he lacks the courage to admit he’s in love with her…
It’s Jack the Ripper meets Roots in this pulse pounding historical thriller. House of Whispers packs the chills of a Stephen King book, the romance of a Nicholas Sparks novel and the in your face irony of an M. Night Shyamalan flic.
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In Xaghra’s Revenge the past and present collide when paranormal forces seek revenge and force one couple to relive the past. What was the inspiration for this thrilling book?
Malta is a popular destination for us Brits. It’s foreign, hot and sunny but the locals speak English! What’s not to like? 12 years ago I attended a multimedia presentation in Malta about its history. I gripped my seat to stop falling off when I learnt that in 1551 pirates savagely abducted the entire population of the nearby island of Gozo. Most became galley slaves, labouring slaves in Libya and the young women in harems in Constantinople. Those poor souls need revenge. I gave it to them in Xaghra’s Revenge. The other inspiration is a pile of old rocks in the Gozo town of Xaghra. The Ggantija Temple is one of the oldest buildings in the world. Older than the pyramids and Stonehenge. When I hugged them I felt a buzz. They told me to include them in that historical novel so I did.
Reece and Zita are interesting characters that continue to develop as the story progresses. What were the driving ideals behind the characters development?
I needed contemporary characters that were descended one from the pirates and one from the abducted. Oh what fun I had with them. A mumbling fart like Reece, who knew he had no luck with women and yet this great looker was interested. Thrown together by ancient spirits they were destined to be together, but of course like real life, nothing goes smoothly. Reece grows up quickly when one crisis after another trips him up, but he develops a backbone and maturity. Zita gains experience but her womanly ways always were sophisticated and she is able to support the fakwit Reece on and off until she realizes she’s in love with him for real.
The story is rich in historical detail. What research did you do for this novel to get the setting just right?
I’m a sucker for research in whatever stories I write. I stayed at the Preluna Hotel in Malta and traipsed all over both Malta and it’s little island, Gozo. Over the limestone surface and below in people’s cellars, which often had caves complete with stalactites and stalagmites. Hours I’d spent in the Melitensia and other libraries in Malta, up to my elbows in ancient deeds, records and emptied coffee cartons. So grateful was I that I donated a copy of Xaghra’s Revenge to the library and the librarian shook my hand only last week in gratitude. All the geography in the novel is accurate. Yes, I crawled into Calypso’s Cave on Gozo, really hugged the Ggantija massive stones and stood inside an Ottoman galley – that one is in a North Cyprus museum at Kyrenia Castle. A few yards away I nearly fell over a stone grave and too my shock saw it belonged to Sinan Pasha, the Jewish Ottoman Commander at both the abduction of Gozo and the siege of Malta in 1565. During the writing I returned many times though only the once to Tarhuna, Libya, in order to smell the aromas, see the wildflowers, and meet the real people.
What is the next book that you are working on and when will it be available?
I run a short story critique group. It forces me to write at least six shorts a year in between novels. The publisher of my ARIA Trilogy (scifi / medical mystery based on the unique premise of infectious amnesia) commissioned me to put together a collection of surreal shorts. I’ve called it INCREMENTAL because they all have an element of something getting smaller, or bigger. For example a noise the world hears one day getting louder by a decibel every day. A pothole appears in a Madrid suburb and doubles every day – without stopping. Do you know it would only take 46 days to swallow the planet, but it still doesn’t stop. There’s historical fiction in there too. It’s being published by LL-Publications later this year.
Xaghra’s Revenge follows the fate of a sixteenth century abducted family, and of two contemporary lovers thrown together by the ancients. Reece and Zita are unaware that one descends from the pirates, the other from the abducted family. While ancient Gozo spirits seek revenge, so do the Ottoman Corsairs, who intend to roll back history, and this time win the siege of Malta.
The history is real. The places are authentic. The tension and excitement are palpable.
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The Civil War was filled with pain, suffering, and too much death for both the North and the South. The often-untold stories of suffering and valor are those of the slaves and former slaves. Out in Missouri and Kansas some of the most brutal fighting occurred, not from the armies, but from guerrilla warfare. Honor Among Outcasts continues the story of the Dark Horse inhabitants that have joined the Union Army as soldiers in the Missouri State Militia Ninth Calvary. This is a story of how a group of former slaves fight for their freedom along with their half Indian partner. They face war, racism, and the loss of family and friends, and a multilevel conspiracy; but through it all, their spirit and honor never waver.
Ed Protzel uses historical fiction to bring light to things that went on during the Civil War. While the story of Durk and Antoinette is fabricated there is truth underlying their situation. Generals in the war often didn’t agree with the side they were on; but cared more for their political status than the men they sent off to die. Colored soldiers were especially expendable and were not given adequate supplies and provisions to fulfill their missions, yet few cared. Protzel does an amazing job showing the fear for each decision and action that the soldiers in the Dark Horse regiment had to make. It was never a simple decision of what makes the most sense, it was always about, what will keep us alive the longest while maintain honor. Paralleling their story, is the one of the women from the Dark Horse plantation. These women could not join the army, so they had no protection when all their papers are lost. This was a common issue among freed slaves. You could not go anywhere without your documentation or you were at risk of being put in jail or hung. This fear is so prevalent in the writing.
Reading about the harsh conditions in Missouri that the soldiers lived in is hard, starvation, lack of medical care, equipment shortages in the way of horses and weapons. Soldiers being sent out with little more than their bare hands to fight off guerrilla attacks. I know growing up and learning history I never heard about the guerrilla warfare and the complete brutality of it all. It didn’t matter who you supported, they were merciless and only cared about collecting the spoils of war. Killing meant nothing to these mercenaries. Double agent spy’s playing to whatever side they could is not a far-fetched idea and I’m sure it happened more often than even Protzel makes mention of. Lives and families torn apart and those left alive must suffer from it all.
Reading Honor Among Outcasts, I can see where Ed Protzel got the title. Everything is stacked against the Dark Horse group, men and women, but through it all they retain their honor. They refuse to take the easy way out of things to save their own lives. As I read this book I wanted to see the happy ending, I wanted everything to be okay, but true to real life, that isn’t always the case, not everyone will live, not everyone has a happily ever after. There is still another book in this series and I look forward to reading it to see what happens with the remaining Dark Horse members’, just maybe they will find peace.
Pages: 269 | ASIN: B077YRFB9J
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William Bowie a slave and skilled carpenter along with his family were freed by the will of Roderick McGregor of Prince George County Maryland in the year 1858. Fifty- Five years later in 1913, his grandson William Augus Bowie and John Whitelaw Lewis co-founded the Industrial Savings Bank in Washington DC and together they would make important and lasting contributions to the African-American community of Washington. Thomas and John Vreeland Jackson were manumitted by Richard Vreeland in 1828 in Bergen County NJ. Oystermen by trade they would go on to become two of the first black property owners in Bergen County and conductors of the Underground Railroad who helped thousands of slaves to escape to freedom. In 1823, Joseph VanArsdale was freed by the will of Abraham VanArsdalen in Somerset County, New Jersey. Joseph would become one of the earliest black property owners in Princeton, New Jersey. This is their story in Slavery and Freedom.
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In the Shadow of the Hanging Tree takes place in the 1860s and follows the lives of three people trying to find their way in post-Civil War America. What was the inspiration for your characters; the Henry the ex-slave, Clara and lieutenant Elliot?
I have always been an omnivorous reader. From horror to historical and most genres in-between. The American western is genre that seems to have sort of faded into obscurity over the last thirty years or so. I suppose I can understand why. A lot (not all) of it had become dusty, formulaic, trope-worn, overly-romanticized, and historically inaccurate. I set out to write a story set somewhere between the gold rush and the turn-of-the-century. Something with a different kind of hero from the gunfighter or bank robber. Something that would dust off the genre, add some real humanity, and hopefully spark some renewed interest in this fascinating and sometimes troubling time period.
Henry as the main protagonist was an easy choice. I read a short once, about a man who was freed after the civil war and went on to become a well-known cowboy in Texas. The man had a remarkable way with horses. He was the inspiration for Henry. The challenges African Americans faced even after they were freed from slavery were monumental, and so many extraordinary men and women overcame this adversity and went on to live noteworthy lives.
With Clara I wanted to highlight challenges that women of the period faced. Their oppression can’t be compared equally to African American’s enslavement, but neither can it be marginalized. I also used her character to showcase the disconnect between wealthy easterners and the reality of what was going on in the rest of the country.
John Elliot’s inner conflict wasn’t that uncommon for soldiers both during the civil war and the years following. I have read truly heartbreaking letters sent home disillusioned soldiers from the period, particularly ones from soldier’s involved in what could arguably be called the Native American genocide.
This novel gave a good view of life in 1860s America for slaves and Native Americans. What were some themes you tried to highlight throughout this novel?
Henry and Clara’s relationship is touching but anchored with fear and a desire to find their way to the right side of things. What served as the basis for their relationship while you were writing?
Henry and Clara’s relationship is one of self-discovery for both of them. Henry begins to forgive himself, and finds that he is still capable of love. Clara discovers that her prejudices were misinformed. Her interactions with Henry, and his honesty, later affects how she later handles John’s disturbing revelations.
What is the next book that you are writing and when will it be available?
I have two novels in the works. One is a contemporary drama about a twelve-year-old whose parents both die tragically less than two years apart. He’s subsequently injected into the foster care system and eventually runs away hoping to find an estranged grandparent who lives off-the-grid in Montana. The second is about a man searching for his daughter years after a global catastrophe. Both novels should be released in 2019.
In 1865 a shadow hovers over the nation: the shadow lingers still…
Born into slavery, Henry’s young life is spent working in tobacco drying sheds on Missouri plantations. Freed at the onset of the Civil War, he’s alone, starving, and on the run from Confederate militiamen.
Five years later, Clara Hanfield, the daughter of a powerful New York shipping magnate, escapes her tyrannical father and travels west in pursuit of John Elliot, the man she loves. John, a U.S. Army lieutenant, was sent to the Dakota Territory where he discovers a government conspiracy to incite an all-out war with the Indians; a war meant to finally eliminate them as an obstacle to the westward expansion.
Henry finds himself caught in the middle.
Aided by Clara, John, and his native ally, Standing Elk, Henry must battle hatred, greed, and the ghosts of his past during this turbulent and troubling time in American history.
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