Imagine if you will for a moment a medieval fantasy drama being brewed in a cauldron: throw in a measure of How to Train Your Dragon, add a dash of Game of Thrones, sprinkle in some of The Hobbit all topped off with a liberal dose of a King Arthurian legend, leave to simmer on a medium heat for few chapters and then you might have replicated Dragon Ascendants by Paul Vaughn.
So let’s get on to the plot, the setting and the highly descriptive cast of characters without creating spoilers for you.
Dragons, shadow-bats, elves, dwarves, bandits, skulduggery, betrayal, magic, fear, treachery, family discord, sibling rivalry, disappointment, parental disapproval, forgiveness, redemption and, lest I forget (although, how could I?) a very good measure of graphic violence – it’s all in there – so what more could I want from a fantasy novel? Perhaps a little romance? If it’s in here I missed it.
The action is all set in a mystical land, named the Luminess, which at first visit seems almost idyllic. That is, until the conflicts of this land are slowly revealed in the following chapters.
In these mountains live the elves, which have been there for centuries happily mining the gems hidden within. Their lives are occasionally interrupted by an assortment of other species, some for good cause some for ill.
Also, as within most fantasy novels, there is a power struggle between the forces of good and evil. From my reading, I felt that we are to consider these two grouping; one under the ‘command’ of the dwarf burrow’s hereditary leader, named Meerkesh, (representing the forces of good) and another under a very angry rogue elf, with unexplained issues, named Fearoc (representing the forces of evil). Such is the power of the latter, we are led to believe that the world has, or is about to, come to an end for the dwarves.
But I am not totally convinced as to which side is really the good and which that of evil is. In this strange land, where sapphires, ruby stones and diamonds are used as currency and the internal ‘politics’ seems to be driven by greed and ruled by bloodshed. On the one hand we have a population that apparently eats nothing other than apples, whilst the baddie mainly feasts on his conquests, we have quite a lot of axe wielding violence, bloodletting, beheading, dragons blinding by fire and melting of opposite forces during this fight between good and evil. Both sides seem as driven by bloodlust as the other. And this interesting dichotomy lends to some thought provoking reading.
This novel left me begging for more. More answers, more character development, more world building. I want to know! Ah, the mark of a good writer I suppose. I look forward to the next book in Paul Vaughn’s Luminess Legends series.
Pages: 217 | ASIN: B07B8STMY4
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Returning Souls begins when 67 year old Evie is on the edge of death and her soul is sent through multiple lives. What was the inspiration for a such a dramatic setup to your novel?
I wanted bring the reader into the realm of ‘pre-incarnation’ from the start of the book. I felt it was important to begin with the emotional impact of Evie’s event in her kitchen. This beginning was also a way to move straight into her personality and way of thinking in order to introduce her and immediately engaging the reader.
When writing this book, did you conduct research into reincarnation or an after life?
In preparation for writing about near death experience I read many books about the phenomenon, as well books about children who seem to have memories of a previous life from a very early age. These experiences are more prevalent in countries where reincarnation is an accepted idea, such as India or other eastern countries, or even South American countries. In these countries, people are more receptive to listening to children talking about being another person, having another mother and father, or about memories of other places and people. They are more apt to believe and actually research things children say about places and people, rather than thinking it’s just their imagination. I began study with a shaman about a year before starting to write Returning Souls. I did not study after life, but have always believed that anything is possible.
Did you want Evie and Astara’s characters to compliment one another or did you want them to be completely different?
I wanted Astara to be a very different person. As it turned out, I believe Astara is Evie’s alter-ego, someone she might like to have been growing up, someone who had more confidence in who she is and what is right for her. In this way I feel they compliment each other, while also contrasting in so many ways.
What is the next book that you are working on and when will it be available?
I am currently working on a sequel to Returning Souls; I’m not sure of the title yet, still working on some ideas. The sequel takes place entirely in the prehistoric era, and expands on the lineage of the characters introduced in Returning Souls. I hope to have it available by end of 2018.
Evie D’Arico is just like any other 67-year-old retiree until a sudden stroke puts her life in jeopardy, and catapults her soul through multiple lifetimes. After drifting through a space where time has no meaning, Evie awakens to find herself in the body and mind of someone else. She realizes she is experiencing her soul’s past life on Earth as Astara, a young girl who lived during the Mesolithic Era of human prehistory.
Evie soon melds into Astara, who has just experienced the Girl’s Coming of Age rite, a ritual of the Golden Fish tribe. On her quest, Astara saw herself as a Three Face – a powerful combination of male, female and animal elements – making her a potential spirit leader. But the Holy One of the Golden Fish tribe does not want to acknowledge another seer within his realm, especially a defiant young female Three Face. Astara is given a choice either to live as an unremarkable woman of the tribe, or to leave her home and family on an unprecedented journey into unknown territory, and establish her own following as a Three Face.
Through living a few crucial days as Astara, Evie comes away with new self-knowledge and an appreciation for the courage of the young girl she was in a past life.
She still has unanswered questions about the meaning of her current lifetime. Her soul relives Evie’s life, recalling the impact of her sister Liliana, and reliving her upbringing during the 1950s and 1960s. She meets trusted Guardians along the way who help her recognize the end results of her own actions. As the disjointed revelations of her soul’s journey come together the puzzle of her life takes on new meaning, and she is faced with the possibilities of her own future.
Evie realizes she must decide who she really wants to be. Only she can choose the next stage of her soul’s epic journey through lifetimes.
What will she choose? Who will she be?
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Sixteen-year-old Eva is a witch who lived in Spain, in the year 1230. She met a boy named Jonathan who would become her whole world. Everything was normal until she was faced with challenges that will change her life forever.
As a healer, her job is to help people, but there are forces that will try to prevent that. There is a war coming and Eva and her friends must do everything they can to survive.
Can they fight their way against the dark forces that are surrounding them? Her wits and inner strength helped everyone who encircled her to survive but will she be able to survive herself?
Supernatural creatures, royal backstabbing and many more await you in this thrilling novel that will take your breath away.
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The Nightbreaker is a short but welcome sojourn into the world of the Gods and Men Cycle series by Kristopher Jerome. Following a paladin by the name of Daniel, we first are introduced into the conflict between the gods of darkness and gods of light and the conflict that is played out on the Mortal plane. Daniel is part of a mission that goes awry, but learns of a terrible new champion of darkness, Rexin the Blasted. As the story unfolds, Daniel bands together with other brave souls who seek out and stop this terrible menace, otherwise the mortal plane will be swallowed by darkness.
The pacing of Jerome’s novella is spot on, although sword & sorcery novels are often quicker paced. The first battle of the story takes place only a few pages in and I was immediately taken in by the action and everything that Daniel saw as he fought bravely through the demons. The setting is not overly elaborate, especially with the clashing of light and dark. The simplicity of the premise will leave fans of stories like Game of Thrones and others wanting more. But in it’s brevity lie its virtues, The Nightbreaker is a great read for an afternoon of leisure.
The descriptions that Jerome uses is rich and quite cinematic and I enjoyed the writing the most when details were delved into. The main character of Daniel is fun to read about, but begs to be developed further with some character-defining internal dialogue. The narrative is much more “show” rather than “tell” which I happen to enjoy. The story is often punctuated with a bit of action, which saves the stories pace and kept my interest.
With all of this considered, The Nightbreaker is a great introduction to the world of mortals and Gods that Jerome has created. The struggle between paladins, demons, and seraphs is a supernatural backdrop to classic fantasy tropes. This novella will please any reader of classic fantasy or the supernatural, who also enjoys action, redemption, and the struggle between good and evil. At 78 pages, it’s well worth your time.
Pages: 78 | ASIN: B071HPDQXN
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The Raid on Troy, written by Murray Lee Eiland JR, is the seventh book in the Orfeo Saga. It follows two brothers, Memnon and Menas as they rise to power from the chains of slavery. Determined to taste the gold of Troy, the brothers assemble their lives so they are in a position of power to take the city. Telemon is drawn into the plans after a prophecy about the kidnapping of his daughter Elena is fulfilled. The battle lines are drawn as each player in the war game draws their sharpest weapons and assembles their greatest armies to fulfill their own dreams and desires.
This epic adventure begins with a slave boy Memnon attempting to escape the perils of slavery caused by an early capture from the Therans. Memnon’s previous family life is all but a distant memory and for now, all he knows is slavery and hierarchies of power. The brutality that he has experienced in his life has meant that kindness has seeped away from his soul, leaving a dangerous man with nothing left to lose. He is inherently a leader who fearlessly takes control of perilous situations. This allows him to develop a following of men who are eager to drop the chains of slavery too. Together they begin to rebuild their lives, raiding villages and meeting with bandits who help them acquire food and weapons.
Menas, Memnon’s brother, is also an escaped slave and eager to live a life beyond being a pawn of the Therans. Menas soon involves himself with the Spartans, where he becomes a “fixture in the local politics of Sparta”. The two brothers rise to power in an epic tale of action, revenge, lust, and influence. You will admire their ability to rise to power and success as they take what they believe is rightfully theirs, having no mercy for those who dare to cross them.
The Raid on Troy has several storylines that are interweaving together as you progress through the novel. We have Orfeo who enters the plot line as an admirable and successful leader who has a beautiful wife Clarice, Telemon and Estra with their daughter Elena and the brothers Menas and Memnon who all take the leading roles in this twist of Greek mythology. There are similar aspects to the traditional mythology story, however, Murray Lee Eiland JR curates this version to be an almost historical version of events, leaving the reader to feel connected to the characters and the plot line.
Murray Lee Eiland JR writes with a legendary force that will have the reader engaged from start to finish. The chapters are short and fast-paced, allowing the plot line to develop quickly whilst covering vast amounts of time. However, there is still an incredible transformation in the character development as you watch the characters grow in both power and ambition. I would recommend this to anyone who enjoys an epic battle mixed with the rise of power and fortune.
Pages: 300 | ASIN: B06ZYK6M2Z
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The Legend of the Three Roses follows a magician’s apprentice and an assassin on a thrilling journey through a new series of books you’ve written. What was the inspiration for this book and the series that follows?
The story contains themes about morality and spirituality that I’ve been thinking about and wanted to “get out there.” My original idea was for a really grand epic featuring several parties all traveling to the same goal for different reasons. It would take place in a grand empire which grew prosperous due to a kind of sci fi concept. I never really took the idea seriously and hadn’t thought about it for a long time until I was suddenly inspired to simplify the story by making it about a boy and a girl, like many great stories. And I must confess, I borrowed a few ideas from some of the recent fantasy books I’ve been reading—things about medieval society and magic wards.
I really enjoyed the medieval setting of the novel. What themes did you want to capture while creating the world your characters live in?
I can’t say the world “Three Roses” takes place in is an accurate reflection of medieval Europe. I imagine the brick buildings of St. Mannington have a strong, advanced type of cement not found in the Middle Ages, when constructors commonly used mortar. Crossbows also weren’t around, but since this is a kind of make-believe Earth, I felt free to include any kind of invention as long as it was reasonably outdated in the modern world. Medieval Europe was of course a very Christian world, and I imagine many young people were like my main character, Kane, who is nearly pious to a fault. But in spite of being beholden to a religion that promotes peace and forgiveness, Europe was a very cruel place where people were treated like mere commodities and terribly punished. A quick Google search for “medieval torture devices” would definitely show you what I mean!
I always enjoy magic that is well thought out and believable. What decisions went into creating the magic system you use in your story?
The magic system was mostly inspired by a certain video game where potions are toxic. If you drink a potion, you can gain a boost to your stats or immunity to debuffs, but it costs you a little of your health. I never really thought of the possibility of potions being poisonous, and I thought it was an excellent way of keeping magic in check. I never want magic in my stories to be too powerful, because if it if it is, it can lead to story problems. When you have characters seem like gods, they can seem unrelatable and mere tools of plot convenience.
Where does book 2 in The Three Roses trilogy take the characters and when will it be available?
Right now, book 2 is all in my head. It takes place in Lonsaran, the rival kingdom of Kane and Callie’s homeland. They’ll have little choice but to settle there and look out for each other. The good news is that they’ll discover what the Three Roses are; the bad news is that Rainer the assassin is still alive … and he’s thirsty for revenge.
Four years ago, the Son of Man returned to Earth, seemingly to begin a new age of enlightenment. But two years later, he vanished without a trace …
Today, nineteen-year-old Kane Bailey–a nobleman and sorcerer’s apprentice–works and studies in his master’s tower in the middle of his nation’s capital. In spite of making a few mistakes (such as nearly blowing up a spellchamber), he shows the potential of being a great sorcerer. But his dreams of working with magic come to an end when he’s caught in the middle of an assassination attempt on the King’s life.
Upon getting captured by the assassin, Kane is swept up by lofty ambitions, terrible greed, and maddening bloodlust. Cut off from his sorcery, he’ll need to rely on his wits and knowledge to survive, as well as the trust and friendship of a young woman who may be taking on more than she can handle.
And a question lingers: What are the “Three Roses,” and what do they have to do with the impending war?
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The Seasons of a Giant is a fun story following young Izzy as she tries to discover what is stealing her family’s cows. I find the setup of the novel entertaining. How did this idea start and develop as you wrote?
I know it’s such a cliche, but I actually did dream of a feisty farm girl and her adventures in a land filled with giants. Izzy’s story continued to grow on my long walks. I would return every day and quickly jot down all of the new twists and turns and crazy characters that popped into my head along the way. I’d also carry a notebook and scribble ideas as they came to me. Boone and Izzy were and still are always in my thoughts. I think they’ll live there forever.
The relationship between Izzy and the giant was thoughtful and well developed. What was your approach to writing the interactions between the characters?
Boone and Izzy had a rocky start due to the misconceptions she’d been taught. Izzy was forced to see Boone through the eyes of her family and her Groundling people in the beginning. Once she began to form her own opinions, she realized how truly special he was. I loved giving Izzy a snarky edge, and Boone provided a sweet balance with his calm comebacks. They truly are the perfect pair!
What experience in your life has had the biggest impact on your writing?
I’ve always loved to write. I wasn’t sure why until I discovered the most wonderful story written by my father years after he’d passed. I must have inherited a writing trait, if there is one! I have stories that refuse to be ignored; they won’t let me rest until they’ve fought their way onto the page. Writing is a real challenge, but very rewarding. Escaping into exciting worlds is the ultimate joy for me, and if I can take my readers along for the ride, all the better!
Will this novel be the start of a series or are you working on a different story?
If I had lots of readers that would enjoy another book with Izzy and Boone, I’d be thrilled to continue their adventure. The last page of The Seasons of a Giant hints that I already have a few wild ideas swirling around in my head! Until then, I’m currently writing a YA horror series.
Izzy is just trying to find out who is stealing her family’s cows. She has no magic powers or special skills, and she’s a rotten shot with a bow and arrow, but she’s braver than anyone, and that, in her opinion, makes her the best girl for the job. When Izzy finally finds her monster, she is transported from her family’s farm to the home of the Behemorphs, shape-shifting Giants who live in the SkyWorld above the clouds. To find her way home, she will have to team up with the very monster (he calls himself Boone) she has been hunting.
As the two confront terrifying creatures and deadly enemies, Izzy will learn a lot about Boone–and she’ll discover her own incredible potential.
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Protector of Thristas takes place fifteen years after the tumultuous One Day War and Lisen is faced with something far more challenging than ever before. What were some important themes for you to capture in this novel?
I’ve taken on several archetypes in these books with an eye towards shifting what originated as masculine-oriented myths into their feminine equivalent. Lisen is the hero of a story in which she must overcome many obstacles, including her own self-doubt, to rise at the end of the original trilogy to the destiny she cannot escape. I looked at heroes, such as Luke Skywalker and King Arthur, and asked myself how this would look not simply with a “girl” as the hero but with a gentler and more sympathetic way of presenting the momentous events that occur in the story. The battle at the end of Blooded is a case in point. Lisen found a way to break through the fighting and turn the combatants towards a negotiated resolution rather than one in which many people died or were left physically or emotionally injured.
So, when I decided to explore Lisen and the others as adults, to look at the relationships and their children fifteen years on, I made another decision–to raise the bar and tackle an archetype I refer to as “the king must die and live again.” This myth can be found in many nature-focused cultures. The leader of the people sacrifices his life (or acts the sacrifice out in ritual) and goes to the underworld, then rises again, all of which is symbolic of the “burying” of seeds in the fall and their rising as plants in the spring. It is a form of fertility ritual. It is also, in some ways, the Christ story, but this time it’s a young woman.
I think this book did a fantastic job displaying how emotional a mother-daughter relationship can be, and family relationships as well. How did you develop these complex relationships? Anything pulled from real life?
My mother was not the nurturing type which left my father with that role in my life. In fact, Korin’s nickname of “Fa” is the way my father, in his later years, signed birthday cards and such. But there was more to it than that. As I foraged deeper into the story and the wounded relationship between Lisen and Rinli, I realized one very important thing. I had to be very careful about how I framed the discord between the two of them. The critique group I belonged to at the time loved the portrayal of the mother-daughter conflict, but I began to recognize that I had created a very “earth-centric/potentially sexist” struggle. In my experience, women in our culture learn at a very early age that they must challenge one another over the attention of a man. Men are taught a similar lesson, but it manifests differently. Men thump their chests and growl at one another (figuratively) or go out and kick a football around, whereas women get mean. And it often begins in the relationship between a mother and daughter and their desire for the male in their lives–the husband/father. It’s fairly subtle in most cases, but it’s there, and once girls become teenagers with all those hormones raging, they may not “desire” their father, but they want what their mothers have and the fight is on.
I couldn’t let this be the basis for Lisen and Rinli’s conflict, so I struck out on my own to find something that didn’t smack of the sexism in the “typical” tension that can tear a mother and daughter apart. And although I may have no control over the enculturated eyes the reader brings to the story and her interpretation of what she sees in that relationship, I had to be true to my commitment to present Lisen and Rinli sparring not over the mean-girl stuff that can mess with a mother and a daughter but over the betrayal Rinli feels at her mother’s use of her as a bargaining tool to bring a war to an end. Add to that the fact that Lisen is not the nurturing parent in the family, and it becomes clear, in my eyes, at least, that their relationship was likely doomed no matter what Lisen did.
Rinli is resistant to the idea that she has her mother’s magic abilities. How did you handle magic in this novel that was similar and/or different from the previous novels?
In some way, I think the magic became more central to the story than it had been previously. I have always played the push as something unacceptable but sometimes necessary, even to Garlans who are pretty accepting of most hermit magic. As a Thristan, Korin distrusts hermits and what they can do, and Lisen has a powerful gift. This presented its own set of problems in the first trilogy and ultimately tore them apart. Now, with Rinli growing up and it becoming obvious to both of her parents that she has inherited her mother’s gift, Lisen and Korin have to make their peace over the magic thing and then band together to convince Rinli that the only way to stay safe amongst magic-fearing Thristans is to master her gift in order to control it. This is where that conflict I mentioned above manifests with Lisen trying her damnedest to reach out to Rinli and Rinli turning away. (I had one reviewer say, “So many times I just wanted to scream ‘Say I LOVE YOU!'” which would, of course, have simplified things a great deal. But it was about the magic in Lisen’s mind, and “I love you” wasn’t in her lexicon.)
What is the next book that you are working on and when will it be available?
I began a followup to Protector of Thristas with the idea that it would be the final book in the series. I had to find a way to put down the characters and the world I’d created in order to move on to something new. Five books. The series would be five books. I was adamant with myself. Then as I wrote and wrote and wrote, I began to realize that this was going to be one hell of a long book. I set a word limit at which point I would break it up into two books. I’m still on first draft, and I am within 2500 words of that limit I set. It’s definitely going to be 2 books. Because I’ve been making changes that affect earlier scenes as I go along, I must finish the entire tome before officially splitting them up. (And even then, I’m probably going to produce draft 2 of both books together, incorporating all the necessary tweaking at one time, before I turn to book 5 of the series and complete it.) All of this is to say, that this has taken far longer than I wanted it to take, but I continue to move forward.
As regards where we go from here, having sent a young person as flawed as Rinli through the experience of dying and rising from the dead, I discovered (upon working on the final two books) a character who is not doing well emotionally at all. It’s been an interesting trip. Rinli was originally intended to be the character to whom Lisen would pass the baton, but she turned out to be a character very different from what I had expected when I began. Her last words at the end of the book blew me away, coming as they did as I was writing that last scene, and they set the tone for the remaining story. I had to ask myself “what does a world broken by Mantar’s Child look like?” It took a while to answer that question. Now first draft is finally winding down for books 5 and 6, and all I can say is “whew, what a ride!” “When will it be available?” I’m hoping for some time early in the new year for book 5 and spring for book 6.
Fifteen years after the One-Day War, Lisen, now Empir Ariannas, has developed into a just and capable leader. Together she and Korin have created a union of two souls based on respect, commitment and love, and their family has grown. In addition to Rinli, their daughter who made her first appearance in Blooded, two more children have joined the family, completing their complement of three complicated adolescents.
Now the sixteen-year-out Rinli prepares to take on the mantle of Protector of Thristas, a title destined for her in the treaty that ended the war. The Empirs of Garla have carried this title for hundreds of years, and Lisen anticipates changes once she hands this single title on to Rinli at the girl’s investiture. But the prophesy of Mantar’s Child, upon which Lisen and Korin depended in the treaty negotiations fifteen years earlier, refuses to remain but a convenient myth, and with the advent of the fulfillment of the prophecy, an epic begins.
Although Protector of Thristas includes the familiar faces and settings of the young adult Lisen of Solsta trilogy, it begins a new adventure for an older and often wiser Lisen and her allies. Looking at their world through their matured eyes, the book takes on the heroic tragedy that the trilogy could only hint at. Return to Garla. Enter its mystical environs for a new encounter with Lisen and her world’s gender-free culture. The adventure awaits.
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The Seasons of a Giant by Pamela Hartley is a fun read! We follow Isabel LaDuke, known as Izzy, as she tries to discover who or rather “what” is stealing her family’s cows. A young girl with no real talents or skills unless you count her courageous heart. She eventually finds her quarry, but then soon is transported to the home of Behemorphs, giant shape-shifters, and their world Skyworld, which rests above the clouds. For Izzy to find her way home, she will have to team up with the monster she hunted. Her disappearance intensifies a conflict between her people, the Groundlings, and the Behemorphs, which will mean she may have to make a fateful choice…
With 250 pages, one would think this would be your average children’s novel, but I was pleasantly surprised. A fun twist on Jack and the Beanstalk, Izzy is a fun take on the heroine trope, although I may have enjoyed it more if she was more self-actualizing then what occurred in the story itself. I think the courage that Izzy embodies is brilliant and an excellent message to children. I think the “journey of self-discovery” is a classic tale to come up again and again and is given fresh legs by Hartley’s narrative.
The classic turn of “foe turned friend” is great because it allows Izzy to then reflect upon herself and evaluate her own strengths and weaknesses. The character, Boone, is great because he is everything she is not. She is small and weak with too few real skills. A Behemorph, he is larger than life and has his own magical abilities of shape-shifting. The juxtaposition is almost too pointed, but Hartley saves this with humor and keeping the story pace brisk and fast for even the most anxious reader.
Hartley’s prose reads well and both her voice as the author and the voice of her characters come through. Izzy is a great heroine to follow and I hope there’s another story on the way with her being the lead character again. There is something very relatable with a character who is not talented and instead has to rely on what she has on the “inside”. Again I believe that sort of theme and message is perfect for children and adults.
Overall, the pacing was spot on. The ending was unexpected, but well developed. I believe that Hartley has a gift for story, especially when telling children’s stories. The world she has built was fun and enjoyable and overall it will make a great read for anyone looking for an entertaining weekend read.
Pages: 250 | ASIN: B06XSN4JG3
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The Rashade, written by Rebecca Tran, tells the tale of Mara, a purposeful and strong willed woman whose life mission revolves around avenging the death of her father. Mara is a trained soldier, a skilled fighter and is determined to find the man who murdered her father (whilst she was forced to watch), leaving both physical and emotional scars that haunt her nightmares. As she sets out on her epic adventure she will meet new friends, new enemies and finally face off with the evil mage Laran who has his eyes set on taking over her homelands.
The Rashade is the first book in the Chronicles of the Coranydas series and delivers an adventure filled with magical characters, valiant warriors and a determined young woman who has her eyes set on avenging her father. The story begins with Mara applying for leave through the High Priestess, who also happens to be Mara’s mother. Mara is a trained soldier in the League and hopes to use her time away to finally face the evil Laran.
The Rashade has similar tones to books such as Deltora Quest and Game of Thrones as the main characters set on an adventure where there are tombs, priestesses and sword fights that will leave the reader on the edge of their seat in anticipation. Epic battles crossed with a burning desire to destroy an evil man will mean the reader will be captivated until the very end.
Not everybody is who they seem and I thoroughly enjoyed the progression of each character as we learned more about their life through the unexpected relationships that develop. The characters come from a variety of backgrounds, ranging from soldiers to priestesses to mages- humans who possess magical powers and mysterious grey eyes. Romance, swordsmanship and magical weapons will intertwine into a plot line that is consistently entertaining.
Mara and Kess are friends who set off together after decisions made by the High Priestess. Kess is sometimes shy, sometimes brave and the reader will quickly begin to appreciate his ability to be there when Mara needs him most. But Mara is an independent and strong woman, and it was a breath of fresh air to read about a woman warrior, rather than the typical man going into battle.
The Rashade has elements of olden day romance with flirting consisting of showing ankles in a bar, arranged marriages and oaths that stand the test of time. The outfits, swords and horses will throw the reader into an era that was far before our time. It was easy to get lost in a world of fantasy and transported to a place where magic and priestesses exist and readers will be pleasantly surprised at how easily time gets away when you are lost in the pages of The Rashade.
I would recommend this to anybody looking for a fantasy novel with twists and turns that result in a heart-stopping conclusion. I look forward to reading the other stories in the series!
Pages: 425 | ASIN: B01N211HHR
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