Into the Night, by Jerry J.C. Veit, is a play featuring an unlikely pairing of main characters who have set out on a journey together to battle the barbarians making their own way across the countryside. While on their mission, Samuel and Valencia are simultaneously fighting to save themselves from two ruthless vampires hellbent on destroying them both. Valencia’s past with Isabella, one of the vampires pursuing them, her knowledge of vampires and their habits, and her well-honed fighting skills drive her desire to set out on this dangerous trek across the English countryside. Samuel, unknowingly, has agreed to a trip that will change the course of his life.
This piece by Jerry Veit reads smoothly and much more like a narrative than a play. In fact, I found myself often forgetting that I was indeed reading a drama rather than a fantasy in narrative form. Veit has included a good bit of narrative which helps to set extremely vivid scenes and helps the reader visualize the intensity of the protagonists’ multiple encounters with the vampires and the barbarians.
As for the two different plot lines within the play, I found the vampires’ appearances throughout the story to be somewhat less than I had expected. The bulk of their interactions seem to be at the beginning of the play. I was much more interested in the plot involving our heroes and the vile vampires, Isabella and Cerbera. Though the barbarians involvement in the plot was important, well-drawn out, and wrapped up neatly, I would have preferred to have read less of the main characters’ plight with them.
Regarding the author’s style and chosen genre for this story, I felt it would have read wonderfully as a novel. Veit is adept at writing narrative description of time and place. He also gives his characters memorable lines, both dramatic and comedic. This work could translate easily to stage or to a full-length novel. I would love to see more of the pairing of Samuel and Valencia.
Valencia herself is an enigma, and Veit has written her character amazingly well. His introduction of her in Act I leads the reader down a path of assumptions about both her nature and her abilities. Veit works her expertise with weaponry into the plot in a satisfying fashion leaving no room for doubt about her from that point on in the plot. As the reader, I was as surprised as Samuel to find her so skilled and, later, to discover the reasons behind her competence in battle.
Without giving away too much of the play, I must comment on the conclusion. Being one of the readers wrapped up in the parallel story line involving Samuel and Valencia, I would like to have read more about the search for Samuel in the last act. I won’t say more. (Readers will know what I mean.) It has the makings of a strong act of its own leading to the conclusion.
I give Into the Night, by Jerry J.C. Veit, 5 out of 5 stars. I am not one to enjoy plays, but as I said, this one reads more like a narrative and has all the hallmarks of a vivid, well-thought through, detailed fantasy. Veit has managed to set his story in England in the 1300’s, giving readers who prefer that historical feel to their vampire tales something in which to revel. His characters, both heroes and villains, are memorable and leave the reader wishing for more–always the true sign of great work.
Pages: 166 | ASIN: B00Q1P3U2I
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Black Ink Pearl the screen play was adapted from your award winning novel Black Inked Pearl: A Girl’s Quest. What were some challenges you encountered while adapting your novel?
Well, first I had to learn something about screenplay writing, so so different from a novel. Hadn’t a clue!! But was passionate about doing it so signed up at more than I could afford (worth it) for a course with Voyage Media. It was brilliant. Though this one wasn’t the script I got mentored on then (by marvelous and incredibly patient – I really was clueless to start – Kathleen McLaughlin) they must have taught me the craft well as have just – wait for it – heard that my ‘Black Ink Pearl’ script (subtly changed title from the book, nothing clever or deep, just to differentiate it) the Genre Winner for scifi/fantasy in the internationally acclaimed (whew!) Capital Fund Screen Play Contest 2017. Doesn’t mean it gets produced, but its certainly a step closer. It will now – this is the process for the winners – get put in front of producers (who normally, don’t I know it, ignore any sent-in scripts) in the leading companies worldwide, including China. Still looking for other producers to consider it, so let me know if you know of any. It’s a great read, honest, fantastic in both senses, great actin and characters. Anyway hold your thumbs.
Am just finishing a second, this time based on a Walter Scott novel. If adapting a novel the trick, I now know, and it’s a good one, enjoyable, is to leave out two thirds of the scenes of the original and rewrite, perhaps utterly change, most of the rest but at the same time still be inspired by that original story that first caught and moved you. Also always always always – so hard for a novelist – to show, never to tell; show through actions words, and not adverbs or attributed (by you ) inner emotions (if it’s written properly the emotion comes through in the dialogue and the acting, leave it to them). Have had such fun learning all this and seeing the characters of the novels I love through new eyes.
Also to use that funny layout (‘Final draft’ it’s called) that is apparently the ‘industry standard’. And not too many pages – 100 seems to be about right for a full-length feature film.
And don’t expect anyone to be prepared to read it, do it just for love and passion. All the same keep trying and (essential) get as much much feedback and as many times as you can (I had really great fdvice from WEScreenplay judges, not too expensive) and don’t even think of entering contests till you’ve got a high mark from one of them (I learned that the hard way
Have been encouraged since then to read somewhere that if you’re successful in one genre people may tell you to stick to that, but actually you’re likely to be successful in another, so – but only if you really WANT to – don’t’t be afraid to try it.
Wow – how did I get into all this from one simple question …
Film rights are held by Garn Press. Where are you in the process of turning this screenplay into a movie?
Holding our thumbs that we get a deal. We just just might …
If we do get an option, we’d divide the proceeds between us in our agreed proportion, while the (lesser) amount for the screenplay, in which I hold the copyright, would come to me. The good thing about an option for, say, 3-6 months, is that even if they decide ot to proceed with the movie we get to keep that money and once the option time expires can try elsewhere..
The big hope to find a producer with funding and enthusiasm to actually make the movie (or just possibly, a television series, but would be best for the big screen). Both I and the publishers (Director is wonderful Denny Taylor, by now a real friend) would both love to see our mystic fantastic story disseminatedto wider audiences, I think it would really really work as a movie and that is inspirational sybolism – not pushed at them – would get through: but we’d ONLY want it if as a high-concept movie, we’re not in it just for some trashy commercial fix however lucrative.
Let’s say you’ve got the movie deal and you have to pick some actors for your film.Which actress/actors do you think would be perfect fits for your characters?
Emilia Clarke (fabulous in ‘Game of Thrones’ – also filmed in Ireland as this one could and should be) ) as the lead, Kate. She;’s interested I hear
Daphne Alexander (now gathering a great reputation in London and Broadway) as Deirdre, Kate’s mother (or as Kate if Emilia couldn’t), sh’ed be brilliant, and warms to the novel, I know she’d be prepared to be involved.
Idris Elba as the hero Christy – he’s such an intelligent as well as talented actor/person, and shares my feeling for Africa.
Judi Dench (I was at school with her, so know her and her commitments, she just might be persuaded) as the Queen of Heaven.
Rawiri Paratene as (the complex and difficult) character of) God. He’s less well known up here than in his native New Zealand but I thought he was the real star as the grandfather/tribal chief in ‘Whale Rider’
Do you have any other plans for your novel Black Inked Pearl: A Girl’s Quest?
Absolutely: an audio book is on the way with a brilliant illustrator, also a colouring book around the novel’s key themes. It’s already had a spin-off in its prize-winning fairytale prequel, ‘Pearl of the seas’ (that will soon be an audio book too, with musical background), and there will now be a whole series, taking children, gradually, through aspects of the story from age nought upwards in a series of (probably) five children’s books, text by me, fabulous illustrations again by amazing silk artist Rachel Backshall.
All these just arrived, no deliberate planning by me. Enjoy it.
Bye for now everyone, get back with any comments or questions.
An epic romance about the naive Irish girl Kate and her mysterious lover, whom she rejects in panic and then spends her life seeking. After the opening rejection, Kate recalls her Irish upbringing, her convent education, and her coolly-controlled professional success, before her tsunami-like realisation beside an African river of the emotions she had concealed from herself and that she passionately and consumingly loved the man she had rejected.
Searching for him she visits the kingdom of beasts, a London restaurant, an old people’s home, back to the misty Donegal Sea, the heavenly archives, Eden, and hell, where at agonising cost she saves her dying love. They walk together toward heaven, but at the gates he walks past leaving her behind in the dust. The gates close behind him. He in turn searches for her and at last finds her in the dust, but to his fury (and renewed hurt) he is not ecstatically recognised and thanked. And the gates are still shut.
On a secret back way to heaven guided by a little beetle, Kate repeatedly saves her still scornful love, but at the very last, despite Kate’s fatal inability with numbers and through an ultimate sacrifice, he saves her from the precipice and they reach heaven. Kate finally realises that although her quest for her love was not vain, in the end she had to find herself – the unexpected pearl.
The novel, born in dreams, is interlaced with the ambiguity between this world and another, and increasingly becomes more poetic, riddling and dreamlike as the story unfolds. The epilogue alludes to the key themes of the novel – the eternity of love and the ambiguity between dream and reality.
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Joe is an average kid on spring break when he’s abducted by alien spies. This sets off a series of events that are both fun and entertaining. What was the initial goal when starting this novel and how did it change as you were writing it?
EDWARD: It started out as a 14 page script; typed on loose leaf paper, back in high school when I was big into super 8 film (before VCRs or home computers were invented). Then it sat until I decided to convert it into a book (the iMac was invented but the iPod wasn’t.) and then it sat until two years ago when Al and I decided to give the self-publishing world a go. I figured if I was only able to write one book in my lifetime, (and it seemed to be taking that long) I would make it the book I’d want to read, so my target audience was one. And I’ve been my own best customer. There was pressure to follow market criteria for a successful book; a dazzling cover, writing to a customer base, grammar and punctuation, but I don’t do well that way. I’m a little rough around the edges and unrefined and my story is too.
ALLEN: As this was an idea Ed had back in our school days, I think we both wanted to maintain as much of our original “fun concept” and yet bring it a more grown up feeling. We wanted others to fall in love with Joe as we had over the years.
It seemed like you had a lot of fun writing this book. What was your favorite part to write?
ALLEN: As part of our process we would both send each other changes we wanted and Ed would choose what he thought was best. I would open up his changes and often be laughing out loud minutes later. Ed always had the better sense of humor. For me the beginning is the most fun to write as it is the most important part, without a good start readers won’t keep reading.
EDWARD: The most fun and most frustrating was weaving Poe’s ‘Raven’ into a chapter, but I also enjoyed turning the play by play of the Ali/Fraser, ‘Rumble in the Jungle’ into a diplomatic fray. Unfortunately Longfellow, Tennyson and Whitman took a beating too. Sometimes things don’t work out well like my attempt to turn a car chase into a foxhunt but that did spawn the British/Aussie feud between the helicopter pilots. I also enjoyed paying homage to all the sci-fi I grew up with by weaving a lot of trivia into the book, the numbers 42, 2001, 1999 and terms like space seed, Thunderbirds, and countless more.
Joe is an interesting character, that encounters many odd situations and aliens. What were the driving ideals behind the characters development throughout the story?
ALLEN: I have always felt we took the best of both of us and smashed it together to create Joe. So he is truly an average earthling. Other characters developed by trial and error. Whatever seemed best to throw Joe into some crazy situation seemed the direction that the other characters went. Then we tried to keep them as believable as possible.
EDWARD: I always found that ordinary people in extraordinary situations make the best stories. I also figured if we gave any character a name, they needed an idiom, because all people have their little quirks and it seems to make them more real. Other than that the characters drove the story, I was along for the ride and didn’t really know how it was going to turn out at times.
What is the next book that you are working on and when will it be available?
ALLEN: We have a book in screenplay form coming very soon called “The Pen”. It is about a Squire helping his Knight win the affections of a damsel, while they defend the land from a ruthless enemy from the Knight’s past. Squire helps his Knight win the affections of a damsel, while they defend the land from a ruthless enemy from the Knight’s past. Squire helps his Knight win the affections.
EDWARD: I always have a bunch of half started storylines on my computer, but we are halfway through the first draft of what promises to be a more traditional sci-fi serial that Al developed (sorry Poe I took another shot at you in this one too). The Arturo Express (as mentioned in JOE) is beginning to form. And I’d love to write a Dr. WHO script.
It starts out with a very contrived first chapter setting events into motion for our hero, Joe, as he is accidentally abducted by alien super spies. They screamed like girls because the war is cold. And yet the book still continues with no well-defined antagonist, as a thief in the night complicates things further when data, the super spies are after, is stolen. This brings in the detective force with the android advantage. Soon after you fall into a precipice of idiocrasy, only to find that a painstakingly slow chapter ensues until we meet several minor characters one of which has a chapter named after him. A massive chase begins with Joe as the objective, and an old lady hits on a south of the boarder inamorta. A supplemental chapter is added because I couldn’t resist a childish bathroom joke. This just in! Joe finds out, that after her boyfriends, he’s not frightening. A quick night on the town with a montage is followed by mimosas and tomato juice. While Henry sits in the park. Intellegence? I dare say not. But there is a house party that leads into a musical interlude of Peer Gynt Suite I. Repetitive redundancy repeats itself with another chase of the same alien through the same town again…because…why not. And then we get to the last chapter which ends the book.
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Apocalypsia by Jerry Veit is a saga in the best sense of the word. I was able to read the complete edition of this work, which consists of three books and three parts per book. They detail a post-apocalyptic Earth after what appears to be, for all intents and purposes, the end. Demons comb the land, freed from Hell and what is left of humanity struggles to survive and trust one another. It is left to small bands of warriors to come together and unite the warring factions, otherwise they will all perish with the rising of a new demon army.
The vision that Veit has for this world is expansive. It is also a fun blend of science fiction, fantasy and post-apocalyptic. These elements may seem to much for the casual reader but for Veit they are all ingredients that lend themselves to the epic that this work is. The edition I have, has a couple, very thick appendices, which was helpful for the wide cast of characters Viet details in all of these stories. Some of the terms, locations and overall history of this Earth is also given. All in all the world building that Veit skillfully brings to life is very present and rich for the reader to sink into and lose themselves.
I found Veit’s prose to be stilted in places and I wonder if his work would hold up better in an audio book or audio drama form. He did not shy away from any action and made sure the story kept moving through these pages, especially as the conflict became more and more intense until the dramatic conclusion. He does follow the time tested formula of having a band of hero’s and a singular villain, bent on destruction. The setting he built around this formula is what refreshing for this type of tale and the considerable scale he chose to write it in. The story itself could have been confined to two books but with drawing it out into a third he was able to deepen the plot just enough to please the reader. I won’t say anything else in that regard, lest I spoil the story.
What was difficult was the way that Viet chose to tell his tale. He took some grammatical liberties that a seasoned reader may have trouble reading at first. The most notable one is that Veit does not use traditional dialogue tags or quotation marks but instead uses names labeling who speaks (i.e. ADRIAN: Welcome to Apocalypsia). This is similar to how one labels dialogue in screenplays, which I am aware is in Veit’s background.
All in all Apocalypsia is an epic tale of loss, bravery and learning what it is to be human. Lovers of quests and end of the world tales will find something to enjoy here.
Pages: 387 | ASIN: B0726374N1
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Love can be a complicated emotion. While a person may want to love, they may not be ready to love. And those who want nothing more than to be loved may have the hardest time accepting that others aren’t ready. Black Ink Pearl by Ruth Finnegan explores these ideas of love and connection. Our protagonist, Kate, has been connected to a young man since her youth. He wants nothing more than to love her. She is not ready to love him in return. So begins their rift and the frantic journey to reconnect. They’ve got obstacles ahead of them, of course, thanks in part to the godly beings who observe our daily lives. The question becomes then, if Kate will ever be ready to love Christy. The question is not, ‘will she finally be ready’, but ‘will he still be waiting for her’.
This is a screenplay of the fantastic novel, Black Inked Pearl A Girl’s Quest. The synopsis at the beginning does a wonderful job clarifying the content of the novel.
Like a novel, the screenplay does a good job of conveying the emotions that the characters are supposed to be feeling. By having those few cues give context, it makes it easier to get absorbed in the passion and the panic that this story evokes. Kate is our leading lady and her emotions are powerful, if not overwhelming. There are even cues for which music is desired to accompany the scene. You may find yourself hearing some in your mind as you read along. There is a heavy reliance on the supernatural as the story nears the middle and the ending. It’s alluded to and briefly exposed in what some would consider the first act, but it comes on much thicker closer to the end.
Reading a screenplay is very different from reading a novel. Black Ink Pearl by Ruth Finnegan is based on her novel, Black Inked Pearl A Girl’s Quest so some readers may think that it is just a rehashing of the novel. While there are parts that are like that, having reviewed both pieces I can confirm that the screenplay does a better job at getting the story across. The text is not as fragmented and dream-like as it is in the novel, so the screenplay is much easier to read and digest the content. This fantastical journey is for those who are suckers for a love story.
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