Executive Hoodlum: Negotiating on the Corner of Main and Mean by John Costello is a story about the Vice President of Business Development and Government Relations for Microsemi Corporation. He has a number of titles that he has earned throughout his life, from being friends with movie stars and other high profile individuals to being a Golden Glove boxer. You would think with his long list of accomplishments that he came from a fancy upbringing with rich parents and unlimited resources. Actually, the opposite is true. He was raised in a blue collar neighborhood in Chicago. His father was a somewhat violent man with mob connections and his mother struggled with addiction. John overcame quite a bit of turmoil in order to become the man he is today.
This was a very interesting story from the very first page. Knowing that this was a true story made it even more of a page turner for me. I am often intrigued by true stories of people overcoming their personal struggles and hardships to become the people they are. While we all have our own issues we deal with, I find it great to be able to step into another’s shoes and try their life on for a while.
So many people that have a tough childhood and upbringing use it as an excuse to not reach their real potential. Not John Costello. He adapted to the hand he was dealt and overcame it all. It would be tough to find someone that has had it worse in this country. His story is inspiring and makes you put your own issues into perspective and makes you look at how you can overcome them as well! He used the lessons he learned in a very negative world and has twisted them in a way that is useful in the corporate industry he has climbed into.
I found myself chuckling in some places and holding back tears in others. The storytelling was on point and very relatable. In some ways I could see this being an inspiring box office movie. The situations where was struggling to get out of, yet finding himself falling back into those situations. You find yourself pulling for him to break away from those situations, and the delivery of those small moments are so incredible. I started this book a little while before bed and ended up staying up later than I had intended. The story was just that good. I literally struggled to find a point in which I could put the book down. The next morning I was up and trying to squeeze in the time to finish the book between my other priorities.
Executive Hoodlum by John Costello is a great story for anyone that loves to read about people that overcome adversity in order to become a bigger and better person. I think anyone that has a tendency to think they can’t do something because of where they are from should pick up this book and realize that nothing can hold them back if they put their mind to it.
Pages: 261 | ASIN: B075H1HXK3
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Mademoiselle Alice tells an intimate tale that takes readers on a personal journey through life and love. What was the inspiration that made you want to turn Alice’s life into a story?
I spent three years writing a history book called Alice & Eiffel, A New History of Early Cinema and the Love Story Kept Secret for a Century. As soon as I finished it, my girlfriends said: “We want a novel!” Alice wrote a memoir that is very cryptic, only 120 pages. I felt that she had a lot of secrets which she alluded to, particularly about her father, her experiences at the convent, and her relationship with Eiffel.
Why did you choose to write the novel in the first person?
When I started the novel, I spent several months writing Alice’s story in the third person, but it felt distant. I felt like I was flying over the rooftops, getting an occasional peek through a crack in the curtains. The novel didn’t start to come to life until I switched to first person and told it from Alice’s point of view.
Being basically kidnapped from her grandmother’s home at four and then being dropped off at the convent at six were the heartbreaks in her childhood that most captured my imagination and sympathy. Then of course when her father died when she was seventeen, that was the coup de grâce for her. In her memoirs she began with “My destiny was no doubt traced before my birth,” and I think she was referring to the early connections between her father and Eiffel since Eiffel really did go to Chile the year before she was born.
Alice Guy Blaché was a pioneer with so many accomplishments. What was the one thing that surprised you the most about Alice?
The biggest surprise was that although Eiffel was wildly successful and a very attractive person, Alice is more compelling. I think the story-telling gene that she developed was a result of her early experiences and not a function of ambition to make it in the movies which did not exist when she started.
The first film she wrote and directed, La Fée aux Choux, remains iconic in symbol and mystery. In one minute she tapped into the deepest themes of human experience: romantic love, sexual attraction, and family. We know it when an artist touches that chord, cuts to the core of something deep.
The temptation with a biography of a famous or accomplished person is to stack up their achievements in an intimidating tower. You can do the same thing with Eiffel. Would you like to read about all forty of the bridges he built culminating in his famous tower? That has been the outline of all the biographies about him. They don’t get close to the real person.
What kind of research did you have to do to maintain the historical accuracy of the book?
I look up all kinds of quirky things. It is not at all efficient, but you have to cast a very wide net. I read French and American newspapers from 1890s through the 1920s, and it is surprising what you run across, such as a column entitled “What makes a woman charming?” The old newspapers reflect how people thought back then. The phrase “gender roles” wasn’t coined until 1955. In Alice’s time, being a wife and mother were a woman’s duties, not roles she chose. The “old maids” were viewed as having missed the boat of life.
What is the next story that you are working on and when will it be available?
I am working on scripts for Mademoiselle Alice. I think it would make a good television series starting with the California Gold Rush. Many people came from France to California during that period and I believe Alice’s father was among them. Everyone wonders how Alice was able to do cowboy and western films. I think it was in her DNA.
A deeply evocative story inspired by real events: the love affair between two unforgettable people—Gustave Eiffel, the builder of the Eiffel Tower, and Alice Guy Blaché, a pioneer in the art of cinema. Mademoiselle Alice steps out of the shadows into the reader’s mind as an endlessly intriguing and entirely relatable young woman. Told through Alice’s eyes, we get to know her, her family, and Monsieur Eiffel. Eiffel is not looking to fall in love—he is a widower who has everything—wit, wealth, fame, and brilliance. He was a friend of Alice’s father who died when she was seventeen, and the story she tells of falling in love with him is funny and emotionally intimate. Alice and Eiffel forge an enduring romantic and intellectual bond. But while she wants to marry him, he refuses because he is so much older than she is. Out of her desire to have a family, she marries a handsome Englishman and travels to the United States, where she works with D. W. Griffith and then opens her own film studio. Some of her emotional experiences find expression in the scenarios she writes for film. Her relationship with Monsieur Eiffel continues on in her mind and leads to some surprising developments. Mademoiselle Alice tells us much about women’s lives during the silent film era in France and the United States. Combining a biographer’s knowledge of her subject with the novelist’s gift for narrative, Janelle Dietrick has crafted a novel that will capture the interest of every reader.
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Astonishingly prolific and with unbridled passion, William Shatner stands out as a stunning actor, writer and director with the zeal for mystical life or what some would notate as alien life. The author, Dennis William Hauck, runs an acoustic biography of a partner while working on the film Mysteries of the Gods. Dennis paints the preconceptions of William as an eccentric man who swings like a pendulum from condescending and boring to a nitpicking perfectionist character.
The book is themed with “human evolution” what the author calls “transformation of a man” but focuses on once an influencer of the Hollywood Enterprise to the lost face in the industry.
I have three words for this book; exemplary, fluent and cozy-rosy. Dennis’s artistic nature proves worth it to read the book as he weaves vague facts, whimsical musings and random thoughts into a bedazzled art piece. This book uses scintillating prose that brings out his crafty abilities, which inspire creative concepts in the publishing world.
My first thoughts were that an enticing aspect of William’s expressions and entitlement toward his position as a spokesperson for the alien community is surprising at first. However, a progression through the chapters evokes a mindset of withdrawal from the world. Literally, a journey through his life experience and success stands in the way of belief that such a prominent actor could turn psychic; Dennis does a good of making the reader wander between the two extremes.
Behind the scenes of the Star Trek franchise stood a celebrated modern icon who believed in telepathic experiences and cosmic intelligence, but without proof. Evidenced by the bizarre album The Transformed Man, it becomes easier to note how the author qualifies the metamorphosis of William’s character from one with a fascinating social life and dreamed-of career to a life of strained relationships with fellow actors, ego-centric behavior and unlikeable attention for women.
Dr. Andrija Puharich, a neurologist with keen interest in parapsychology, tends to bend her professional view towards the deep-seated belief that Uri Geller and Gene Roddenberry shared; these were characters who either could equally bring “sense” into extraterrestrial intelligence. For instance, Geller could bend metals or even disintegrate them. I believe this book effectively convinces its target audience to believe in what William stood for.
Dennis makes a closing case by reflecting on the temperament of his protagonist and relates the misconception William had towards his alien friends who, unfortunately, did not “come back” for him. The appreciation of normalcy in human life cannot be underplayed as this autobiography leaves the reader with deep contrasting thoughts of aliens and reality.
William Shatner – A Transformed Man by Dennis William Hauck is an exciting book to read as it probes a celebrity bio with a tale. This book has done more than just impress the publishing market; it has also popped out curious questions that keep the mind wondering what exactly was the thought-process of script writers, actors and directors behind the iconic movie, Star Trek.
Pages: 404 | ASIN: B0756NP2HS
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Black Dragons Attack, the fourth installment in the Nick Grant Adventures series outdoes the high bar set by the previous adventures. This enthralling pre-World War II story features a superb cameo by American aviation hero Howard Hughes! Readers are transported to the nostalgic war era with the mind-blowing narrative by author Jamie Dodson. Nick Grant starts afresh as a Naval Aviation Cadet that leads to a chance encounter with Howard Hughes that changes the course of his life. Join Nick as he thwarts the Japanese plot to steal the famous Hughes H-1 racer along with his friends Nancy Tanaka and Leilani Porta for some edge of your seat entertainment.
Jamie Dodson has always delivered riveting story lines, perfect character development, amazing locales, and ultimately an exceptional climax – in short, each of Nick Grant’s adventures, be it Flying Boats & Spies, China Clipper, or Mission Shanghai or the latest offering Black Dragons Attack never fail to impress readers.
Set in 1936, Black Dragons Attack continues the Nick Grant saga as he believes his arch nemesis Toshio Miyazaki, is dead and starts afresh as a Cadet in the Naval Aviation Academy. It takes no less than a chance run in with the genius billionaire aviator and movie producer, Howard Hughes to lure Nick back into another deadly spy game.
The Black Dragons, working for the Japanese Intelligence Service, turn out to be secretly active and conspiring with a new partner, the Third Reich in California! As the Japanese hatch an elaborate plan to steal the Hughes H-1 racer to reverse engineer and build something even more advanced, US Naval Counterintelligence uncovers their activities. Nick is tasked with foiling the plans of the Japanese with the help of Nancy Tanaka and Leilani Porta.
As much as Nick impresses with his heroic show of patriotism and daredevilry, the Hughes H-1 steals the show with its sheer technological prowess and revolutionary functionalities that are years ahead of anything that existed in that era, precisely why the fascist regimes of Imperial Japanese and Nazis were so obsessed with it.
The setting of pre-world war II provides a poignant background wherein Jamie Dodson successfully manages to capture the mindset of people in a war torn country. Howard Hughes, albeit in a sort of guest appearance, manages to shine and awe the reader with his larger than life personality. The character sketches of Nancy, Leilani and Toshio are spot on and do justice to their role in the plot.
Overall, Black Dragons Attack, the fourth book in the Nick Grant adventure series is a pleasure to read.
Pages: 244 | ASIN: 1938667549
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Black Ink Pearl the screen play was adapted from your award winning novel Black Inked Pearl: A Girl’s Quest. What were some challenges you encountered while adapting your novel?
Well, first I had to learn something about screenplay writing, so so different from a novel. Hadn’t a clue!! But was passionate about doing it so signed up at more than I could afford (worth it) for a course with Voyage Media. It was brilliant. Though this one wasn’t the script I got mentored on then (by marvelous and incredibly patient – I really was clueless to start – Kathleen McLaughlin) they must have taught me the craft well as have just – wait for it – heard that my ‘Black Ink Pearl’ script (subtly changed title from the book, nothing clever or deep, just to differentiate it) the Genre Winner for scifi/fantasy in the internationally acclaimed (whew!) Capital Fund Screen Play Contest 2017. Doesn’t mean it gets produced, but its certainly a step closer. It will now – this is the process for the winners – get put in front of producers (who normally, don’t I know it, ignore any sent-in scripts) in the leading companies worldwide, including China. Still looking for other producers to consider it, so let me know if you know of any. It’s a great read, honest, fantastic in both senses, great actin and characters. Anyway hold your thumbs.
Am just finishing a second, this time based on a Walter Scott novel. If adapting a novel the trick, I now know, and it’s a good one, enjoyable, is to leave out two thirds of the scenes of the original and rewrite, perhaps utterly change, most of the rest but at the same time still be inspired by that original story that first caught and moved you. Also always always always – so hard for a novelist – to show, never to tell; show through actions words, and not adverbs or attributed (by you ) inner emotions (if it’s written properly the emotion comes through in the dialogue and the acting, leave it to them). Have had such fun learning all this and seeing the characters of the novels I love through new eyes.
Also to use that funny layout (‘Final draft’ it’s called) that is apparently the ‘industry standard’. And not too many pages – 100 seems to be about right for a full-length feature film.
And don’t expect anyone to be prepared to read it, do it just for love and passion. All the same keep trying and (essential) get as much much feedback and as many times as you can (I had really great fdvice from WEScreenplay judges, not too expensive) and don’t even think of entering contests till you’ve got a high mark from one of them (I learned that the hard way
Have been encouraged since then to read somewhere that if you’re successful in one genre people may tell you to stick to that, but actually you’re likely to be successful in another, so – but only if you really WANT to – don’t’t be afraid to try it.
Wow – how did I get into all this from one simple question …
Film rights are held by Garn Press. Where are you in the process of turning this screenplay into a movie?
Holding our thumbs that we get a deal. We just just might …
If we do get an option, we’d divide the proceeds between us in our agreed proportion, while the (lesser) amount for the screenplay, in which I hold the copyright, would come to me. The good thing about an option for, say, 3-6 months, is that even if they decide ot to proceed with the movie we get to keep that money and once the option time expires can try elsewhere..
The big hope to find a producer with funding and enthusiasm to actually make the movie (or just possibly, a television series, but would be best for the big screen). Both I and the publishers (Director is wonderful Denny Taylor, by now a real friend) would both love to see our mystic fantastic story disseminatedto wider audiences, I think it would really really work as a movie and that is inspirational sybolism – not pushed at them – would get through: but we’d ONLY want it if as a high-concept movie, we’re not in it just for some trashy commercial fix however lucrative.
Let’s say you’ve got the movie deal and you have to pick some actors for your film.Which actress/actors do you think would be perfect fits for your characters?
Emilia Clarke (fabulous in ‘Game of Thrones’ – also filmed in Ireland as this one could and should be) ) as the lead, Kate. She;’s interested I hear
Daphne Alexander (now gathering a great reputation in London and Broadway) as Deirdre, Kate’s mother (or as Kate if Emilia couldn’t), sh’ed be brilliant, and warms to the novel, I know she’d be prepared to be involved.
Idris Elba as the hero Christy – he’s such an intelligent as well as talented actor/person, and shares my feeling for Africa.
Judi Dench (I was at school with her, so know her and her commitments, she just might be persuaded) as the Queen of Heaven.
Rawiri Paratene as (the complex and difficult) character of) God. He’s less well known up here than in his native New Zealand but I thought he was the real star as the grandfather/tribal chief in ‘Whale Rider’
Do you have any other plans for your novel Black Inked Pearl: A Girl’s Quest?
Absolutely: an audio book is on the way with a brilliant illustrator, also a colouring book around the novel’s key themes. It’s already had a spin-off in its prize-winning fairytale prequel, ‘Pearl of the seas’ (that will soon be an audio book too, with musical background), and there will now be a whole series, taking children, gradually, through aspects of the story from age nought upwards in a series of (probably) five children’s books, text by me, fabulous illustrations again by amazing silk artist Rachel Backshall.
All these just arrived, no deliberate planning by me. Enjoy it.
Bye for now everyone, get back with any comments or questions.
An epic romance about the naive Irish girl Kate and her mysterious lover, whom she rejects in panic and then spends her life seeking. After the opening rejection, Kate recalls her Irish upbringing, her convent education, and her coolly-controlled professional success, before her tsunami-like realisation beside an African river of the emotions she had concealed from herself and that she passionately and consumingly loved the man she had rejected.
Searching for him she visits the kingdom of beasts, a London restaurant, an old people’s home, back to the misty Donegal Sea, the heavenly archives, Eden, and hell, where at agonising cost she saves her dying love. They walk together toward heaven, but at the gates he walks past leaving her behind in the dust. The gates close behind him. He in turn searches for her and at last finds her in the dust, but to his fury (and renewed hurt) he is not ecstatically recognised and thanked. And the gates are still shut.
On a secret back way to heaven guided by a little beetle, Kate repeatedly saves her still scornful love, but at the very last, despite Kate’s fatal inability with numbers and through an ultimate sacrifice, he saves her from the precipice and they reach heaven. Kate finally realises that although her quest for her love was not vain, in the end she had to find herself – the unexpected pearl.
The novel, born in dreams, is interlaced with the ambiguity between this world and another, and increasingly becomes more poetic, riddling and dreamlike as the story unfolds. The epilogue alludes to the key themes of the novel – the eternity of love and the ambiguity between dream and reality.
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Into The Liquor Store follows Bink, a graffiti artist and connoisseur of cannabis, through a series of life events set against a dystopian future. What was your inspiration for this creative novel?
When I started writing the novel, it was supposed to be an autobiographical movie. Then I decided to have the events take place in the future; mostly so that I wouldn’t get in trouble with my family. With hesitation I let my mother read the first chapter, and she suggested I write it as a book instead. I even reached out to an Iranian graffiti artist who goes by A1one (Alone) and he gave me some encouraging words. Bink makes a reference about him in the novel as well.
Bink’s character slowly builds throughout the novel and ends up being a fairly deep person. What were the themes you used when creating his character?
I focused on Bink’s trajectory and growth. The last thing I wanted was a one dimensional character. He relies heavily on his connections, he has flaws, and towards the end he’s redeemed to an extent. I didn’t want Bink to be Mr. Perfect, and I wanted the people who interact with him to hold him accountable.
The novel is set in a dystopian future earth where graffiti is a regulated art form and taggers are well respected. Where did this idea start for you and how did it develop as you wrote?
In the prologue we start to see Bink’s love for the 21st century, 2010 through 2019 to be exact, embraced in his nature. He refers to it as a classic era. So I imagine there must be galleries that depict street art in the same light as the Renaissance. Art and specifically painting, I feel will be around forever.
What is the next book that you are working on and when will it be published?
The next book is still being developed. I can’t say much about it, but it will take place in the same universe as Into The Liquor Store. It will focus on the behind the scenes work of the government. The movie adaptation, of the same name, is being completed and soon my collaborator and I will send it to contests.
The worst has yet to happen to Le’roy, of Egyptian and Russian decent, when his girlfriend of three years breaks up with him; dealing with the conflicting societies of a 23rd century Iran, he often feels nostalgia for a century to which he was not born.
Le’roy, an artist who abstains from tobacco and alcohol, bombards his mind with vices such as: lust, marijuana, and psychedelics. He must come to terms with his heightened status of celebrity and the fact that a lottery can enhance his lifestyle, but a vision transcends a lifetime.
Posted in Interviews
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Mystery, suspense, reality television and revenge all come crashing together in this entertaining story. Where did the idea for Thawing A.C. Nielsen originate and develop into a novel?
The idea for the book originated with, frankly, my disdain for reality TV and the self-importance of the people on those shows, as well as the show producers making fortunes. When I began the book I thought, who better to take down reality TV than an icon from the past–namely, the real A.C. Nielsen. Of course, once you read the book, you will realize that my original goals shifted quite a bit (can’t say more–spoiler). Savvy readers will notice clues as to the real-world reality TV celebrities that the characters Khail Santana and Dimi Konstantos are based on!
The protagonist joins up with ExitStrategy, a facility devoted to cryogenics and the revival of the dead. Did you do a lot of research into cryonics for this book?
Ah, but they’re not dead- they’re just really cold, haha! I did a lot of research into the strange world of cryonics. There are a handful of cryonics companies and I combed their websites and read a few books. Probably the best resource was a massive website with a lot of scientific detail by a cryonics expert who is a bit of a screwball. Once I read more, I realized I could have a lot of fun with this scenario. I also made sure that just about everything in the book is based on reality. Some of the strangest things in there, the things people may think I made up, are totally fact-based. Also, I had a lot of help from my brother, who teaches medicine at University of Southern California, on the medical-based chapters where test animals and people are revived. I couldn’t have made those seem realistic without his help
When writing Thawing A.C. Nielsen, did you want the novel to be satire first, or science fiction first?
Great question! It is satire first, for sure. The sci-fi cryonics was just a means to a satirical end. Genre-wise it is a mix of sci-fi, satire, medical mystery, and plenty of humor. Overall, I think the mixing of genres makes the book unique. As far as the scifi category goes, I am proud that the book is not one of a million books categorized as dystopian. There also are no spaceships or aliens, but I do work David Brin’s bestseller Startide Rising into the book in a significant way.
I find that good authors have an ear for speech and dialogue. What’s the best way you find to capture natural prose?
I have to believe the characters are real people and I am just eavesdropping on their conversations. I sort of see them in my head and learn their personality from them. I also have to get inside their heads and spy on their secrets, their weaknesses, and then tumble them out to the reader at appropriate times.
What is the next book that you are working on and when will that be published?
I’m 75 percent done with a middle-grade wacky scifi yarn called “The Grandma Apocalypse”, an alien invasion story set in a sleepy central Illinois town during the 1960s. There are humorous threads relating to “The Princess Bride” which tie things together in an odd way. It’s all about DNA-stealing aliens, snickerdoodle cookies, cats &goats, sweet tea, mind control, multiple dimensions and so on. After that I am writing a sequel to “Thawing A.C. Nielsen”, which will be quite a bit darker. The working title is “The Mozart Murders”. Mozart is in the book in sort of a Voldemort way, and he’s a pretty bad dude–not the wacky Mozart of the film Amadeus. I don’t have a publication date yet for these two new creations.Thanks for the great questions!
Brilliant young microbiologist and self-professed lab rat Kate Pearson has just landed her dream job, although she worries it might turn into a frozen nightmare. She’s been hired to discover a way to successfully revive people who have been in cryonic deep-freeze stasis for years at the Chicago firm ExitStrategy, a company founded by scientist Mike “Cold Smokey” Burgess, holder of dozens of major patents. Kate is succeeding Dr. Enzo Saltieri, Mike’s partner for years, who has died suddenly under strange circumstances. As Kate sifts through mountains of Saltieri’s scribbled-upon legal pads she finds paths that lead nowhere. Was Saltieri on the verge of great discoveries or just sinking into the illogical world of dementia? Along the way, Kate has to deal with Miles Coleman, a sarcastic idiot savant assistant at the lab who’s hiding his true identity; Gloria Dunham, a famous former Hollywood actress, now ninety years old and bent on taking over control of the company; plus reality show egomaniacs Dimi Konstantos and Khail Santana, megastars who’ve been polluting television’s airwaves for years. After Kate has some success reviving lab animals frozen in the 1980s such as Mr. T, the guinea pig, and John Cougar, the housecat, her attention turns to the first human subject, famous TV ratings guru A.C. Nielsen, who has been frozen at ExitStrategy for twenty-five years. Between Mike Burgess’s lofty expectations, hidden research files, secret medical procedures, switched identities, drugged drinks, randy Irish folk musicians, beefy bodyguards, plus the likes of Miles, Gloria, Dimi and Khail—Kate begins to realize that reviving A.C. Nielsen and stumbling upon a major medical discovery may actually be a stroll in the park.
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Mystery, suspense, reality television and revenge all come crashing together in this entertaining story written by Paul Carey. Thawing A.C. Nielsen starts off with dated entries, much like a diary, as we gain very little backstory on what is to be a wild ride. It opens to a nameless man being rescued from the depths of a frozen body of water. This revival is short lived, but is important to the rest of the story. Flash forward to Kate, a young and intelligent woman who wants nothing more than to stare into a microscope for the rest of her life. At the urging of her friend she goes for a job interview at the one place that will make her desires reality. Our fierce protagonist gets a little more than she bargained for when she joins up with ExitStrategy, a facility that is devoted to cryogenics and the revival of those who should be dead.
One of the best things about Thawing A.C. Nielsen is how the characters talk. There is a fair bit of dialogue but each person sounds real. They communicate like they would if they were to stand in your living room. This makes reading this tale a lot easier on the mind. Many mystery novels or those who pride themselves on suspense get caught up in setting a ‘mood’ that makes their tales very unrealistic. The fact that the reader can identify with the characters not only through their speech, but through their actions, makes the entire tale feel like something you could read about in the news tomorrow.
This can be a double-edged sword, however. Because the characters speak so ‘modernly’ it’s quite grating to read some of the speech and hear it in your mind as you read. There are some slang words that should never be printed and it does a very good job at showing how reality television stars need to work on their linguistics.
Having a strong female lead who works in an area where women are underrepresented gives this tale a special place in the world. Not only does Kate work in a science-driven industry, she is respected by her male colleagues and never once is she demeaned or demanded of due to her sex. These types of tales are few and far between.
It’s clear that Carey did his research before writing his book. There is a scene where knowledge of medicine and medical terminology is paramount to understanding what is happening. Carey doesn’t skimp on the language and has obviously done more than just do an internet search or watch television. It’s not so in-depth that the average reader with no background would be lost but just realistic enough to bring the characters on the page to life, quite literally.
If you’re looking for a fun adventure with wily manipulative old women and socially challenged geniuses, you will find all that and more in the pages of our tale. Hold on to your hearts and keep your eyes peeled as you try to figure out the mystery of Thawing A.C. Nielsen.
Pages: 368 | ASIN: B01LOHEP7G
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