The Entire World Became Darker
Apocalypsia is a genre-crossing novel with elements of fantasy, Sci-Fi, and dystopian as well. Did you start writing with this in mind, or did this happen organically as you were writing?
Apocalypsia evolved on its own throughout the writing process. I didn’t always know or plan where the story was going to go, but once it went in that direction I was like, ok, let’s go there.
It was first intended to be a graphic novel but became a three-part screenplay instead. When I moved away from screenwriting, I published the story for the first time as a novelized script.
A decade passed before I finally rewrote it into a traditional novel. Being older myself made my characters grew up as well, and the entire world became darker.
What was your favorite character to write for and why? Was there a scene you felt captured the character’s essence?
I will have to go with Kito for this question. He was the one I most identified with. He’s not a hero, he doesn’t want to be one either. He’s the wounded soldier which was inspired from tragic heroes and antiheroes alike. He’s messed up and he knows it, but he doesn’t feel sorry for himself. In a way he believes others should hate him.
You kind of understand him a little more as the story progresses and why he feels the way he does. He is much more complex than his teammates and keeps his sensitivity hidden the best he can.
The part I feel exposes him for the first time is when he’s kidnapped by Alma. You get a rare glimpse into his inner thoughts, and I think this is where his arc begins to develop.
The line I like from him is: “the funny thing about hunting demons is after a while you begin to see yourself in them.” He’s truly at war with himself on many levels.
What were some themes that were important for you to explore in this book?
I’ve often heard fantasy and sci-fi being referred to as a “man” genre. I wanted something that would draw in both men and women. There is survival, love, and character-driven themes. Nonstop action, blood, gore, high-speed chases, and demon encounters are all entertaining, but without character progression and their emotions, you are left with a hack and slash adventure with some witty comebacks and horror sprinkled in. I wanted Apocalypsia to be a sandbox mashup. Zombies, demons, magic and why not, put a dragon and GTO in there too.
What is the next book that you are working on and when will it be available?
Along with Apocalypsia, I’m also publishing a two-volume set containing five novellas. These three books make up my complete collection of 6 stories, which will all be released at the same time.
However, with a passion for film, book, and fantasy art, I would love to publish an Apocalypsia artbook. I think illustrations of the monsters, characters and some of the scenes will be a nice way to bring this world to life. I would need a team for it, so it may not happen, but I’ll save my last ISBN for it.
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The Stakes Were Not High Enough
Into the Night and The Glass Demon are two different stories in an immersive paranormal collection. What were some sources that informed the development of these stories?
I’ve always been fascinated with vampires, and they remain a popular movie monster to this day, some of them are even portrayed as heroes. Samuel has the same lure to these beings without really understanding how much danger he’s in. I felt the stakes were not high enough to craft another vampire story, so I made it happen at the same time as a barbarian invasion. It’s not meant to be historically accurate, I thought of it as Underworld meets Braveheart.
The Glass Demon is fictional, but I wanted it to feel like it could be true. Even to this day I enjoy watching Ghost Adventures, Paranormal Caught on Tape, A Haunting, and movies like The Rite. I also read The Encyclopedia of Demons & Demonology by Rosemary Ellen Guiley. My inspiration came from true experiences, but I wanted the human element to be stronger than the horror aspect. William is damaged, but I still wanted my readers to feel for him. This is more of his challenge than it is about a supernatural, paranormal Exorcist-type story.
What were some challenges you set for yourself as a writer with this set?
The most important thing I strived for was preventing my characters from fading into the background. I wanted action, but I didn’t want it to become action-driven over character-driven. These are tales of some people in impossible situations, and they could’ve given up at any time—but they didn’t.
What draws you to the paranormal genre and makes it ripe for you to write in?
I subscribe to Discovery+ so I watch a lot of paranormal shows. I’ve had a few minor experiences myself while growing up, from hearing whispers to seeing forms that slowly fade away. None of that happens to me anymore, but it still left its mark on me. If we rely on only the things we physically see, then we see nothing at all. It doesn’t matter if you believe in the supernatural, but the concept should at least be considered.
Do you have more novellas planned for this world you’ve created?
I had thought of doing sequels at one time. I tried to make it feel like both stories could continue. Into The Night could continue to Ireland where Gavin and his family escaped, and something in The Glass Demon world could trigger William to reunite with Victor and Mikael. At the moment I’m not active in either, but the possibility is there.
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Losing our Humanity
Into the Night features an unlikely pairing of characters who set out on a journey to battle barbarians and vampires across the English countryside. I felt like the setting was very detailed in this story. Why did you choose this time and place for your book?
Historically, in the early 1300’s, England became the landing point of the Vikings when they decided to leave their northern towns. Vampire legends were also very well-known and taken seriously throughout almost every century.
Vampire belief peaked and declined and then rose again as time went on. Vampires are indeed everlasting; at first being a tale of horror and then becoming a fascination. It is no doubt that vampires evolved like no other monster in our literature. The lore is still alive today and fills us both with fear and desire.
I studied old maps of the English countryside and manipulated some letters of real older towns to create my locations. I also mentioned some landmarks that still exist today to give Into the Night a more historical background rather than that of pure fantasy. Somehow, barbarians, vampires, and England just seemed to fit perfectly.
The book got its title because one evening I was driving with the sun behind me and darker night skies ahead of me. I was literally driving into the night. It felt ominous and fit the vibe of my story well. Also at that time, was a popular song on the radio that shared the same name by Santana and Chad Kroeger.
The hero’s Samuel and Valencia are dynamic characters that battle vampire matriarchs Isabella and Cerbera who are also well developed. What was your inspiration for the characters relationship and how they contrast with the villains?
Samuel is a drifter with no clear path in life. Valencia is unable to forget a bad memory and is driven to seek revenge. In a way Valencia is too harsh and Sam too meek; together they take what the other has too much of and it makes them a perfect duo.
The vampire sisters mask their vile intentions and wicked deeds with beauty that beguiles those they encounter. Without Valencia, Samuel would not have been able to (or perhaps not want to) resist them. It stems from the duality of our minds – the fear of losing our humanity (Soul, goodness) and the desire to break free from physical obstacles and society’s restraints and give in to lust. Valencia keeps him grounded and stands as an icon of strength and courage; which eventually wins Sam’s admiration.
I felt like this novel did a great job utilizing vampire lore and creating some of its own. How did you set about creating the vampires in your story?
Into the Night was my first screenplay (and my second published book). At the time I was reading: Screenplay: The Foundations of Screenwriting by Syd Field. That’s when I decided to practice what I was reading. My first words of the story were Valencia’s speech to Sam, at their first encounter, about Cerbera stalking her prey. I remember putting the monologue on Facebook and getting replies like: “what happens next?” The truth is I didn’t know. I was just practicing a writing exercise I had assigned to myself, but I knew I had to make something out of it now.
It helped that I took a liking to everything vampire; watching movies from Nosferatu to Interview with a Vampire to Underworld, and collecting a library of vampire literature; from Camilla to Vlad to vampire encyclopedias.
Cerbera’s name is taken from a plant species found in India; known as the suicide tree due to its toxicity. The vampire sisters each have a unique trait. One paralyzes men with a touch, the other with a look. Together they symbolize heightened sexuality that dominates all men and is based on the biblical character, Lilith, who eventually formed the race of the succubus. The vampires in Into the Night are a compilation of everything I read and saw.
I would love to see more of the pairing of Samuel and Valencia. Do you have any plans to expand their story in the future?
I have thought about bringing Samuel and Valencia back together as a vampire fighting couple. With the barbarian threat culled and the vampire’s uncanny trait to keep coming back; I would be able to dedicate the story to just vampires.
In the middle of the story Sam and Valencia rescue a family that escapes to Ireland. That was intended to be the main plot for the continuation. The team rejoins to aid the family and fight a vampire threat in Ireland.
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In the autumn of 1325 an army of barbarians invade the south-western region of England. A drifter named, Samuel and a strong-willed woman named, Valencia journey north to Ashborough to seek the aid of the steward’s army.
While on their mission they realize the barbarian army is close behind them along with two vampire matriarchs and their vampire horde. They find themselves in the midst of two wars as they fight northward on, what seems to be, a Sisyphean task.
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The Glass Demon Book Trailer
William Corgel is a clairvoyant medium who is hubris, doubts his faith and a heavy drinker who finds comfort in pills. Believing there is nothing he can’t handle he soon finds himself in a home with a demonic presence and the possession of a teenage girl.The demon continually taunts and attacks him while claiming to know William’s suppressed childhood memory centered on his mother.
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My Heroes Tend to be Flawed
The Glass Demon is a supernatural novel that dives into the world of spirits and haunting’s. Why was this an important book for you to write?
I was really into a TV documentary program called, A Haunting. It was about real life hauntings told by the people who lived through them. My goal was to make a fictional story that felt real enough that it could be believed to be based on a true story. I also had just watched The Rite with Anthony Hopkins. I knew I needed to write something that was super intense and scary.
What I liked most about this book was the depth of knowledge of demonology presented in the story. What type of research did you have to do to keep things accurate?
I have several books on true ghost stories and encyclopedias about the supernatural. One such book is: The Encyclopedia of Demons and Demonology by Rosemary Ellen Guiley. I own about 4 of her books. The encyclopedia has profiles on some infamous demons known to plague people’s sanity and also true stories about demonic occurrences. Additionally, I did a lot of internet research about demons, and books on demons, and types and names of demons. It was purely academic with a desire to entertain, but it made me feel like I was on the borderline to receive the wrath of God. Needless to say, research was extensive.
William has had a complicated life. His avoidance of childhood demons leads him to an addiction to booze and pills. What was the inspiration for his character and backstory?
Most heroes seem to be blessed with an infinite amount of strength, courage, and knowledge. My heroes tend to be flawed. William’s journey is meant to be a humbling one. He believes there is nothing he can’t handle; even though he never dealt with his own past. When he walks into this next case he is smug. He’s most likely thinking that he is going to walk around, find someone who doesn’t know he’s dead, tell him to move on, he moves on, William gets paid and then goes home. It turns out to be much more complicated than that.
William is almost foolish in the beginning and doesn’t appear to be someone who can help the Glass family, let alone himself. He is on a slippery slope to self-destruction and then takes on the hardest haunting he has ever had; one that fights back. He’s also used to being the one who is in control. The fact that the demon knows William’s past and he does not takes the ball out of his court. He goes through an intense torture before he is finally able to become a hero and that’s only with the help of the supporting characters. Without them he would have failed.
I also wanted to answer an age old question, why do bad things happen? William went through a lot of bad things, but in the end that is what he needed to become a better person. Most horror stories just want to shock and unnerve you, and the characters are all pawns who can die at any time. William brings a character-driven arc to the storyline that makes this a little more than just a horror story.
Do you have another horror story in the works? Or are you currently working in a different genre?
I did leave this story open for a sequel. I was combining ideas that will bring most of the characters back together to solve an even larger haunted case involving multiple city blocks. I remember reading about a similar event about unexplained hauntings across several small nearby towns. The sequel will share this trait. “If you think one house was bad… try 100.” It looks cool in my head with an almost Hell erupting feel to it, but I have yet to put words on paper. Hopefully one day…
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William Corgel is a clairvoyant medium who is hubris, doubts his faith and a heavy drinker who finds comfort in pills. Believing there is nothing he can’t handle he soon finds himself in a home with a demonic presence and the possession of a teenage girl. The demon continually taunts and attacks him while claiming to know William’s suppressed childhood memory centered on his mother.
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The Glass Demon
William Corgel is a paranormal medium and investigator who is suppressing a deep secret from his past. His life is full of supernatural complications, hauntings, and demons that possess innocent families. His job is to help people pass on to the other side, allowing a home to become free from spirits. When William comes across the Glass family, there will be a supernatural presence that will be unlike anything he has ever encountered before. Will William be able to face the demons of both his past and present or will this finally be the haunting that pushes him over the edge?
The Glass Demon, written by Jerry J.C. Veit, is a supernatural novel that dives into the world of spirits and hauntings. Not for the faint-hearted, The Glass Demon has themes and events that will have your heart racing until the very end. At times I felt so involved in the story that I had to check around me for any mysterious supernatural activity! Jerry J.C. Veit has a brilliant way with words that makes the reader feel as though they are in the room observing the action themselves.
One of my favorite characters in The Glass Demon is a woman by the name of Angie. She protects and helps the Glass family and is determined to stop the demons in her way. Her presence is a relief at times of absolute chaos and I was always grateful for her appearance. I enjoyed watching how her character developed throughout the novel and how her relationship developed with each of the characters.
The Glass Demon deals with problems of the present mixed in with secrets from the past. William has had a complicated life, from a difficult childhood to an unusual career path as an adult. His avoidance of his childhood demons leads him to develop an addiction to booze and pills in an attempt to mask the deep issues he is suppressing. This suppression may lead to his downfall as he is forced to acknowledge and remember shocking secrets that led him to become the person he is today.
The story is written in a play style format, complete with Acts, character lists, and a synopsis. There are segments which are like the normal format of a novel which allows the author to set the scene for the reader, making it easier to transition into the scripted sections. The “scripted sections” actually made the novel extremely easy to read and flowed naturally throughout the story.
The Glass Demon has a taste of religion, supernatural history and even a dash of exorcism thrown in the mix. The rich history of demonology presented in sections of the novel give The Glass Demon a sense of realism, adding to the spooky nature of the story. With such a thriller of a storyline, I could definitely see The Glass Demon being turned into a movie!
I would recommend this to anyone who loves a thriller/supernatural style story that will keep you on your toes.
Pages: 134 | ASIN: B0136ZDWFA
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The Evil Puppeteers
Utopia follows Brian who wakes up from a coma to a world very different world. He is given everything, but Brian starts to question this with deadly effects. I always found the idea of Utopia’s ripe with social commentary. What message did you want to convey to readers with this book?
The three things that people invest so much time into finding are a good job, a nice home, and someone to share their life with. It would save a lot of frustration if these things are automatically given to you right from the get go. However, every society has to have some structure to make sure it remains successful. Working in the shadows of this perfect world is a control factor that cannot allow people to reach their full potential. It limits the possibility for humanity to achieve personal achievements because then they are suggesting something is not perfect.
If something is perfect it does not need to be changed; just like if something is at its highest level of operation then it cannot be further advanced or bettered. If everything was perfect then nothing new can ever happen. Sounds like a boring existence.
Do you think Utopia’s can ever be possible for humans? Or do you think hardship is a natural and acceptable part of life?
While it is a nice concept I believe a Utopia can never be successful. People’s lifestyles and goals vary too much to fit into any perfect structure. What might be perfect for one person will be intolerable for someone else.
In Utopia, everyone lives in posh apartments with next to no rent. That may be awesome for a few of us, but then you will have those who like having a yard or a basement, or not living with other people or even may need a garage. There are too many variables to make everyone happy.
Nobody wants to experience hardships, but if you take a look back those hardships taught you what you needed to know to learn and grow. A bad job can motivate you to look for another one or go back to school; your future will now be better because of that bad job. If everything was perfect we would have no need to change anything.
One of my favorite utopian stories is The Island with Ewan McGregor. What is one of your favorite utopian stories that inspired you?
The Demolition Man was a movie that came out in 1993 and depicts a non-violent world with no murder, theft, or crime of any kind; not even a curse word is ever uttered. When a real criminal is let loose in the city the police do not know how to stop him.
In my story the enemy is the government, which is not uncommon. Governments, politics, and conspiracies seem to go hand in hand. Organizations like the Illuminati, Freemasons and The Majestic 13 have been theorized to be the evil puppeteers behind our society for generations. If there is a system or structure set up, there will be a reason to find fault with it; and there is fault with it. Afterall, this is not a perfect world.
What is the next story that you are working on and when will it be available?
My next book will be written as a regular novel and takes place in a futuristic past. I am trying to merge several genres together. Right now I’ll categorize it as a sci-fi, fantasy, mystery with elements of steampunk, legends and erotica… Give me some time with this one.
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Brian Troth is a defense attorney, who after being shot in the head, awakes from a coma thirty years later. He is told that the world is now “perfect” where everything is provided. He is given a new job, a posh apartment and, to his surprise, the perfect romantic match. However, when he questions the sudden disappearance of a colleague and stumbles upon a concealed government secret; he and his loved one become targeted for a swift removal.
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Tainted, Dirty, Rundown, and Lying in Ruins
Capricorn follows Montague, a vigilante that delivers justice as he sees fit in a dystopian future where crime rules the city. What was your inspiration for this story and how did it develop as you were writing?
Capricorn was based on a poem I wrote in my late teens. The poem was basically Montague’s entire monologue in the first few pages of his introduction when he is describing the city as a cancer.
The character of Capricorn is purity, but with a childlike persona; which, when put into an adult woman, makes her appear to be crazy. Capricorn’s character is loosely based on Kai, who is kind of a strange, childlike girl in the PlayStation 3 game, Heavenly Sword.
I had much of the dialogue previously planned out before writing and I knew how it was going to end. The hard part was trying to make it feel justified. Montague had to find internal resolution and defeat his own demons. That’s why his 7 trials had to take place.
Montague is an intriguing character. I wasn’t able to pin down if he was an anti-hero or a good or bad guy, which was part of his appeal. What morals did you try to capture while developing his character?
Montague is someone who has given up on humanity. Everyone is a villain in his eyes. He abandons his own name in an attempt to forget his former self and become something similar to the angel of death. His job, he gave himself, is to bring some sort of balance back to the world and to do so means killing everyone who is unjust; which seems to be mostly everyone.
The only thing that makes him human is his compassion towards the innocents trapped in this city of violence. He saves a woman from being raped, but when a thief is murdered right in front of him he merely just walks over his dead body. He wants to protect good people, but at the same time believes there are no good people. This conflict puts him in a dark place.
I felt the backdrop of the crime ridden city was vividly developed. What themes did you want to use while creating your backdrop?
The main character of this story is the city itself. It’s tainted, dirty, rundown, and lying in ruins, but it remained this way because no one wanted to fix it. If you mixed the city in “The Book of Eli” and the city in “Judge Dredd” you would get the city in Capricorn. It’s a criminal’s paradise. It was never mentioned in the story, but you can almost imagine the sky being permanently overcast; it’s a type of hell and only Montague is fighting against it.
What is the next book that you are working on and when can your fans expect it out?
I’m a world builder. I put a lot of time into crafting the landscapes and populating them with life and a history. Even before I begin writing a story I come up with names of places and things or animals and peoples. That’s where I am now; writing pages and pages of notes which will eventually become appendices. They are developed mostly for me so I can keep track of everything; adding them into the book for the fans is just a byproduct of my writing process.
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In the aftermath of a civil war the city is in ruins and without order. Montague administers his idea of justice with his black steel sword until he discovers Capricorn. He becomes drawn to her and vows to protect her, but this is challenged when a group of thugs kidnap her.
Montague is sent on a determined rescue mission, but in order to succeed he must battle the thugs of the city and their leader. Montague finds himself on a path of seven trials in order to gain entry into Mammon’s domain to save the one he loves.
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