Crimes of Rumba is the hottest, epic combination of business, politics, music, and of course, crimes behind the predatory conduct culture that has glamorized the worst corporate malpractice in US cultural history. As a matter of law, order, and economy, the state administrations intolerance and crackdown on musicians dissent and opposition to the colonial music cash crops production is authoritarianism at best and without precedent in the worlds history of colonization and music. This legal truth and material facts-checkings operation is the blunt, exclusive disclosure of the sources and methods used for the cultivation and autocratic harvest of music cash crops in the Belgian Congo, which were economically engineered from and back to America for its consumption through misinformation, disinformation, deceit, and fraud. Not only is this the tale of the utmost scam that has been very fully funded to defraud the worlds collective memory of rumba, it is the hefty price that our humanity has dearly paid for without consent for Foniors crimes of rumba for decades. Silence has been complicity at worst from the people with knowledge of the case against rumba. Not only are the material facts and consumers rights violated and suppressed, along with musicians copyrights for decades, the morally repulsive glamorization of the fraud has brought creative freedom in the worlds music into disrepute. A lot of readers will discover Thierry Antha with the publication of Crimes of Rumba, Volume I of Congo Music. But this international journalist carried decades of excellence in covering the Congo and Haitis politics, business, and entertainment. His professional and personal ties with all the most famous Congolese musicians in advocacy, promotion, and production of their musical works have crowned him the best authority with respect to the Congo musics history. Contrary to all the spinning, posturing, and work of fiction for rumba, Thierry Anthas expertise and dedication to exposing the truth behind material facts and laws related to Congo music from the Belgian Congo to the Congo is second to none. Embark in this riveting literary journey to discover how Socit Gnrales authoritarian harvest of music cash crops has shattered and destroyed lives and careers for its economic gain in the Americas. Without censorship, Crimes of Rumba, Volume I of Congo Music exposes Foniors victims long overdue rebuttal, which is long way apart from the reality of its predatory conduct culture and its propaganda of rumbas fake-outs.
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In The Decline of Democratic Society in the New Age Giovanni delves deep into the failures of the US government since 2007 and the international effects of these failures. It has been a decade of relentless borrowing to cover ups economic gaps. No real steps have been taken to pull out of this hole.
In these times of confusion over politics, finance, economy, and social status, one needs a guide. Something to help understand the detriment of the decisions made by the governments. There is need for a collective uproar against fascism and other social injustices. This book is an essential tool for the awakening required to start the discussion.
The Decline of Democratic Society in the New Age is a critical analysis riddled with intellectual argument of the world today. It covers every facet of life. There are frequent references to Hitler and his leadership ways. This is meant to illustrate the slow decline into a fascist society where the governments deviate from the responsibility of protection of its people.
Giovanni Soriano does a great job of laying out his ideas and arguments without aggressively pushing his agenda. This book is very thought provoking. One will often find themselves pausing to agree to the ideologies. It is a vast subject matter presented in a simple format that appeals to people in all walks. This book is an eye opener.
If read with an open mind, this short rational analysis of the different societal factors will help start a conversation that is well overdue. The book and ideas presented are controversial and will leave one disconcerted; having had their eyes opened to the realities.
There is a good flow to the book. One will easily glide through the pages. The writing is good and the ideas quite interesting. The language and tone are simple. The author takes on a serious voice, which is apt for such serious matters.
Giovanni opens with some very shocking numbers that effectively communicates the severity of the situation before one has gone any further. The author is well informed and intelligent, which lends depth to his content.
This book is impeccable and the authors passion clearly shows. It is a treat for free thinkers and others who have previously been deaf and blind to the current political and social situations.
Pages: 95 | ASIN: B078NY51G3
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In The Paranoid Thief Randolph finds himself thrown into a strange cell after being tried and convicted for an atrocious murder he did not commit. What was the inspiration for the setup of this novel?
At work and as an author, I use computers all the time. Because of the complexity of programming, only those who constantly read up and experiment with programming code can truly understand how to create the world we now live in. But as a writer I can briefly pretend I’m apart of these masters of code. Yet I’d like to be more. So Randolph came into being. A thief and master of code. Still, the start of the book had to introduce Randolph in way the reader could catch his personality and some of his flaws. As for the set up for the first few chapters, I simply considered what would happen if companies took over the global economy.
The Paranoid Thief is told from Randolph’s point of view and we’re often treated with a humorous look at the world through his eyes. How do you find moments of levity in dramatic fantasy novels?
I love action adventure movies. Thus I try to write in a style which is not always serious. For me to do this, I picture myself as the main character and try to see the world I created through his or her eyes.
Randolph and Jill are intriguing and well developed characters. What was your inspiration for them and their relationship?
Although Randolph is purely fictional, I have met people who have a split personally. As I like to throw in surprises, something to make readers think, I thought what would happen if Randolph had no choice but to cope with someone whose personality swings far to the right and left. I’m also a bit of a romantic, thus after some trial-and-error Jill was born.
What is the next book that you’re working on and when will it be available?
My next book is call Braxton Snow P.I. In this book animals are like people, and my main character is an arctic wolf. With luck I hope to have the story out in 2 to 4 months.
“In the year 2050, the United States is owned by corporations. Citizens are mere commodities used to make the already wealthy CEOs richer. Professional hacker and cat burglar RANDOLPH McCANN finds his skills sought after by average people seeking relief from the oppressive corporate system.
Then his newest client—a powerful city official—murders a family and leaves damning evidence aimed at him. As the court’s lethal injection crawls through his veins, Randolph vows eternal vengeance on the man responsible.
He awakens to find he’s been kidnapped from his execution by a corporation that uses death-row criminals to gain political power through theft and assassination. He’s assigned MAJOR JILL WANDER as a partner, a tough ex-military sniper with a dual personality who is also wrongly accused on the public record.
When a job goes south, they join forces off the grid. With Jill’s help, Randolph evades law enforcement and closes in on the man who double-crossed him. And he can clear Jill’s name at the same time—if only he can keep her from killing the wrong people.”
Posted in Interviews
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