The magical forests of Germania beckon! When five-year-old Stan is invited to a party by a talking Fern, he eagerly enters a lush, verdant world of discovery. When Stan falls ill, his forest friends find a cure. When he gets lost, they guide him home. The forest’s generosity truly knows no bounds.
Danloria: The Secret Forest of Germania reveals the protective and healing powers of the forest and its vegetation. Author Gloria Gonsalves cleverly teaches children the names and characteristics of plants, and their ability to heal or harm. Her enchanting fable reveals the countless ways the Earth protects and provides. The true magic of this book is in the illustrations that were created by children. Each drawing is engaging and gives the story an added layer of meaning through the imaginations of young artists. It is a heart-warming story that speaks to the giving nature of the Earth.
Pages: 61 | ASIN: B07926X9S4
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Boomerang Will Not Return follows a stealth bombers crew as they travel back through time and must battle for the future in the past. How did the idea for this novel start and how did it change as you were writing?
I always loved the time travel stories starting form the classic tale of the H.G. Wells The Time Machine and movies such as Time After Time, Back To The Future trilogy and the Terminator movie franchise. The idea for Boomerang Will Not Return came to me from two motion pictures featuring time travel, The Philadelphia Experiment and The Final Countdown. The novel had evolved from a short story I wrote titled Sword of Gabriel, which featured my story protagonists accidentally traveling back in time because of the time and space altering comet called Gabriel. I wanted the story to have a broader aspect and therefore the battle to save history happened in both past and resent.
Time travel is rife with paradoxes. Were there any challenges to writing because of this?
Yes, the time travel paradoxes presented an interesting challenge to me as a writer. The general theory of relativity does not forbid the time travel, but there are technological and moral questions that arise from the use of such an invention. I wanted my time travel story design to be simple and straightforward, and let the readers use their imagination as to how the process of time travel in my story had occurred. The best part about working on a time travel story is that it offers a possibility of a new timeline, where temporal interference alters history as we know it. Time travel is a great tool for entertainment and I hoped to make the best of it.
Your characters Stugel, Hartmann, and Crown are interesting and well developed. If Hollywood came knocking who would you cast to play your characters?
Characters are the ones who drive any story and I had a great time developing them to make them realistic and interesting. I am a military history buff and I learned that in any conflict there are decent people on both sides, who were caught in the maelstrom of war and did their duty to the best of their ability even if it was for a wrong reason. And if I was fortunate to be approached by the Hollywood agents with a movie offer and given a casting choice, I would probably cast Liam Helmsworth as Hartmann, Jennifer Lawrence as Crown and actor Alexander Ludwig as Stugel. I think they would be good for the roles.
Do you plan on continuing this series in another book?
Well, I would like to do it, except that I think the story had a definite ending and final resolution. If I decided to change history in my novel, then yes, I think a sequel or two might have been in order. Time travel story ideas are definitely on my shelf for the future projects, and as soon as I am ready, I shall develop another time travel tale with a new and fascinating plot that hopefully will be interesting and enjoyable.
It was supposed to be a simple mission–deliver six nuclear missiles back to the United States onboard the most advanced Stealth bomber in the world. The B-3 Boomerang is a super weapon that knows no equal. Nearly invisible to radar and lethal, it’s a paragon of present-day military technology. And America’s enemies want its secrets. What no one expected was an aerial phenomenon that catapults the plane and its crew from the present day to the year 1942 into the heart of Nazi Germany.
With their plane disabled and captured by the Nazis, Major Richard Hartman and his copilot, Captain Deana Crown, are forced to fight for survival in a hostile land decades away from home. With the plane’s superior technology and its nuclear onboard arsenal, the Nazis could win the Second World War. The battle for the future will happen in both past and present. The pilots trapped in time now have a new mission: to save history at any price.
Posted in Interviews
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Jai the Albino Cow is a lovely children’s book that teaches kids how special it is to be different. What was your inspiration for this book?
During a holiday in Austria while hiking going uphill, I felt exhausted and lay down on a grazing pasture. A brown calf approached and licked my face. That loving gesture was indelibly printed in my mind.
Once back home in Germany, I had an idea to write a story about cows. I vividly remember that the story lead was going to be a female and her name is Gundula. The idea landed on a list I keep for children’s story topics. I wrote, “Once upon a time, there were three cows Gold Bell, Spotty and their sister Gundula. They lived with their mother and father, Mr. and Mrs. Moo, in the alpine meadows of Nocky mountains. Gold Bell always wore…”
On another occasion visiting my home country Tanzania, I observed more cows in the pastures of Usambara Mountains. Soon after, the story idea developed further with themes from my motherland. I desired to create a main character who is female, different and also have her story address the topic of human diversity.
In some African countries, people with albinism have suffered and are still suffering from discrimination and other horrendous acts including being hunted for their body parts for magic potions by witch doctors. We can help solve this problem through stories which teach love and respect from an early age, such as in this book which uses a cow as the protagonist.
The book is told in both English and Swahili. Why did you want to tell this story in both languages?
My mother tongue Swahili is spoken not only in Tanzania but also in the neighbour countries of Kenya, Uganda, Rwanda, Burundi, Democratic Republic of the Congo and Mozambique. The intention to have a bilingual story was with a hope that the message will have a great impact and reach many more, particularly in areas where albinos are maligned.
I loved the art in this book. It was both artful and bright. What was the art collaboration like with Nikki Ng’ombe?
Nikki is a daughter of a friend. Besides being acquainted with each other, she is very professional and delivers concrete results. We have worked together in another book project and already knew each other’s pace of work. She grasped quickly the vision I had for this book. I will certainly work with her again if not occupied by studies.
What is the next book that you are working on and when will it be available?
I am currently proofreading a manuscript for a children’s Swahili book co-authored by Tanzanian writers. We intend to publish this year.
Can an albino cow possess abilities to be admired by other cows?
Anjait (Jai) is Ankole cow who lived with her family in Kole Hills. Jai suffers from albinism. Other cows thought she was cursed. One day, Jai shocked other cows for doing something that no other cow did before. She also surprised them with a magical skill.
What is it that Jai did as the first ever cow? Will her actions and skill help bring love and respect to albino cows?
Get your copy now to find out the answers and reveal to your children the importance of showing kindness and respect to everyone, even if they look different.
Posted in Interviews
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David Crane’s Boomerang Will Not Return is a time-travel book set in both the 21st century and 1942-era Germany. It involves three central characters named Stugel, Hartmann, and Crown. One day, Hartmann and Crown fly a secret military plane to deliver cargo to the United States. They were chosen to test it and successfully take off into the skies of Germany. However, soon after flight the bomber gets warped into 1942 Germany due to the influence of a time bending comet. There, they’re intercepted and need to find a way to escape. Hartmann must use his wits and work together with Crown to successfully escape the clutches of their enemies.
You can tell that David Crane has down his research by how in-depth he goes with the weapons and environment of the past. I loved how suspense was kept throughout the book with Hartmann and Deana Crown’s efforts to get through wartime Germany. I personally think the subplot with busting the Russian spies was highly entertaining. However, even with the suspenseful action I didn’t feel it warranted as much attention. It distracted from the main plot line. I would have wanted to see more of the main plot line with our two heroes, as it was much more engaging. There were times in the book where I was left unsure of whether the heroes would actually come out unscathed or not. There was a bit of foreshadowing that let me down, but otherwise the suspense palpable throughout. The interactions that Stugel had with our central characters were interesting, even in the past. Their relationship actually seemed realistic and not forced. Deana and Hartmann were also well-structured, having skills which made them seem balanced and not overpowered. They were also human, having actual worries and even moments of doubt. Emotion like that isn’t seen a lot in spy or government involved movies. Another thing I really found interesting was how the book didn’t represent all of the enemy soldiers as bad, which was a nice contrast from other books which involve the prewar environment.
Crane managed to write a book that captured both sides of the fight. The way he represented the secret government services were all pretty well done. I found this book to be both entertaining and interesting.
Pages: 209 | ASIN: B00LAD30EE
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Chester Litvin, PhD has woven together an Orwellian world of doctrine, dogma, and propaganda in his book, Escape from Kolyma: Aborigin is a Bear Region. Psychological warfare has run rampant in the form of super-viruses that attack the psyche. Citizens are forced to beg, steal, borrow, and worse just to get by. Concentration camps and dictatorship have come back into fashion, and the people of Aborigin are suffering. The super-viruses are turning good people bad, and stripping the people of their personalities. They are being brainwashed and turning on each other. Professor Kryvoruchko is aware of the widespread infection, and may be Aborigin’s and the world’s only hope.
Many parts of the book are reminiscent of Hitler’s Germany, complete with propaganda and concentration camps. The cultural rift present is also indicative of a Hitler-like state. Convince one man he is better than another and he will let you pick his pocket. Give him someone to look down on, and he’ll empty his pockets for you. That’s a paraphrase of a Lyndon B. Johnson quote about racism, but it applies here. Readers will draw many similarities between the culture of Litvin’s Aborigin and racism and “otherism” still found present all over the world. This is a divide-and-conquer mentality that worked wonders for Hilter, and still works in politics and socially in other areas.
The book is scary to me in its realism. I don’t believe that these are things that could never happen. I think psychological warfare isn’t a half-step from where we are now. In America, in particular, racism is still alive and well. People still continue to look down on groups of people they see as “less thans.” In the book, groups of people are stripped of every possession and jailed. They are killed. This kind of hatred for others is contagious. This kind of infection continues to spread if it isn’t stopped. I’m afraid we are closer to this kind of thing happening than I’d like to admit.
A part of the book that particularly bothered me was the children emulating the adults that they watched. Apparently, the children were also infected. They, too, were brainwashed. They mimicked what they saw being done before them down to raping and killing others. The children became thugs. There seemed to be an entire loss of innocence. This may be disturbing for readers, but it’s important. Children become what they know. They imitate what they see. This serves as a reminder for people to be worthy of emulation.
I will say that the book is complex. This wasn’t an easy Sunday afternoon kind of read, and with its subject matter, it shouldn’t be. I found myself re-reading parts that I didn’t understand. It was not always easy for me to follow. It requires some time and thought to get through. With that being said, sentence structure, grammar, and spelling were pretty impeccable.
Litvin delves into some unpleasant scenarios for the sake of opening eyes it seems to me. He gives some reminders about how easily it is for us, as humans, to lose our humanity or to follow blindly as sheep. He keeps some underdogs in there for us to cling to as we grapple through the book. It’s not an easy read, but serves as an important reminder. As Churchill once said, “Those who fail to learn from history are condemned to repeat it.” This sentiment echos through these pages.
Pages: 432 | ASIN: B07N3SXLYV
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Adolf Hitler ruled Europe with an iron fist. With his political promises to desperate people, he spoke of a reign that would last 1,000 years. Under his command humanity entered a new dark age. Tales were told of horrors taking place in the East – of railroad cars, of ovens, and death. There was just one “detail” he kept to himself.
When Hitler survives an assassination attempt on his life, his secret is discovered by those in command. A secret beyond the realms of reality!
A German U-boat Captain is ordered to transport Adolf Hitler to a secret military base in Norway, during the closing days of the Second World War. While on this mission, he discovers that there is more to Germany’s “Führer” than meets the eye. To his horror, the Captain discovers the Third Reich’s darkest secret: Hitler is a vampire!
Posted in book trailer
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Florence Grende’s parents survived the Holocaust and managed to settle in New York City to provide a new life for their children. The horrors of their past, however, never leave them and infiltrate every aspect of their lives in the United States. Florence, their daughter, grows up watching her parents keep their demons at bay as she learns as much about her family’s haunting past as she learns about herself. Grende’s questions about her mother’s outbursts and her father’s deep, dark sadness lead her to answers she is afraid she already knows but is not willing to admit.
The Butcher’s Daughter is Florence Grende’s own recollection of her life in New York City and her struggle to come to terms with her parents’ own battle with the memories of their lives in Germany during the Holocaust. Grende’s memoir is written in a unique and gripping style. Her words flow from page to page in the most poetic fashion with emphasis placed on short, striking bits of text highlighting especially difficult memories.
Grende pulls her memoir together with short chapters, each focusing on specific situations, distinct memories, and her own analyses of events from her childhood and teenage years. I looked for the memoir style to follow a sequential order but, in Grende’s case, the random scattering of memories and the jumps she makes from one time period backwards and then forward again works well. Her own confusion and the turbulence dictating her life as a result of her family’s past is reflected effectively in the style of writing chosen by the author. Short bursts of memories are easy to read, engaging, and incite the reader’s curiosity.
It is not often readers are afforded a look into the author’s own experiences. Grende gives readers a particularly vivid picture of the trauma and the lasting impact the Holocaust had on the ensuing generations. Her father’s behavior and neediness are sad in a way I find it almost impossible to describe. She underscores the way he seems to emotionally cling to her in a markedly poetic chapter in the second of the book’s three sections. Never is her father’s tragic past more clearly defined than in his sadness and desperation at losing her to her new husband.
Closure being the goal for Florence Grende, I felt relief for her as she details her journey for answers and the meeting which brings her face to face with people on all sides of the Holocaust. Her writing experience begins with her trip to Berlin and the diary that starts it all. I felt the tension as I read of Grende’s meetings with fellow survivors and descendants of Nazis. The horror stories flow, and Grende, at last, shares her own with those who can, not only relate, but wish for the same closure as the author herself. Grende writes of these meetings with raw emotion and does more to help readers absorb the truth of history than is ever possible with any textbook.
Florence Grende has bared her soul and shown readers a perspective on history that most of us will never fully grasp. She walks readers eloquently through a minefield of emotions and tackles the savagery of the Holocaust with truth, directness, and poetic prose.
Pages: 148 | ASIN: B01M751TN4
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Follow Me Down is a thrilling novel that follows Lucas as he seeks justice for his family while uncovering corruption in the city’s largest real estate development company. What was your inspiration for this novel and the setup to the story?
The never-used subway beneath Cincinnati is real—built during the Depression but abandoned and sealed up. I lived for years near Cincinnati, both scared and intrigued by ghosts beneath my feet. When I later learned about the “urban explorer” subculture, I HAD to write the story.
One thing I really appreciated in this story was the authenticity of the relationships. What were some themes you wanted to capture while creating your characters?
Observant readers will notice one consistent theme for the four main characters: the plight of the underdog. Lucas, suppressed by corporate corruption. Alfred Blumenfeld, put down by cruel social mores, and Tricia Blumenfeld too, unwilling to play the part of the “good girl.” And Reuben, victimized for being short and Jewish. These characters deserved a voice and a shot at justice.
Lucas explores Cincinnati’s underground in this novel and the scenes were detailed and well developed. Why did you choose this setting for the novel?
In the story, protagonist Lucas reflects on a childhood experience descending voluntarily into a well on his grandfather’s farm. That scene resembles my own childhood “adventure.” What urban explorers do is just damn cool, risking capture and physical dangers in very cool places. Also, the noblest among these modern-day adventurers respect and revere the places they infiltrate. I admire them.
I find a problem in well-written novels, in that I always want there to be another book to keep the story going. Is there a second book planned?
Thank you! While I’m finished with Lucas for now, two new stories are underway. The first fictionalizes a true 1980’s battle between an auto manufacturer and an underdog labor union. The second, set in small-town USA, explores the plight of another underdog, a young woman unjustly blamed for a deadly accident.
Urban explorer Lucas Tremaine should buckle down and complete his Masters in Architecture, but the past torments him. Six years earlier, Drax Enterprises’ negligence killed his father and left his mother strung out on Valium. Lucas longs to punish the corrupt behemoth of Cincinnati real estate development, but what can one man do?
“Plenty,” says old Mr. Blumenfeld, Lucas’s boss and a former photojournalist with too many secrets. Evidence to bury Drax exists, he claims, but to find it, Lucas must breach the city’s welded-shut subway system. Lucas takes the plunge, aided by his best friend and moral compass, Reuben Klein.
The deeper the duo infiltrates the dangerous underground, the further back they turn the clock. They learn that Drax’s corruption intertwined with fascism’s rise in Germany. That campfire tales of a subway crypt were true. That no one can be trusted, not even Lucas’s boss.
Posted in Interviews
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