Ameher is a woman of strength, compassion, and a faith like no other. From a very early age she endured hardships in Nairobi only to pursue the American dream as an immigrant and face immeasurable abuses and prejudices in her new home. When she struggles to find a safe place for herself and her children, she is met head-on with one challenge after another but chooses to hold her head high and never give up as she battles a system designed to protect citizens but fails in all too many cases. Nowhere is faith more explicitly exemplified than in Ameher’s life as immigrant to the United States.
Ameher’s No More Crumbs Chronicle of a 4-D Woman Rising from Hate to Hope is the author’s own story of harrowing experiences as she tries desperately to find someone she can trust. Her story in an important one and one that bears repeating until a broken system is finally repaired.
At 400 pages, the author has enough striking material to make a short series of three separate books based on her life. The many abuses and the detail to which she goes into regarding her life with Todd make for an entire work on their own. The author takes great care to explain the entire process to which she was subjected, and this section of the text would make for a moving book all by itself.
The author recounts the expectations placed upon her as one raised in a religious home. She addresses the stigma attached to having a child out of wedlock quite well. Throughout her ordeal battling the system in the United States, she is able to lean on her faith and holds strong as she relies on friends who seem to exhibit a shared strength of faith. As I see it, Ameher has the makings for a fantastic self-help/devotional book centered entirely on her own faith. A book of this nature would make a fascinating read.
Because Ameher is an amazing example of persistence in the face of adversity, she is a prime candidate to pen a book on the discrimination faced by a woman of color in the United States. The challenges she faces are a sad but true testament to the daily struggles faced by people of color across this nation.
Ameher’s work is explicit enough to be engrossing, but not graphic in nature. The author takes care to explain the horror of her trials without turning readers off with vulgarities.
As effective as Ameher’s work is in capturing readers’ attention, it could use some additional editing. At times, it reads a bit like a rough draft with more care placed in the emotion of the wording than in the accuracy.
Ameher has bared her heart and soul to the world in order to help other women with her book. Any reader who picks up her story will be inspired to keep the faith and rise up in the face of adversity.
Pages: 400 | ASIN: B079438P7M
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Black and White is contemporary novel focused on interracial couples and the stigma they endure. Why was this an important novel for you to write?
I felt with everything going on in the world today, this book was needed. I want this book to help improve the world or at least get people to start talking and create a dialogue for change. The world can be an ugly place and I wanted to show that ugliness so that people can also appreciate the beauty.
The story is set in a city filled with crime and focuses on the animosity between black communities and the police. You take a balanced perspective in your story, do you feel that is something that is lacking today?
I feel there is mistrust on both sides when it comes to the Black Communities and the Police. I feel that both sides need to work on change and the only way that can happen is with dialogue. I want this book to help. I’m an NYPD Detective and I feel that it’s important that Cops acknowledge that there are some cops who are prejudice and pray on minorities but at the same time it’s important that minority communities don’t assume that every cop is corrupt and prejudice. I feel society forgets that cops are people too. I feel that sometimes some cops become so calloused from the job that they began to see minorities as bad. Balance is the key to everything. Understanding each other helps also. I talk to communities often and sometimes after I explain certain situations to the crowd, they understand things better and have less animosity. Sometimes the community members help me see things differently than I do through the lenses of being a cop. In order for the world to get better, we all have to change.
Did you put any personal life experiences in this book?
I put some personal life experiences in all of my books. “Ben”, “Ebony”, and even “Bill” and “Becky” are all parts of me. At times I felt like Ben where I felt my own race believed I wasn’t “Black” enough and I was too “Black” for some White people. I know the struggle of dealing with the public at protests like Ebony. I’m an NYPD Detective. Like Ebony, before I became a Cop, I hated cops and I became one to make a difference in the world. I’m heavily involved in urban communities and I’m in an interracial relationship. I’m similar to Becky because I wrote this book to change the world. I wouldn’t want to alter it or tone it down. I love this story the way it is and my writing is important to me. I’m similar to Bill because I grew up in Queens Bridge. Despite growing up in a low-income family, I didn’t let my environment hold me back. I’m also a huge basketball fan and play regularly. Some of the situations and even dialogues in the book I have actually had or have been involved with. I like to put some of my real experiences in my stories because I believe it helps them feel more authentic.
What is one thing that you hope readers take away from Black and White?
I want readers to understand that we all have biases, we all have assumptions and stereotype, but it’s important not to base our actions and decisions on these things. It’s important to get to know people and not assume that a certain race is all the same. I want people to read this book and understand that love is love. It doesn’t matter what race your partner is, be with anyone you love. I also want people to feel comfortable in their own skin. Ben and Simone were examples of two characters that struggled with that and it’s important to know that until you have love and appreciation for yourself, you can’t truly do the same for someone else.
What is the next novel that you are writing and when will it be available?
My next novel will be a story celebrating the strength of Mothers. I’m writing a story about three different types of Mothers in three different situations and I’m calling it “Mothers.” I hope to have the novel out in time for Mother’s Day.
When the prestigious law firm of Wayne, Rothstein, and Lincoln catches two major cases—a rape case where a White NBA star allegedly raped a Black stripper, and a murder case where a Black rapper allegedly killed a gay couple and two policemen—Bill O’Neil and Ben Turner are tasked to handle these racially charged litigations. The cases hit emotional chords with the two lawyers and force them to reckon with their interracial relationships and families. Will the racial tension of their cases destroy them or make them stronger?
Posted in Interviews
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Sanctuary is a fast paces post apocalyptic thriller where war envelopes the world and cities fall apart as anarchy reins and people start killing each other in the streets. What was your inspiration for the initial carnage and war that takes over the world and how does that push the development of the two main characters?
The inspiration was to write something that seemed plausible. The aim was to create a world where the reader would look at the news and wonder if what they were reading was fiction. So instead of having an easily detected outbreak of monsters or aliens, I wanted the process to be very insidious and start from the time that our characters figure out that something is going on. That’s also why there isn’t an omnipotent viewpoint and told from the character’s perspective. The goal was to have the reader right next to the characters and have the reader empathize with their decisions. The model I used was, unfortunately, modern civil war. Enemies are identified and rounded up. People cohere to the social structure that is still intact, put themselves in danger and go to work or school and cling to those they love. So I tried to make my characters realistic and let you see who they really are.
What I like about Sanctuary, and what sets it apart from other novels of it’s type, is that the main characters are minority women. Why did you feel that these characters were a better vehicle to move the story along in a post apocalyptic world?
To tell you the truth, that was probably subconscious. The original idea was just around JJ. I think I was frustrated seeing superficial formulaic women in the action genres. So I glued a few of my friends together and came up with her. Many of her lines are direct quotes. So imaging them in the story allowed me stay within character. Deeta was a logical choice because of the dietary issue, I actually didn’t come up with her until I started writing the opening sequence. I just decided to make her Kashmiri Hindu with a Muslim name. By doing this, she and her family had been marginalized even in their own country. As the story developed, I used her situation as I thought it would play out. When the characters took me into the story, I discovered they were just a little more cautious, more observant, suspicious than an average hero and that gave everything a lot more depth. Sadly, it also allowed me to realistically illustrate how our societies divide themselves along racial and predetermined prejudice under times of stress. That was not intentional when I started it, but if I wanted it to be believable, it had to go in.
There are a lot of modern issues weaved throughout the story, like; terrorism, internment camps, war in the middle east and Korea. What were some thing in the headlines today that made you think it would be a good fit for your story?
There is no shortage of headlines that could make it into the book. I could go to any of the news outlets and write five chapters. The Orlando shooting is probably the easiest, the the coup in Turkey, the stories coming out of the ISIS held territories, all of them could find a way in. But when I wrote this, I really tried to stay away from actual accounts. So instead of referencing a particular shooting or war crime, I wrote a scenario in a real setting where tensions are high. Then someone or a group of people would act out on those “what I’d really like to do” impulses. Then there would be the retaliation. Then I added random acts that would happen unpredictably without explanation. The scary part was that I really wasn’t that inaccurate.
What is the next book that you are working on and when will that be out?
I was asked to write a novella for a possible series about an assassin. This one was tough but turned out to be a lot of fun. This character is more imagination than anything else, but she was a ball to conjure up. After reading Sanctuary, a publisher asked me to write the story and for a minority woman to be the lead. And, as these things go, the people that asked for it may be getting out of the publishing business. So I’m shopping it around. The title is Siibay.
Deeta Nakshband, a Connecticut physician is attacked by a local surgeon while on duty in the hospital. Her friend, Janelle Jefferson, has similar experiences in Miami. Both of them become aware of an increasingly violent world as acts of isolated brutality escalate into civil unrest. They grapple with their paranoia as family members and coworkers become dangerously unpredictable. Worldwide, military units go rogue, war begins in Korea and cities implode as people slaughter each other in the streets. Martial law is declared in an attempt to maintain order. People are arrested, detainment camps are set up and interrogations end with tragic consequences as modern civilization crumbles. Deeta and Janelle band together with family friends and coworkers to save each other and find sanctuary.
Posted in Interviews
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