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Imaginary Offshoots

Terry Tumbler Author Interview

Terry Tumbler Author Interview

Future World Rolls follows two FBI agents with psychic abilities as they start recruiting for a mission that will change human history. What was the inspiration behind the setup to this fascinating story?

Research into the 19-year-long career of one individual, a remote seer for the US government. He reported on the existence of ‘buck naked’ green men on the moon and its irregular placement as a protective screen against the solar flares of the sun. By whom? One may well ask.

As always, your characters are unique and fun to read. What is your process like to create such lively characters?

I always loosely base them on real, memorable people like Stan Laurel and the Big Bopper. Disparate? Maybe.

You masterfully imbue your work with music throughout the story. What were some key themes in your choice of music for this book?

Pure relevance to the storyline, plus hefty research into the ways in which these series of songs originated. I used this method to carry on the themes they might have used if they’d stayed on course, like Buddy Holly staying with The Crickets. In some instances, I began writing original tunes as imaginary offshoots. A classic example is the 2190 Overture, which could be sung by the likes of Queen in the same vein as Bohemian Rhapsody.

What is the next book that you are working on and when will it be available?

I am well into the first few chapters of book 3 of the Carousels of Life, Simply Spiffin’, Future Criminologist. It is all in my mind, to keep on track.

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FUTURE WORLD ROLLS!: We Are Family (Carousels of Life Book 2) by [Tumbler, Terry]This Space Opera is set to Rock n’ Roll and classical music, many of the songs being entirely original and composed by the author.

It starts in the mid-20th century with two talented FBI Special Agents being tasked with recruiting people to undertake a really unusual mission. In the process, they are themselves abducted to take a leading role in that mission, which is intended to save the human race from alien conquest.

It involves time travel into the future, as they lead their hostile hunters on a merry chase across the centuries. They have the full support of other sympathetic races in their imaginative survival techniques, allowing them to go on the offensive.

The characters within embark on a series of adventures that are truly moving in their significance. Based initially on our own Planet Earth, the story employs reported alien sightings and events.

Future World ROLLS to its very core!

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Future World Rolls!

FUTURE WORLD ROLLS!: We Are Family (Carousels of Life Book 2) by [Tumbler, Terry]Charles Bone and Stan Loren are two FBI agents with quite the special set of skills. The least of which is their ability to communicate without vocalizing their thoughts. As two men with psychic abilities, they have been given the job of heading up a recruitment drive unlike any other in history. Charles and Stan, in the early 1970s, manage to pinpoint over 3,000 individuals exhibiting the qualities making them the perfect candidates for the job. Little do the recruits know the mission for which they have been chosen is one that could change the course of human history.

Terry Tumbler’s Future World Rolls (We Are Family) Book 2 in the Carousels of Life series has one of the most unique settings of its genre. Spanning centuries and with locations varying from Winter Park Florida in the 70s to vessels in space including the Voyager 6, Tumbler carries the reader on quite the raucous ride through time and space via Charles and Stan and the plethora of alien life forms peppered throughout this second in a series.

There is a Men in Black feel about the novel that gives the book a light, fun air. Fans of this type of science fiction will appreciate Tumbler’s alien beings, their idiosyncrasies, and the banter between the main characters as they go about the task set before them.

As with Tumbler’s first book in the series, Future World Rolls is laden with song lyrics, references to artists’ best-known works, and well-timed and perfectly-placed excerpts of the world’s best (my own humble opinion) music. Tumbler’s characters are more than capable of standing on their own, but these song references help to add another light note to the text. I thoroughly enjoy the opportunity to hum along to the tunes Tumbler sets as pleasant little earworms from the beginning to the end of the book. I mean who doesn’t love to be reminded of George Harrison’s “Here Comes the Sun” and “All Day and All of the Night” by the Kinks? Tumbler doesn’t just incorporate music from the 1960s. He takes readers on a nostalgic journey through music history, hitting all the right notes–so to speak.

To say Future World Rolls is fast-paced would be a gross understatement. Tumbler keeps the reader engaged from one jam-packed chapter to the next. Billed as a space opera, this book hops, skips, and jumps from one scene to the next introducing new and engaging characters while building on the already well-developed Charles, Stan, and the just-short-of-amazing green giants.

Science fiction fans who enjoy lively plots and bigger-than-life characters will find Tumbler’s works meet all of their expectations and more. Tumbler writes beautifully and manages to pull off humor in the most eloquent of ways possible. Some science fiction books are fraught with terminology and processes that overwhelm the reader. Tumbler combats all of that with his stunning cast of characters and an upbeat tone that is set from the first chapter.

Pages: 314 | ASIN: B07H4QQR8K

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Their Ultimate Degree

D. Hart St. Martin Author Interview

D. Hart St. Martin Author Interview

Pushing Madness brings your Lisen of Solsta series to a close. The series took many years to write. Was this an emotional book for you to write?

I was so focused on finishing the damn thing that I didn’t have a chance to get emotional. Writing it in concert with the previous book (Breaking Worlds) meant I wrote 200K words before I could call it done in first draft. So when I came back to Pushing Madness after publishing Breaking Worlds, it felt both new and old to me. On the other hand, there’s this which I wrote in the “About the Author” section for Blooded, book 3 in the series. “The other thing I’d accomplished [on completing the first trilogy], though I hadn’t set it as a goal, was to show a hero saying ‘let’s not fight; let’s find another way to work it out,’ thus ending a war before it got beyond its first day.” This time out with book 6, Lisen couldn’t end the war the easy way. The easy way had led to dire consequences, and those consequences played out to their ultimate degree in Pushing Madness. I saw only one way to end it–a sad and unfortunate way to end it–so I did it. But unlike the feelings ending Blooded brought out, I felt relief, relief that I could get up and walk away. It was long past time, and I was grateful.

Who were some important people in your life that helped you write this book and series?

Well, there was my canary in the mine, Daniella, who never failed to ask the precisely right, simple question when I would orally outline what was coming next to her. She was the only person I shared the raw thought process with, and she, in turn, gave me valuable feedback–questions like “how does Nalin feel about that?” when I was contemplating a story I never ended up telling. Simple question, story-devastating answer. I also turned to friends for encouragement when I fell into the abyss of I’ll-never-get-this-right. One friend constantly points out, “You’ll figure out,” and that has become a bit of a joke between us. Because it’s true; I always do figure it out. Also the writers in the workshop I attend weekly have done nothing but support me and question every possible misstep. I highly recommend a critique group to anyone who wants to write. You can never fool your peers, and if they’re gentle the way the writers in my group are, they are a true blessing. A friend I met on line and who lives on another continent offers her best to any of my endeavors. And finally my sister, who writes better than I do and offers critique and love for free.

We finally get to see what happens to Rinli and Lisen. Was this planned all along or did things change as you were writing the series?

Lisen’s journey always stretched out to at least the moment Rinli comes of age, but it was a very different story with a very different ending. As I’ve said before, Breaking Worlds and Pushing Madness were written together in response to the question “what does a world broken by Mantar’s Child look like?” 200K words later, I had the answer. But that answer did not come easily. There were many starts and stops along the way. In particular, Rinli’s motivation of the people of Thristas was tricky and required several retakes before it flew properly. I usually write with a beginning and an end in mind, and I thought I knew the ending when I started writing the first draft of the two books, but it changed several times. Lin-Manual Miranda’s words from Hamilton come to mind: “Who lives, Who dies, Who tells your story?” I may have been telling the story, but for a long time I didn’t know who lived and who died.

Will this be the end of the Lisen of Solsta world? Are you moving on to other works or do you think you will revisit this world again?

It’s the end. For now. I may go back to it one day if I live long enough. In the meantime, I’ve published a paranormal romance called Soul Doubt: A Rock-and-Roll Faust, set in the 60s, which pits a young musician and his lady against evil incarnate. And I’m working on a new YA fantasy series, working title Into the Forsaken Forest, with a young female hero who has issues with her mother. I’m enjoying building a brand new world although I’d forgotten how hard it is. Like childbirth, you forget the pain once the child is born, but the labor pains of totally new characters, totally new world and totally new plot and subplots can be excruciating. (I’m kidding/not kidding.)

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Pushing Madness (Lisen of Solsta Book 6) by [St. Martin, D. Hart]Return for one last visit to Garla and Thristas where the Thristans follow an untried leader of sixteen into war. Where a spouse and a daughter must each withhold their plans from the man whose thoughts could betray them. Where a girl of twelve may rise up to meet the challenge of trying to save her mother. Where magic sometimes exacts a price that could prove to be deadly.

Pushing Madness brings Lisen of Solsta’s saga to a close with battles waged in both Garla and Thristas using weapons of war and the defenses of the mind. Lisen’s daughter Rinli has vowed to “break the world,” and the havoc that ensues as she endeavors to fulfill that promise could obliterate the peace Lisen instituted sixteen years earlier with the Treaty of the One-Day War. Only one opportunity remains to avoid destruction, and it all rests in the hands of a twelve-year-out girl.

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That’s a Tricky Question

Sally Forest Author Interview

Sally Forest Author Interview

Choose: Snakes or Ladders follows Mitty who comes up against sexism and classism and must challenge others’ prejudices while fighting her inner demons. What was your inspiration for this provocative novel?

I didn’t have any articulated inspiration for the novel. It started as a short piece and grew seemingly by itself. I thought it was about an innocent young girl in the 50’s. I actually didn’t know that I felt so strongly about class issues and sexism. Nor about sexual safety of young people. My main conscious focus was on her struggle to find a way through the internal and external restrictions. As a former therapist, it has always saddened me that many women, particularly in the 50’s, were denied natural pleasures because of a culture of ignorance and shame around female sexual activity. As well of course, of career advancement.

What I really enjoyed about Mitty’s character is how well developed she was but continued to transform throughout the novel. What were some obstacles you felt were important for Mitty’s character development?

Her main obstacle was the extreme shaming and ignorance of the fictional sect in the novel. Another strong obstacle was Mitty’s lack of anyone who could help her come to some knowledge and understanding. I loved Violet’s attempts to inform her. The struggle is linked to the development, through ups and downs, of her self-worth – another essential ingredient in a life of achievement, pleasure and love.

I think you did a great job of illustrating that female beauty and sexuality can often be a poisoned chalice. Why do you think this is an important, especially with today’s #metoo movement?

I was amused by Mitty’s character as a woman who was beautiful and sexually arousing without her knowing it. And heartened by her innate sensuality. Perhaps if young women were educated properly and allowed to have awareness and acceptance of these factors, they would be less vulnerable in the face of male assertion of power in all ways. A lot of work needs to be done to educate men, particularly in self-awareness.

In the sequel all these themes continue to build strong plot threads, together with some surprising twists in Mitty’s life path.

What life experiences of your own did you put into the novel, if any?

That’s a tricky question. A life experience of teacher and counselor helps to build a wide understanding. Personally, none of the events as depicted happened to me, although fragments of similar occurrences have been combined to build a different fictional history. For example, my much loved grandmother had overcome a restrictive religious background, while still quoting many homilies to me, with a wry smile. Otherwise, sometimes just a few words overheard will trigger a scene. So there is a basic truth in it all.

Author Links: Amazon | Website

Choose: Snakes Or Ladders: A Psychological Coming-of-Age Novel by [Forest, Sally]“Choose: Snakes or Ladders: A Psychological Coming-of-Age Novel” from hot new contemporary fiction author, Sally Forest.

This is “a well-plotted tale of human growth, sexuality, and self-discovery which will be enjoyed by readers of women’s fiction and literary fiction alike.”

Mitty is a young girl brought up in a punitive sect who escapes to a typist job in the city – a step to fulfilling her dreams of being a lady. She is hampered by deep fears of hell and punishment, and utter ignorance of the facts of life.

The 1950’s – sex, drugs and rock and roll, but not in the small towns of Australia. There were lots of jobs, clothes and wealth in the cities but this threatened the values of the past – a culture where men desire and decide, while women love and serve.

Miss Mitty Bedford knew the outside world through Hollywood movies at the local Pictures, only to find in real life that there can be nasties behind smiling, beautiful faces.

A stalker’s attack clashes with her newfound joy in sensual self-discovery inspired by a crush on her boss, and her love for decent, loving, traditional Col. She writhes between shame, repentance and joy. 

Mitty wants a career and respect, but what path must she choose? She needs love, but does she want freedom more?

This emotional and dramatic journey to win trust, love and independence, will keep readers turning the pages, as well as provoking questions that still apply today.

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