Future World Rolls follows two FBI agents with psychic abilities as they start recruiting for a mission that will change human history. What was the inspiration behind the setup to this fascinating story?
Research into the 19-year-long career of one individual, a remote seer for the US government. He reported on the existence of ‘buck naked’ green men on the moon and its irregular placement as a protective screen against the solar flares of the sun. By whom? One may well ask.
As always, your characters are unique and fun to read. What is your process like to create such lively characters?
I always loosely base them on real, memorable people like Stan Laurel and the Big Bopper. Disparate? Maybe.
You masterfully imbue your work with music throughout the story. What were some key themes in your choice of music for this book?
Pure relevance to the storyline, plus hefty research into the ways in which these series of songs originated. I used this method to carry on the themes they might have used if they’d stayed on course, like Buddy Holly staying with The Crickets. In some instances, I began writing original tunes as imaginary offshoots. A classic example is the 2190 Overture, which could be sung by the likes of Queen in the same vein as Bohemian Rhapsody.
What is the next book that you are working on and when will it be available?
I am well into the first few chapters of book 3 of the Carousels of Life, Simply Spiffin’, Future Criminologist. It is all in my mind, to keep on track.
It starts in the mid-20th century with two talented FBI Special Agents being tasked with recruiting people to undertake a really unusual mission. In the process, they are themselves abducted to take a leading role in that mission, which is intended to save the human race from alien conquest.
It involves time travel into the future, as they lead their hostile hunters on a merry chase across the centuries. They have the full support of other sympathetic races in their imaginative survival techniques, allowing them to go on the offensive.
The characters within embark on a series of adventures that are truly moving in their significance. Based initially on our own Planet Earth, the story employs reported alien sightings and events.
Future World ROLLS to its very core!
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Charles Bone and Stan Loren are two FBI agents with quite the special set of skills. The least of which is their ability to communicate without vocalizing their thoughts. As two men with psychic abilities, they have been given the job of heading up a recruitment drive unlike any other in history. Charles and Stan, in the early 1970s, manage to pinpoint over 3,000 individuals exhibiting the qualities making them the perfect candidates for the job. Little do the recruits know the mission for which they have been chosen is one that could change the course of human history.
Terry Tumbler’s Future World Rolls (We Are Family) Book 2 in the Carousels of Life series has one of the most unique settings of its genre. Spanning centuries and with locations varying from Winter Park Florida in the 70s to vessels in space including the Voyager 6, Tumbler carries the reader on quite the raucous ride through time and space via Charles and Stan and the plethora of alien life forms peppered throughout this second in a series.
There is a Men in Black feel about the novel that gives the book a light, fun air. Fans of this type of science fiction will appreciate Tumbler’s alien beings, their idiosyncrasies, and the banter between the main characters as they go about the task set before them.
As with Tumbler’s first book in the series, Future World Rolls is laden with song lyrics, references to artists’ best-known works, and well-timed and perfectly-placed excerpts of the world’s best (my own humble opinion) music. Tumbler’s characters are more than capable of standing on their own, but these song references help to add another light note to the text. I thoroughly enjoy the opportunity to hum along to the tunes Tumbler sets as pleasant little earworms from the beginning to the end of the book. I mean who doesn’t love to be reminded of George Harrison’s “Here Comes the Sun” and “All Day and All of the Night” by the Kinks? Tumbler doesn’t just incorporate music from the 1960s. He takes readers on a nostalgic journey through music history, hitting all the right notes–so to speak.
To say Future World Rolls is fast-paced would be a gross understatement. Tumbler keeps the reader engaged from one jam-packed chapter to the next. Billed as a space opera, this book hops, skips, and jumps from one scene to the next introducing new and engaging characters while building on the already well-developed Charles, Stan, and the just-short-of-amazing green giants.
Science fiction fans who enjoy lively plots and bigger-than-life characters will find Tumbler’s works meet all of their expectations and more. Tumbler writes beautifully and manages to pull off humor in the most eloquent of ways possible. Some science fiction books are fraught with terminology and processes that overwhelm the reader. Tumbler combats all of that with his stunning cast of characters and an upbeat tone that is set from the first chapter.
Pages: 314 | ASIN: B07H4QQR8K
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Future World Rocks! is an eclectic science fiction novel involving Nazi research of UFO’s, time travel, and secret underground beings. What was the inspiration for this fantastical detective fantasy?
Actual reports on Die Glocke or the ‘bell’ as are found in UFO and 2nd World War archives. Similar research revealed the Janos race of aliens, and Richard E. Byrd’s USA expeditions to the South Pole. Plus, Google maps of a metal cover to an entrance at one of the magnetic poles, led to reports showing the possible existence of a hollow earth.
Time travel comes with a host of problems, how do you handle time travel in your novel to keep it as believable as possible?
What host of problems? Professor Hawkins claims you can only travel forward in time, not backwards, or you could end up killing a direct ancestor and therefore no longer existing. I think that is bunkum! If you cease to exist when you already do, I would say that reversal of existence is totally impracticable and unfounded. If you go forward in time, the assumption is that no one yet exists, which negates the findings of those who predict an apocalypse, like the sinking of the Titanic. If you find no future, how can you move into it? If there is a future, what happens if someone else kills the time traveler from the past? Confused? Don’t be. The science behind time travel is explained by research into alien technology and I’m happy that what I’ve read is valid, if you find out where to look. Sorry, but I’m not providing the shortcuts!
The story occurs against a backdrop of Rock n’ Roll music, because of course “future World rocks to its core!” What motivated you to include this element in your story and was it difficult to accomplish?
Yes, very time consuming. But the clues are given in the song titles and extracts, which invariably can be found quickly by googling them, as provided. The reason I did it was the misused expression, ‘Space Opera’. How can you call something a ‘Space Opera’ that has no music in it?
What is the next story that you are working on and when will it be available?
I have a title and storyline already established, which will focus on the plight of existing characters. Ready in about seven months, once my esophagus starts functioning correctly.
The first focuses on the aftermath of Nazi research into UFO based systems. Primarily it concerns a flying time travel craft called the ‘Bell’ and its disappearance after those early days when the U.S.A. took over its research.
The second occurs in the future, when alien refugees seek asylum with us on our planet. They come from a planet destroyed by one of its own moons and have wandered the stars, looking for a place to stay.
Soon they are introducing us to other beings, secretly living under the surface of the planet and mining the moon. Naturally, whodunit problems arise for our crime detection agents to resolve.
All this occurs to a backdrop of Rock n’ Roll music, as Future World rocks to its core!
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I think The Sightseers Agency is the best book of the Dreadnought Collective, and you did a great job of balancing the characters, conflict, and plot. Knowing that this was the last book in the series what was one thing you wanted to accomplish before the end of the series?
Loose ends to be tied up, conclusively.
The recurring characters are so unique, each with their own set of skills, flaws, and quirks, that it’s a delight to follow them from one adventure to another. What was one character you felt went through the biggest change throughout the series?
The Inlooker, posing as Claude Broadbent.
The Sightseers Agency ties up a lot of loose ends, answers questions, and ends on a hopeful note. Did you always have an idea of how the series would end or did it present itself as you were writing this last book?
It makes me feel uneasy to admit that this is the last book in the Dreadnought collective series, but you’ve put me on the spot! Yes, it makes sense to treat it as such, with infills later, like Bernard Cornwall did with the Sharpe’s series. I always aim to write with previous knowledge of the ending, but cannot claim to stick with it as the story evolves.
What is the next book that you’re writing? Are you working on another series?
The next book is the start of another Sci-Fi series. It involves new technology based on true inventions in the past. It also speculates on what alien contact could be like, when we reduce our population level. It will be a ‘vehicle’ for humor, to lighten the underlying message passed to readers.
Both his fledgling agency and that of The Deaduction Agency are members of The Dreadnought Collective.
The term ‘Dreadnought’ is based on a type of battleship introduced in the early 20th century, larger and faster than ever before and equipped entirely with large-caliber guns.
It applies in this instance because the cerebrally talented agents who enter its portals are expected to fear nobody and be scared by nothing in the performance of their duties.
They pursue those who indulge in criminal and seditious activities in the modern meritocracy using unorthodox techniques.
The Collective will embrace several types of Black Arts as it grows and faces unusual challenges. These once belonged to the realms of Science Fiction but are fast becoming a reality in the emerging new world.
This is a series of Whodunits set in the future.”
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The Sightseers Agency picks up with Richard Pencil leaving the government position he took up at the end of the previous book. With the new world order well underway, the big three-letter agencies are breaking up, and Richard is going back to work with Joe Fraser and the man known as the Inlooker. Richard also has an impressive upgrade to his extra-sensory detective powers. He’s joined by a new remote-viewer, Miss Plum Duff, whose talents were honed by alien intervention. Fraser hires them to launch the the Sightseers Agency, reporting to him and their mysterious benefactor. Their mission is to oversee the behavior of elected officials, and another secret goal is revealed later. Seb Cage, who is now a talented computer security specialist (along with the skills he gained from the Sombrella Syndicate), joins the agency as well.
The Sightseers soon discover that the greatest threat to earth isn’t just from rogue officials and politicians, but also hostile aliens who have been planning an attack for some time. Complications arise because some of the aliens on Earth are friendly, while some are more like tourists who take on human form just to experience something different. Ms. Plum Duff comes into her own here, since she, like Seb, has a long history with regard to aliens.
Like the previous agency novel, there is an overarching plot that is played out in several different investigations. While the book is described as a series of whodunits set in the future, each case is a link in a chain that ultimately brings conflict on both a personal and global scale. I was glad to see more about the use of psychic mind-reading to ferret out lies and criminal activity, and the manipulation of auras and even the soul itself. There’s also the fascinating angle of this “new world” society, run on a democracy-on-demand system with a goal toward a true meritocracy. While some of this society’s social practices seem dystopian, others, like the use of Tesla’s wireless transmission of energy, offer a utopia of readily-available power.
One of the things I’ve enjoyed throughout the Dreadnaught series is the author’s vivid imagination. His notes at the beginning of the books give real-world tales of psychics and UFO phenomenon that act as the launch pad for his stories. His humor and wordplay are also in full force, with inventive non-cuss words, ribald comedy—especially when it comes to Richard and his Lothario tendencies—and the continued jokes about “potties,” which are ubiquitous self-driving transport pods, giving “on the throne” a whole different meaning.
Overall, this series has been fun to read. The major recurring characters are so unique, each with their own set of skills, flaws, and quirks, that it’s a delight to follow them from one adventure to another. The Sightseers Agency ties up a lot of loose ends, answers questions, and ends on a hopeful note and fans of the series will be satisfied by the ending.
Pages: 307 | ASIN: B01KBAKX1E
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The Deaduction Agency follows a team of psychics, telepaths and remote viewers who investigate several cases of disappearances, murders, and missing persons. This is a thrilling paranormal mystery novel. What was the initial spark for this book and how did that develop as you were writing?
I empathize with psychics, whose skills gained credibility as I read about them in series such as Psychic Detectives. The willingness of the police and detectives to appear in the shows, often after retirement from the force, speaks volumes for their appreciation of the skills of the psychics they employed. What also emerged was the need of the program makers to pad out the stories of psychic detectives with endless repeats of the facts. This is because the crimes are resolved in such a straightforward manner that it makes regular policing look tedious – which it is.
The first case, of a complex divorce, took longer to resolve because it did not require psychic abilities. I used it to contrast the differences in time to describe regular, traditional policing and those cases that require the skills of a psychic.
To my regret, some reviewers failed to understand why this approach was taken.
The book covers several different cases which range from quick and easy to edge-of-your-seat thriller. My favorite was ‘Case of the Prodigal Son’. What was your favorite case?
The same ‘Prodigal Son’, plus ‘The Honey Trap’, where Richard’s possessive and devious nature is revealed to the full.
The psychics at this agency have skills and near-future technology that give them powers beyond what psychics can do now. What were the limitations you needed to keep them believable and what was something that you absolutely had to have for them to be interesting?
I accept psychic skills as they exist now, and have no patience with skeptics who try to fool around with their sensory perceptions, to prove they are frauds and have no special skills. However, in the book they had to be fully capable of reading minds, in order to be foolproof in their assessment of criminals. Even so, some reviewers failed to understand this, and judged the psychic teams to be behaving unacceptably in passing sentence on some criminals. Why, if they can read minds and know the vile nature of the people they are categorizing? It is hardly as if they are executing them! The aim is to re-incorporate them into society, with their souls purified.
This story is ripe with paranormal activity, remote viewing and the powers of the mind. Which power and character do you identify with?
Telepathy, having experimented with it in front of others, as a young teenager. I identify with Richard and Chuck and Joe, in different ways.
A final, general observation on the review itself. The opening scene is criticized for its excess of descriptive detail, That is almost a verbatim criticism made by another reviewer, Marta Cheng in 2015, who stated: In some places, such as near the beginning of the book, there is an inordinate amount of detailed explanation provided as to the set up of the agency’s offices – details that detract from the momentum of the story. In response, I cut down the detail to a mere 360 words, which is hardly inordinate! It also became apparent that Marta (who got fond of changing her surname to put me off the scent) had not read the book in its entirety and was intent on having a dig at another reviewer from the same stable as herself.
To emphasize why it was done, I then suffixed the description with the following sentences:
Richard, the most senior partner in the agency, was busying himself constantly re-arranging brochures on a side table in the waiting area in reception. It was a quirky habit of his that Honey found most annoying. It also reflected his fussy preoccupation with orderliness and exact measurements.
Naturally, he was the architect of the office layout, which Honey was often tempted to rearrange, solely to unsettle him.
Love scenes soon followed as well! Some of this preoccupation is revisited later, as part of Honey’s tangled love life. What more can an author do?
Witness at first-hand a group of specialist investigators, as they set up and run a new, innovative crime fighting agency. They are dedicated to the resolution of criminal cases using paranormal assistance. This will be a new, innovative and emerging brand of policing designed to protect the citizens of our country.
Read how they deal with the anti-social, disturbed behavior of a wayward, divorced husband, who is on the verge of destroying the lives of his ex-wife and their two young sons.
Read how they identify the members of a murderous ring of pedophiles from relatively few clues, and bring them to justice.
Read how they move from ineffectively resolving one case at a time, and onto tackling multiple cases with far more beneficial results to society.
Read thereafter how they clear the penitentiaries of criminals, starting with the most dangerous inmates, using novel means to cleanse their souls of sin, and equip them for new roles in life in special clearing centers. The objective is to reintegrate them into society, rendered capable of performing straightforward tasks and genuinely purified, via the novel process of atonement.
Read how they find one talented young man who was lost, presumed dead, and reunite him with his family. Thereafter, as agents of change, they help launch him on the path to stardom.
This is not a simple, gory, two dimensional book, but an exploration into the timely use of mediums in crime detection. It can pay dividends in assisting the fight against crime.
They use the latest techniques and technology in a future world that is not far removed from that which exists today.
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The Time Slipsters spans science fiction, travelogue, historical fiction and comedy while showing a vibrant world of the future and the past. What is the funnest part about imagining and writing the future?
The fun is in seeing things that are commonly regarded as Sci-Fi beginning to happen. I believe that research on the web reveals what a wonderful world we live in. If you look for articles on medical research, the motor industry and technology in general, it also indicates where the human race is heading.
We are already seeing Nano robots being used for keyhole surgery, drugs being tailored to combat and kill cancer cells, and the early diagnosis of dementia, to name but a few. Plus the whiff of flying cars and free power is in the air!
Imagine a world where the health service does not feel overwhelmed by an aging population, because old people are no longer suffering the ‘ravages of old age’. Why would that be? The answer is: treatment of their various sufferings is being mastered, until death they do part! By the way, I come into the latter category.
Envisage a world where travel is from home to destination, in minutes. No airports, no connecting flights or trains or buses or taxis. No squandering of natural resources, no electricity costs, no power stations needed, no pylons or towering wind vanes blotting the landscape. Much of what I describe has been available for over a century, if it were not for intervention of vested interests.
The characters end up traveling through time, and like many stories, their actions in the past affect the future. What was the most interesting part about writing a time travel story?
Getting into the heads of the characters on both sides of the experience of time travel. Drawing word pictures of the experience and conveying mental images to readers was fun too. It challenges my imagination to run riot. By the way, unlike Professor Hawking I do not believe that the death of an ancestor caused by a time traveler would have any impact whatsoever on his or her descendants.
The threat to Earth is revealed by uncovering the mystery of the aliens who have been living under the auspices of the Sombrella Syndicate. What was the inspiration for the Sombrella Syndicate?
I once worked for a Lloyds of London group of insurance syndicates, so am familiar with the concept. The deserted brickworks near where I live in Spain was an ideal undercover location for an alien base, but not big enough to house it, on the surface. Who better to man it, underground, than dwarfs, who have a reputation for mining and gold!
Time Slipsters is book three in the Dreadnought collective. Where does book 4 take the characters?
Book 4 takes the characters in an entirely new direction that totally engrossed me for a while. I took great interest in the feasibility of psychic involvement in crime detection. This added another dimension to the evolution of the Dreadnought Collective. The various characters in all the books are intertwined in book 5, the Sightseers Agency, which is now run under the auspices of the U.S. government, as is the entire collective. The individual agencies in the collective instantly become more effective as the two genres are mixed.
A group of friends who have drifted apart decide to reunite and take a trip together. It is the near future, and their intention is to travel on the latest type of transport, in order to visit the ancient sites in Turkey.
They want to do this in luxury, and the travel company they selected has done its best to accommodate their desires. They are lost for words when they first cast their eyes on the spectacular, gleaming new vehicle waiting for them. It is in fact alien in technology, and far more of a futuristic craft than a mere ground-hugging coach.
Unwittingly, they are entering a world where time travel is a reality and machines can cater for individuals as well as the masses.
Soon, they embarking on a sightseeing tour like no other they could have imagined, and meeting a time-travelling stranger who takes them under his wing.
More than one person has a hidden agenda, as they realise when reach a highly protected secret location. It contains hybrid creatures on which the Gods of mythology are based.
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Seb and his brother spend the summer in Spain with their grandfather who pulls them along on a journey to discover that the town is filled with dwarves of alien origin. What was the inspiration behind this fascinating idea?
The inspiration for this idea is that fact that my hometown in Spain contains a high number of perfectly proportioned very short people. I’m surrounded by ‘em!
I felt that the story was adventurous but also humorous. Did you have fun writing this novel?
Yes, especially as there is a deserted brickworks near where I live, which is much like I describe it – above ground! The research into UFOs and how they may be powered took longer; I was curious about them, having seen a few, usually in groups, as I grew up.
I felt the characters were well developed. What was your process in creating the characters and how did that change as you were writing?
It didn’t change much, if at all. The characters are nearly always based on real people, including my own family. We all circle each other warily.
Seb Cage Begins His Adventures is book one in the Dreadnought Collective. In what direction does book 2 take the story?
Book 2 is The Inlooker, which is pivotal to the expanding series and you have already reviewed that. It takes us into the near future, where Seb Cage is going to occupy a planet where the population is going to be drastically reduced by gentle means. The types of transport are also undergoing fundamental change, as are the methods by which we are ruled. This is where I need a lot of support from readers, since I am prophesying a future that can become reality, if we realise that it is achievable. My fear is that our senses are being dulled deliberately and we have to snap out of it.
Seb Cage joins the action in the third book in the series, The Time Slipsters. If the first book becomes a success and I live long enough with my marbles intact, the series will become volumes, and his continuing adventures will be related in Volume 1, Book 2.
Seb and his younger brother Bart customarily spend all of their long summer holiday in Spain, with their grandparents. Gradually, as they all become older, relationships are strained, as the old folk try to find things to keep the boys amused.
It is not long before the grandfather, Tumbler, who is a retired detective, is using Seb as a trainee investigator to keep tabs on the movements of a sector of the local town who he thinks ‘don’t fit it in’ – they are in fact dwarves of alien origin.
Soon, Tumbler and his apprentice are rumbled, and Seb is invited to join a summer campus. Coincidentally, this is run by the dwarves and has only recently been set up, virtually on the Tumbler’s doorstep!
At the campus, it gradually becomes apparent that Seb and his classmates have been chosen beforehand, by genetic engineering. They find that they possess special abilities, which have been implanted in them at an early age, and realise that these are now being developed in a matter of weeks.
Whatever plans they may have had for the future, their chosen destiny now awaits them.
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