Simply Spiffin! follows the exploits of a P.I. from the 60’s into the 22nd century. What were some sources that informed this novel’s development?
The original 77 Sunset Strip character Edd Byrnes, song Kookie Kookie Lend me your Comb.
Spiff’s character build-up in earlier books.
Spiff Tracey is a consistently entertaining character with uncanny investigative skills. What was the funniest scene for you to write for his character?
The seduction scene at the Temple of the Oracle at Delphi.
Stav the Stallion’s attempts to seduce Spiff’s wife Mata Hari.
What were some challenges you set for yourself as a writer with this book?
Pure story-telling enjoyment, coupled with technical editing skills I’ve acquired over the years.
Your stories usually have some humorous aspects. Is this intentional or a natural facet of your writing?
I do enjoy a good belly-laugh. The humor comes to mind naturally.
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Spiff Tracey is one in a million. Case by case, he takes on the world. Fortunately for the world, Spiff outlives everyone and everything around him. His ability to continue to thrive well into the future is matched by none. Spiff also remains unmatched in his ability to investigate and bring the guilty to justice. When he is tasked with something quite different from all of his other cases to date, Spiff feels he is just the man for the job. Nothing is too difficult and nothing too challenging for a man of his means and vast experience.
Simply Spiffin!, by Terry Tumbler, is the third installment of the Carousels of Life series. Spiff Tracey, the book’s main character is virtually ageless and manages to bring his brand of investigative genius into every decade and every major world event. This futuristic tale smacks of science fiction while at the same time offering humor and bits of intrigue and drama. There is nothing Tumbler hasn’t thought of in book three of this series, and for a third in the series, I feel it can stand alone well.
It is always a breath of fresh air to come across humor in a book otherwise steeped in drama. Tumbler’s books have all of that and more. The bigger-than-life characters are well-developed and stand out against a backdrop of what can sometimes be overwhelmingly technical elements. Each new character is a treasure in Tumbler’s writing. It is not often that readers find themselves just as enamored with the supporting characters, but Tumbler manages to achieve just that effect.
One of the most unique aspects of Tumbler’s writing is the inclusion of song lyrics. There is nothing quite like Tumbler’s work. Nowhere else will readers be able to find the words to their favorite classic tunes woven throughout a work of engaging science fiction. It’s a special blend of music and mayhem and, as odd as it may sound, a nice fit. It’s a technique that is present in each of the works I have read by Tumbler and always makes me look forward to the next one.
Tumbler has again handed readers a fantastic main character, a stand-out cast of supporting players, and a wonderful science fiction plot. Spiff Tracey, the private eye and world traveler, will invite readers in, but Tumbler’s unique brand of writing will keep them coming back for more.
Pages: 336 | ASIN: B08Q9YKT6L
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Future World Rolls follows two FBI agents with psychic abilities as they start recruiting for a mission that will change human history. What was the inspiration behind the setup to this fascinating story?
Research into the 19-year-long career of one individual, a remote seer for the US government. He reported on the existence of ‘buck naked’ green men on the moon and its irregular placement as a protective screen against the solar flares of the sun. By whom? One may well ask.
As always, your characters are unique and fun to read. What is your process like to create such lively characters?
I always loosely base them on real, memorable people like Stan Laurel and the Big Bopper. Disparate? Maybe.
You masterfully imbue your work with music throughout the story. What were some key themes in your choice of music for this book?
Pure relevance to the storyline, plus hefty research into the ways in which these series of songs originated. I used this method to carry on the themes they might have used if they’d stayed on course, like Buddy Holly staying with The Crickets. In some instances, I began writing original tunes as imaginary offshoots. A classic example is the 2190 Overture, which could be sung by the likes of Queen in the same vein as Bohemian Rhapsody.
What is the next book that you are working on and when will it be available?
I am well into the first few chapters of book 3 of the Carousels of Life, Simply Spiffin’, Future Criminologist. It is all in my mind, to keep on track.
It starts in the mid-20th century with two talented FBI Special Agents being tasked with recruiting people to undertake a really unusual mission. In the process, they are themselves abducted to take a leading role in that mission, which is intended to save the human race from alien conquest.
It involves time travel into the future, as they lead their hostile hunters on a merry chase across the centuries. They have the full support of other sympathetic races in their imaginative survival techniques, allowing them to go on the offensive.
The characters within embark on a series of adventures that are truly moving in their significance. Based initially on our own Planet Earth, the story employs reported alien sightings and events.
Future World ROLLS to its very core!
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Charles Bone and Stan Loren are two FBI agents with quite the special set of skills. The least of which is their ability to communicate without vocalizing their thoughts. As two men with psychic abilities, they have been given the job of heading up a recruitment drive unlike any other in history. Charles and Stan, in the early 1970s, manage to pinpoint over 3,000 individuals exhibiting the qualities making them the perfect candidates for the job. Little do the recruits know the mission for which they have been chosen is one that could change the course of human history.
Terry Tumbler’s Future World Rolls (We Are Family) Book 2 in the Carousels of Life series has one of the most unique settings of its genre. Spanning centuries and with locations varying from Winter Park Florida in the 70s to vessels in space including the Voyager 6, Tumbler carries the reader on quite the raucous ride through time and space via Charles and Stan and the plethora of alien life forms peppered throughout this second in a series.
There is a Men in Black feel about the novel that gives the book a light, fun air. Fans of this type of science fiction will appreciate Tumbler’s alien beings, their idiosyncrasies, and the banter between the main characters as they go about the task set before them.
As with Tumbler’s first book in the series, Future World Rolls is laden with song lyrics, references to artists’ best-known works, and well-timed and perfectly-placed excerpts of the world’s best (my own humble opinion) music. Tumbler’s characters are more than capable of standing on their own, but these song references help to add another light note to the text. I thoroughly enjoy the opportunity to hum along to the tunes Tumbler sets as pleasant little earworms from the beginning to the end of the book. I mean who doesn’t love to be reminded of George Harrison’s “Here Comes the Sun” and “All Day and All of the Night” by the Kinks? Tumbler doesn’t just incorporate music from the 1960s. He takes readers on a nostalgic journey through music history, hitting all the right notes–so to speak.
To say Future World Rolls is fast-paced would be a gross understatement. Tumbler keeps the reader engaged from one jam-packed chapter to the next. Billed as a space opera, this book hops, skips, and jumps from one scene to the next introducing new and engaging characters while building on the already well-developed Charles, Stan, and the just-short-of-amazing green giants.
Science fiction fans who enjoy lively plots and bigger-than-life characters will find Tumbler’s works meet all of their expectations and more. Tumbler writes beautifully and manages to pull off humor in the most eloquent of ways possible. Some science fiction books are fraught with terminology and processes that overwhelm the reader. Tumbler combats all of that with his stunning cast of characters and an upbeat tone that is set from the first chapter.
Pages: 314 | ASIN: B07H4QQR8K
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Future World Rocks! is an eclectic science fiction novel involving Nazi research of UFO’s, time travel, and secret underground beings. What was the inspiration for this fantastical detective fantasy?
Actual reports on Die Glocke or the ‘bell’ as are found in UFO and 2nd World War archives. Similar research revealed the Janos race of aliens, and Richard E. Byrd’s USA expeditions to the South Pole. Plus, Google maps of a metal cover to an entrance at one of the magnetic poles, led to reports showing the possible existence of a hollow earth.
Time travel comes with a host of problems, how do you handle time travel in your novel to keep it as believable as possible?
What host of problems? Professor Hawkins claims you can only travel forward in time, not backwards, or you could end up killing a direct ancestor and therefore no longer existing. I think that is bunkum! If you cease to exist when you already do, I would say that reversal of existence is totally impracticable and unfounded. If you go forward in time, the assumption is that no one yet exists, which negates the findings of those who predict an apocalypse, like the sinking of the Titanic. If you find no future, how can you move into it? If there is a future, what happens if someone else kills the time traveler from the past? Confused? Don’t be. The science behind time travel is explained by research into alien technology and I’m happy that what I’ve read is valid, if you find out where to look. Sorry, but I’m not providing the shortcuts!
The story occurs against a backdrop of Rock n’ Roll music, because of course “future World rocks to its core!” What motivated you to include this element in your story and was it difficult to accomplish?
Yes, very time consuming. But the clues are given in the song titles and extracts, which invariably can be found quickly by googling them, as provided. The reason I did it was the misused expression, ‘Space Opera’. How can you call something a ‘Space Opera’ that has no music in it?
What is the next story that you are working on and when will it be available?
I have a title and storyline already established, which will focus on the plight of existing characters. Ready in about seven months, once my esophagus starts functioning correctly.
The first focuses on the aftermath of Nazi research into UFO based systems. Primarily it concerns a flying time travel craft called the ‘Bell’ and its disappearance after those early days when the U.S.A. took over its research.
The second occurs in the future, when alien refugees seek asylum with us on our planet. They come from a planet destroyed by one of its own moons and have wandered the stars, looking for a place to stay.
Soon they are introducing us to other beings, secretly living under the surface of the planet and mining the moon. Naturally, whodunit problems arise for our crime detection agents to resolve.
All this occurs to a backdrop of Rock n’ Roll music, as Future World rocks to its core!
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I think The Sightseers Agency is the best book of the Dreadnought Collective, and you did a great job of balancing the characters, conflict, and plot. Knowing that this was the last book in the series what was one thing you wanted to accomplish before the end of the series?
Loose ends to be tied up, conclusively.
The recurring characters are so unique, each with their own set of skills, flaws, and quirks, that it’s a delight to follow them from one adventure to another. What was one character you felt went through the biggest change throughout the series?
The Inlooker, posing as Claude Broadbent.
The Sightseers Agency ties up a lot of loose ends, answers questions, and ends on a hopeful note. Did you always have an idea of how the series would end or did it present itself as you were writing this last book?
It makes me feel uneasy to admit that this is the last book in the Dreadnought collective series, but you’ve put me on the spot! Yes, it makes sense to treat it as such, with infills later, like Bernard Cornwall did with the Sharpe’s series. I always aim to write with previous knowledge of the ending, but cannot claim to stick with it as the story evolves.
What is the next book that you’re writing? Are you working on another series?
The next book is the start of another Sci-Fi series. It involves new technology based on true inventions in the past. It also speculates on what alien contact could be like, when we reduce our population level. It will be a ‘vehicle’ for humor, to lighten the underlying message passed to readers.
Both his fledgling agency and that of The Deaduction Agency are members of The Dreadnought Collective.
The term ‘Dreadnought’ is based on a type of battleship introduced in the early 20th century, larger and faster than ever before and equipped entirely with large-caliber guns.
It applies in this instance because the cerebrally talented agents who enter its portals are expected to fear nobody and be scared by nothing in the performance of their duties.
They pursue those who indulge in criminal and seditious activities in the modern meritocracy using unorthodox techniques.
The Collective will embrace several types of Black Arts as it grows and faces unusual challenges. These once belonged to the realms of Science Fiction but are fast becoming a reality in the emerging new world.
This is a series of Whodunits set in the future.”
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The Sightseers Agency picks up with Richard Pencil leaving the government position he took up at the end of the previous book. With the new world order well underway, the big three-letter agencies are breaking up, and Richard is going back to work with Joe Fraser and the man known as the Inlooker. Richard also has an impressive upgrade to his extra-sensory detective powers. He’s joined by a new remote-viewer, Miss Plum Duff, whose talents were honed by alien intervention. Fraser hires them to launch the the Sightseers Agency, reporting to him and their mysterious benefactor. Their mission is to oversee the behavior of elected officials, and another secret goal is revealed later. Seb Cage, who is now a talented computer security specialist (along with the skills he gained from the Sombrella Syndicate), joins the agency as well.
The Sightseers soon discover that the greatest threat to earth isn’t just from rogue officials and politicians, but also hostile aliens who have been planning an attack for some time. Complications arise because some of the aliens on Earth are friendly, while some are more like tourists who take on human form just to experience something different. Ms. Plum Duff comes into her own here, since she, like Seb, has a long history with regard to aliens.
Like the previous agency novel, there is an overarching plot that is played out in several different investigations. While the book is described as a series of whodunits set in the future, each case is a link in a chain that ultimately brings conflict on both a personal and global scale. I was glad to see more about the use of psychic mind-reading to ferret out lies and criminal activity, and the manipulation of auras and even the soul itself. There’s also the fascinating angle of this “new world” society, run on a democracy-on-demand system with a goal toward a true meritocracy. While some of this society’s social practices seem dystopian, others, like the use of Tesla’s wireless transmission of energy, offer a utopia of readily-available power.
One of the things I’ve enjoyed throughout the Dreadnaught series is the author’s vivid imagination. His notes at the beginning of the books give real-world tales of psychics and UFO phenomenon that act as the launch pad for his stories. His humor and wordplay are also in full force, with inventive non-cuss words, ribald comedy—especially when it comes to Richard and his Lothario tendencies—and the continued jokes about “potties,” which are ubiquitous self-driving transport pods, giving “on the throne” a whole different meaning.
Overall, this series has been fun to read. The major recurring characters are so unique, each with their own set of skills, flaws, and quirks, that it’s a delight to follow them from one adventure to another. The Sightseers Agency ties up a lot of loose ends, answers questions, and ends on a hopeful note and fans of the series will be satisfied by the ending.
Pages: 307 | ASIN: B01KBAKX1E
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The Deaduction Agency follows a team of psychics, telepaths and remote viewers who investigate several cases of disappearances, murders, and missing persons. This is a thrilling paranormal mystery novel. What was the initial spark for this book and how did that develop as you were writing?
I empathize with psychics, whose skills gained credibility as I read about them in series such as Psychic Detectives. The willingness of the police and detectives to appear in the shows, often after retirement from the force, speaks volumes for their appreciation of the skills of the psychics they employed. What also emerged was the need of the program makers to pad out the stories of psychic detectives with endless repeats of the facts. This is because the crimes are resolved in such a straightforward manner that it makes regular policing look tedious – which it is.
The first case, of a complex divorce, took longer to resolve because it did not require psychic abilities. I used it to contrast the differences in time to describe regular, traditional policing and those cases that require the skills of a psychic.
To my regret, some reviewers failed to understand why this approach was taken.
The book covers several different cases which range from quick and easy to edge-of-your-seat thriller. My favorite was ‘Case of the Prodigal Son’. What was your favorite case?
The same ‘Prodigal Son’, plus ‘The Honey Trap’, where Richard’s possessive and devious nature is revealed to the full.
The psychics at this agency have skills and near-future technology that give them powers beyond what psychics can do now. What were the limitations you needed to keep them believable and what was something that you absolutely had to have for them to be interesting?
I accept psychic skills as they exist now, and have no patience with skeptics who try to fool around with their sensory perceptions, to prove they are frauds and have no special skills. However, in the book they had to be fully capable of reading minds, in order to be foolproof in their assessment of criminals. Even so, some reviewers failed to understand this, and judged the psychic teams to be behaving unacceptably in passing sentence on some criminals. Why, if they can read minds and know the vile nature of the people they are categorizing? It is hardly as if they are executing them! The aim is to re-incorporate them into society, with their souls purified.
This story is ripe with paranormal activity, remote viewing and the powers of the mind. Which power and character do you identify with?
Telepathy, having experimented with it in front of others, as a young teenager. I identify with Richard and Chuck and Joe, in different ways.
A final, general observation on the review itself. The opening scene is criticized for its excess of descriptive detail, That is almost a verbatim criticism made by another reviewer, Marta Cheng in 2015, who stated: In some places, such as near the beginning of the book, there is an inordinate amount of detailed explanation provided as to the set up of the agency’s offices – details that detract from the momentum of the story. In response, I cut down the detail to a mere 360 words, which is hardly inordinate! It also became apparent that Marta (who got fond of changing her surname to put me off the scent) had not read the book in its entirety and was intent on having a dig at another reviewer from the same stable as herself.
To emphasize why it was done, I then suffixed the description with the following sentences:
Richard, the most senior partner in the agency, was busying himself constantly re-arranging brochures on a side table in the waiting area in reception. It was a quirky habit of his that Honey found most annoying. It also reflected his fussy preoccupation with orderliness and exact measurements.
Naturally, he was the architect of the office layout, which Honey was often tempted to rearrange, solely to unsettle him.
Love scenes soon followed as well! Some of this preoccupation is revisited later, as part of Honey’s tangled love life. What more can an author do?
Witness at first-hand a group of specialist investigators, as they set up and run a new, innovative crime fighting agency. They are dedicated to the resolution of criminal cases using paranormal assistance. This will be a new, innovative and emerging brand of policing designed to protect the citizens of our country.
Read how they deal with the anti-social, disturbed behavior of a wayward, divorced husband, who is on the verge of destroying the lives of his ex-wife and their two young sons.
Read how they identify the members of a murderous ring of pedophiles from relatively few clues, and bring them to justice.
Read how they move from ineffectively resolving one case at a time, and onto tackling multiple cases with far more beneficial results to society.
Read thereafter how they clear the penitentiaries of criminals, starting with the most dangerous inmates, using novel means to cleanse their souls of sin, and equip them for new roles in life in special clearing centers. The objective is to reintegrate them into society, rendered capable of performing straightforward tasks and genuinely purified, via the novel process of atonement.
Read how they find one talented young man who was lost, presumed dead, and reunite him with his family. Thereafter, as agents of change, they help launch him on the path to stardom.
This is not a simple, gory, two dimensional book, but an exploration into the timely use of mediums in crime detection. It can pay dividends in assisting the fight against crime.
They use the latest techniques and technology in a future world that is not far removed from that which exists today.
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