Pushing Madness brings your Lisen of Solsta series to a close. The series took many years to write. Was this an emotional book for you to write?
I was so focused on finishing the damn thing that I didn’t have a chance to get emotional. Writing it in concert with the previous book (Breaking Worlds) meant I wrote 200K words before I could call it done in first draft. So when I came back to Pushing Madness after publishing Breaking Worlds, it felt both new and old to me. On the other hand, there’s this which I wrote in the “About the Author” section for Blooded, book 3 in the series. “The other thing I’d accomplished [on completing the first trilogy], though I hadn’t set it as a goal, was to show a hero saying ‘let’s not fight; let’s find another way to work it out,’ thus ending a war before it got beyond its first day.” This time out with book 6, Lisen couldn’t end the war the easy way. The easy way had led to dire consequences, and those consequences played out to their ultimate degree in Pushing Madness. I saw only one way to end it–a sad and unfortunate way to end it–so I did it. But unlike the feelings ending Blooded brought out, I felt relief, relief that I could get up and walk away. It was long past time, and I was grateful.
Who were some important people in your life that helped you write this book and series?
Well, there was my canary in the mine, Daniella, who never failed to ask the precisely right, simple question when I would orally outline what was coming next to her. She was the only person I shared the raw thought process with, and she, in turn, gave me valuable feedback–questions like “how does Nalin feel about that?” when I was contemplating a story I never ended up telling. Simple question, story-devastating answer. I also turned to friends for encouragement when I fell into the abyss of I’ll-never-get-this-right. One friend constantly points out, “You’ll figure out,” and that has become a bit of a joke between us. Because it’s true; I always do figure it out. Also the writers in the workshop I attend weekly have done nothing but support me and question every possible misstep. I highly recommend a critique group to anyone who wants to write. You can never fool your peers, and if they’re gentle the way the writers in my group are, they are a true blessing. A friend I met on line and who lives on another continent offers her best to any of my endeavors. And finally my sister, who writes better than I do and offers critique and love for free.
We finally get to see what happens to Rinli and Lisen. Was this planned all along or did things change as you were writing the series?
Lisen’s journey always stretched out to at least the moment Rinli comes of age, but it was a very different story with a very different ending. As I’ve said before, Breaking Worlds and Pushing Madness were written together in response to the question “what does a world broken by Mantar’s Child look like?” 200K words later, I had the answer. But that answer did not come easily. There were many starts and stops along the way. In particular, Rinli’s motivation of the people of Thristas was tricky and required several retakes before it flew properly. I usually write with a beginning and an end in mind, and I thought I knew the ending when I started writing the first draft of the two books, but it changed several times. Lin-Manual Miranda’s words from Hamilton come to mind: “Who lives, Who dies, Who tells your story?” I may have been telling the story, but for a long time I didn’t know who lived and who died.
Will this be the end of the Lisen of Solsta world? Are you moving on to other works or do you think you will revisit this world again?
It’s the end. For now. I may go back to it one day if I live long enough. In the meantime, I’ve published a paranormal romance called Soul Doubt: A Rock-and-Roll Faust, set in the 60s, which pits a young musician and his lady against evil incarnate. And I’m working on a new YA fantasy series, working title Into the Forsaken Forest, with a young female hero who has issues with her mother. I’m enjoying building a brand new world although I’d forgotten how hard it is. Like childbirth, you forget the pain once the child is born, but the labor pains of totally new characters, totally new world and totally new plot and subplots can be excruciating. (I’m kidding/not kidding.)
Return for one last visit to Garla and Thristas where the Thristans follow an untried leader of sixteen into war. Where a spouse and a daughter must each withhold their plans from the man whose thoughts could betray them. Where a girl of twelve may rise up to meet the challenge of trying to save her mother. Where magic sometimes exacts a price that could prove to be deadly.
Pushing Madness brings Lisen of Solsta’s saga to a close with battles waged in both Garla and Thristas using weapons of war and the defenses of the mind. Lisen’s daughter Rinli has vowed to “break the world,” and the havoc that ensues as she endeavors to fulfill that promise could obliterate the peace Lisen instituted sixteen years earlier with the Treaty of the One-Day War. Only one opportunity remains to avoid destruction, and it all rests in the hands of a twelve-year-out girl.
The epic that we have been following for the last five volumes comes to a triumphant end in the sixth volume of Pushing Madness by D. Hart St. Martin. Book six in the Lisen of Solsta series culminates the agonizing fracture of familial relationships, the travesty of war and the painful ache of loss. Those who have been following the series will wait with baited breath to see what has become of Rinli and Lisen. Those who may be new to the series will still find a fantastical adventure with exquisite world-building and careful character development. This is not a book or series to be taken lightly as the real, raw character portrayals are sure to hit readers close to the heart.
St. Martin has been crafting the saga that is Lisen of Solsta for nearly four decades. It is very clear that she is devoted to her tale and takes care in ensuring that each book is a seamless transition for her returning readers. Nothing feels out of place, readers don’t feel like they have missed pages of content at the beginning of a new book for they all pick up almost precisely where they left off. There is never a lag and all energy from the previous book carries over into the next as it aims for completion.
The beauty of a book by St. Martin is the intense character development and portrayal makes the reader feel engaged and invested in the outcome. The characters and their feelings are so visceral it’s hard not to think of them as actual breathing people. St. Martin carefully shows us the strain in the familial relationship of our protagonist family as the eldest daughter cements herself into the antagonist role. It can be hard to show the fracturing of a family relationship and still keep readers invested into all sides, but St. Martin does that well.
There are no screaming shortcomings for this book and there are no major issues with style or grammar. St. Martin has done the Indie Author title proud by carefully reviewing and editing her work with the help of others. This has allowed her to put out an excellent product that she should be very proud of.
Those who are looking for a fantastical epic that they can really devote their time and energy to should look no further than Pushing Madness by D. Hart St. Martin. This sixth and final installment in the Lisen of Solsta series brings the epic to a satisfying conclusion. This book serves to honor the energy invested by readers who have been following since book one and to entice readers who may be discovering the series with this final book. For a saga that took so many years to cultivate and write, the wait is worth it. The payoff is a carefully crafted story with characters that are easy to identify with and a story line that doesn’t waver or get lost; despite covering so many pages. This series is definitely a keeper and be worth several rereads.
Pages: 386 | ASIN: B07BVL6SXQ
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The action never stops in Breaking Worlds by D. Hart St. Martin. This installation in the Lisen of Solsta saga is easy to dive into, even if you haven’t read the previous volumes. The gut wrenching emotion that pours out of this novel is gripping and drives the reader forward: looking for the resolution of such a familial rift. The energy is compelling as the story drives forward. We learn about the divide between Lisen and Korin. We witness as their daughter Rinli undergoes what could be described as an evolution and her determination to change the world they live in shakes both mother and father to the core. This book has clearly been crafted with care and is sure to not disappoint new and returning readers.
St. Martin is a veteran at her craft. The raw emotions that both Korin and Lisen feel at the death of their daughter are so palpable the reader can’t help but feel those emotions running through their own veins as they read. It can be difficult to describe such grief, let alone show how it can consume an individual, but St. Martin does it with grace. As Korin wrestles with emotion that he has never felt before he wonders how others can live after feeling it. It is such a powerful statement that it will resonate with anyone who has ever felt pain at the loss of a loved one. Such descriptive power carries on throughout the book and enhances the story.
It can be hard to come into a series without the backstory of previous volumes. While there may be some slight confusion for new readers, St. Martin explains things in such a way that it’s not overwhelming and readers do not become lost. There is a guide at the back of the book that lays out the main characters and some demographic information on them that can be helpful. It also assists readers that St. Martin writes as if readers have either forgotten or have limited knowledge of previous installments. This is helpful for new readers and doesn’t detract from the amazing story she is trying to tell. This can be a delicate balance to keep, but St. Martin knows exactly what she’s doing and demonstrates her ability to craft an excellent tale.
Any reader who wants to throw themselves into the grip of an epic fantasy-adventure book needs to look no further than Breaking Worlds by D. Hart St. Martin. While this particular book is the fifth in a series, the carefully crafted world and elaborate world building is more than enough to grab the attention of new and returning readers. The raw human emotion that laces this book as our protagonists manage their grief, their pain and the familial rift that threatens to consume the world as they know it enhances the base storyline. Readers won’t be able to get enough as they consume the delicious story laid out before them.
Pages: 280 | ASIN: B0795DRCNJ
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Protector of Thristas takes place fifteen years after the tumultuous One Day War and Lisen is faced with something far more challenging than ever before. What were some important themes for you to capture in this novel?
I’ve taken on several archetypes in these books with an eye towards shifting what originated as masculine-oriented myths into their feminine equivalent. Lisen is the hero of a story in which she must overcome many obstacles, including her own self-doubt, to rise at the end of the original trilogy to the destiny she cannot escape. I looked at heroes, such as Luke Skywalker and King Arthur, and asked myself how this would look not simply with a “girl” as the hero but with a gentler and more sympathetic way of presenting the momentous events that occur in the story. The battle at the end of Blooded is a case in point. Lisen found a way to break through the fighting and turn the combatants towards a negotiated resolution rather than one in which many people died or were left physically or emotionally injured.
So, when I decided to explore Lisen and the others as adults, to look at the relationships and their children fifteen years on, I made another decision–to raise the bar and tackle an archetype I refer to as “the king must die and live again.” This myth can be found in many nature-focused cultures. The leader of the people sacrifices his life (or acts the sacrifice out in ritual) and goes to the underworld, then rises again, all of which is symbolic of the “burying” of seeds in the fall and their rising as plants in the spring. It is a form of fertility ritual. It is also, in some ways, the Christ story, but this time it’s a young woman.
I think this book did a fantastic job displaying how emotional a mother-daughter relationship can be, and family relationships as well. How did you develop these complex relationships? Anything pulled from real life?
My mother was not the nurturing type which left my father with that role in my life. In fact, Korin’s nickname of “Fa” is the way my father, in his later years, signed birthday cards and such. But there was more to it than that. As I foraged deeper into the story and the wounded relationship between Lisen and Rinli, I realized one very important thing. I had to be very careful about how I framed the discord between the two of them. The critique group I belonged to at the time loved the portrayal of the mother-daughter conflict, but I began to recognize that I had created a very “earth-centric/potentially sexist” struggle. In my experience, women in our culture learn at a very early age that they must challenge one another over the attention of a man. Men are taught a similar lesson, but it manifests differently. Men thump their chests and growl at one another (figuratively) or go out and kick a football around, whereas women get mean. And it often begins in the relationship between a mother and daughter and their desire for the male in their lives–the husband/father. It’s fairly subtle in most cases, but it’s there, and once girls become teenagers with all those hormones raging, they may not “desire” their father, but they want what their mothers have and the fight is on.
I couldn’t let this be the basis for Lisen and Rinli’s conflict, so I struck out on my own to find something that didn’t smack of the sexism in the “typical” tension that can tear a mother and daughter apart. And although I may have no control over the enculturated eyes the reader brings to the story and her interpretation of what she sees in that relationship, I had to be true to my commitment to present Lisen and Rinli sparring not over the mean-girl stuff that can mess with a mother and a daughter but over the betrayal Rinli feels at her mother’s use of her as a bargaining tool to bring a war to an end. Add to that the fact that Lisen is not the nurturing parent in the family, and it becomes clear, in my eyes, at least, that their relationship was likely doomed no matter what Lisen did.
Rinli is resistant to the idea that she has her mother’s magic abilities. How did you handle magic in this novel that was similar and/or different from the previous novels?
In some way, I think the magic became more central to the story than it had been previously. I have always played the push as something unacceptable but sometimes necessary, even to Garlans who are pretty accepting of most hermit magic. As a Thristan, Korin distrusts hermits and what they can do, and Lisen has a powerful gift. This presented its own set of problems in the first trilogy and ultimately tore them apart. Now, with Rinli growing up and it becoming obvious to both of her parents that she has inherited her mother’s gift, Lisen and Korin have to make their peace over the magic thing and then band together to convince Rinli that the only way to stay safe amongst magic-fearing Thristans is to master her gift in order to control it. This is where that conflict I mentioned above manifests with Lisen trying her damnedest to reach out to Rinli and Rinli turning away. (I had one reviewer say, “So many times I just wanted to scream ‘Say I LOVE YOU!'” which would, of course, have simplified things a great deal. But it was about the magic in Lisen’s mind, and “I love you” wasn’t in her lexicon.)
What is the next book that you are working on and when will it be available?
I began a followup to Protector of Thristas with the idea that it would be the final book in the series. I had to find a way to put down the characters and the world I’d created in order to move on to something new. Five books. The series would be five books. I was adamant with myself. Then as I wrote and wrote and wrote, I began to realize that this was going to be one hell of a long book. I set a word limit at which point I would break it up into two books. I’m still on first draft, and I am within 2500 words of that limit I set. It’s definitely going to be 2 books. Because I’ve been making changes that affect earlier scenes as I go along, I must finish the entire tome before officially splitting them up. (And even then, I’m probably going to produce draft 2 of both books together, incorporating all the necessary tweaking at one time, before I turn to book 5 of the series and complete it.) All of this is to say, that this has taken far longer than I wanted it to take, but I continue to move forward.
As regards where we go from here, having sent a young person as flawed as Rinli through the experience of dying and rising from the dead, I discovered (upon working on the final two books) a character who is not doing well emotionally at all. It’s been an interesting trip. Rinli was originally intended to be the character to whom Lisen would pass the baton, but she turned out to be a character very different from what I had expected when I began. Her last words at the end of the book blew me away, coming as they did as I was writing that last scene, and they set the tone for the remaining story. I had to ask myself “what does a world broken by Mantar’s Child look like?” It took a while to answer that question. Now first draft is finally winding down for books 5 and 6, and all I can say is “whew, what a ride!” “When will it be available?” I’m hoping for some time early in the new year for book 5 and spring for book 6.
Fifteen years after the One-Day War, Lisen, now Empir Ariannas, has developed into a just and capable leader. Together she and Korin have created a union of two souls based on respect, commitment and love, and their family has grown. In addition to Rinli, their daughter who made her first appearance in Blooded, two more children have joined the family, completing their complement of three complicated adolescents.
Now the sixteen-year-out Rinli prepares to take on the mantle of Protector of Thristas, a title destined for her in the treaty that ended the war. The Empirs of Garla have carried this title for hundreds of years, and Lisen anticipates changes once she hands this single title on to Rinli at the girl’s investiture. But the prophesy of Mantar’s Child, upon which Lisen and Korin depended in the treaty negotiations fifteen years earlier, refuses to remain but a convenient myth, and with the advent of the fulfillment of the prophecy, an epic begins.
Although Protector of Thristas includes the familiar faces and settings of the young adult Lisen of Solsta trilogy, it begins a new adventure for an older and often wiser Lisen and her allies. Looking at their world through their matured eyes, the book takes on the heroic tragedy that the trilogy could only hint at. Return to Garla. Enter its mystical environs for a new encounter with Lisen and her world’s gender-free culture. The adventure awaits.
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Hart St. Martin takes us back to the lands of Garla and Thristas in Protector of Thristas, a novel that takes place fifteen years after the tumultuous One Day War. Rinli is the daughter of Korin and Lisen, and due to a prophecy created at her birth, she’s destined to be the Protector of the desert land of Thristas. While trying to guide Rinli on her path to becoming Protector, Lisen is faced with something far more challenging than ever before: she must do everything in her power to gain her teenage daughter’s long-lost sense of trust.
After becoming so invested in the Lisen of Solsta trilogy, I was thrilled to grab a copy of Protector of Thristas. There’s nothing I enjoy more than watching a fantasy world evolve over generations. Lisen and Korin have three children – Rinli, Nasera, and Insenlo – but Rinli is the only one who has a prophecy that she must fulfill.
Through highly emotional moments in the novel, the story definitely emulates how exhausting it is for the whole family when they are all separated. The story jumps between Avaret (the city where Lisen rules as Empir of Garla) and Thristas, where Rinli is required to stay for periods of time. The two lands have a very tense relationship, which forced Lisen to designate Rinli as the Protector of Thristas in an attempt to resolve these issues. As a result, Rinli and Korin must travel between the two lands several times a year.
As a sucker for romantic subplots, I loved seeing how fifteen years of marriage has impacted Korin and Lisen – due to the constant traveling on Korin’s end, they’ve grown even closer than they were in the first trilogy. Their bond even causes Korin to develop psychic-like powers, where he can sense when something bad is happening to Lisen or Rinli.
One of my favorite things about this novel is how Rinli has Lisen’s stubbornness and Korin’s perceptiveness, and her development throughout the novel kept the story captivating and fun. Something that separates her from her mother is that Rinli has an affinity for the desert land of Thristas, and her loyalty to Thristas is compounded by her close relationship with Madlen, her most trusted companion. She is especially resistant to the idea that she has her mother’s magic abilities, and this gets her into trouble at a few points in the novel.
Themes of forgiveness and trust pop up throughout the novel, highlighting the tense mother-daughter relationship between Lisen and Rinli. Hart weaves this tension throughout the entire plot, bringing the reader closer to these characters. Lisen can’t forgive herself for sentencing Rinli to her fate as the Protector of Thristas, while Rinli struggles to trust her mother. When Rinli discovers she may need her mother’s wisdom in order to understand her responsibility as a Protector, the two begin to develop a relationship.
Protector of Thristas is an emotional rollercoaster, to say the least, and it’s a breath of fresh air in a sea full of action-forward fantasy novels. As entrenched in fantasy as it is, this novel does a beautiful job of capturing raw human emotions of happiness, anger, sadness, anxiety, and fear, especially when dealing with challenging mother-daughter relationships and the connections between a parent and a child. The cliffhanger ending left me feeling some of those emotions myself, and I can’t wait to see if Hart will continue sharing more adventures from this world.
Pages: 452 | ASIN: B01E7NYLRI
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In the final installment of the Lisen of Solsta trilogy, Blooded takes us on a gruesome journey as we learn how Lisen will affect the future of the Garlan people. When writing the first book in the series did you know where you would end up in this third book or did it come about organically?
Fractured and Tainted had been written, rewritten and re-formed at least 3 or 4 times. I had a plan for where it was going to go, a plan that would provide redemption for Lisen. Or so I thought. Then the friend, to whom I tell everything, said–after hearing my idea for the finale–“but how does Nalin feel about that?” Boom. Lisen’s redemption would lean on Nalin’s painful sacrifice, something I hadn’t seen until this friend pointed it out. Back to the drawing board. During the year I spent re-forming and rewriting Tainted, I made notes, 11 pages single spaced, to find the story that would bring closure to the series. No organization by plot points whatsoever; the notes were organized based on the date I entered them into the file. Once Tainted was complete, I put the notes together in the order they occurred in the story, then wrote them out on 4 x 6 cards for each scene. I had 57 cards at that point. By the time I finished the first draft, I had 94. I did, however, have the ending when Lisen and Korin are finally alone together all prepared well in advance, including the little bit at the end about the fairy tales (which I had word for word). So, the short answer is yes, it came about organically because I had no idea where I was going when I wrote the first two books.
The cover art for your three books are very well done. What decisions went into the art direction for the covers?
My cover artist, Aidana WillowRaven of WillowRaven Illustration and Design, is brilliant, and she definitely knows her stuff. She has taught me a lot about the art of the cover. We began with book II because I’d already created a cover for book I, and I was about to publish II. The process began with bringing Lisen to life. We worked back and forth for quite a while. The plan was to show her pouch through the material of the gown she’s wearing. We worked through several drafts of that. Then we came to the mutual decision that in order for the cloth the gown was made of to be transparent enough to see the pouch, it would end up showing things we thought inappropriate for a YA book. So the pouch disappeared behind the gown. It was a pity, but on the other hand, it leaves some of it up to the reader to fill in for him/herself.
After finishing up the cover for Tainted, we turned to replace my cover of Fractured. My desire was always to show a pivotal moment from the book. For Tainted, it seemed natural to show Lisen up on the top of the mesa after the Farii. For Fractured, the moment she falls apart after running from the chaos in Halorin was an obvious choice. For Blooded, I originally wanted the Garlan throne. Aidana loves slipping into alien worlds, and I had described the throne in the book specifically for her to have fun with. She informed me, in her experienced opinion, that with the covers of the first two books being set outside with a character in them, we needed to guard the brand and stick with that formula. I hated losing the throne (though it does remain in the book), but she was right. So the moment I chose was the one where Lisen and Korin must part after the blood bath in the Khared. (If you look closely, you can see Lisen’s eyes are black because she’s still blind.) This put both Korin and Pharaoh on the cover with Lisen. My artist definitely had a great deal of fun with Pharaoh. Korin was a challenge to be sure. I had some very definite ideas, as did she, but we got through it, and that cover is my favorite.
What were some things you wanted to clear up or wrap up in this final book in the series?
One important thread was what would happen to Lisen and Korin’s baby and whether or not they would finally find each other. The other was Lorain. The first was easy; the second, not so much. I knew what I had to do, but not how to set that up. Then the idea of a truly treasonous act rose up before me as a gift, with a little inspiration from Game of Thrones.
Was there anything that you didn’t have time to get to or wanted to leave open ended?
What I wanted to explore but had no place for in a YA trilogy was who would Lisen be (along with the other major characters) as she grew into her role as Empir. So when I finished Blooded and sent it off to Amazon, I sat back wondering what to work on next. I have several barely touched projects I could have turned to, but Lisen called. Rinli called. And it was at that juncture that I returned to Garla and Lisen 15 years on.
What is the next book that you’re working on? A continuation of the Lisen of Solsta series or a new series?
Yes, the Lisen saga continues. The first book, Protector of Thristas, is already finished and available. It begins 15 years on and follows the relationship between Lisen and Rinli. Let me tell you, a 15-year-out Rinli was an interesting character to place into the mix, and her two younger siblings are complex beings as well. And how has Korin reconciled his two roles–captain of the Guard and Empir-spouse? I answered most of my own questions that hinged on “what next?” and then, at the very end, created one hell of corner to paint myself out of in the book or books that will follow. I hesitate to commit to one or two as the “one” book I’m working on now grows longer and longer and will likely end up broken into two books. But this will conclude the story for me. I have an ending that I find satisfying and look forward to sharing it with others to see what they think.
“From the award-winning author of Fractured and Tainted comes Blooded, the finale to the Lisen of Solsta trilogy. After committing an act that terrifies her in its calculated coldness, and losing Korin, her valued companion, as a result, Lisen shuts down emotionally, allowing her to perform her duties as the Empir of Garla. But the arrival of a child, an abduction culminating in captivity and a drug called gryl provide Lisen with new insights, and faced with a civil war, she opens up to startling perceptions which offer a unique solution to the conflict.
Will Korin relent and reveal the secret he’s kept from her? Will Lisen come to forgive herself for her self-perceived sins? Will she recover the sense of family support that she once felt on Earth? Will she ever feel anything but alone again? Or will the nightmare of reality overwhelm her as the story concludes in this final volume? In a story that brings traitors to justice and two opposing lands to an inevitable confrontation, Blooded completes the Lisen of Solsta trilogy.”
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In Book II of the Lisen of Solsta series, Tainted takes readers back to the land of Garla and introduces us to the dangerous land of Thristas. What was the inspiration for these fantastically imagined worlds?
Truthfully, I based them on my home of Southern California with the cooler areas to the west of the mountains and the desert to the east. My picture was more of Rome or Greece at the height of their power than of some middle European medieval land, and the white-marble and columned Avaret Keep exemplifies the architectural feel I was looking for. When it came to Thristas, I love the desert. Lisen’s response of awe as she and Korin come through the Pass and she sees Thristas for the first time expresses my feelings about the deserts of California. Most people see deserts as dry, sterile places, but they teem with life–both animal and plant life. My inspiration was to show the breadth and depth of this life and its influence on a people who had lived there for many generations, establishing a culture separate from Garla’s and giving their lives a meaning dependent on no one save themselves.
Lisen develops as a dynamic, heroic character, constantly fighting her surroundings and learning more about herself. How did you tackle character development in this story that is different from book 1?
Lisen is, of course, a work in progress. It is absolutely essential that she struggle to find who she is in this mess that she sees as her life. All bets are off for her. It’s do or die, and as she begins to realize that she cannot win without cheating and that she must win in order to fulfill her mother’s hope for her, she also recognizes that she must find a way to become a person who she isn’t quite yet. I loved exploring her hidden spaces and corners, seeking out the fortitude within her to make it possible for her to do what she does at the end of the book. And when the degree of her ferocity came to me one day driving home from the grocery store in the guise of that moment when she cuts off her braids and then tells Nalin she never was a hermit, I knew I’d found the Lisen she needed to find on her journey.
There is a holiday in this story called Evenday/Evennight. How did you come up with this idea and develop it in your story?
You will note that in Garla, they call it Evenday because they live and work under the light of the sun. On the other hand, the Thristans call it Evennight because the center of their lives, the time conducive to productivity, is in the dark, away from the searing heat of that very light the Garlans worship. This day on earth is called the vernal equinox, and I saw the Thristans as being closer to nature and therefore more likely to attach a more spiritual importance to it than the Garlans. Hence their centering of an entire ritual around it, while the Garlans celebrate it more casually. A lot of the Thristan culture revolves around something akin to the nature-centered cultures of our own world, including Wicca.
Where does the third book in the Lisen of Solsta series take readers?
Two major questions remain. What happens to Korin and the special “package” he carries away from Lisen and Avaret at the end of Tainted? And what the heck are they going to do about the unstoppable Lorain? Lisen has seen Thristas for herself and is apparently the first Empir to have done so, and that alone puts her in a unique position in her dealings with Thristas as their “Protector.” I think, however, that the most fascinating aspect that opened itself up to me for inquiry was how the miracle of child-bearing might affect a man. I explored and hopefully resolved the questions and conflicts raised by the events in the first two books by digging deeper into both Garlan and Thristan culture and by opening up the possibilities for redemption for Lisen but only if she can accept the fact that as Empir she has responsibilities that sometimes require desperate and even cruel measures to fulfill them.
“In Fractured, Lisen Holt, Valley girl, beach lover, learned she doesn’t belong on Earth. Re-adapting to Garla, the place of her birth, proved difficult, but the greater challenge was learning that she is the Heir-Empir and must confront her brother for the throne. Witnessing her only friend’s murder, defending her own life with forbidden power, and succumbing to possession by her friend’s soul left Lisen fractured, with little hope she’d ever recover.
The story grows darker in Tainted with Lisen and her guardian companion, Korin, traveling to the great desert of Thristas. They hope to find safety in the anonymity of the barren wilderness, out of the range of Garlan spies. There, Lisen learns the ways of Thristas and its fierce people who view Garla’s Empir as a tyrant. In an effort to prove their sincerity, Lisen and Korin participate in the Farii, the spring fertility ritual which changes everything for Lisen. She returns to Garla with a brilliant but damning plan that she believes will ensure her victory against her brother.”
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In the final installment of the Lisen of Solsta trilogy, Blooded by D. Hart St. Martin takes us on a gruesome journey as we learn how Lisen as Empir of Garla will affect the future of the Garlan people. After ascending to the throne, Lisen must make major decisions while facing her own physical and mental battles alone, especially when she’s captured by rebel Thristans for a period of time. On the verge of a devastating war, Lisen and the holders of Garla face the bloodthirsty Thristans in a battle that reveals the truth of the hermit’s prophecy and whether peace can ever truly arise between the two nations.
In Blooded, the concluding piece of the Lisen of Solsta series, Lisen becomes Empir Ariannas—without Korin at her side, though, she struggles with this new sense of authority. As a result, Nalin becomes a vital figure who assists Lisen with developing the knowledge and skills needed to rule over Garla, and he becomes even more important when Lisen is captured by rebel Thristans. Blooded also follows Korin’s return to his homeland, Thristas, and he experiences his own dilemmas, as he realizes his connection to Lisen is much deeper than he originally thought—in this world, where gender norms are shattered, men or women can carry a child, and Korin is carrying his and Lisen’s baby (unknown to Lisen).
Hart St. Martin’s impressive fantasy world construction throughout the entire Lisen of Solsta series kept me so absorbed in the story that I couldn’t put this last book down—I had to know how the series ended because I felt genuinely invested in these carefully-constructed characters. For example, along with everyone else in Garla and Thrista, Lisen resembles a human, but she has a flat chest, a furry belly, and a marsupial-like pouch. In Blooded, we learn more about the “unpouching” or birthing process in this world by witnessing two important “outcomings” or births. St. Martin makes these moments suspenseful and full of emotion by showing two birthing events from different perspectives.
While Korin is raising his and Lisen’s child in Thristas, Lisen faces her own mental struggles when she realizes that the Thristans are planning to go to war with Garla. This climactic moment in the plot, where Lisen and her Council devise a plan for war, showcases the dynamic development of both Nalin’s and Lisen’s characters throughout the series.
During Lisen’s abduction by the rebels, Nalin becomes a strong-minded, confident leader, commanding Lisen’s Council to make major decisions in Lisen’s absence. On the other hand, Lisen sets aside her typical sarcastic, sassy attitude and at times she reveals her emotional turmoil a bit more, as she feels overwhelmed by death piling up around her and the possibility of war. Bala, a significant character from Tainted, becomes instrumental to the plot of Blooded once she’s granted a spot on Lisen’s private Council—when the Garlans go to war, Bala shows her true colors as an assertive leader for her troops.
It’s rare to find a series of books that keeps your interest until the very end, and the end of Blooded and the Lisen of Solsta series left me feeling a great sense of closure. With characters that felt so real within a uniquely constructed fantasy world, this series captures the best aspects of the fantasy genre while also pushing the genre’s boundaries through constructing a gender non-conforming world.
Pages: 420 | ASIN: B00R8K8XXQ
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