Tiny Tim and The Ghost of Ebenezer Scrooge is the children’s edition to your previous award winning book. What motivated you to turn your story into a book for kids?
Hello! Thank you so much for inviting me here. To answer, the adult edition of the book had several themes and lessons and was too complicated for younger children, but I felt children could learn a valuable lesson from a children’s edition. I selected one of the major themes of the book that children understand and can relate with readily.
What were some parts of the story you absolutely had to keep when condensing this for kids?
1) Kindness to others. Something we ALL can do that can change the world, in my opinion. 2) The lesson that WE continue the goodness that is in this world that we inherit from those who came before us. Life goes on and so must also the doing of good deeds from generation to generation. Of course, all the main characters are there: Tiny Tim, Ebenezer Scrooge, Becky, and Jimmy!
The art in this book is stunning. What was the art collaboration process like with Voxillustrations?
Voxillustrations was such a great partner in capturing the essence of each page of story text in their art! I gave them detailed ideas of what I was looking for such as character actions, expressions, backgrounds, and the little details of Victorian life, and they worked hard to get each illustration just right for the story. This art style they call ‘Fantasy’. Love them!
What part of the classic Charles Dickens story speaks to you the most?
That we are all redeemable, no matter what the situation we are in, how hopeless things feel, or how far down we are. Thank you for letting me speak with our readers! It is such an honor!
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Tiny Tim is all grown up, and everything he loves and holds dear has been ripped from him. Upon the death of his dear friend, Ebenezer Scrooge, Tiny Tim begins to question each of his beliefs and the very faith that had been instilled in his family with the love of Scrooge himself years ago. Tim, now an adult, is faced with the loss of another of his dear loves, Becky. As fate would have it, Becky is simultaneously suffering through the most trying time of her young life on the streets with her young son and no place to lay their heads. Just as fate intervened fourteen years ago in the form of Ebenezer Scrooge, fate lays its hand on upon Tim once more.
Norman Whaler has crafted a beautiful tale of faith, hope, and love in his sequel to Charles Dickens’s A Christmas Carol. Tiny Tim and the Ghost of Ebenezer Scrooge – Audiobook details the events surrounding and immediately following the death of an aged Ebenezer Scrooge. Tim Cratchit, once the young crippled boy benefiting from Scrooge’s change of heart in A Christmas Carol, is impacted most of all by Scrooge’s death.
From beginning to end, Whaler’s sequel to the beloved classic pays homage to the original plot and the beautiful transformation made by its key character, Ebenezer Scrooge. Though Tiny Tim, now all grown up, is the title character, he also exhibits a change of heart similar to that of Scrooge. Tim fights a battle within himself as he struggles to regain his faith. Whaler does a phenomenal job of adhering to the feel of the original book with his references to Scrooge’s character transformation. The reader watches as Tim fights a similar battle and, ultimately, wins with Scrooge’s help.
As a fan of the original tale of Scrooge and the Cratchits, I could not help but fall in love with the parallel story line and the magic of three as it again reared its head in Tim’s life. The sound quality and voice over is exceptional in this audiobook and delivers this lovely story in a clear and crisp manner. Scrooge’s reappearance from the afterlife is expected but quite fitting. Whaler has done Dickens proud with this quick read rich with character development and steeped with faith.
Duration: 1 hour 54 minutes | ASIN: B01NAJJLXP
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It takes a bold artist to follow up a masterpiece. Far too often, the original creators can’t even recapture a work’s magic in its sequel. Sometimes though, the most devoted admirers are up to the task. Norman Whaler’s Tiny Tim and the Ghost of Ebenezer Scrooge – The Sequel to A Christmas Carol might be derivative, but it’s derivative in all the right ways. Whaler knows he’s trying to extend Dickens classic, and he succeeds.
Whaler opens his sequel by briefly summarizing the ending of A Christmas Carol – which quickly helps ground any readers who haven’t read it recently. Here, we see right away that Whaler makes the smart decision to evoke Dickens rather than imitate him. He echos Dickens’ source of tension in the characters’ lives: for crippling poverty still grips this corner of London. And with the newly philanthropic Ebenezer Scrooge now deceased, the citizens again find themselves facing an English winter without money for food or clothing.
My favorite part of the reading was hearing more from the side characters whose voices drive the plot. Unfortunately, the illustrations that start each chapter vary wildly in terms of style and medium. They all match the subject of the story well, but fail to match each other. Some appear hand drawn while others have been made on a computer. Even just applying the same filter to each illustration would have helped unify the novel.
Whaler clearly admires and respects Dickens, but I do think he missed out on an opportunity to be a little more self referential with the sequel – Dickens might very well have appreciated just such humor. Regardless, the voice and tone that first made this Christmas classic are there in full force. If you read the conclusion of Dickens’ original to your children while a cold winter blast beasts against the frame of the house, they might just turn up toward you and ask, as so many readers have over the decades, “what happens next?” In such an event, you now know where to turn.
Pages: 96 | ASIN: B076YGMGF9
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Spinner is a refreshing addition to the science fiction and horror genres. The book gives readers a new perspective as the main characters are not your usual shiny protagonists, but rather a group of boys, all of whom have some form of disability or handicap. The main character, Alex, is both impaired mentally as well as physically, bound to a wheelchair. This is not the only thing that sets Alex apart, though. Alex is a spinner, capable of taking on others emotions, physical ailments, and pains before they disappear entirely. A trait that finds him unknowingly being watched by those with ulterior motives and a far more sinister entity as well.
Spinner definitely brings something new and refreshing to the table with its focal characters being those typically dismissed and often belittled in our society. Bring in the science -fiction/horror vibe and Michael J. Bowler definitely writes to catch your interest. The story is original and cut from a different cloth which is refreshing. Although sometimes sentences can run on or become focused on small details, almost Charles Dickens-esque. It leaves little to the imagination as each character and scene is described in detail.
The author does a wonderful job of presenting the main characters with disabilities as people, not just a subset of society to be catered to. Each character, though their disabilities are mentioned and made apparent through their interactions, are easily seen as teenagers with their own opinions, personalities, and mindsets. The fact that they’re disabled rarely comes to mind throughout unless the story itself points to it, giving a refreshing and normalized perspective. Bowler uses a lot of different aspects and mannerisms stereotypical of a screen-teen. There are many dramatizations and immature reactions that detract from the characters otherwise superb development and depth.
I found this contemporary story easy to relate to and understand. Spinner has a lot of interesting and refreshing concepts that I felt kept the story thrilling and suspenseful.
Pages: 445 | ASIN: B075VCQ5F9
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Apocalypsia details a post-apocalyptic Earth. Demons comb the land and what is left of humanity struggles to survive and trust one another. What was the inspiration that made you want to write such an immersive story?
I had a lot of time on my hands (haha). I was in my early twenties, worked two days a week, living in my parents’ basement, and was addicted to video games. Writing was my way to keep my mind active and a way to escape my uneventful reality. It started out as some dark and depressing poetry (some of which appears in the book). I felt like the only way I could find meaning in this world is if it ended. That was the idea that sparked Apocalypsia. I wanted to go on an adventure, and if I couldn’t live it, I could at least create it. I also drew inspiration from authors like Edgar Allen Poe, and Charles Dickens, and stories like Beowulf and Lord of the Rings.
This story is a fun blend of science fiction, fantasy and post-apocalyptic. Did you plan the novel before you wrote or did this happen organically?
I was told to always know the ending of your story before you begin. Apocalypsia was the exception. I had no idea where this story was going to go. At times I felt the story was telling itself and I was just the messenger. I never thought about what will come next only what was happening now.
In its infancy I wanted to make Apocalypsia a graphic novel. I wrote it into twenty-five separate books in a little over a year and a half. Since I cannot draw or know an artist that could take on this huge project I rewrote it to read more like a manga, but without the art; since I was into Japanese anime at that time. About a year later I developed a love of screenplays and the desire to write them. Apocalypsia was rewritten again into three different scripts due to its length and the 80-120 page constraint of a normal screenplay. When I discovered self-publishing the book that exists today got another overhaul. The book gained new content and became a little darker too. I was older so everyone in the story had to grow up also. Overall it took seven years and several rewrites before Apocalypsia appeared in our hands.
What is your writing experience and how has that helped you write Apocalypsia?
I actually wrote all of my books as screenplays first until I learned about self-publishing. I reformatted my screenplays into novelized script versions by taking away all the screenplay lingo, headers and directions, but kept the name of the speaker before my dialogue to cut down on “he said” “she said” throughout the entire story. Screenplays taught me about plot points and showing not telling. I learned to write a good ending and a good beginning and then finding out how to link the two. I learned how to write books by thinking about them as movies. Usually screenplays are the product of books. My books are products of screenplays.
What is the next book that you are working on and when will it be available?
I have started writing a steampunk story. I think that will be a cool genre to explore. I have the beginning written and several notes about the world, technology and devices that exist, and character backgrounds and personalities, but I’m still working on the plot so no release date in sight yet.
Much of civilization lies in ruins after the mysterious happenings of a demonic uprising. In this post-apocalyptic world survivors must scavenge for supplies while taking up arms against demons, goblins, and even each other.
When an ally’s fort is attacked; a small group of survivors take it upon themselves to unite and stand against the further spread of demons. Along the way new allies agree to stand with them. Encountering stronger demonic threats and the discovery of an ancient artifact, which could destroy the boundaries between Hell and Earth, causes a collision of the human resistance into an epic final battle with the demonic forces.
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