Paris Blue tells the story of your first love. Why was this an important book for you to write?
Such a big question, and such a good one.
I might start by quoting a line I recently discovered from Maya Angelou in which she said, “There is no greater agony than bearing an untold story inside you.” For over forty years I knew I had a story I would need to tell some day. Readers have recognized that there is something about this tale that goes beyond a simple story of first love. It follows the arc of my life over thirty years, into adulthood, happy marriage, and children, so it is also very much about the role of memory in our lives.
Also, the book describes how I searched for answers and closure for so many decades from the trauma at age twenty-two when the romance suddenly ended, and in a way, I essentially had to write my own ending, which brought about its own sort of catharsis.
I appreciated the candid nature with which you told your story. What was the hardest thing for you to write about?
Oh, another great question. At one point in my decades-long journey of trying to tell this story, I changed the book into “fiction,” or at least I tried. I made it into a novel in which I tried to fictionalize certain parts and detach myself from the more personal parts. And I did this in order to protect my family, most notably my wonderful husband. Even though he has been unbelievably supportive about this long-suffering literary endeavor, I didn’t want to put in first-person writing the intensity of emotions that first love generates. Or draw attention to the music and poetry that I shared with the Frenchman that I don’t share in the same way with my husband. In the end, however, I realized that writing a memoir was the correct, most honest form and genre that this story had to be.
What is one piece of advice you wish someone had given you when you were younger?
HA! I really don’t know how to answer this! Even though this story caused me a great deal of suffering at age twenty-two, I probably don’t wish it had happened any other way. If I answered something like, “I wish someone had told me that married men stay married” or “I wish someone had advised me to read the signals,” that would be way too simplistic and would not do justice to the subtleties of this fairytale (and I wouldn’t have a book).
What do you hope readers take away from your story?
That, when an intense, romantic and passionate “first love” ends suddenly without answers, it can take a lifetime to get over.
That words, music, and Paris can drive love to madness.
That our memories are not to be deleted and canceled, but treasured, whatever the outcome, and that they are our “life and food for future years.” (Wordsworth)
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Swordpoint is a thrilling action adventure novel set against the chaos of the French Revolution. Why did you choose this time and place for your novel?
French Revolution and Napoleonic era always held a special fascination for me since I was a young and impressionable teenager. The French revolutionary period is unique, because it came as a result of people seeking social justice through extreme means and was largely an act of desperation against the over privileged French aristocracy. It was a time of great changes and political turmoil, where ancient royal institution was shaken and then toppled by the will of the common man. It was a phenomenon that shaped the history of the modern Europe and provided the background for this novel.
I enjoyed Vidocq’s character progression and overall development. What were some ideas that were important for you to capture in his character?
Vidocq is the main protagonist in this story and there were several important ideas in presenting him to the readers as a man of intelligence and action. The first idea in shaping his character came from reading his biography, because unlike many fictional characters he really existed. A man in trouble with the law who learns the hard way what it means to be an honest man is a strong idea and it shows in Vidocq’s actions as he navigates though obstacles in his turbulent life on his way to freedom and good reputation. The second idea in shaping his character came from his own decision
in changing his life using his experience as a master criminal to catch other criminals. What can be more exciting than an outlaw trying to catch other outlaws?
You highlight some important historical moments in the French Revolution. What kind of research did you undertake for this novel to get things right?
To be perfectly honest, I initially considered this writing project as too ambitious for me. I have never written a historical fiction novel before, and the desire to make it happen overcame my feelings of fear and doubt. My research was very thorough and it had to be right, because in order to convey the true historical setting of the period, I had to find out everything I could about French Revolution, the early reign of Napoleon, mannerisms, customs, speech, weapons and provide correct dates and the descriptions for every real historical event. It was time consuming, at times exhausting, but ultimately very enjoyable experience.
What is the next novel that you are writing and when will it be available?
I am currently working on a post-apocalyptic science fiction novel which is in the first draft stage. It involves humanity in its relationship with an artificial intelligence after an apocalyptic event that alters human evolution on a planetary scale. The novel should be available in about a year’s time give or take a few months for the final polishing. I enjoy writing very much and hope to produce many interesting novels.
David Crane’s historical novel, Swordpoint, transports the reader to late 18th-century France, a country gripped with the chaos, blood, and terror of the French Revolution. The novel will entertain you with its realistic settings, interesting historical references, passionate love affairs, duels, battles, betrayals, and narrow escapes.
Eugene Francois Vidocq was a thief, an adventurer, and a duelist who searched for his place in life with wit, sword, and passionate love affairs. Hunted by the police agents of revolutionary France and later the agents of Napoleon, he is forced to make the most important decision in his life to survive and become a man of respect. To achieve that, he must transform himself into a new man, an outlaw hunting the outlaws in the name of justice. The road to salvation is hard, but for a man like Vidocq, failure is not an option.
On a frigid winter morning in St. Petersburg, Russia 1917, eighteen year old Olga Von Eggert must leave her country and family. The Bolshevik army is on a mission to destroy all aristocrats. When Olga fails to join her entourage at the designated rendezvous, Prima Ballerina Mathilda Kschessinska notifies the Khan of Kiva, a mutual acquaintance. The Khan’s son, Prince Razek Bek Khadjieff, defies his father’s orders and sends his strongest Cossack soldier to save the young Baroness. Nearly ninety years later, Damian Tolbert, a Frenchman living in Paris bids $100,000 on an antique diary with the initials NV on the leather cover. Once the journal is translated from Russian to French Damian is determined to find the rightful heir to this antique keepsake. Several years later, by coincidence, or perhaps fate, Damian discovers Anastasia Sullivan, the only living descendent to the journal, in an odd town called Lebanon, Ohio. Rather than answers, Damian finds more missing pieces to his puzzle. Will the “Mind Marauders ” finally leave his psyche? And, who is this mysterious artist, Anastasia Sullivan? This historical novel is inspired by true events of the author’s grandmother, Olga Von Eggert Khadjieff.
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Voice of a Crimson Angel is an intimate and thrilling story that leads up to your debut military science fiction book. What was the inspiration that made you want to explore a prequel?
Creating VOCA was something that was on my mind for many years, but it seemed too monumental a task to handle. It wasn’t until I was in the midst of writing Ballad of Demise that I began to see a grand tale in the making. I took that single scene of Julissa Marconi from Reverence and then imagined what her life had been like up to that point and after. That was the only push for the new trilogy. Many reviewers asked questions about how the characters got to where they are, so I figured it was an opportunity to give them answers. It turned out to be a fun experience.
Your currently studying history at the University of Riverside. How has your major helped you write your story and develop your characters?
A TON. The sad but fascinating aspect of history is that the story of the oppressed vs. an oppressor is a familiar one. From ancient Rome to the Spanish Empire, to the British and French empires, superpowers have always had their reign unimpeded for decades before eventual collapse. I wanted to build up the history of the United Nation Republic before it too faces its ultimate crisis. Whether it is still standing when the dust settles is to be determined in future installments.
I also drew influence from the revolutionaries of old, people such as Che Guevara and George Washington. Once the VOCA trilogy is completed, I believe people will see the connections in a new light. History was also a valuable tool in discovering how a revolution starts. First come the words, then the fight to crush those words, and then bullets. The term ‘regime change’ is one perhaps not widely known by the average person, but it is an unquestionable factor in global history. The U.S. has often played a pivotal role in such operations, among them Guatemala, Vietnam, and Iran. The more I read, the more The Expansion seemed very possible.
When writing, do you look at current events, and use them as a springboard for ideas or try to incorporate them into your story?
Current events play a big role most definitely. In VOCA Part I, we see a world where warfare is basically common place. The majority of the people either ignore or don’t care about the conflicts abroad. Once again, I looked to the U.S. The U.S. has been involved in some sort of war for almost its entire history, from the Civil War, Spanish-American, the World Wars, Korea, Vietnam, Desert Storm, and now the war on terror. Vietnam was the first U.S. war to not split the American conscious on a massive scale. Since 9/11, the U.S. hasn’t slowed down its war game, now in Niger, Syria, Iraq, Afghanistan, and other countries. Despite this, there are no longer large protests confronting this reality. As we listen to music and watch the latest films, the war machine goes on expanding.
These issues, primarily our war driven economy, were the focal points for me in writing the VOCA trilogy.
Any chance you’ll write a prequel that shows the rise of Chancellor Venloran? Kind of like how Star Wars episodes 1-3 showed the rise of Darth Vader? In either case, what do you think that would be like?
I actually have played around with this idea, and the framework is definitely there. I can imagine a young Venloran who sees his country struggling and decides to act. In a way, he’d be comparable to Joseph Halsey, which would be a great foil. It would take time to plan out, especially since I have much planned for the Reverence series. The idea is very tantalizing, though. As of now, I’ve only hinted at the rise of the UNR. For this envisioned ‘prequel-prequel’, I would go in depth to the formation of the UNR Party itself.
The evilest of deeds start with the best of intentions.
Julissa Marconi’s life has never been quite the same since her husband slipped into a coma. Her relationship with her daughter is hanging by a thread, she’s lost all her friends, and she’s retreated to the bottle amidst her sorrows. Truth is, Julissa is struggling to find a reason to wake up in the morning. That all changes when the mysterious Dr. Neeson offers her a chance to discover the truth, and reclaim her life. With the help of the scheming Captain Halsey, Julissa finally has a reason to fight again. She’ll have to act fast, however. Her nation, the United Nation Republic, is hungry for aggressive expansion and the ravenous Chancellor Venloran will stop at nothing to achieve his own twisted goals. Return to the world of the Reverence series with Voice of a Crimson Angel Part I: Persecution, the long-awaited story that sets the stage for the entire saga.
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Mademoiselle Alice tells an intimate tale that takes readers on a personal journey through life and love. What was the inspiration that made you want to turn Alice’s life into a story?
I spent three years writing a history book called Alice & Eiffel, A New History of Early Cinema and the Love Story Kept Secret for a Century. As soon as I finished it, my girlfriends said: “We want a novel!” Alice wrote a memoir that is very cryptic, only 120 pages. I felt that she had a lot of secrets which she alluded to, particularly about her father, her experiences at the convent, and her relationship with Eiffel.
Why did you choose to write the novel in the first person?
When I started the novel, I spent several months writing Alice’s story in the third person, but it felt distant. I felt like I was flying over the rooftops, getting an occasional peek through a crack in the curtains. The novel didn’t start to come to life until I switched to first person and told it from Alice’s point of view.
Being basically kidnapped from her grandmother’s home at four and then being dropped off at the convent at six were the heartbreaks in her childhood that most captured my imagination and sympathy. Then of course when her father died when she was seventeen, that was the coup de grâce for her. In her memoirs she began with “My destiny was no doubt traced before my birth,” and I think she was referring to the early connections between her father and Eiffel since Eiffel really did go to Chile the year before she was born.
Alice Guy Blaché was a pioneer with so many accomplishments. What was the one thing that surprised you the most about Alice?
The biggest surprise was that although Eiffel was wildly successful and a very attractive person, Alice is more compelling. I think the story-telling gene that she developed was a result of her early experiences and not a function of ambition to make it in the movies which did not exist when she started.
The first film she wrote and directed, La Fée aux Choux, remains iconic in symbol and mystery. In one minute she tapped into the deepest themes of human experience: romantic love, sexual attraction, and family. We know it when an artist touches that chord, cuts to the core of something deep.
The temptation with a biography of a famous or accomplished person is to stack up their achievements in an intimidating tower. You can do the same thing with Eiffel. Would you like to read about all forty of the bridges he built culminating in his famous tower? That has been the outline of all the biographies about him. They don’t get close to the real person.
What kind of research did you have to do to maintain the historical accuracy of the book?
I look up all kinds of quirky things. It is not at all efficient, but you have to cast a very wide net. I read French and American newspapers from 1890s through the 1920s, and it is surprising what you run across, such as a column entitled “What makes a woman charming?” The old newspapers reflect how people thought back then. The phrase “gender roles” wasn’t coined until 1955. In Alice’s time, being a wife and mother were a woman’s duties, not roles she chose. The “old maids” were viewed as having missed the boat of life.
What is the next story that you are working on and when will it be available?
I am working on scripts for Mademoiselle Alice. I think it would make a good television series starting with the California Gold Rush. Many people came from France to California during that period and I believe Alice’s father was among them. Everyone wonders how Alice was able to do cowboy and western films. I think it was in her DNA.
A deeply evocative story inspired by real events: the love affair between two unforgettable people—Gustave Eiffel, the builder of the Eiffel Tower, and Alice Guy Blaché, a pioneer in the art of cinema. Mademoiselle Alice steps out of the shadows into the reader’s mind as an endlessly intriguing and entirely relatable young woman. Told through Alice’s eyes, we get to know her, her family, and Monsieur Eiffel. Eiffel is not looking to fall in love—he is a widower who has everything—wit, wealth, fame, and brilliance. He was a friend of Alice’s father who died when she was seventeen, and the story she tells of falling in love with him is funny and emotionally intimate. Alice and Eiffel forge an enduring romantic and intellectual bond. But while she wants to marry him, he refuses because he is so much older than she is. Out of her desire to have a family, she marries a handsome Englishman and travels to the United States, where she works with D. W. Griffith and then opens her own film studio. Some of her emotional experiences find expression in the scenarios she writes for film. Her relationship with Monsieur Eiffel continues on in her mind and leads to some surprising developments. Mademoiselle Alice tells us much about women’s lives during the silent film era in France and the United States. Combining a biographer’s knowledge of her subject with the novelist’s gift for narrative, Janelle Dietrick has crafted a novel that will capture the interest of every reader.
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A deeply evocative story inspired by real events: the love affair between two unforgettable people—Gustave Eiffel, the builder of the Eiffel Tower, and Alice Guy Blaché, a pioneer in the art of cinema. Mademoiselle Alice steps out of the shadows into the reader’s mind as an endlessly intriguing and entirely relatable young woman.
Told through Alice’s eyes, we get to know her, her family, and Monsieur Eiffel. Eiffel is not looking to fall in love—he is a widower who has everything—wit, wealth, fame, and brilliance. He was a friend of Alice’s father who died when she was seventeen, and the story she tells of falling in love with him is funny and emotionally intimate.
Alice and Eiffel forge an enduring romantic and intellectual bond. But while she wants to marry him, he refuses because he is so much older than she is. Out of her desire to have a family, she marries a handsome Englishman and travels to the United States, where she works with D. W. Griffith and then opens her own film studio. Some of her emotional experiences find expression in the scenarios she writes for film. Her relationship with Monsieur Eiffel continues on in her mind and leads to some surprising developments. Mademoiselle Alice tells us much about women’s lives during the silent film era in France and the United States. Combining a biographer’s knowledge of her subject with the novelist’s gift for narrative, Janelle Dietrick has crafted a novel that will capture the interest of every reader.
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Wheeler is a suspenseful romance novel that follows a strong female cyclist battling both physical and emotional challenges. What was your inspiration for this thrilling novel?
I have been been a fan of cycling for some years now but over the last five years I’ve been hugely influenced by the women’s peloton. Their grace under pressure, heart and incredible talent is an inspiration. My ultimate goal for the hard copy of Wheeler is for the proceeds of each book sold to be donated to the Homestretch Foundation, founded by Kathryn Bertine, a former pro cyclist. She saw a need for women cyclists who wanted to compete but financially, had no way to train and earn a living. Homestretch provides the housing, equipment, training and nutrition for elite riders to have a chance to compete at the pro level.
Loren and Graham connection develops into a complex relationship through the novel. What were the driving ideals behind the characters development throughout the story?
Relationships among creative types can begin intensely, with all the Shakespeare quotes and French terms of endearment, only to burn out in a few short months. Loren and Graham are both isolated and lonely, even though they are surrounded by friends and family. They each have personal issues to overcome and are willing support each other through their trials in order to make the relationship work, just like real people.
Wheeler starts in the middle of Loren’s cycling competition. What is your experience with the sport and why was this a good setup for your novel?
Being a cyclist myself, understand most of what they go through: the training, the discipline, sacrificing yourself for your teammates. I know the intense physical discomfort (i.e. pain) of taking your body to the limit and beyond.
There’s a parallel between being a pro athlete and an actor – long hours of training, constant travel, the media spotlight, but also the close relationships that can develop between teammates (co-stars). It takes the right mix of personalities to make it work or the film (or team) won’t succeed. I thought this would be an interesting, and realistic, pairing. They would need to understand how important their careers are, but also know that it could all end with one bad review, or the squeal of a car tire.
What is the next book that you are working on and when will it be available?
I am currently wrapping up the first draft of the as unnamed follow up and I hope to have it to my editor by Autumn, 2017.
To become an elite cyclist in Europe, Loren Mackenzie has overcome much in her life, but no one would know it. Her tragic past is hidden inside tarnished armor and her fear of it being uncovered has kept her out of the spotlight.
Known as the Ice Queen of the peloton, Loren rarely shows emotion in the heat of competition; she leads her team with quiet strength and determination. But when a chance meeting quickly develops into a whirlwind romance, the ice surrounding her heart begins to melt.
All is not rainbows and unicorns, though. The relationship with an A-list celebrity brings with it the microscope of tabloid-media attention but also exposes the jealousy and obsession of another, threatening to unravel Loren’s tightly wound life.
Can Loren open her heart to the love she has held at a distance, or will her fear and shame ultimately defeat her?
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A little bit romance novel, a little bit suspenseful thriller, and a thorough introduction to the world of women’s cycling, Wheeler by Sara Butler Zalesky is an enjoyable and well-written story of a strong female protagonist battling both physical and emotional challenges. Spanning just a few months in professional cyclist Loren MacKenzie’s life, Wheeler is a whirlwind of a read. It begins in the heat of her cycling competition season when she meets handsome actor, Graham Atherton, roadside after a well-timed popped tire and follows their blossoming romance as well as Loren’s cycling competitions across Europe. It’s not all easy riding for Graham and Loren though, as Zalesky weaves intricate relationships between Loren, her teammates, family, and a sinister former boyfriend who is dangerously obsessed with Loren.
Readers who are familiar with professional cycling will doubtless appreciate Zalesky’s attention to the sport, and even readers who have no prior knowledge will enjoy learning about the strategy, training, and teamwork involved in cycling. Zalesky expertly creates a believable and enthralling team dynamic, following Loren and her team through both victories and crashes. Crafting relatable characters and developing story lines over the course of the novel is one of Zalesky’s strengths. Though the first half of the story feels rather one-dimensional with clichéd characters (the hyper-driven female athlete; the handsome, Shakespeare-quoting actor; the jealous ex-boyfriend), Zalesky develops her characters so that by the second half of the story, each of these characters has a well-defined history and far exceeds expectations.
Whirlwind romances are, of course, fun to read and daydream about, but the almost instantaneous and passionate relationship that Loren and Graham form feels forced. Their relationship is full of Shakespeare quotes and French puppy-love nicknames (hundreds of variations on mon amour and ma cherie are tired after awhile). But midway through the novel, Zalesky seems to hit her groove and relies less on these easy wordplays for content, allowing Loren and Graham to have more meaningful conversations. This is pleasing for readers, who may not have realized the novel they were reading would have more Shakespeare than they had read since high school.
Overall, Wheeler offers readers an intriguing literary escape into the intense world of women’s cycling and creates a protagonist that readers will consider a good friend by the end of the story. While few people could withstand the physical challenges that Zalesky puts in front of Loren, it is the emotional challenges she faces that make Loren such a wonderful character. Wheeler examines challenging topics such as emotional and physical abuse, the difficulties of balancing work and relationships, and familial estrangement, and does not shy away from painful moments. Multi-dimensional, inspiring, and sometimes heartbreaking, Loren will have readers rooting for her successes and looking forward to a second installment. Hopefully Zalesky’s second novel will come soon, as Wheeler’s abrupt end may catch readers off-guard, feeling almost as if they’ve fallen off their bikes unexpectedly.
Pages: 456 | ASIN: B01I0DTSQU
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