Posted by Literary Titan
Another Summer, written by Sue Lilley, tells the story of Evie and Joe, a married couple who have hit a rocky patch after uncovering lies and secrets within their marriage. Evie escapes to Cliff Cottage, a house left by her grandmother to do some soul searching whilst Joe stumbles through the countryside in an effort to find her. Old and new romances will be sparked as the couple reflect on their marriage and the twists and turns of their relationship. Will they reignite their old romance or will the lies and deceit be the final straw for Evie and Joe?
Another Summer begins with an awkward phone call that will change the marriage of Joe and Evie forever. Evie manages her grief through running away whilst her husband, dressed in expensive Hugo Boss attire, drowns his sorrows in a bar contemplating his next move. Prepare for a rollercoaster of emotions as Joe decides to chase after the leading lady of his life.
Summer flings, beach shacks and indie bands will come together for a teasing storyline that at times is hot and heavy with its seductive characters. Though the plot is steamy, the pace of the book is a little slow at times. I believe this was intentionally done to drive the readers to develop a burning desire to learn more. Another Summer questions the integrity of relationships and whether you would return to a partner after deceit. Many of us perceive relationships to be black and white, however, this love story opens the door to the possibility that love may be a grey area instead.
Sue Lilley’s ability to bring the characters to life left me feeling genuinely concerned for the fate of each character and their relationships. Even the small roles of the story had their own individual plot that I quickly became invested in. One of the characters, Lisa, is a lost and lonely teenager, desperate for answers and acceptance of a male figure in her life. Even though she seems like a lost cause, the reader will be inclined to fall for her sweet demeanour as she tackles her own demons alongside the ride with Joe.
The dreamy Jake will enter Evie’s life at a time where she feels the most vulnerable. With his boyish good looks and charming personality, it’s hard not to find yourself hoping he ends up whisking her away on a much deserved romantic holiday! But just like all of us, Jake is only human and has his own flaws and nuances to match.
I enjoyed how the story paralleled real life with places in the present sparking memories of the past for Evie and Joe. The flashbacks into the past will remind the reader of their own teenage romances and the hormonal dramas that came with first kisses, parties and summer romances.
I would recommend this to anyone who enjoys a romantic novel that questions whether relationships have the strength to survive the test of time. Does time heal old wounds? Should Evie return to Joe? Only time will tell.
Pages: 215 | ASIN: B00R9S9TFI
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Posted by Literary Titan
Black Inked Pearl is a romance story following a young woman who falls in love with a mysterious man and then must search for him through Heaven and Hell. I found Kate to be a very well written and in depth character. What was your inspiration for her and her emotional turmoil through the story?
My reading: above all (as you’ll see from the similes) Homer and the mystic love poetry of Shakespeare, Blake and Rumi. Music – the dreams in which the book was given to me (from where?), one dream / one chapter a night for about two months, were interlaced with my hearing classical music through the night, most poignantly Bach, slow Mozart piano and John Rutter’s ‘Blessing’. But most of all my life, living through it:, I think no serious novelist can write of love or emotion of searching unless she has experienced it herself, at least in imagination (what else?): as the agreed poet Aeschylus rightly summed it up ‘learning through suffering … ‘
Within this book you flawlessly blend poetry with prose that brings beauty and intrigue to the story. It takes exceptional talent to blend the two genres together. How did you go about blending the two genres without disrupting the story?
I don’t think they’re essentially so very different, in fact some of the ‘poetry’ could equally well be set as rhythmic prose (my publisher – lovely Garn Press – had quite a discussion about which should be which, we changed our minds several times), and ‘prose passages’ could equally appear as poetry (actually, some of the ‘prose’ similes are now set as verse in my Poems from Black Inked Pearl: after all many of them came directly from, or were inspired, by Homer, the great arch poet). Also as I learned when I was writing my book Oral Poetry it’s really only a fairly recent typographical western convention that makes prose ‘look’ different from poetry. Ultimately it’s the SOUND and the INTENSITY OF EMOTION – or so I think -that are fundamental to poetry, and that, for me anyway, runs all through the book. So in a way it’s all poetry and I couldn’t feel any break between them. That said, interestingly, the poems came separately, also in dreams (each one already made, complete, perfect – well as perfect as it was ever going to get anyway) over the months BEFORE the novel started, mysteriously, to arrive. I thought they were independent poems. But when the novel chapters were written I saw that, all the time, they were part of the story and needed to be there. So now, there they are.
I felt that Black Inked Pearl is about love, romance, and life experiences that shape the person we become. Is there any moral or idea that you hope readers take away from the story?
I think – as in The Alchemist (a kind of soulmate book with mine) follow your dream, whatever anyone else says – and maybe at the end of that rainbow what you will find will be the pearl, yourself. Love is all, even if unrequited – that has its deep treasures too. The ‘new’ words (the Garn Press copy editor said there were hundreds!!) just came to me; they were just standing there already in my mind (like the poems were), complete, ready to be written. When I looked back (having forgotten…) I saw that they were (almost) all because they made the line SOUND better, more rhythmic. Roll on the audio, oral, version for its full realization, much influenced by my experience of African (and Irish) oral story telling. Oh and often it turned out to be sense too – some subtle change from the meaning conveyed by the ‘ordinary’ form – didn’t James Joyce and Homer and even Shakespeare sometimes find they had to do the same? (sorry, what a comparison….)
An epic romance about the naive Irish girl Kate and her mysterious lover, whom she rejects in panic and then spends her life seeking. After the opening rejection, Kate recalls her Irish upbringing, her convent education, and her coolly-controlled professional success, before her tsunami-like realisation beside an African river of the emotions she had concealed from herself and that she passionately and consumingly loved the man she had rejected. Searching for him she visits the kingdom of beasts, a London restaurant, an old people’s home, back to the misty Donegal Sea, the heavenly archives, Eden, and hell, where at agonising cost she saves her dying love. They walk together toward heaven, but at the gates he walks past leaving her behind in the dust. The gates close behind him. He in turn searches for her and at last finds her in the dust, but to his fury (and renewed hurt) he is not ecstatically recognised and thanked. And the gates are still shut.
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