Day Moon is a genre-crossing novel with elements of a history, science fiction, and peeks at the future as well. Did you start writing with this in mind, or did this happen organically as you were writing?
I would say it was a little of both. When I was first inspired to write the story I knew it would be set in the future and because of the nature of the premise it would start to pull in threads of science fiction. I also knew I wanted to include the quotes from Shakespeare to help reinforce the importance of the book Elliott’s grandfather gave him and to fill the novel with a contrast in sound and nature to highlight a key theme of the book. That is the conflict between the old world and the new emerging one. Elliott lives in an area caught in that struggle, which is fortunate because it lets him realize that there are aspects of this new world that are not just dangerous but incredibly sinister. I think for any theme to work well in a book, the author can take steps to draw out the theme, but ultimately there has to be that kind of organic innate vibe to a story and the prose in order to make it resonate the way it needs to. Since I’m by nature someone who thoroughly enjoys history and science fiction, and am a dreamer as well, I think those aspects of me got carried through strongly enough to Day Moon to accentuate those elements and hopefully imbue that old world meets new feeling.
The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
First of all I’m glad you found them to be so. I had a lot of fun with just about all of the characters and how they interacted, particularly Lara and Elliott as they sorted out their feelings for each other. It was kind of an unexpected pleasure to write Director Ohlmstadt’s character. He’s only physically in the novel briefly, but his presence and philosophy kind of ripple out and touch so many other characters. Whether they realize it or not, both of Elliott’s co-workers Kendra and Terrance have bought into his “whatever it takes to meet an end” ideals. Though Agent Amar also has that conviction, he wouldn’t attribute it to Ohlmstadt.
There are plenty of references and quotes to Shakespeare in this book. Did you do a lot of research to maintain accuracy of the subject?
I used an online tool that lets you dig down into each of Shakespeare’s manuscripts and search them line by line and by keywords and phrases. That helped ensure I go the quotations right and I tried to keep them contextually and thematically in line with the original text’s spirit. It helped that I’ve been reading Shakespeare’s plays just about all of my life. I knew including them would be a way to ground people in the familiar as well. Most people know at least a little bit of Shakespeare, whether they realize it or not. And though I think Day Moon’s world already looks much like ours, with a futuristic veneer, I wanted to make sure people had some elements woven through it that they could reach out and relate to along the way.
What is the next book that you are working on and when will it be published?
I’m working on Veiled Sun, the next book in the Tomorrow’s Edge Trilogy and its about 75% of the way through its first draft. Originally I meant for Day Moon to be a standalone but realized towards the end of what is Day Moon that the story arc was too big to reasonably fit in one novel. Particularly for a new-to-publishing author. Making it a trilogy has broken it up enough that the chunks should be manageable for readers and make it more appealing to my publisher. I’m hoping my publisher likes it and it can be out by mid or late 2018. Veiled Sun has some competition with me though, because I’ve had another manuscript that kicks off an epic fantasy series rooting around in my mind for almost ten years now. It’s been through multiple drafts and rewrites and finally taking a shape that I think makes it ready for publishing. I call it Quest of Fire, and I’m hoping it will find its way to readers by late 2018 as well.
In A.D. 2039, a prodigious seventeen year old, Elliott, is assigned to work on a global soft-ware initiative his deceased grandfather helped found. Project Alexandria is intended to provide the entire world secure and equal access to all accumulated human knowledge. All forms of print are destroyed in good faith, to ensure everyone has equal footing, and Elliott knows he must soon part with his final treasure: a book of Shakespeare’s complete works gifted him by his grandfather. Before it is destroyed, Elliott notices something is amiss with the book, or rather Project Alexandria. The two do not match, including an extra sonnet titled “Day Moon”. When Elliott investigates, he uncovers far more than he bargained for. There are sinister forces backing Project Alexandria who have no intention of using it for its public purpose. Elliott soon finds himself on the run from federal authorities and facing betrayals and deceit from those closest to him. Following clues left by his grandfather, with agents close at hand, Elliott desperately hopes to find a way to stop Project Alexandria. All of history past and yet to be depend on it.
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The Secrets of all Secrets follows Zane who receives a USB from a stranger that contains a message that promises the Secret of All Secrets. What was the inspiration for the setup to this fun novel?
I wanted the premise of the story to be wacky and like a fairy tale with epistemological overtones. Many of us grew up with fairy tales of one sort or another, so the concept is recognizable. The USB is Jack’s bean stalk. Once it’s there, he has to climb it. The USB idea occurred to me because I use them in my work as a college professor. I wondered what would happen if all knowledge, the meaning of life, etc. were on one? The next question: What parties would want to pursue The Secrets and to what lengths will they go to get them?
In this story you combine irony with wry humor and manage to keep it all topical. What themes did you want to explore when you started this book?
The overarching theme is illustrated by Shakespeare’s line from The Tempest: “The stuff that dreams are made on,” which is what The Secrets represent. What would be the government’s dream for getting The Secrets? Probably something to do with gaining ultimate power. Corporate America’s dream? Wasn’t there someone who said there’s no such thing as making too much money? The two crazy extremists’ dream is to create an Anti-Amerika, “Amerika with a k.” That the representatives of these entities are comical bunglers illustrates the way in which human beings can wreck any mission. As for the two main characters, Zane and Dali—Everyman and Everywoman—the dream is more about self discovery. It’s a classic conflict: individuals versus institutions and malevolent factions. Jack versus the Giant.
Zane and Dali are both enthralling characters. How did you set about creating their dynamic relationship?
What’s kind of funny is that when I started the novel, there was no Dali. Once I got to the point in the story where Zane begins his quest, I knew he needed a partner, someone equally smart, resilient, and resourceful but with a different sensibility. Zane is an intellectual. Dali is more pragmatic. There is tension between them, but there’s also balance. “Two peas in a pod,” as is stated ironically early in the book. It doesn’t hurt that they are attracted to each from the start without admitting it to themselves.
What is the next book that you are working on and when will it be available?
I’m working on a satire of political correctness. I’m hoping to finish it and have it published in a year or two. Some of this is dictated by my teaching schedule, but if you know any publishers willing to give me a triple figure advance, I think I could work a little faster.
Zane, a seminary and grad school dropout, obtains a USB drive left by a cloaked figure on a bridge in the middle of the night. The drive’s content offers Zane “The Secrets of All Secrets”—a tantalizing proposal for someone who has nothing left to lose.
Following the drive’s directions, Zane heads to Florida where he encounters Dali, a poor waitress who received an identical USB. Initially clashing, they band together, taking a chance that The Secrets are genuine as they receive more instructions from their USBs.
Four conflicted government operatives; an extremely tall corporate executive with an extremely short, scholarly hit man in tow; and two crackbrained, fringe-element, anti-government separatists are after The Secrets—and are all willing to kill to get them.
Zane, Dali, and their pursuers encounter an armadillo festival, visit a nudist resort, and hang out with a presumed dead ’60s rocker. Pandemonium occurs at each venue with Zane and Dali one step ahead of everyone… that is, until all parties convene for a climactic confrontation over The Secrets.
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LT: The Voynich Gambit follows Special Police Officer Blalock as he is put to the test when D.C.’s most infamous artifact dealers set their sights on a mysterious treasure. What was your inspiration for this novel and how did it develop as you wrote?
Quintin Peterson: The Folger Shakespeare Library was the inspiration for The Voynich Gambit, like its prequel, Guarding Shakespeare. I worked there as a special police officer with its Department of Safety and Security following my retirement from the Metropolitan Police Department of Washington, DC on April 23, 2010. (http://tinyurl.com/jppths4)
LT: The novel is set in modern day D.C., where you describe polished skyscrapers, historic landmarks, and endless traffic. Why did you choose this as the setting for you book?
Quintin Peterson: I wanted to write a noir mystery thriller using the Folger Shakespeare Library as the backdrop. The Folger Library is located in my hometown, Washington, DC. (http://www.folger.edu/)
LT: Lieutenant Norman Blalock works at the Folger Shakespeare Library as a security guard protecting its treasures for over two decades. What themes did you want to capture as you developed Norman’s character throughout the novel?
Quintin Peterson: I just wanted to write an entertaining and enlightening good old fashioned heist story. I had the same goal for the first in the Norman Blalock Mystery Series, Guarding Shakespeare, and I have the same goal for the third installment, The Shakespeare Redemption.
LT: What is the next book that you are working on and when will it be available?
Quintin Peterson: Right now I am working on the second installment of my Private Eye Luther Kane Series, The Last Goodbye. Afterward, I will working on The Shakespeare Redemption. Like all of my books, The Last Goodbye will be available at Amazon, Barnes & Noble, Books-A-Million, Indie Bound, et al.
Special Police Officer Lt. Norman Blalock, who has been guarding the treasures of the Folger Shakespeare Library for 25 years, has been coerced into a plot to heist from the Folger Museum “the most mysterious book in the world,” the Voynich Manuscript, on loan from Yale University. Under threat of suffering the consequences of their involvement in the botched plot to heist another priceless artifact from the Folger underground bank vault several months earlier, Blalock and his partner-in-crime Kavitha Netram are once again under the thumb of nefarious businessman Rupert Whyte, and have no choice but to play along.
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As the first book in the Tomorrow’s Edge trilogy, Day Moon is an outstanding contribution to the world of futuristic creation. The author, Brett Armstrong, provides a novel which allows any reader to question the “what ifs” of the world.
The story is set in 2039, where a seventeen-year-old boy, Elliott, is assigned to work on a project instigated by his deceased grandfather. After all forms of print are destroyed, Elliott must let go of his beloved book of the complete works of Shakespeare.
Elliott soon realises that in the complete works of Shakespeare, something unusual occurs. For some reason, an extra sonnet “Day Moon” had been inserted. This unusual event is the start of the unravelling journey of Project Alexandria; a journey which has no intentions of using the project for its original purpose. Can Elliott unravel the mystery and prevent Project Alexandria being launched?
A fantastic attempt to draw upon the unknown possibilities of the world. Armstrong creates a strong, imaginative plot line, with relatable characters and emotions; this is a remarkable read which creates a vibrant and thought-provoking storyline.
Based on the originality of his ideas, and Brett’s noble attempt to write in a world of pure creation, I could look beyond our everyday lives, and recognise a possibility of how the world could look in years to come.
What I thoroughly enjoyed about Day Moon was a mixture of themes including passion, distrust, uncertainty and suspense. What also sets this book apart from others in this genre, is the small quotes inserted at the beginning of each chapter. Each quote has been taken from a work of Shakespeare; which ties in beautifully with the underlying concept of the narrative. In that respect, I think Brett Armstrong demonstrates a huge amount of commitment and passion in regards to his ideas for his trilogy in Tomorrow’s Edge.
Whilst reading through this book, I recognised that the author had put a tremendous amount of attention to detail in regards to his layout, consistency, flow in writing and grammar, which all adds to the book’s qualities. Not only does the book contain a strong narrative full of suspense, drive, and futurist qualities, but it also blends our world of reality with a world that could be.
A fast-paced, diverse, intense piece of writing that falls under categories of Historical Fiction, Science Fiction and Futuristic genres. I highly recommend this book for anyone who shows an interest in the genres as mentioned. Although the narrative lagged at times, this does not detract from the quality of Brett Armstrong’s creative writing.
Packed full of inspiration, creation and innovation, this novel provides a great insight in to a world that is not real, but not impossible either. A fantastic read, and a great beginning to the Tomorrow’s Edge series.
Pages: 389 | ASIN: B06XWDM49Z
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Wheeler is a suspenseful romance novel that follows a strong female cyclist battling both physical and emotional challenges. What was your inspiration for this thrilling novel?
I have been been a fan of cycling for some years now but over the last five years I’ve been hugely influenced by the women’s peloton. Their grace under pressure, heart and incredible talent is an inspiration. My ultimate goal for the hard copy of Wheeler is for the proceeds of each book sold to be donated to the Homestretch Foundation, founded by Kathryn Bertine, a former pro cyclist. She saw a need for women cyclists who wanted to compete but financially, had no way to train and earn a living. Homestretch provides the housing, equipment, training and nutrition for elite riders to have a chance to compete at the pro level.
Loren and Graham connection develops into a complex relationship through the novel. What were the driving ideals behind the characters development throughout the story?
Relationships among creative types can begin intensely, with all the Shakespeare quotes and French terms of endearment, only to burn out in a few short months. Loren and Graham are both isolated and lonely, even though they are surrounded by friends and family. They each have personal issues to overcome and are willing support each other through their trials in order to make the relationship work, just like real people.
Wheeler starts in the middle of Loren’s cycling competition. What is your experience with the sport and why was this a good setup for your novel?
Being a cyclist myself, understand most of what they go through: the training, the discipline, sacrificing yourself for your teammates. I know the intense physical discomfort (i.e. pain) of taking your body to the limit and beyond.
There’s a parallel between being a pro athlete and an actor – long hours of training, constant travel, the media spotlight, but also the close relationships that can develop between teammates (co-stars). It takes the right mix of personalities to make it work or the film (or team) won’t succeed. I thought this would be an interesting, and realistic, pairing. They would need to understand how important their careers are, but also know that it could all end with one bad review, or the squeal of a car tire.
What is the next book that you are working on and when will it be available?
I am currently wrapping up the first draft of the as unnamed follow up and I hope to have it to my editor by Autumn, 2017.
To become an elite cyclist in Europe, Loren Mackenzie has overcome much in her life, but no one would know it. Her tragic past is hidden inside tarnished armor and her fear of it being uncovered has kept her out of the spotlight.
Known as the Ice Queen of the peloton, Loren rarely shows emotion in the heat of competition; she leads her team with quiet strength and determination. But when a chance meeting quickly develops into a whirlwind romance, the ice surrounding her heart begins to melt.
All is not rainbows and unicorns, though. The relationship with an A-list celebrity brings with it the microscope of tabloid-media attention but also exposes the jealousy and obsession of another, threatening to unravel Loren’s tightly wound life.
Can Loren open her heart to the love she has held at a distance, or will her fear and shame ultimately defeat her?
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A little bit romance novel, a little bit suspenseful thriller, and a thorough introduction to the world of women’s cycling, Wheeler by Sara Butler Zalesky is an enjoyable and well-written story of a strong female protagonist battling both physical and emotional challenges. Spanning just a few months in professional cyclist Loren MacKenzie’s life, Wheeler is a whirlwind of a read. It begins in the heat of her cycling competition season when she meets handsome actor, Graham Atherton, roadside after a well-timed popped tire and follows their blossoming romance as well as Loren’s cycling competitions across Europe. It’s not all easy riding for Graham and Loren though, as Zalesky weaves intricate relationships between Loren, her teammates, family, and a sinister former boyfriend who is dangerously obsessed with Loren.
Readers who are familiar with professional cycling will doubtless appreciate Zalesky’s attention to the sport, and even readers who have no prior knowledge will enjoy learning about the strategy, training, and teamwork involved in cycling. Zalesky expertly creates a believable and enthralling team dynamic, following Loren and her team through both victories and crashes. Crafting relatable characters and developing story lines over the course of the novel is one of Zalesky’s strengths. Though the first half of the story feels rather one-dimensional with clichéd characters (the hyper-driven female athlete; the handsome, Shakespeare-quoting actor; the jealous ex-boyfriend), Zalesky develops her characters so that by the second half of the story, each of these characters has a well-defined history and far exceeds expectations.
Whirlwind romances are, of course, fun to read and daydream about, but the almost instantaneous and passionate relationship that Loren and Graham form feels forced. Their relationship is full of Shakespeare quotes and French puppy-love nicknames (hundreds of variations on mon amour and ma cherie are tired after awhile). But midway through the novel, Zalesky seems to hit her groove and relies less on these easy wordplays for content, allowing Loren and Graham to have more meaningful conversations. This is pleasing for readers, who may not have realized the novel they were reading would have more Shakespeare than they had read since high school.
Overall, Wheeler offers readers an intriguing literary escape into the intense world of women’s cycling and creates a protagonist that readers will consider a good friend by the end of the story. While few people could withstand the physical challenges that Zalesky puts in front of Loren, it is the emotional challenges she faces that make Loren such a wonderful character. Wheeler examines challenging topics such as emotional and physical abuse, the difficulties of balancing work and relationships, and familial estrangement, and does not shy away from painful moments. Multi-dimensional, inspiring, and sometimes heartbreaking, Loren will have readers rooting for her successes and looking forward to a second installment. Hopefully Zalesky’s second novel will come soon, as Wheeler’s abrupt end may catch readers off-guard, feeling almost as if they’ve fallen off their bikes unexpectedly.
Pages: 456 | ASIN: B01I0DTSQU
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Author Quintin Peterson returns from Guarding Shakespeare with his next enthralling piece of crime heist fiction, The Voynich Gambit. The cunning mind of Special Police Officer Lt. Norman Blalock is put to the test when a slew of D.C.’s most infamous artifact dealers set their sights on a mysterious treasure of immense value, the Voynich Manuscript. Blalock must outwit and outmaneuver enemies from all angles in this gripping noir tale of mystery, motive, and deceit. True to style, Peterson beautifully weaves the rich history of The Folger Shakespeare Library and the manuscript into the gritty drive of its ruthless pursuers. The Voynich Gambit is an epic tale of cat-and-mouse, arguably fit for a play by the Bard himself.
The novel is set in a bustling modern day D.C., a mecca of polished skyscrapers, historic landmarks, and endless traffic. Peterson’s vivid imagery is infused throughout the novel, generously describing the luxury of these looming buildings. At the Folger Shakespeare Library in downtown, Lieutenaunt Norman Blalock has been working as a security guard for over two decades, protecting its treasures from the likes of handsy museum-goers and would-be theives alike. His seasoned tenure makes him a trusted employee to the security staff, but it also makes him an invaluable asset to Rupert Whyte, an aristocratic con-artist who is scheming up a heist fit for the history books. Whyte reads from the pages like a regular King Pin – a ruthless blueblood brimming with determination for ill-gotten gains. When he requests that Blalock palm the Voynich Manuscript, an ancient archive of medical knowledge, Blalock must decide where his true loyalties lie – in riches or in righteousness. This is a conflict as old as time, weighing greed against integrity, and Norman is no exception to this struggle.
To complicate matters even more, the buxom beauty Kavitha Netram has arrived at Blalock’s door, suitcase in hand. Kavitha certainly has the looks to be a trophy wife, but Norman must trust his instinct that she’s here for much more than just a cuddle buddy. As their relationship begins to develop, author Peterson injects a modest amount of cheeky pop culture into the mix, noting some current brands along with a famous U2 song. These moments of reference feel quirky and endearing, and offer a refreshing change of tone from the steep historical passages. Don’t be surprised to find yourself absent-mindedly humming along to “With or Without You” as you read along.
As it becomes obvious to Norman that Rupert Whyte isn’t the only artifact dealer dipping his hands into the cookie jar, he must strive to stay two steps ahead of this dangerous game of fidelity and fortune. Peterson’s quick writing style will keep you engaged, even through the varying pace of lavish history and casual conversation. Peterson writes confidently, and it’s admittedly impressive how far his knowledge seems to spread. Art, history, crime, action, and romance – The Voynich Gambit honestly has it all. I would heartily recommend it to any fellow lovers of the noir style.
Pages: 152 | ASIN: B072BHSNKZ
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The Passer by Robin Christophersen is a welcome genre-blending story by a first-time novelist. We follow Dr. Eleanor Bouchard, accomplished actress and professor, attempt to put her life together after the death of her boyfriend. On the one year anniversary of his death she is visited by an otherworldly visitor with an unsettling message. Eleanor is then thrown into a mystery where she must not only figure out the message’s meaning, but also understand herself. New powers begin to awaken in her for the first time, which only adds more murkiness to dark waters. Matters become complicated further when a former flame, Daniel Archer, who has suffered the tragic loss of his wife comes stumbling into her life along with his step-daughter, Amelia. Eleanor begins to feel strange connections to the two of them and discovers that their meeting may not be so coincidental in the first place.
The Passer is an interesting read. Christophersen mixes romance, paranormal and even a bit of mystery to make an increasingly intriguing story. You would not suspect it even being an indie read, given the polish that is displayed on the pages. I was not expecting to be hit with so many “genre” elements, but they all manage to work well and complement one another. The book itself is a fast read and I was a dozen pages in without even blinking.
Eleanor as a protagonist is easy to follow, even if she is almost “too” accomplished, given her two professions. The professorship and her role as a Shakespearean actress seems almost intimidating, even to the reader, but her grief and struggle gives the reader a very tangible doorway into her mind and soul. The fact that she is on her own path to self-discovery despite being so accomplished is an excellent technique to use for the reader to be carried alongside the character on her journey.
The novel is deftly paced and reaches a satisfying conclusion. There were points that felt drawn out, but I think Christophersen balances this with the other genre elements. The quotes from Shakespeare, I feltm were heavily on the nose, considering what Eleanor does, but I could let that go, Christophersen clearly has a passion for Shakespeare and I can make a little room for the Bard. The plot may even be weighted down with the extra elements and confusing plot tangles, but by the end Christophersen untangles these and gives the reader a very satisfying story.
Overall, I believe The Passer to be an excellent read for those looking for not only an interesting plot, but a book that brings something new to the table of genre-blending. A very satisfying debut novel from a brand-new author. If this is the first book that Christophersen produces, readers should be on the lookout for the next.
Pages: 444 | ASIN: B00G2QC69Y
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Black Inked Pearl is a romance story following a young woman who falls in love with a mysterious man and then must search for him through Heaven and Hell. I found Kate to be a very well written and in depth character. What was your inspiration for her and her emotional turmoil through the story?
My reading: above all (as you’ll see from the similes) Homer and the mystic love poetry of Shakespeare, Blake and Rumi. Music – the dreams in which the book was given to me (from where?), one dream / one chapter a night for about two months, were interlaced with my hearing classical music through the night, most poignantly Bach, slow Mozart piano and John Rutter’s ‘Blessing’. But most of all my life, living through it:, I think no serious novelist can write of love or emotion of searching unless she has experienced it herself, at least in imagination (what else?): as the agreed poet Aeschylus rightly summed it up ‘learning through suffering … ‘
Within this book you flawlessly blend poetry with prose that brings beauty and intrigue to the story. It takes exceptional talent to blend the two genres together. How did you go about blending the two genres without disrupting the story?
I don’t think they’re essentially so very different, in fact some of the ‘poetry’ could equally well be set as rhythmic prose (my publisher – lovely Garn Press – had quite a discussion about which should be which, we changed our minds several times), and ‘prose passages’ could equally appear as poetry (actually, some of the ‘prose’ similes are now set as verse in my Poems from Black Inked Pearl: after all many of them came directly from, or were inspired, by Homer, the great arch poet). Also as I learned when I was writing my book Oral Poetry it’s really only a fairly recent typographical western convention that makes prose ‘look’ different from poetry. Ultimately it’s the SOUND and the INTENSITY OF EMOTION – or so I think -that are fundamental to poetry, and that, for me anyway, runs all through the book. So in a way it’s all poetry and I couldn’t feel any break between them. That said, interestingly, the poems came separately, also in dreams (each one already made, complete, perfect – well as perfect as it was ever going to get anyway) over the months BEFORE the novel started, mysteriously, to arrive. I thought they were independent poems. But when the novel chapters were written I saw that, all the time, they were part of the story and needed to be there. So now, there they are.
I felt that Black Inked Pearl is about love, romance, and life experiences that shape the person we become. Is there any moral or idea that you hope readers take away from the story?
I think – as in The Alchemist (a kind of soulmate book with mine) follow your dream, whatever anyone else says – and maybe at the end of that rainbow what you will find will be the pearl, yourself. Love is all, even if unrequited – that has its deep treasures too. The ‘new’ words (the Garn Press copy editor said there were hundreds!!) just came to me; they were just standing there already in my mind (like the poems were), complete, ready to be written. When I looked back (having forgotten…) I saw that they were (almost) all because they made the line SOUND better, more rhythmic. Roll on the audio, oral, version for its full realization, much influenced by my experience of African (and Irish) oral story telling. Oh and often it turned out to be sense too – some subtle change from the meaning conveyed by the ‘ordinary’ form – didn’t James Joyce and Homer and even Shakespeare sometimes find they had to do the same? (sorry, what a comparison….)
An epic romance about the naive Irish girl Kate and her mysterious lover, whom she rejects in panic and then spends her life seeking. After the opening rejection, Kate recalls her Irish upbringing, her convent education, and her coolly-controlled professional success, before her tsunami-like realisation beside an African river of the emotions she had concealed from herself and that she passionately and consumingly loved the man she had rejected. Searching for him she visits the kingdom of beasts, a London restaurant, an old people’s home, back to the misty Donegal Sea, the heavenly archives, Eden, and hell, where at agonising cost she saves her dying love. They walk together toward heaven, but at the gates he walks past leaving her behind in the dust. The gates close behind him. He in turn searches for her and at last finds her in the dust, but to his fury (and renewed hurt) he is not ecstatically recognised and thanked. And the gates are still shut.
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