Posted by Literary Titan
The Victory Perspective, by E. J. Kellett, reveals a new angle on the creation story complete with a dark and foreboding side. Five beings materialize, quite literally, in the first chapter and proceed to make their way through the world around them while one of them, Alpha, emerges as leader. Raphael, Michael, Lucifer, and Gabriel seek ways to understand Alpha’s powers as they develop, strengthen, and subdue the other four. Alpha’s abilities overwhelm the others as he levitates, forces the others into virtual servitude, and begins presenting them with stunning creations, including human beings. When Raphael disappears from their camp, Lucifer must begin a battle within himself as he searches for his friend.
I was immediately taken with the beautiful language penned by Kellett. The striking descriptions of the landscape and the amazing emergence of each of the five beings is breathtaking to behold. Kellett is a master with the written word and fashions fascinating depictions as they grow in their cognizance.
Kellett incorporates several episodes of violence in order to emphasize the differences between his characters and demonstrate Alpha’s dominance. Like the other four stunned onlookers, I struggled through the sight but find it a fitting method for establishing Alpha’s place in the world and helping the reader sympathize with Lucifer as the plotline progresses. Their horror at Alpha’s growing strength and their wonderment at the tools, weapons, and shelters he is able to fashion are highly relatable feelings.
I was, at times, taken aback at the rather familiar tone of the characters. To hear characters who I associate with angels speak in mundane terms, sometimes using slang, was a bit off-putting. The intensity of the creation story seems to call for a more formal tone, even though this is a far cry from the traditional story which most readers would readily recognize. I had a hard time resolving my discomfort with hearing Alpha, depicted as the creator, curse.
Some readers may find the description of evolution unsettling. As Alpha discovers his efforts to create humans go somewhat awry, readers will find that he is not in complete control of the process. The resulting beings are not pleasing to him. (This is only one of the ways Alpha is very much humanized throughout the reading.)
The closeness between Lucifer and Raphael is touching, and Lucifer’s insistence at finding Raphael at all costs keeps the reader involved in the plot. As the two discover more about themselves and more about Alpha’s intentions, their relationship mimics human exchanges. Again, this is not something most readers are used to seeing from depictions of divine beings. Making that transfer to a different mindset might be a struggle for some.
Lucifer’s reappearance in the Garden of Eden places a new spin on the Tree of Knowledge of Good and Evil. In fact, one of the most iconic scenes we know from the Bible story is, here, given all the qualities of a drama. Lucifer, though always a major factor in Eve’s decline, is personified by Kellett and shown to be thoughtful and not without worries of his own. In addition, Adam and Eve’s conversations are basic in language and have a commonplace feel.
While beautifully written with remarkable imagery, I was not completely comfortable with the take on the creation story. However, there is much to be said for this reimagining of the immediately recognizable story of the origins of our world.
Pages: 314 | ASIN: B078Y9QJW1
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Posted by Literary Titan
A Small Bronze Gift Called Mirror follows Lydia who is a sixteen-year-old girl living at a boarding school when the headmaster of the school forces Lydia to compete in a mirror contest. What was the inspiration for this very imaginative story?
A quote from Plato’s Apology of Sokrates served as my inspiration for my story:
“something divine and spiritual comes to me, (…) I have had this from my childhood; it is a sort of voice that comes to me, and when it comes it always holds me back from what I am thinking of doing, but never urges me forward.” – Plato’s Apology of Sokrates- 31d. What if we could not only hear this divine and spiritual voice, but also give it a face? Would we be satisfied with the image? Would it be what we imagined it to be or would it be what others expect it to be?
Lydia is a strong-willed, independent teen who takes matters into her own hands. What were the morals you were trying to capture while creating your characters?
Like most characters of the story, Lydia has many challenges to overcome and a difficult task to carry. She faces a lot of issues that people today struggle with. That require many morals and values like self-respect, compassion, altruism and justice. Lydia is a strong-willed young girl, who changes and develops these values as she grows up.
The story has a wonderfully unique take on magic mirrors that’s different from the fairy tale version. How did this idea come to you and how did you develop it into a story?
From the beginning I wanted somebody for Lydia to talk to, because it’s not easy for a child to be left grow up alone. This resulted in the creation of Phoebus, who could prove to be a true friend or an enemy. I tried to show how difficult it is for us today to protect ourselves from bad influences. That’s why the reflections in the mirrors are often shaped by how we perceive ourselves through the manipulation of the others.
What is the next book that you are writing and when will it be available?
Currently I’m writing another mystery novel about two very different people, which have nothing in common until they bump on each other. It will be available as soon as the English translation is finished.
“A small bronze gift called “Mirror” follows the story of Lydia, who is forced to go on the run at the age of 6 when her mother is murdered. Protected by her grandmother, Lydia’s life is shrouded in mystery, compounded by the small bronze gift she was given and which she calls ‘mirror’.
At the age of 12, Lydia is left in the care of Mrs. M, and is given a place at a school filled with unusual characters. When she arrives there Lydia discovers that all the children have the same ‘mirror’ as she does. But it’s when she starts to learn how to use it that the real story unfolds and she must undertake a remarkable journey.”
Posted in Interviews
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