When Dark Ships invade the skies over the “Nown” World, the invaders bring with them horrendous terrors for which no one is prepared to face. As entire villages begin to disappear, the world enters a new Dark Age. King Jatel and Queen Karen join forces once again with their friends and awaken ancient magic, giving them their only chance at freedom. Amid war, vampires, dragons, and widespread genocide, the “Nown” World welcomes the glorious return of the most valiant warrior it’s ever known!
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Evan is a normal twenty-first century man who works as an architect. However, to interrupt his daily routine, none other than Zeus himself, has decided to transport Evan to the sixth century BCE. Evan now travels across ancient Greece with his companions, including Atlanteans, a high priestess, and his friend, Dexion, who has the power to see into the future. All of this is for a mighty cause, Evan has been chosen by Zeus to unite two powerful relics in order to save the Gods from extinction.
Stuck in the sixth century BCE Evan longs to return home. Given his precarious position between times, the juxtaposition of his wants against his reality serves to highlight the stark differences between the comfort of home that Evan is used to and what he is currently facing. For instance, walking across a sandy plain in sandals verses the want for a motorbike to make short work of the distance. His modern life’s influence over his worldview often leaves him homesick, but he must complete his mission. On the other hand, his life back home gives him ways to solve the problems he faces in the sixth century BCE, taking ideas from the pop-culture of his own time and bringing them into the past to aid his quest. This fusion of time periods makes for some brilliant innovations and cross-overs between what we as the reader understand to be ancient Greece, and the modern day.
The Labyrinthine Journey is book two in Luciana Cavallaro’s Servant of the Gods series and it follows on fluently with the events of the previous book with references here and there to book one. Something striking about the series is the relationship between mortals and Gods. With whole chapters dedicated to the musings of God’s and their society it gives the reader an insight into their intentions. Furthermore, the book proposes an alternative viewpoint on the beginnings of Christendom. The Greek Gods fear that they will lose their dominance in light of a God-sent child being born that will potentially lead to the widespread belief in a single God instead of the current pantheon.
This retelling of the birth of Christ from the God’s perspective explains why Zeus wants the relics united – to maintain his and the other Gods’ significance. However, there are some Gods trying to interfere with the mission and stop Evan’s and his companions’ journey. Evan searches ancient Greece, already in possession of the first relic, for the second to unite the two. The perilous journey over a treacherous landscape naturally reminds one of the epics of Homer.
The Labyrinthine Journey was a thoroughly enjoyable read. I give it five out of five for its sophisticated and inventive retelling of the well-known and widespread story of Christ and its ability to connect it to the overarching quest narrative seamlessly. Luciana Cavallaro’s prose fits the story perfectly, making the journey truly epic. Furthermore, the fusion of God’s, monsters, ancient philosophers, magical ancient relics and even time travel, leads to unexpected twists and turns throughout the novel.
Pages: 311 | ASIN: B075QGZQP9
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In 1972, Dr. Rose Hemmings has just finished her general surgery residency when a haunted stranger is shot in front of her in a New York City bar, and their lives become forever intertwined. And when, having been given the blessing of her adoptive father on his deathbed, Rose travels to prerevolutionary Iran to discover the past her American family kept secret from her, she finds a true Pandora’s box. It is a world both foreign and familiar, in which her primary place is as the heiress to a great tribe. In Iran, Rose will find family she never dreamed of, her own people, and a man who loves her as passionately as he does the rare black roses of his garden. She will return to the United States carrying a new secret and torn between two men: the one she loves helplessly, and the one who loves her unconditionally.
Woven throughout with Persian poetry ancient and modern, On Loving is the story of one woman’s lifetime of love and loss, of societal change in a nomadic people, and of overcoming personal challenges, including mental and physical health, to find true contentment. Above all, it is a story of love: its physiology, psychology and philosophy; the many forms it takes; its myths and truths; its challenges, its joys and its gifts.
The title of this novel is proudly chosen in honor of Forugh Farrokhzad, the popular contemporary Persian poet. Her famous poem by the same title “On Loving” or “Az doost Dashtan” has considered to be one of the most beautiful literary works created by her in her short yet productive life.
“On Loving”, A Novel, is dedicated to the memory of this bold, talented woman and all the women around the world who have been attesting the taboos and discrimination against women in any form by using their voices, artistic, constructive views, works of art and more importantly professional achievements.
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If you’re shopping for a picture book, George Neeb’s Pharaoh’s Arrow should be high on your list of choices. This unique book is an experience like you haven’t seen before – a whole book written and illustrated in the style of ancient Egypt! Neeb took the time to paint all the pages by hand and tell us a story of revenge set in the times of a bygone era. He studied Egyptian art and it shows on every page.. Every page is an individual work of art, bringing the artistic style of the Land of the pyramids into the modern format.
While set in ancient times of the pharaohs, Neeb came up with the story himself. As he explained, he tried to get the facts correct. The style of clothing and the makeup match the era the story is set in and he spent a considerable amount of time giving his book the feel of an old papayri. He didn’t just stop at the characters, whom he painted in the drawing style of the ancient Egypt, but went as far to match the authentic hieroglyphics that appear throughout the story with the text!
Pharaoh’s Arrow excels in the themes it takes us through. While picture books usually don’t trouble themselves with big moral questions, George Neeb had other ideas for his characters. What starts like a story of revenge ends up differently than you would expect. Without giving the details, you will be surprised with the decision the main character decided to go with. And while odd, the decision is very practical. Considering the times the story is happening the decision is quite fitting. I felt that Neeb’s poetry was not his strong suit and were not lyrically challenging, but he is still able to tell an interesting story.
Many odds and ends of the life of ancient Egypt show throughout the book. The story starts in quite an unusual way – the mother of Akia, our heroine, is killed by a crocodile which makes her father decide to live in the desert. Crocodiles where a predator on the Nile back in the day and the situation gives us a glimpse of life thousands of years ago. Burial rites of the ancient Egypt are also referenced and Neeb also talks about the spirituality that the people of those times were observing. His reference of “ba”, roughly translated as the modern concept of the soul, is something you will not find in many books that deal with this long gone civilization!
The illustrations are unique and make it an unforgettable work of art. At the end of the book Neeb even explains how to accomplish the style yourself, making the Pharaoh’s Arrow a perfect choice for anyone interested in painting and history.
Pages: 18 | ASIN: B07DV1XL2M
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Hsing-I is one of the true treasures of the internal martial arts. Based on ancient Taoist philosophy, it has both the capacity to be used as a devastating martial art alongside its ability to improve the health of a practitioner by promoting the circulation of chi throughout the body. Historically, its lineage is said to trace back over 900 years.
The internal martial arts is a subject discussed by everyone who practices kung-fu but is known and employed by only a few. In this book, Master James McNeil and his student, Andrew Jackson, present a comprehensive analysis of this unique internal art. Consisting of insightful information, accompanied by hundreds of photographs and illustrations it discusses both the theories and practice in a clear and understandable manner, making it a worthwhile read for all levels of practitioner.
Sharing with the reader and explaining the meanings of the deep Taoist philosophical theories pertaining to this art, Master James McNeil draws on over forty years of study and practice alongside his own unique insight into Hsing-I Chuan passed on to him by his teachers, Master Hsu Hong Chi and Grandmaster Chiao Chang Hung of Taiwan.
Whether you are just starting to learn Hsing-I or you are an experienced practitioner, this book will help enrich your practice and understanding in greater depth, the attributes pertaining to this ancient and beautiful Chinese internal art.
Never has this depth of information been printed in the English language on this subject and readers will discover the art of Hsing-I Chuan, enabling them to enhance their practice, improve their health and cultivate their spirit.
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Wyndwrayth finds Nick living in an old farmhouse overlooking a mysterious island in Wales where he becomes intrigued by its ancient and deserted mansion. What served as your inspiration whilst writing this book?
Once, when travelling, I came across this deserted, majestic old mansion house. It looked ancient, decrepit, left mouldering to sink into the landscape. It was in the middle of nowhere, surrounded by overgrown trees and shrubs. It had lichens and green moulds staining its walls, ivy had invaded its broken windows which seemed to stare at me menacingly. The house had a presence, a brooding, ominous spirit that looked like it could swallow you whole. I remember thinking that it must have many stories to tell.
Having moved myself from Manchester to Wales the landscape here was also a big influence. The ancient monuments, the Norse connection and the lakes close, by inspired my research and my story grew from those influences. The Celtic connection to water and their mythology along with the Norse mythology also wove their way into my consciousness, combining with the memory of the intriguing mansion and Wyndwrayth was born.
Nick Swann is an intriguing character that I felt gained layers as the story progressed. What were some themes you wanted to capture while creating his character?
I wanted to create a male character who is childless, approaching and becoming middle aged. I wanted to explore how he became stuck in a time gone by because of the death of his wife and how he falls back on those times when he’s in trouble. The character has a deep loneliness, which creates a certain unhealthy introspection and self medication. In addition, I wanted to explore the usual problems of middle age; ill health and death of parents, changing of roles from son to carer and changing of profession. A lot of his character is established during the first book, Powderfinger, which creates his move to Wales. Nick knows he needs to shed the past and move on, to evolve. He is looking for a new place to be, a new profession, a new life. The unexpected appearance of Wendy Finch becomes an exciting turning point and I’m looking forward to seeing the long term effects it has upon him in the stories to come.
This is the second story in the Nick Swann Series. Where did you want to take this book that was different from book one?
In Powderfinger Nick is a probation officer who almost accidentally becomes embroiled in historical research into strange occurrences, which lead him unexpectedly into the world of the supernatural. His degree in History suddenly becomes of use to him and it reawakens his passion for discovery. It lifts him from his boring, hermit-like, everyday existence, bringing excitement, a sense of accomplishment and a possibility of a different future. It is this that I wanted to explore in Wyndwrayth. Here he moves from living in the past to exploring it. I wanted to establish him in this story as a professional researcher and investigator of both historical and supernatural events.
In addition I wanted to move his character forward, to becoming more pro-active in the story and to create a new partnership with Wendy Finch, to lift him from his lonely existence.
What is the next book you are working on and when will it be available?
My next Nick Swann story has the working title of Shacklady Rest and is presently in its first draft. It will team Nick and Wendy together in another dark and mysterious adventure, set in the brooding mountains of Snowdonia. I anticipate it will be ready to publish sometime next year.
This is the second horror novel in the Nick Swann series. This scary story finds Nick now living in an old stone farmhouse on the lonely and mysterious shores of Llyn Isaf, in Wales. He becomes intrigued by its mist-covered lake island, Ynys Y Niwl and its dark, ancient and long deserted mansion, Wyndwrayth.
Its moldering edifice holds many secrets and treasures, some of which draw Nick and his old friend Alan, into dangerous realms. Death stalks the island and as the dangerous spectral figures of The Millar of Souls, The Paladin and Gideon reveal themselves, it becomes increasingly difficult to discern between reality and dreams.
As the death toll rises, Nick finds himself, along with his new partner, Wendy and her Wolf, Mir embroiled in a struggle not just to maintain sanity but to stay alive.
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Two star-crossed lovers, one ancient curse…
The gods reigned in harmony until the birth of Eris. Her quest for chaos brought war among humans and feuds among immortals. In prophecy, only love could change one so evil, so mighty Zeus sought a marriage for her. Spiteful Eris agreed to wed, but only to her cousin’s betrothed, a mortal king named Matthaios. He and his true love, Sara, sacrificed their happiness to save mankind. Eris was unfaithful, dishonest and cruel. Matthaios sought comfort from the only woman he’d ever loved. Eris cursed them to remain star-crossed in every lifetime for infinity…
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The world of Androva, where magic rules. Galen is the best underage magician for millennia, much to the dismay of the power hungry Professor Cassius. In the name of research, Galen and his friend, the talented but troubled Nico, begin opening time travelling portals to other worlds. Galen finds himself on Terra where he meets the beautiful Claudia. He wants to stay with her forever but the arrival of Jax and Shannon from two thousand years in the future changes everything. Galen must now return to fight for the lives of his friends and family. But will they survive magic?
Alex C. Vick has built a rich and enchanting world of spells and sorcery in Surviving Magic. Classic themes of love, good vs. evil, and the importance of friendship run through the story, but they seem fresh and innovative in the hands of the author due to an exciting plot, diverse settings and interesting characters.
Vick evokes place very well, and the juxtaposition of the two worlds of Terra and Androva is expertly done. The setting of ancient Italy is an interesting plot device that really works, as real historical events such as the revolt of Boudicca are seamlessly interwoven with magic. Vick also excels here with her use of tangible imagery; I felt as though I was strolling through the bustling streets of Pompeii!
The book is written in first person narrative from Galen’s perspective. He is a flawed, but likeable hero and the love story between him and Claudia is heartfelt and authentic. The other less central characters are well-drawn, they all have distinctive voices and Vick’s use of dialogue adds humour and lightness to otherwise dramatic situations. Because we observe the full story arc of the characters in this book, I really came to care about their individual fates. Nico’s development is particularly interesting due to the complex nature of his internal struggles and motivations and the villain of the piece, Professor Cassius, is supremely creepy!
Vick has developed a very complex and creative system of magic, which adds multiple dimensions and interest to the story. The only downside to this is it’s slightly overwhelming to have sygnuses, symbols, spells, and force fields thrown at you over a couple of pages (pheeew!) I prefer to be shown rather than told what is happening and there is some occasional info-dumping. I sometimes felt like I was getting lost down a portal myself! Because of this, the pacing seems off to begin with and the narrative is somewhat lost. Generally, though, the dramatic scenes are excellent and kept me on the edge of my seat.
Surviving Magic becomes very much a standalone story, with originality and twists and turns galore. Overall, this is a great addition to the fantasy genre, and I look forward to more exciting adventures from the Legacy of Androva series.
Pages: 279 | ASIN: B076ZSTT2D
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