In Finding Balance and Forgiveness Through Chakras and Art you discuss the seven Chakras, where they’re located, how to determine if they’re blocked and how to correct it . Why was this an important book for you to write?
I have been yearning to write a book about resilience for many years but I always got stalled as I tried to find the correct template. It was not until I had endured a near death experience and started looking more seriously at alternate methods of healing that my ideas started to gel. I had actually given up on writing the book and dedicated myself to healing my own issues and found that the use of the chakra system was perfect. After I had turned my own life around, I realized that the template for my book was right there: the Chakra system. The seven chakras provide the perfect road map: colour coded and simple to use. And the chakra system works well with other methods of healing (traditional and alternative) and is not discriminatory. Regardless of one’s race, gender, sexual identity, culture, or spiritual path, the chakra system can be used.
One of the different aspects of this book over others on Chakras is the incorporation of art in all stages. Why is this a vital aspect?
Well, first of all, I am an artist, so it is just part of the fabric of my being. And I truly believe we are all artists. Children have an innate ability to be creative and as we age, we tend to lose that freedom of creative expression. I have used art as a therapeutic tool with mental health patients for many years. Art is a natural healing method, but when art is used with the chakra system, magic happens…truly. I’ve seen people who are skeptical of using alternative healing methods, such as the chakra system, but when an artistic exercise is added to the experience, it seems to provide increased clarity and buy-in for the participant. I have found that art ties in well with explaining the different levels of the chakra system. And art makes the experience fun.
What do you find is one common misconception people have about Chakras?
I think there are a lot of misguided sexual identity beliefs about the chakra system:
- that the basic human needs, including sexuality, are not as important as the higher level chakras
- That there is a negative connotation to feminine traits and that masculine attributes are viewed in a more positive light
As I studied the system, I realized that balance in all areas is critical. And that all aspects of self: needs and enlightenment; masculine and feminine are necessary and desired.
I think this book is a great reference for people new or experienced to the study of Chakras and self-healing. What do you hope readers take away from your book?
My hope is that people find balance, while understanding that there are times we need the help of experts – and while knowing that we can also take an active role in our own health, self care, happiness, and ability to connect with ourselves, others, and a higher power. Balance is achieved when we are able to forgive… ourselves, others, circumstances. Yes, there is work to do, but it can be fun, manageable, and with a bit of artistic flair and pizzaz!
Using chakras and art is like having a template to achieve balance, forgiveness, and peace. Life is challenging; our world often seems chaotic and tumultuous. Learning to assess and treat your chakra imbalances helps you to cope with these challenges and to find inner peace.
Through the use of true stories, both her own and those of others, Teresa McCallum provides examples of balanced and imbalanced chakras. She offers simple activities, methods, and art suggestions to help others achieve personal growth and inner balance. Teresa’s background as a nurse working in mental health, as well as being a visual artist, lead her to develop a unique way of looking at spirituality, self-healing, and use of the ancient chakra system. Regardless of whether the chakra system is new to you or you are an experienced yogini (or yogi), Finding Balance and Forgiveness Through Chakras and Art will provide artistic insight and guidance.
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Anam Cara is a Celtic term meaning, “soul friend”. In the days of the Druids, an Anam Cara served as a confidante, an advisor, and confessor. This book reintroduces the power of having a “soul friend”. Today, we can enjoy this spiritual benefit. A soul friend listens, understands, and is never judgmental. By clearing one’s conscience, learning to let go, forgive, and atone, we experience the magical power of our soul. We are reborn and begin to realize our potential. This book teaches us how we can transform our lives by following simple but powerful teachings. Ashby offers the listeners minor and major keys to unlock their fullest potential. Minor keys include meditation and journaling, while some of the major keys are atonement and forgiveness. Eric Ober, media consultant and former president of CBS News, said, “This is a truly inspirational book on overcoming inhibitions and roadblocks in order that we maximize our creativity and quality of life.” University lecturer Dr. Jerome Teelucksingh said, “This unique publication will benefit persons who seek to rid themselves of emotional baggage and attain a peaceful mind.”
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In Apollo’s Raven we follow a Celtic princess Catrin and her star-crossed Roman lover Marcellus on opposing sides of a fierce battle. What was your inspiration for the setup to this exciting series?
Since childhood, I’ve been an avid reader of mythology and legends that portrayed females as goddesses, warriors, and cunning sorceresses. I’ve always been drawn to bigger than life epic heroes and heroines who steered the destiny of their people. In my travels to London, I was struck by the statue of Boudica and her daughters riding in a chariot near the Thames River. I discovered that she was a celebrated warrior queen who united the Britons in a revolt against the Romans, almost throwing them out of Britannia in 61 AD. As I did more research, I became intrigued that Celtic women were considered as equals in this war-like society. The Roman historian Dio Cassius describes Boudica as having the mystical powers of a Druid. Other Roman historians wrote of Celtic women’s ferocity as they fought alongside their husbands.
The heroine Catrin is based on historical and legendary accounts of Celtic warrior queens such as Boudica in Britannia where women were held in higher esteem and could serve as warriors and rulers. The storyline of star-crossed lovers in Apollo’s Raven series is inspired by the legacy of Cleopatra and Mark Antony but with a Celtic twist. Archaeological evidence and sparse historical accounts suggest that Rome heavily influenced the politics of southeast Britannia prior to Claudius’s invasion in 43 AD—a political situation similar to Cleopatra’s Egyptian kingdom. I was also drawn to the tragedy of Mark Antony and his son, Iullus Antonius, whose downfalls were associated with powerful women. Their infamy cast a shadow on Marcellus, the great-grandson of Mark Antony, which will be further explored in the Apollo’s Raven series.
Your story is able to portray ancient Roman life in a believable yet entertaining way. What kind of research did you do to make sure you got everything right?
I did extensive research on the Roman life by reading books, journal articles, and blog posts by historians and archaeologists. Of particular interest are the written accounts by Julius Caesar which he sent to the Roman Senate as propaganda to support his military expeditions in Gaul and Britannia. I’ve also explored several Roman archaeological sites in Britain and France where scenes from the Apollo’s Raven series take place. Locations include Dover, Bath, Fishbourne Roman Palace, Colchester and Hadrian’s Wall in England, and Lyon in France.
As I researched Roman historical events and culture, I also tried to understand their mindsight. In Rome, the male head, the paterfamilias, had complete control over his family—wife, children, and slaves. If they disobeyed him, he had the power of life and death over them. Women were held in higher esteem in Celtic societies which is in sharp contrast with the paternalistic, empire-building Romans.
Catrin is a princess, yet she is not fragile. She’s tough and trains to be as strong as her sister. What themes did you want to capture while creating Catrin’s character?
It is my hope that modern women can draw on the rich traditions of the ancient Celtic civilization where females owned property and could become rulers and Druids. These women fought, hunted, rode horses and used weapons, just like the men, to protect their homeland.
Deeper themes that will be explored in the Apollo’s Raven series as Catrin matures and faces new challenges on her journey of becoming a warrior queen are as follows:
- Coming of Age
- Power to change destiny
- Sacrifice and love
- Corruption of power
- Quest for redemption
What is the next book that you are working on and when will it be available?
I am in the process of finishing Book 2: Empire’s Anvil, which should be available by the summer of 2018. The epic tale continues when King Amren accuses Catrin of treason for abetting her Roman lover, Marcellus. She must prove her loyalty to her father and people by forsaking all men and defending her kingdom even to death. Forged as a fierce warrior, she begins a quest to redeem herself and to break the curse that foretells her father’s kingdom will be destroyed. Yet, when she is reunites with Marcellus, she must face her greatest challenger that could destroy her life, freedom, and humanity.
The world is in turmoil. Celtic kings hand-picked by Rome to rule are fighting each other for power. King Amren’s former queen, a powerful Druid, has cast a curse that foretells Blood Wolf and the Raven will rise and destroy him.
King Amren reveals to his daughter, Princess Catrin, the grim prophesy that his former queen pronounced at her execution for treason to him.
The gods demand the scales be balanced for the life you take. If you deny my soul’s journey to the Otherworld by beheading me, I curse you to do the same as mine. I prophesize your future queen will beget a daughter who will rise as a Raven and join your son, Blood Wolf, and a mighty empire to overtake your kingdom and to execute my curse.
Catrin is trained as a warrior and discovers she is the Raven and must find a way to block the curse of the evil former queen. Torn between her forbidden love for her father’s enemy–Marcellus, the great-grandson of Mark Antony–and her loyalty to her people, she must summon the magic of the Ancient Druids to alter the dark prophecy that awaits her.
Will Catrin overcome and eradicate the ancient curse? Will she be able to embrace her forbidden love with Marcellus? Will she cease the war between Blood Wolf and King Amren? Will she save Ancient Britannia?
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When a historical fantasy grips you from the very first page, you know you are in for an excellent read. With Apollo’s Raven by Linnea Tanner, we are brought into the world of the not-so-distant past when Rome set their sights on Britannia. We follow the experience of our protagonist Celtic princess Catrin and her star-crossed Roman lover, Marcellus. On opposing sides of a battle that grows fiercer with every passing day. There is more to this tale than love and war for magic and mysticism are part of the lifeblood of our characters. This is more than a tale of might and magic. This is also a tale of a woman coming into her own as a powerful warrior and a strong mystic. Catrin has faced uncertainty and hardship even within her own family. When pitted against the Roman Empire will she find the strength she needs to survive?
When you write a story that has its base in history, research is a must. You cannot simply write whatever you wish and hope that it makes sense. Tanner realizes this and does her best to research her time period. How people acted, how they dressed, their beliefs and their mannerisms are carefully reviewed in this tale. At the end of the book she does acknowledge that the Celts did not leave much written history. This is a blessing for a writer though, because it leaves an open creative license. Since they didn’t keep records, who is to say that the druids did not behave in exactly the same way they did in this book? This is where the fantasy aspect comes in. Tanner is careful not to get too carried away and the tale feels believable and relatable.
Tanner begins each chapter with a brief excerpt. This gives the reader a sense of where the story is going. This can be a useful tool when you take long gaps between readings. While there is some slightly graphic content, a teenager would find this to be a friendly reminder of what is about to happen and can help jog the memory if they haven’t picked up the book in some time.
The way Tanner portrays women in this book is also very empowering. Our protagonist is a princess, yet she is not fragile. There is no Snow White here. She is forged with fire and metal and trains to be able to reach the pinnacle of fortitude her eldest sister has. For a young woman who is trying to figure out where she belongs in her world, this tale is relatable to other young women in our timeline who are also trying to figure out where they belong.
If you’re looking for something entertaining with a fast, action-paced rhythm, Apollo’s Raven by Linnea Tanner is a definite must. The first in a series this book firmly establishes backstory while also being able to stand alone if necessary. It’s a very exciting read and readers of all ages and genders will find something to identify with in this tale. How will things turn out for Catrin? What will happen with her relationship with Marcellus, scion of the Roman Empire sent to oppress her people? You’ll have to read and find out.
Pages: 400 | ASIN: B06XJQ74H6
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