In Breaking Worlds we learn about the divide between Lisen and Korin and we witness their daughter’s determination to change the world. What were some driving ideals behind the characters relationships?
Once Rinli died in Protector of Thristas, I knew what had to happen. The death of a child can either bring the parents closer together or rip them apart. I decided to go the latter route and see if I could help them heal eventually. It was difficult to write because I love these characters, but it was necessary to show how two people so closely bound in life and love could respond so diversely to such a tragedy. Now for Rinli, resurrection was not kind. She’s 16 at the time of her death and harbors strong resentment toward the mother who bartered her life for peace. I asked myself how does the psyche of a person who dies and then lives again survive such a painful ordeal? Jon Snow in Game of Thrones remembers nothing past his murder when he’s revived. Jesus Christ reawakened in his tomb a glorified being, but of course he had godhood going for him. But what does resurrection do to a 16-year-old child with deep emotional wounds? And it became clear to me that the rift between Rinli and her mother was only going to widen despite Lisen’s previous efforts to protect her. Sad and tragic as all this was for these three characters, challenging as the work was for me, it was fun to write. Am I wicked for saying that? I doubt any author would feel differently.
This book has clearly been crafted with care and is full of emotion. What were some themes that were important for you to continue in this book, and what were some new ones you wanted to introduce?
The continuing theme of the consequences of decisions remained paramount in my storytelling. I find tales of redemption the most interesting of all, and there can be no redemption if there is no sin. I love breaking characters into pieces and watching how they reassemble themselves and the relationships they’ve broken in the process. In Breaking Worlds, I wanted to explore what it means to be the helpmate to a person with the potential for greatness. I delved into the parallels between Korin and Madlen in their roles as lovers/supporters for their beloveds, and Madlen’s unquestioning (or barely questioning) devotion to Rinli fascinated me. And beyond all of that were the variations of grief and the effect grief has on us as people. I found it both harder and easier to dig into the pain of grief as I wrote because I had just lost my best friend to cancer. Harder for the immediacy of what I’d just been through, but easier because it was so fresh. What it comes down to is what I say on my Facebook page. “I love combining characters with conflict and crisis and then watching as they suffer the consequences of their choices.”
This is the fifth book in the Lisen of Solsta series. Has the series grown beyond what you had originally imagined or are you still following a clearly defined path?
Well, the series has certainly grown. I never expected to write past Blooded, book 3 in the series. But as I’ve noted before, I grew curious about what would happen when “the bill came due.” In other words, what would happen when Lisen had to hand Rinli over to the Thristans in the desert as their “Mantar’s Child”? Then another question emerged after I finished Protector of Thristas (book 4). What would a world broken by Mantar’s Child look like? That led quite neatly into Breaking Worlds.
What can readers expect in the finale of the Lisen of Solsta series, book 6 Pushing Madness?
Breaking Worlds and Pushing Madness were written together. I didn’t know if I had enough material for two separate books, so I kept pushing forward with certain criteria set up for what length would be too much for one book and where I would split the book into two if that became necessary. In terms of the story, my intent is to clear the table, to answer all the questions–in short, to tie up all the lose threads and hopefully leave the reader satisfied while allowing the ending to be a bit messy. I’m not a fan of endings that are too neat. I prefer to be left, as a reader, with a few things to tidy up for myself, and that’s what I strive for in my endings.
Left with the blood of a tragedy on their hands, Lisen and Korin can no longer face one another. Korin heads east towards the desert, while Lisen remains in Avaret with two children in need of comfort Lisen cannot provide. Never has she felt so alone. As war threatens on the horizon, two deserted people must somehow find their way back to life, to each other. Will Lisen and Korin reunite in time? Will the truth of the dead and the living be revealed?
Return to Garla and Thristas where love may not conquer all, but it can serve as an ally in the fight. Where all that seems well doesn’t necessarily end well. Where loyalty can be bought with a nudge. Where all the magic in the world may still fail you. Where, with Garla and Thristas on the edge of destruction, Book V of Lisen of Solsta’s saga drives the story closer to the inevitable conclusion to Lisen’s story.
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Have you ever wondered about the importance of communion? What really is the root of all this power the blood of Jesus is purported to have? How can human beings harness this power as God wishes?
Wendy Varga’s Sacred Secret is an in-depth analysis of the Communion. We often use blatant explanations of God’s instructions. But man is protected from all sorts of evil if he marks himself with the blood.
If faith is shallow, little is expected. People should know the limitless capabilities of God as this affects their level of faith and consequently, how impactful He will be in their life.
Wendy Varga’s passion helps to eloquently unravel many biblical mysteries. Her fervent writing had me craving to know more about communion; I found myself often referencing my bible. By the end of this book I felt that I had a better understanding of the power of the New Testament Covenant Meal. The author’s eagerness to truly understand God’s purpose for the Passover is evident. Her break down of the relation between His blood and God by use of scientific explanations is startlingly enlightening. Her insistence to not just know God, but also know Him intimately is a recurring theme. I’ve read other religious books on similar subjects, but they often only touched on this subject before quickly moving on. But it is the focal point in this book. It’s refreshing to see a book take a deep dive into one aspect of faith.
I consider this a knowledge check for anyone who knows their Bible well, but what I truly appreciated was the unique perspective in which the information is presented. Be prepared to ask yourself questions you never have before. In the end, I appreciated how this book left me reevaluating my relationship with God. This book will arm you with the knowledge and power of the blood and thus strengthen your faith. I believe that this book will unlock the potential of God’s power in your life through faith.
Pages: 156 | ASIN: B072M8R6JG
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Have you ever wondered why there is such a huge discrepancy between what scientists say about the age of our planet and what the Bible says? According to scientists, the planet is 4.6 billion years old. Yet the Bible says that this planet Earth is only six thousand years old. But what if both were right? What if there was an analysis of creation that combined science with scripture in the search for truth—yielding a unique and provocative conclusion about life’s beginning?
In The Re-Creation of Planet Earth and the Real Account of Life’s Beginnings, author Brian Donnelly explores just this integration of science and biblical truth to provide a more realistic account of creation and re-creation. He addresses the ongoing debate between creation science and evolutionary biology, and he shows how creation is more viable than evolutionary theory and the big bang. The Re-Creation of the Planet Earth and the Real Account of Life’s Beginnings also speaks to the life and ministry of Jesus Christ, and it provides a detailed description of what heaven is like—an account supported by scripture and near-death experiences.
Having a complete view of creation, re-creation, heaven, and life’s beginnings will help you better understand how God relates to us today. But even more, this understanding can go on to help you see through the fog of the world and better relate to God as a believer.
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Mindfulness and mediation are creeping into more parts of society. Things that were once meant for children are evolving for adults to enjoy as well. One of these is colouring books. No longer is this pastime reserved strictly for young children. There is a soothing sense that one can derive from colouring an image. It does not require much artistic talent either. Along with this shift to the adult mindset comes The Contemporary Christian Colouring Book by Rev. Ernesto Lozada-Uzuriada. Coupling the peaceful activity with biblical themes and images this book is a perfect gift for the devout. Each image evokes the idea of a stained-glass window one might see inside a church depicting various scenes from the bible. There is some melding of these scenes with modern technology which just serves to remind us that Christ is still present today.
The book begins with a lovely forward from Ruth Finnegan, operator of Living Tree Publishers that has produced this colouring book. In it, she seeks to remind us why we are drawn to art and why we colour. It is the marriage of that simple meditation with something tangible. A brief biography is also given of the artist who designed the pictures, Lozada-Uzuriada himself. The images are carefully crafted to convey the message of a particular scene or passage from the bible in a format that is easily understood. Titles are given to each piece to help the user remember which part of the bible and which story the scene belongs to. The line work is heavy and dark; much like stained glass itself. This is useful for those who colour because it easily defines which sections are contained.
Given that the images impress upon this writer scenes in stained glass windows, it serves to mention that the content of this colouring book is better suited for adults. The expressions of various people within the scenes could be taken as angry, frightening or scary. Young children need to have faith in the beauty and gentleness of the Bible and exposing them to this colouring book without proper context might serve to scare them, rather than inspire them. That aside, this book is a wonderful compilation of some of the more memorable pieces of scripture that one might want to colour and perhaps display in their home. Christ is a central figure in most of the pieces of this book.
With the world’s attention focusing more on mindfulness and meditation for the adults in the world, colouring has become a de-stressor for many. The Contemporary Christian Colouring Book by Rev. Ernesto Lozada-Usuriada is a must-have piece for those of the Christian faith who would like to colour while they meditate. Being able to add a personal touch to such moving and important points of Christian faith allows those who use this book to come closer to the inner workings of their faith. It is nice to see how something as traditional and sacred as someone’s faith can mix and meld with the current needs.
Pages: 46 | ISBN: 1326968165
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Protector of Thristas takes place fifteen years after the tumultuous One Day War and Lisen is faced with something far more challenging than ever before. What were some important themes for you to capture in this novel?
I’ve taken on several archetypes in these books with an eye towards shifting what originated as masculine-oriented myths into their feminine equivalent. Lisen is the hero of a story in which she must overcome many obstacles, including her own self-doubt, to rise at the end of the original trilogy to the destiny she cannot escape. I looked at heroes, such as Luke Skywalker and King Arthur, and asked myself how this would look not simply with a “girl” as the hero but with a gentler and more sympathetic way of presenting the momentous events that occur in the story. The battle at the end of Blooded is a case in point. Lisen found a way to break through the fighting and turn the combatants towards a negotiated resolution rather than one in which many people died or were left physically or emotionally injured.
So, when I decided to explore Lisen and the others as adults, to look at the relationships and their children fifteen years on, I made another decision–to raise the bar and tackle an archetype I refer to as “the king must die and live again.” This myth can be found in many nature-focused cultures. The leader of the people sacrifices his life (or acts the sacrifice out in ritual) and goes to the underworld, then rises again, all of which is symbolic of the “burying” of seeds in the fall and their rising as plants in the spring. It is a form of fertility ritual. It is also, in some ways, the Christ story, but this time it’s a young woman.
I think this book did a fantastic job displaying how emotional a mother-daughter relationship can be, and family relationships as well. How did you develop these complex relationships? Anything pulled from real life?
My mother was not the nurturing type which left my father with that role in my life. In fact, Korin’s nickname of “Fa” is the way my father, in his later years, signed birthday cards and such. But there was more to it than that. As I foraged deeper into the story and the wounded relationship between Lisen and Rinli, I realized one very important thing. I had to be very careful about how I framed the discord between the two of them. The critique group I belonged to at the time loved the portrayal of the mother-daughter conflict, but I began to recognize that I had created a very “earth-centric/potentially sexist” struggle. In my experience, women in our culture learn at a very early age that they must challenge one another over the attention of a man. Men are taught a similar lesson, but it manifests differently. Men thump their chests and growl at one another (figuratively) or go out and kick a football around, whereas women get mean. And it often begins in the relationship between a mother and daughter and their desire for the male in their lives–the husband/father. It’s fairly subtle in most cases, but it’s there, and once girls become teenagers with all those hormones raging, they may not “desire” their father, but they want what their mothers have and the fight is on.
I couldn’t let this be the basis for Lisen and Rinli’s conflict, so I struck out on my own to find something that didn’t smack of the sexism in the “typical” tension that can tear a mother and daughter apart. And although I may have no control over the enculturated eyes the reader brings to the story and her interpretation of what she sees in that relationship, I had to be true to my commitment to present Lisen and Rinli sparring not over the mean-girl stuff that can mess with a mother and a daughter but over the betrayal Rinli feels at her mother’s use of her as a bargaining tool to bring a war to an end. Add to that the fact that Lisen is not the nurturing parent in the family, and it becomes clear, in my eyes, at least, that their relationship was likely doomed no matter what Lisen did.
Rinli is resistant to the idea that she has her mother’s magic abilities. How did you handle magic in this novel that was similar and/or different from the previous novels?
In some way, I think the magic became more central to the story than it had been previously. I have always played the push as something unacceptable but sometimes necessary, even to Garlans who are pretty accepting of most hermit magic. As a Thristan, Korin distrusts hermits and what they can do, and Lisen has a powerful gift. This presented its own set of problems in the first trilogy and ultimately tore them apart. Now, with Rinli growing up and it becoming obvious to both of her parents that she has inherited her mother’s gift, Lisen and Korin have to make their peace over the magic thing and then band together to convince Rinli that the only way to stay safe amongst magic-fearing Thristans is to master her gift in order to control it. This is where that conflict I mentioned above manifests with Lisen trying her damnedest to reach out to Rinli and Rinli turning away. (I had one reviewer say, “So many times I just wanted to scream ‘Say I LOVE YOU!'” which would, of course, have simplified things a great deal. But it was about the magic in Lisen’s mind, and “I love you” wasn’t in her lexicon.)
What is the next book that you are working on and when will it be available?
I began a followup to Protector of Thristas with the idea that it would be the final book in the series. I had to find a way to put down the characters and the world I’d created in order to move on to something new. Five books. The series would be five books. I was adamant with myself. Then as I wrote and wrote and wrote, I began to realize that this was going to be one hell of a long book. I set a word limit at which point I would break it up into two books. I’m still on first draft, and I am within 2500 words of that limit I set. It’s definitely going to be 2 books. Because I’ve been making changes that affect earlier scenes as I go along, I must finish the entire tome before officially splitting them up. (And even then, I’m probably going to produce draft 2 of both books together, incorporating all the necessary tweaking at one time, before I turn to book 5 of the series and complete it.) All of this is to say, that this has taken far longer than I wanted it to take, but I continue to move forward.
As regards where we go from here, having sent a young person as flawed as Rinli through the experience of dying and rising from the dead, I discovered (upon working on the final two books) a character who is not doing well emotionally at all. It’s been an interesting trip. Rinli was originally intended to be the character to whom Lisen would pass the baton, but she turned out to be a character very different from what I had expected when I began. Her last words at the end of the book blew me away, coming as they did as I was writing that last scene, and they set the tone for the remaining story. I had to ask myself “what does a world broken by Mantar’s Child look like?” It took a while to answer that question. Now first draft is finally winding down for books 5 and 6, and all I can say is “whew, what a ride!” “When will it be available?” I’m hoping for some time early in the new year for book 5 and spring for book 6.
Fifteen years after the One-Day War, Lisen, now Empir Ariannas, has developed into a just and capable leader. Together she and Korin have created a union of two souls based on respect, commitment and love, and their family has grown. In addition to Rinli, their daughter who made her first appearance in Blooded, two more children have joined the family, completing their complement of three complicated adolescents.
Now the sixteen-year-out Rinli prepares to take on the mantle of Protector of Thristas, a title destined for her in the treaty that ended the war. The Empirs of Garla have carried this title for hundreds of years, and Lisen anticipates changes once she hands this single title on to Rinli at the girl’s investiture. But the prophesy of Mantar’s Child, upon which Lisen and Korin depended in the treaty negotiations fifteen years earlier, refuses to remain but a convenient myth, and with the advent of the fulfillment of the prophecy, an epic begins.
Although Protector of Thristas includes the familiar faces and settings of the young adult Lisen of Solsta trilogy, it begins a new adventure for an older and often wiser Lisen and her allies. Looking at their world through their matured eyes, the book takes on the heroic tragedy that the trilogy could only hint at. Return to Garla. Enter its mystical environs for a new encounter with Lisen and her world’s gender-free culture. The adventure awaits.
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Jesus and Magdalene follows the story of Jesus and his return to modern day Earth where he meets Magdalene who is an activist fighting for a better world. This is an intriguing setup to a novel and a unique perspective of a religious story. Why was this novel important for you to write and what was your inspiration?
Religion has played an important role in my cultural development. I was christened, I went to catechism classes, I was confirmed and I went to mass until the age of fourteen. I wanted to create something truly original, involving contemporary problems, politics, the existence of God and human nature using facts, humor, and irony. For example, the relation between Christiany and Ecology or why there are so many racial conflicts. Jesus and Magdalene don’t give answers, but present questions. Why there is so much violence? Why there is so much stupidity? Are we really so much different from other animals? My novels satirize modern society and use irony and humor to provoke reflection and controversy.
Jesus and Magdalene are biblical figures, but in your story they’re striving to make a better world as regular people. How did you handle the balance between biblical and fictional characters to make them feel real and relatable?
For me, Jesus is the most important figure in History. Jesus was the first to say that all men are equal and to question the dogmas of the temple rulers. He also saved a woman from being stoned, according to the tradition. He was a much greater revolutionary than Castro or Che Guevara. Even those who don’t believe they are influenced by Jesus’ teachings. Freedom and Equality – those are the basis of all western society. In my novel I try to describe the challenges Jesus would face if He would visit us again, 2000 years later. But,although he limits himself to accompanying Magdalene attempting only to pacify those on bad terms, even then Jesus is unable to escape the fury of mankind.
What kind of research, if any, did you do to keep the story accurate?
I read the Bible and I search for biblical studies and interpretations.
Is there a pivotal moment in the story that you feel best defines your characters?
Yes, there is a pivotal moment in the story that defines not only the characters but also mankind (in my own interpretation). A con man – Professor Kacimba – is going to recognize Jesus, while the others don’t. A swindler sees the son of God when he tried to read his hand, but the rest of people, including this modern Magdalene, only see a normal man. This is supposed to be funny and sad at the same time.
What is the next book that you are working on and when will it be published?
I am writing a novel about Communism, Perestroika and the fall of the Berlin wall. The Staline or Lenine ghost could be one of the characters. I hope to be published in the next year.
Jesus returns to earth and meets activist Magdalene who is fighting for a better world. He find an extremist ecological group, which is plotting to destroy a maize plantation it believes to be genetically modified. Then, he observes the rise up against a tourist development that is to be built in a forest reserve. Finally, he witnesses an armed conflict between blacks and gypsies. However, although he limits himself to accompanying Magdalene attempting only to pacify those on bad terms, even then Jesus is unable to escape the fury of mankind. And only a conman will recognize him. Using humor, Jesus and Magdalene broaches recent phenomena of social and political conflict.
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What would it be like, if more than two-thousand years later Christ walked this earth again? Would he be confused by the spread of technology or would he already know about it from having watched over mankind from above? João Cerqueira tackles this idea and more in his novel Jesus and Magdalene. There is much for Jesus to consider when he returns to the world of man. Such logical concerns as his paternity and the vehicle he decides to use to come back to earth. Scarcely is Jesus walking among men once more then he meets Magdalene. She is the newer version of her biblical-self: wrapped up in an environmental movement with Judas, Mary, Peter, James and others she works towards renewal of the earth. As if it was simply meant to be, Jesus joins her on her mission and we are left to wonder how much of the stories in the bible will play out again.
If there is anything Cerqueira does well in this book, it is describing situations and surroundings. There is an explanation at the beginning of the novel where our author lays out his experience with Christianity and his thoughts on the matter. This is beneficial for those who cherish their faith and may take issue with the idea of a modern-day Jesus Christ. This should come as a comfort to those readers as Cerqueira certainly means no disrespect.
However, while the writing is a plus, it is also a minus. Cerqueira is almost too descriptive or flowery with his language. His metaphors and similes are beautifully written but they cause the story to feel heavy. This, in turn, causes the read to be quite heavy and rely on the intellectual prowess of the reader. While this is not completely a negative for the reader who prefers something a bit more intellectual, for the casual reader this can be a detriment.
The portrayal of technology and the development of character relationships is well played throughout the entirety of the tale. If you have never been an avid reader of the bible or studied any sort of religion while in school, you will not be lost. You can think of Jesus and Magdalene as a tale of two young adults who are trying to make a difference in the world. If you are familiar with these texts, you will find that there is much that overlaps with Cerqueira’s story. It is evident that the man has done his research and is not afraid to use that in his works.
The language that author João Cerqueira uses is beautiful. For a reader looking for something heavier, thought-provoking and requiring footnotes, you cannot go wrong with Jesus and Magdalene.
Pages: 324 | ASIN: B01IS20VQY
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The Knights Templar are much more than a group of men with vague secrets. They are men of action. Men of power. And they have a purpose. They must safeguard the next coming of Christ. The time of the next coming has arrived and great evil stands in its way. The Templars must use all their training and power and influence to fight back against an enemy that has infiltrated the upper echelons of society and has inserted itself as a power player in politics, finance, and even the drug trade, all in preparation to thwart the prophecy that has yet to be fulfilled. Sarah and Peter Christos are the expectant parents of the next prophet and are wrapped up quickly in the Templar world. They have to fight not only for their lives, but for the life of their unborn child.
The Return is an impressive romp around the world. I thought at first that this book was going to be like The Da Vinci Code, but was pleasantly surprised to find that it’s more like Dan Brown meets Tom Clancy. Although, both aspects seem overtly contrived. While there is some interesting world history blended with fiction to the point where it’s hard to tell the two apart, other parts are a little too unbelievable. Example: At one point the President of the Islamic Republic of Iran gets a random visitor to his house. The man presents himself as a dead, but now resurrected, Imam from 800 years ago and the President accepts this with the guy basically saying ‘trust me, it’s me’ and the President proceeds to divulge some fairly important information to a person that just walked off the street (later it’s revealed that the man is not an Imam and is indeed a regular guy just trying to get information). Like the old order, the Templars’ in the book are a military order to its fullest realization. They’ve got secret military installations, tanker ships converted to mobile assault bases, fighter jets, and battalions of highly trained soldiers, but the weapons systems are a little too futuristic to fit into the Tom Clancy style of books and pushes the book into the science fiction genre; which is not necessarily a bad thing. While all the action and fighting and weapons were interesting what brought this book down a notch for me was that the whole book was delivered with a lack of basic literary devices. It’s not that these specific things are missing completely; it’s that the creative writing was missing from this very creative story. And instead the story is given in lines of facts; ‘he did this’, ‘she did that’, ‘they went over there’, and then a series of details of what a place looks like followed by a timeline of what happened. It’s unfair for me to say this book does it and none others do; it’s just that it’s more prominent in this story where other stories would cover it up with creative writing so you don’t really notice it. But back to my earlier statement; if you enjoy Tom Clancy-esque stories than this might be right up your alley, as the action and adventure take you on a wild ride around the world.
Find out more about the author, Carter Vance at www.cartervancebooks.com