The Prophet and the Warrior takes the biblical stories of Moses and Joshua and transforms them into works of historical fiction, creating a comprehensive narrative. Where did the idea for this novel come from?

The idea for the novel came from my reading the books of Moses in the Bible (KJV). I became aware of how the typical teaching about Moses glosses over the horrible atrocities the man committed in the name of God. I realized then that the big three religions (Judaism, Christianity, and Islam) were not so much interested in teaching the whole truth as they are in teaching a version that suits their purpose (control of the population). This is, in fact, brainwashing, a procedure used by all people who want control and power (think of the Roman empire, the various Kahns, and Adolph Hitler).

What kind of research did you do for this novel to ensure you captured the essence of the story’s theme?

I read and reread Exodus, Numbers, and Deuteronomy looking for obvious departures from what we now consider moral behaviors (There are many). I researched the archeological evidence of the existence of Moses and could find none. When Moses supposedly died they buried him in an unmarked grave (Deuteronomy 24 and others) supposedly to keep his many enemies from corrupting it. I realized that this is a good cover story if one is trying to create a religious icon from stories passed down by word of mouth about a legendary national hero for which there is no solid archeological evidence.

There are no writings in Egypt or other countries of the period, no trash piles or graveyards in the wilderness areas supposedly inhabited by thousands of refugees for forty years. There would have had to have been many graves and skeletons of bodies preserved in the ground in that arid climate. There would have been trash piles with broken Egyptian pottery and the like (which do not decay). The absence of these pieces of evidence and the absence of Egyptian records of something as economically transforming as the Exodus are hard to dismiss.

What is one thing that people point out after reading your book that surprises you?

I have heard little from readers outside of a few who liked the open context of the book and one rather ignorant condemnation that claimed I was condemning the actions of Moses and God. This is exactly what the book is about, the creation of a bloodthirsty icon who is on a first-name basis with God. I am very careful not to condemn God because I believe in a creator God who loves all creation. Here I use the word “which” instead of “who” because no human has ever seen God and so it is natural to create a God in a super-human mage. A friend, who read the book with a Bible at his side (to check references) said it was like two books in one. This is because Moses starts out as a well-meaning, though slightly paranoid, young man who builds a new life with a nomadic tribe after he kills an Egyptian. Later he appears to develop delusions (schizophrenia?) and goes on to become a powerful and psychotic dictatorial leader.

What is the next book that you are working on and when will it be available?

Actually, I have three other published books, available at bookstores, and a fourth and fifth ready for publication. Peter Olaf – The New World At Last, and its sequel, Suddenly A Larger World – Sons Of Peter Olaf, and AcrossThe Chasm, which is a paranormal love story are in print and are being converted to audiobooks. A manuscript, The Scrolls Of Elizaphan is being made into an audiobook and will be published as a paperback, possibly in two volumes because of its size (400+ pages). A manuscript, Alltrust – The Alliance Of Trust, a world government story, is ready for publication. And I have started a new novel.

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