Harlot is mostly driven by curiosity and a desire to find interesting things. Like those blue flowers she loves so much. Harlot’s Encounters in the Land of Ick and Eck is a dark children’s story. Harlot walks through this mythical world and often finds ‘friends’ to walk the distance with her. Typical of all children, she makes friends quickly. Often voices her thoughts. She does not seem to understand the concept of fear even when she is encased in a dome with rising temperatures. It is interesting to look at life from such a perspective.
This is definitely a dark fantasy children’s story, but not too dark though. It would make for an interesting and wonderful Halloween pick. Micah Genest does a great job of painting vivid pictures. Even with actual painted pictures within the book. The book provides more than enough material for the reader with an active imagination to set the mental scenes. Very colorful and delightfully sinewy characters. Each with a quirk of their own. Perhaps the biggest take for an adult in all this is the way all the characters just move together despite being vastly different.
Harlot is typical of any kid, really. She’s innocent and looks at the world into which she is cast with pure interest and curiosity. Never judging anything and anyone. She is very trusting with almost blind optimism. Most children who read this book will understand her desire to follow voices and strange creatures. This book reads a lot like a dream. With vivid pictures and whimsical occurrences.
Oh my, the songs and chants. Imagine how fun it would be to try this out at a Halloween sleep over. They are so interesting and fun to follow. They almost take the gloom out of this decidedly morbid tale. This could very well be my most liked parts of the book.
For a children’s book, the vocabulary is quite advanced and may prove challenging for children. However, this could be a good thing as it could be an exercise in building vocabulary. It could help develop an interest in learning and seeking out new words. It is doubtful that most children will read into the illustrations by John Bauer. See them as more than just pictures. You never know though, this could be another fun exercise for these malleable young minds.
This book may be aimed at children but adults will enjoy it too. It reads like a children’s book but the plot and writing itself are excellent. This book reminds me of the children’s book, In A Dark, Dark Room: and Other Scary Stories. Fascinating, morbid, curious, and I couldn’t stop thinking about it.
Pages: 208 | ASIN: B07MXPYLJ7
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Rogue Genes, by Jardine Henry Hart tells the tale of Tommy McConachie. Abandoned at birth as a one day old baby at the hospital, he was adopted by nurse Marge and her husband Joe. After her husband died suddenly Marge found herself raising Tommy all alone. As he became a teenager he began to rebel and after spending time in a boy’s detention center he joined the army. After serving time in the Special Service Tommy returned home, but his time in the army had left its impact. When his beloved mother passes away he is intent on seeking revenge.
This book is filled with all things a suspense novel should have; action, suspense, anxiety, surprise, anticipation and of course plot twists.
Rogue Genes has quite a number of characters. The story begins and evolves around Tommy, his mother – Ticker, and his two best friends, Sparrow and BB. The characters are well developed and the relationships are realistic and believable. Soon, other characters are introduced, all with their own unique and interesting stories.
Tommy is portrayed as a strong male character and the reader gets small insights into his past life in the military and the violence he encountered, and hints of the violence in his future. He is an intense and deeply loyal man who is searching for a woman to love and be loved by.
The introduction of such a woman adds interest and direction to the story. Her character is the polar opposite to Tommy and provides a clever contrast. She has had a stable, if not sheltered, childhood. I felt that some of the bizarre coincidences and twists were a little far-fetched. Although these bizarre coincidences are part of the story, at times the intertwining of the relationships becomes almost unbelievable.
Rogue Genes is still a deeply provocative and gripping read. Like all good thrillers there is plenty of action, and the reader is constantly kept guessing. It is ultimately a story of self discovery, and of course, a journey to see if good will eventually overcome evil.
Pages: 308 | ISBN: 1925834409
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Journey to Osm follows the story of Blue, a young unicorn with a big destiny. Blue is part of a tribe of unicorns going extinct under the harsh rule of an evil sorcerer. A prophecy foretells that Blue will save them but when he is born without metal in his horn, and thus without magic, all hope is lost. When Blue comes of age at 12, he is faced with destiny but how can a magicless unicorn have any hope of saving his tribe?
The book is a fun and unique YA fantasy novel. I really loved the unicorn-centric view of the story. Unicorns are often left out or less significant in fantasy stories, and I think this is a waste of a fun and interesting creature. Author Sybrina Durant furthers this by taking an intriguing twist and really exploring the magic of the unicorns as well as what unicorn civilization looks like. I really loved the world she created with the metal symbol of magic and the hierarchy that creates and the different powers that the magical unicorns possess. With an evil sorcerer, a prophecy, a fight against good and evil, this all adds up to an imaginative and exciting fantasy world.
The plot of the book is that of the underdog character finding strength against evil. Blue is a very sympathetic character through this journey as he is young, sweet, and very strong-willed. From the very beginning of the book you can see how hurt he is that he doesn’t think he can save his people, reciting his mantra ‘No Metal, No Magic.’ But even with this, he does not give up. He trains hard even when he thinks there is no chance. This self-determination in the café of certain failure really endeared Blue to me as a character. Silubhra was also a character that I grew very fond of as she was so compassionate and kind. There are a lot of characters in the story, but I think the author did a good job of making them unique and interesting and I liked how we get to see multiple perspectives.
This book is an exciting fantasy story. Filled with adventure, magic, love, loss, hope, action, and destiny. The story came together well and kept me engaged in the plot from beginning to end. The book is a great read, particularly for young adult readers who love fantasy stories.
Pages: 353 | ASIN: B07LDKX25N
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The Aristocrat by Regine Dubono is a short story about a girl named Marianne Maywee, who lives with her family (including her younger sister, Paula) in Nice, France. One day an older man appeared in their lives and introduced himself as their godfather, Mr. Giles. Marianne and Paula go on many outings with Mr. Giles, until the day he does not come to their house as expected. Marianne learns that he’s in the hospital and she goes to visit him. Will this be the end of their enjoyable outings together?
I enjoyed reading the descriptions of the sights Marianne saw on her outings and the places she visited with her sister, Paula, and Mr. Giles. The book was an interesting and quick read, but I wished that the story had been longer. The ending was too abrupt, and there were still questions that I had hoped to have answered.
I was confused by the hint of romantic interest for Marianne from Mr. Giles. I wasn’t sure if he actually had romantic thoughts regarding her or if it was only an incorrect impression she got from some of their interactions.
I encountered a few run-on sentences, some issues with grammar and a few typos and inconsistencies; (On one page, it was stated that Marianne and Paula were born eleven months apart, but then on the next page, twenty months separated their ages).
Overall this a quick and interesting outing with Marianne and Mr. Giles.
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What begins as a carefree adventure among siblings turns deadly in a heartbeat when Eisa is left alone following the violent deaths of her loved ones. Snatched from the scene and carried away by what can only be described as a monster of epic proportions, she is left wondering why she was allowed, or perhaps chosen, to live. A story seemingly unconnected to the tumultuous lives of Julian, Roman, Dennah, DaeGeroth, Balin and Gladeus soon becomes much more clearly interwoven into the experiences of all of the them. None of them could have predicted the evils that lie beyond the wide expanses of beautiful countryside they all know so well.
The Winter of Swords, by Aaron Bunce, is a stunning visual of fright-filled fantasy, old world charm, and a wide assortment of well-developed characters. From the moment I began reading of Eisa’s experience in the wilderness, I was swept into a world of creatures and hidden realms from which I found it difficult to separate myself–the hallmark of effective writing. Eisa’s entire ordeal set the stage for some of the most fantastic imagery I have read in a long time. Not many books can boast such horrifying beings so vividly described and so dreaded by even the reader.
Roman, one of the chief characters in Bunce’s work, has the most poignant subplot in my opinion. His backstory tugs at the heartstrings. The scene set by Bunce at the farm owned by Garon is a step-by-step reveal of one heart-wrenching horror after another. It is an artfully written chapter that has the feel of a slow motion movie scene set to an emotionally-gripping score.
Though Bunce’s book is filled with delightfully terrifying images, for me, there was none quite like the scene that takes place involving Julian in the simple town of Craymore. When an author can conjure up a visceral reaction with the mere mention of the sound of a horn in the distance, you know you have found an author to follow. More unsettling than the beastly gnarls was the powerful commandment of the horn’s sounding–wonderfully ominous and capable of provoking a sense of mystery.
Bunce has managed to give readers a novel rich with dialogue. Not every book of this genre is able to carry out a plot so heavy with character interactions. Many books rely on narrative to tell the story, but Bunce is more than capable of telling the tale via characters’ thoughts and exchanges.
While it is solidly based in fantasy, the element of mystery is strong throughout the plot, and that is one of many striking factors in Bunce’s work. Bunce has created a spectacular work of fiction which will appeal to readers who enjoy fantasy with incredible creatures, high drama, and an assortment of strong lead characters.
Pages: 818 | ASIN: B07MCX4CFD
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From an early age Rose Hemmings is asked to define love, a theme that is analyzed throughout the book and truly encompasses On Loving. While at the time she cannot compose a definite response, a single turning point in Rose’s life has her struggling to find the answer. She continues to question what love means as she narrates the story of her life.
On Loving begins with the tragedy of Rose’s beloved father, a man she attributes her love of literature, and who urges Rose to find the truth of her birth parents resulting in a spontaneous trip to Iran in search of answers. Just before leaving Rose’s world is once again shaken to the core as she comes face to face with a stranger who instantly steals her heart away. In a twist of fate, the two fly off to Iran resulting in a storm of emotional chaos involving family, secrets revealed and another man to drastically change Rose’s life forever.
For blatantly being a romance novel, On Loving rarely rears the exotic scenes of lust and passion. Instead, Lili Naghdi illustrates a love story shrouded in poetic anecdotes and literary quotes through the eyes of an A-typical surgeon inquiring every aspect of her ever-changing life. The story of Rose spans decades of heartache and misfortune, deep longing and joyous fulfillment.
However, I could never completely empathize with Rose. She shows all the signs of a well thought out main character, the author thoroughly explored the mind of Rose Hemming detailing all her faults and frustrations. I could tell Naghdi held Rose close to her heart while writing this book. The story is written in the first person, and like so, we are bound to watching Rose make decisions the reader might not completely agree with.
Overcoming these hiccups, I found steady glimpses of genuine understanding for several characters. Especially in the second half of the book, Naghdi beautiful vindicates the hurricane of emotions Rose has been building up throughout the story. Those moments of Rose carefully weighing her judgments, decisions, and feelings are true bliss. Moreover, the authors’ literary insight is phenomenal and while at times the call back to famous authors and poets is overdone, each example is carefully chosen perfectly matching the mood of the scene.
Any romantic or literary buff will wholeheartedly enjoy this book. Read the book and you will understand.
Pages: 483 | ASIN: B07NSJLJLZ
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Plum Rains on Happy House follows an American who is trying to turn an Inn into a school but is thwarted by the house’s strange creatures. What was the inspiration behind this unique story?
I live in Japan, and it’s a place I know well. The book’s dedication probably says it all:
This book is for Japan. It’s the place I call home—though it may not want me to. For over 25 years I have grappled with the dos and don’t’s of my host country, destroying the language in conversation, giving up, resuming more study, eventually resigning myself to the boundless plateaus of almost-speech.
And Japan abides. Like a patient steward, it absorbs the frolics and the ribbing, while providing a solacing habitat in which to write and teach and parent and grow.
I came over to Japan in the 80’s and I’ve lived in some pretty seedy guesthouses—what we call gaijin houses. In creating the residents of Happy House, I just mingled the characteristics of a few of the unique people I’ve met over the decades in Tokyo and in Los Angeles. In some cases, I didn’t need to exaggerate at all.
On one level Plum Rains on Happy House is a detective story. A fellow named Harry Ballse invites the protagonist, nicknamed the Ichiban, to Japan. But the residents of Happy House all deny any knowledge of this mysterious Harry Ballse.
Some readers may pick up on the references to the 1973 film The Wicker Man, about a policeman who is lured to a Scottish island to investigate the report of a missing child. It’s a game of deception. The islanders are playing with him. The paganism and the sexual activity the sanctimonious policeman finds so objectionable are simply part of the selection process—to see if he possesses the characteristics to burn in their wicker effigy so that the village will have subsequent successful harvests.
In Plum Rains on Happy House, the Ichiban must undergo his own horrific sacrifice to appease the house. My novel is in many ways a tribute to that remarkable film, and it has the same foundational plot lines, but I’ve laid down a hearty layer of satire and lots of cross-cultural lunacy.
There are some weird and fascinating things happening in this story. Was this an easy outlet for your creativity or was there some effort put into creating these things?
Nothing is easy. If women will forgive me the metaphor, creating Plum Rains on Happy House was like giving birth—it hurt a lot. There were points when I considered giving up because it was just too hard. I’m not a funny person, but I have little trouble dreaming up wacky stories and characters. The residents of Happy House had to be distinctively quirky. I didn’t know how bawdy things were going to become, or how much depravity would creep its way into the story. But once I had the characters they took charge, and I relegated myself to being, more or less, their stenographer.
Dialog was also something I paid close attention to. Of course, sharp dialog is vital in any story, but for this kind of back-and-forth humor to succeed, I felt it really had to have zip. Just like a comedian practices his delivery line, the dialog exchanges had to have real punch. As with most writing, dialog should say a lot , with very little. The communication isn’t in the words being said but in the subtext. Good dialog says it without saying it. One quick example from Chapter One has the resident of Room 3 (nicknamed The Goat) explaining to the new resident about his missing foot:
“I saw you looking at the bottom of my leg.”
The Goat scowled. “Obviously, you can see that no longer exists.”
“It’s in Cambodia.”
The Goat went into a cross-eyed fluster. “What is?”
Sometimes readers need to work a bit to understand the exchange, and I think they appreciate that. Dialog is an organic process. It’s the way characters talk in my head, and I think I know how to write them because they are all a part of me. It all works toward satisfying the element of what a good scene often comes down to: one person trying to get something from another.
Mix that in with the baffling idiosyncrasies of Japan and its language, and the vexing stages of culture shock, which frame the Ichiban’s adventure in Happy House, and readers have a lot to juggle, especially those uninitiated to living in other countries. I’m hoping this confusion is a part of the magnetism of the story. On top of that, one should remember the old guesthouse is haunted:
“Happy House is an amoeba everlasting, a floating world—capturing and sealing the self-indulgence of the red-light districts, the bordellos and the fleeting, delightful vulgarity of ancient Japan, an eternal time capsule of the flamboyant and the boorish.”
What do you find is a surprising reaction people have when they read your book?
The book has received mixed reviews. Of the five books I have up on Amazon, Plum Rains on Happy House was the first to receive a customer review of one star—perhaps rightfully so: the reader was “disgusted” by some of the more explicit scenes, and I think that was my fault; the earlier cover gave no indication of the sexual content within, and this poor woman was clearly ambushed. With the one star, I know I’m finally an author, and wear it as a badge of honor.
There are, however, cultural elements in the story that some will not understand: the usage of the various slipper customs inside a house, the daily beating of the futon, the laundry poles, the shockingly steep stairwells, the neighborhood garbage trucks that play cute tunes to let you know they’re coming, the confusion between the colors of blue and green.
The dichotomy of substance versus form also plays an important part in underscoring the tension—in the way one swings a tennis racket, or walks in a swimming pool, or plays baseball, or eats particular dishes: What should predominate—what you are doing or how you are doing it?
On another level, the story examines language acquisition and the role of structure within the learning process. The residents all have their various opinions: As teachers, should English be taught through some kind of lock-step formula, or would one be better off approaching it in a more hands off manner, rather like painting? Everyone seems to have an opinion.
The idea of structure comes to the forefront again when discussing what one character, Sensei, calls the hidden structure of the house, which, like the neighborhood (or any cityscape in Japan) appears as an amorphous sprawl. But look underneath this sprawl and one sees the organism. Sensei says that the randomness, or chaos, embraces a flexible, orderly structure, and he likens the house to an amoeba that has the ability to alter its shape. Similarly, this amoeba can be seen as a microcosm of Japan as a whole.
What are you currently working on and when will it be available?
I’ve finished the first few drafts of a story about Special Needs teens who discover time travel. But the adult teachers at the school find out what’s going on and abuse this ability to travel back into time for their own selfish needs. It turns out the ones with the Special Needs are not the teenagers—who are all somewhere on the Autism spectrum—but the supposed grownups, and it’s up to the teens to save the day. It should be out in autumn.
Thanks for having me!
The American in Room 1, however, is dead-set on turning the derelict Happy House into a burgeoning English school.
The house has other plans, and Room 1’s attempts are thwarted by a freakish creature that lives under the floorboards called “the Crat”.
Posted in Interviews
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Jai the Albino Cow is a lovely children’s book that teaches kids how special it is to be different. What was your inspiration for this book?
During a holiday in Austria while hiking going uphill, I felt exhausted and lay down on a grazing pasture. A brown calf approached and licked my face. That loving gesture was indelibly printed in my mind.
Once back home in Germany, I had an idea to write a story about cows. I vividly remember that the story lead was going to be a female and her name is Gundula. The idea landed on a list I keep for children’s story topics. I wrote, “Once upon a time, there were three cows Gold Bell, Spotty and their sister Gundula. They lived with their mother and father, Mr. and Mrs. Moo, in the alpine meadows of Nocky mountains. Gold Bell always wore…”
On another occasion visiting my home country Tanzania, I observed more cows in the pastures of Usambara Mountains. Soon after, the story idea developed further with themes from my motherland. I desired to create a main character who is female, different and also have her story address the topic of human diversity.
In some African countries, people with albinism have suffered and are still suffering from discrimination and other horrendous acts including being hunted for their body parts for magic potions by witch doctors. We can help solve this problem through stories which teach love and respect from an early age, such as in this book which uses a cow as the protagonist.
The book is told in both English and Swahili. Why did you want to tell this story in both languages?
My mother tongue Swahili is spoken not only in Tanzania but also in the neighbour countries of Kenya, Uganda, Rwanda, Burundi, Democratic Republic of the Congo and Mozambique. The intention to have a bilingual story was with a hope that the message will have a great impact and reach many more, particularly in areas where albinos are maligned.
I loved the art in this book. It was both artful and bright. What was the art collaboration like with Nikki Ng’ombe?
Nikki is a daughter of a friend. Besides being acquainted with each other, she is very professional and delivers concrete results. We have worked together in another book project and already knew each other’s pace of work. She grasped quickly the vision I had for this book. I will certainly work with her again if not occupied by studies.
What is the next book that you are working on and when will it be available?
I am currently proofreading a manuscript for a children’s Swahili book co-authored by Tanzanian writers. We intend to publish this year.
Can an albino cow possess abilities to be admired by other cows?
Anjait (Jai) is Ankole cow who lived with her family in Kole Hills. Jai suffers from albinism. Other cows thought she was cursed. One day, Jai shocked other cows for doing something that no other cow did before. She also surprised them with a magical skill.
What is it that Jai did as the first ever cow? Will her actions and skill help bring love and respect to albino cows?
Get your copy now to find out the answers and reveal to your children the importance of showing kindness and respect to everyone, even if they look different.
Posted in Interviews
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Front Porches to Front Lines uses the story of your great grandparents to tell a larger story about a small town affected by WWI. What was the inspiration that made you want to put this story into a book?
There were actually several inspirations which motivated me to turn my great-grandparents’ story into a book. Perhaps the most basic of these is simply the fact that I love history and thoroughly enjoy doing the research and writing about it. With that being said, the best way to cover all of the inspirations behind this book can probably best be told by talking about how the book began in the first place.
Front Porches to Front Lines is actually the expansion of a college essay with a similar title. I had always heard from my mother that there was letter somewhere in a box which talked about what took place on Armistice Day in 1918 in the small town of Springfield, Vermont where my great-grandparents were living at the time and I’d always hoped that I would find it someday. When I re-enrolled at the University of Connecticut in 2014 to finish my B.A. in American Studies I made up my mind that I wanted the remainder of my coursework to include an independent study project which would be completed under the guidance of a faculty advisor. Fortunately I found this letter and soon after found an advisor in Dr. Walter Woodward, a professor at UConn and the State Historian of Connecticut.
During the Fall 2014 semester, I researched World War One and the subsequent Influenza Epidemic of 1918 and in turned used the letter about Armistice Day and about 300 more family letters to tell the story of my great-grandparents’ experiences at this time as a microcosm of how the war and epidemic impacted people on the local, regional, national and international levels.
While, one of my biggest inspirations to write this book was to record my family’s story, I chose to tell this story in particular because of the wealth of primary resource material available to me and also to help expand the knowledge and scholarship of a chapter in the history of the United States which in some ways has gone largely overlooked until recently.
Lastly, I chose to turn this story into a book because it simply kept me busy with something I enjoyed doing. Since finishing my degree in the spring of 2016, my job hunt has been largely unsuccessful and expanding the essay which was my “senior thesis” of sorts into a book had given me a project to focus on amidst my bad job prospects. Plus, I was also of the belief that it would make my resume stand out in the future in a way that not many recent undergraduates’ resumes do. However, these last reasons are all somewhat secondary to those mentioned above.
I enjoyed the historical information provided in the book. What kind of research did you undertake for this book?
The scope of my research for this book was very broad and in fact I learned a lot of doing research and research methods on the fly while compiling the materials for Front Porches to Front Lines. The bulk of my research, about 60% of it, involved the careful analysis of the letters between my great-grandparents as well as those written between other family members and a few of their friends as well. I feel very fortunate to have had such an archive at my disposal while writing my book because it’s those letters which make up the majority of the family story which is at the center of the book.
Aside from the analysis of the letters, I conducted a handful of interviews, one with my great aunt, who is my only living relative at this time who knew all of the family members referenced in the book; I also interviewed the couple who run the historical society in Springfield, Vermont on two occasions to get a sense of what materials the town had left from the World War One era; and lastly, I interviewed a number people who had lived in Springfield during the first half of the 20th century and had some recollections of stories their parents and relatives had told them about Springfield during the 1910s.
I spent many hours in the public library in Springfield going through the microfilm they had copies of their local newspaper going back to World War One and was an excellent source of soldier letters as well as advertisements relating to both the war effort as well as the many remedies people were trying to cure themselves of the Spanish Flu. I spent time combing the objects and other materials at the Springfield Art and Historical Society and lastly, I used any primary source material related to war that I could get hands on along with a handful of pictures and other items from my family’s records.
What were some things that you found surprising about your grandparents lives?
To be honest, the majority of the information about my great-grandparents’ lives which I included in the book was all new to me. Since the location of their letters had been somewhat unknown for such a long period of time and since my family didn’t talk about many of the aspects of their lives that were detailed in these letters, much of what I learned from them was both new and surprising. For instance many of the down to earth details about daily living during this tough chapter in our nation’s history left me both surprised and amazed, especially given the circumstances of the world in which I grew up in the 1990s and 2000s. I was repeatedly left in awe of my great-grandparents’ ability to press on from one day to the next, when under the constant threat of a potential German invasion, the rapid spread of an infectious disease or both.
One particular episode during the 1910s which I found particularly curious actually was referenced in a letter between my great-grandmother and her sister. In this letter, my great-grandmother’s sister talks about hearing former president Theodore Roosevelt speak at a rally to raise awareness of the Armenian Genocide. Given, my family’s rather apolitical stances on things, it was surprising to find out that any of them participated in any event that was about an issue which didn’t directly threaten their lives or the nation’s security.
What is the next book that you are working on and when will it be available?
I have just begun the research for my next book, which at the moment is going to be a more comprehensive look at Armistice Day and how that day was celebrated around the world. However, since I am also in the process of getting ready to go back to graduate school, I do not have a good idea as of yet as to when that book will be completed and made available. I know that some of it will depend on my graduate school commitments as well as my ability to amass the resources I need to complete this project and do the topic justice.
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World War One and the 1918 Influenza Epidemic. Two events which will alwaysdefine the 1910s, a decade which saw great political and social change; a long list ofdisasters and a realignment of the global stage, something which would help define manyof the subsequent events of the twentieth century. When the United States declared war onGermany on April 2, 1917, it was just the first of two major calamities which would in someway impact just about every American man, woman and child during the latter half of the1910s.The second of these wars, the Spanish Influenza of 1918, came right on the heels of theGreat War’s conclusion on November 11, 1918 as many of the returning soldiers camehome with the influenza virus, having caught it either in Europe or sometime during thejourney home from France. Front Porches to Front Lines tells the story of how the citizensof one small New England town, came together to confront these two wars and in doing sobecame one of the most generous towns when it came to contributing to the war effort inthe form of Liberty Loans, war gardens and war supplies as well as dozens of soldiers, RedCross nurses and civilian workers, such as machinists.
Posted in Interviews
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When Dark Ships invade the skies over the “Nown” World, the invaders bring with them horrendous terrors for which no one is prepared to face. As entire villages begin to disappear, the world enters a new Dark Age. King Jatel and Queen Karen join forces once again with their friends and awaken ancient magic, giving them their only chance at freedom. Amid war, vampires, dragons, and widespread genocide, the “Nown” World welcomes the glorious return of the most valiant warrior it’s ever known!
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