Voice of the Crimson Angel Part II: Poison finds Julissa ready to take on Chancellor Venloran while the United Nation Republic is gearing up to take over Mexico. Was this book an easy continuation of part I or did you have to plan and develop the story before writing?
VOCA Part II took quite a bit of planning, up there with End of Knighthood Part III: Ballad of Demise. I knew telling the entire story of The Expansion from start to finish wasn’t really possible (outside of a very, very, long novel), so I isolated the events that seemed most important and then tied the main characters to them. VOCA Part II, I think more than any other of my previous work, challenged my use of setting. Writing tests an author in odd ways, and one of those ways for me was geography. The setting in question, of course, Mexico. How big is this city? Is it dry or wet this time of year? Is it a metropolis or a small town? Luckily, my story takes place in the future, so I can tweak things, but I prefer going off reality. The first round of writing left VOCA Part II shorter than I wanted, but the final product I’m most pleased with.
Weird thing is at first, I was paying very little attention to the current situation. When I conceived of The Expansion, I was looking at it as a continuation of Manifest Destiny, where Americans expanded westward. The more I examined the history of expanded empires, The Expansion became more and more interesting to write. It went from being a small part of the original book to an integral backdrop for the Iranian characters. Now it’s the main focus in the VOCA trilogy. In future stories, I hope to explore neocolonialism more. Since 2016, immigration has become one of the most decisive topics in the American politics. It influenced me as I watched debates and heard different arguments, but it’s a bit different in VOCA Part II. In the book, the focus is more about imperialism reborn than the push for isolation that we’re experiencing now. What the book does do, I hope, is paint a picture of the circumstances that I feel are similar to current events. For example, I think no matter what side of the political spectrum you’re on, people accept that we live in an era where patriotism is a very touchy issue. Even critique from a person within the system can lead to harsh cries of them being “unamerican.” Blind patriotism, more than anything, fuels a beast like Venloran and his UNR. What I also wanted to focus on was displacement. Civilians can be turned into dissidents when pushed. People have forgotten that the Mujahideen that battled the Soviet Union was propped up by the United States. This same organization became Al-Qaeda, and in the age of the “War on Terror”, we’ve seen an upsurge in the formation of radical groups. I would argue that intervention, this need to intervene and ‘democratize’ other areas around the globe, fuels fundamentalists. Former New York Times writer Chris Hedges (who was fired around the start of the Iraq War) called the usage of violence a disease. Therefore “Poison” was the proper title for this installment. What I wanted to do with the book was take the “War on Terror” and move it closer to home. Instead of across the Atlantic in countries most Americans have never been to, I wanted to imagine it happening right next door.
Have you tried exploring other mediums for your series; games, comic books, etc? I ask because you have developed such a rich backstory already.
I’m not much of a gamer, so I’ve never really considered that route. Comics, however, have always intrigued me. I’ve always been obsessed with visuals (one of my worst habits was the tendency to doodle during class). Comics, namely graphic novels, have always been a favorite medium of mine. You can say a whole lot with just a single frame, and not to mention a good use of color goes a long a way in establishing the mood. The look of the cyborg uniforms, namely the overcoat, was inspired by the Blade design from Marvel comics, while the armor itself is actually manga-based. As a child, I’ve read my share of manga, including Dragon Ball. Unfortunately, I can’t draw all that well. If I could meet a comic book artist who wanted to tell a story from Reverence, I’d be honored to be a part of such a project.
I’ve actually given some thought to this! After all, as I write I often listen to my favorite movie soundtracks. This helps me set the mood and envision a scene: scary might be Ennio Morricone, action-oriented Hans Zimmer, and somber along the lines of Michael Giacchino. Naturally, sometimes I envision certain faces of certain characters. The big one is Will, and for him I could see Will Smith or Denzel Washington taking the role. They are both older and can play action heroes, but all while still giving them emotional resonance. Another instacast for me is Liam Neeson as Chancellor Venloran. This is largely due to his portrayal of Ra’s al Ghul in Batman Begins (2005). He’s calm yet menacing, all without being over-the-top. One of my favorites to envision would be Jessica Chastain as Gabriella Neeson. After seeing her in Interstellar(2014), I was thoroughly convinced. She’s both gorgeous, tough as nails, and can portray a character who is anything but a damsel in distress (no thanks Cameron Diaz). Others are mind boggling. In the case of Marisol Leone, for example, it’s really hard to pin down. One of these days, I’ll sit down and sort them all out.
Julissa Marconi is finally ready to be a soldier again, and now it’s time to take on the tyrannical Chancellor Venloran. With Captain Halsey and her daughter Zaneta by her side, the resistance is the last line of defense preventing the United Nation Republic from seizing the country of Mexico. The combat will prove bloody as Venloran sends his cyborg warriors to squash all opposition. As bullets fly and bodies pile up, Julissa will be forced to consider what she’s capable of. To defeat the enemy, she may just have to become the enemy.
Welcome back to the world of the Reverence series with Voice of a Crimson Angel Part II: Poison. Witness the spark that lit the fire.
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Bernadette has almost everything a twenty- six year old model could desire. She has a great home, beautiful clothing, and a wonderful family. Yet, all she really desires is a decent man to share her life with.
Against her sister’s wishes, Bernadette, joins the world of online dating. She can hardly believe her luck upon finding the profile of Martin Day, a handsome, successful businessman, who is moving to her hometown.
The couple clicks instantly and their relationship is on the fast track to marital bliss, when suddenly a stranger brings unsettling news about Martin’s past. Despite the warnings, Bernadette continues seeing him, and quickly finds out that some relationship mistakes cannot be easily fixed.
As her situation grows increasingly out of control, she realizes that it has come down to life or death and that she must put a stop to Martin’s reign of terror, at any cost.
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Once they said…”God Himself could not sink her!”
On board the RMS TITANIC, Professor Dennis Parker believes he’s taking with him to New York the archaeological discovery of a lifetime. As the voyage progresses, passengers and crew become the victims of several grisly murders – not seen since the infamous Jack the Ripper. All clues point to the impossible: the murderer is a 3,000-year-old mummy named “Ka-Re.” Amid all the death and chaos, Parker is ultimately forced to choose between preserving his lifelong discovery and saving himself.
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In 17th century Japan, a battle between the shoguns and the Lees raged for a lengthy period of time. The shoguns wanted the Lees to come join their elite army, but the Lees remained neutral and peaceful people. After much harassing, the husband and wife became supreme warriors. The Lees began killing whatever shoguns threatened them. After a particularly violent, gruesome battle with the shoguns, the Lees disappeared into the Oakla Mountains for about twenty years . The mastermind, an ancient wizard siding with the shoguns, commanded what was left of the shoguns to patrol the mountains of Oakla trying to find the Lees. Decades would pass.
In those twenty long years, the Lees raised a son who would become known as “the Master.” Phenomenal genetics would breed an individual who became a far better warrior and stronger fighter then both of his parents put together. In the Master’s infantile years, the mother and father went up on the mountains of Oakla, similar to Moses’ summoning of God, where they asked their God for a sacrifice. He answered, and in return of this sacrifice, he would give their extraordinary son, the Master, the power of immortality in the form of Five Scrolls of Terror. Their God asked for the skin from their baby’s head, a threatening request, but would ultimately create a child who would grow into that of the Master: the Skulled Warrior.
As the Lees returned from Oakla on that twentieth or so year, they got ambushed and killed—an attack decades in the making. When the Master found the bodies of his parents, he naturally flew into a blind rage and killed many shoguns, slaughtering anyone who stood in his way. As he battled on Oakla Mountain, his scrolls disappeared off the mountain and were never seen again. As the Master went to the end of Oakla searching for the ancient wizard for retribution, he came across an ancient hut, and inevitably the wizard and the Master did battle. The Master would ultimately kill the wizard, but he would put a curse on the Master that would remain with the Master for nearly four hundred years. As the Master’s statue, which in reality was the curse turning him to stone, was moved by cult followers and believers, it eventually found its way to New Amsterdam, which as we know, would evolve into present-day New York City.
An adventure unfolds as the Master awakens after a four-hundred-year slumber, masked as a mysterious piece of art, to deal with our current world as we know it. And so begins The Dark Legend of The Foreigner.
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To Never Know depicts the story of Steven Lewis, and how he is affected by his life choices, his stalled inertia, and forces far beyond his control.
To Never Know, by Thomas Duffy, is a millennialist coming of age drama centered on the late adolescence and early adulthood of the main character, Steven Lewis. The story starts in 1994 in Queens, New York. Steven is in his Senior year of High School. Steven has a crush on a girl in his class, Kelly Brennan. She seems to be interested in him, finding excuses to interact by asking for his notes and a stick of gum. But he never works up the courage to ask her to Prom.
The story skips past graduation and things have changed for Steven. His life continues a downward progression: his grades are not as good at college as they were in High School, he drops out, takes some time off. He tried calling Kelly again, but he could not bring himself to talk to her.
A family friend encourages him to send Kelly a letter, so he does, on September 10, 2001. Keeping in mind that Kelly lives in New York, you can make some good guesses about where the story goes after that, but this story packs a lot more into it, as Steven’s life events continue to unfold.
This story is an exploration of millennialist worries and fears in a post-9/11 life: adulthood with its ever-increasing responsibilities, how to live a good life, intimacy, isolation, establishing one’s self-identity, and the existential fear of death. The story is deeply emotional, with conflicting emotions. The quality of writing is strong enough to convey nuanced emotions and details. There were a few copy editing issues, but none bad enough to detract from the powerful meaning of the story.
The title, To Never Know, gives some insight into the central themes within the story. There is a strain of philosophical agnosticism (not in the religious sense) that there are unknown unknowns in our lives and that tomorrow is never guaranteed. There is also the theme that there are “bells that cannot be un-rung.” Steven cannot go and have the relationship he wanted. We will never know what life would have been like if one thing would have been changed in the distant past, and we cannot know what tomorrow will bring.
This book is good, but really heavy at times. It is intended for adult audiences, and probably best understood by older millennials. There are depictions of sex, death, terrorism, and coarse language. The content of the story takes an odd twist at one point, and the end is unexpected.
Pages: 208 | ASIN: B01K7RYJB6
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War is never pretty. It’s a gruesome, deadly instrument used by those seeking something. Whether they seek power, reassurance or a misguided view of peace depends on those orchestrating the show. In Paracelsus by James Powton we see the horrors of an ongoing war of subterfuge and nuclear consequences as it spans nearly fifty-years and the entire world. When does one war end and another begin? These are questions that cannot be answered concretely. Powton uses this as he spins his tale of destruction with the backdrop of the world’s worst atrocities post World War Two. This story begins like several different threads spread out until you delve deeper and see that they are all entwined together into the perfect knot.
It is important to note that the story tells a slightly alternate history to the one that we have been taught in schools. It begins in 1969 and continues on until a time in our very near future. While it seems logical to assume that none of the characters in this tale truly existed, a reader can’t deny that reality is often stranger than fiction. If these characters did or do exist, let us all hope it is not in the same capacity as Powton has had us read.
Think of a world where nuclear weapons have been compartmentalized on a smaller scale to fit inside a briefcase. This unlocks a multitude of possibilities: none of them good. Powton uses this concept to his advantage as he paints a picture of a bloody war that the average person would know nothing about. This is not a war for the television or the media until things go too far. It’s definitely a thrilling ride as you read on, wondering how the characters will be connected in pages to come. Powton wraps all his threads up quite nicely.
There are a few stylistic errors and spelling mistakes that crop up in Powton’s work. The issues are not so substantial that they detract from the story itself. Because the story can be quite complicated it is impressive to see such organization and careful storytelling, which is where the real challenge is.
It is always interesting to read a piece of fiction that uses a real event as a back drop. By looking at past events with new eyes and a different idea of what potentially happened brings such an interesting twist to the history we have all been taught. Paracelsus does just that and takes the events further by covering a time frame in the not-so-distant future. With the world being slightly unstable at the time of writing, it is almost terrifying to think that James Powton’s idea may become a reality. If you are in the mood for intrigue and the blurring of historical lines, this is definitely a tale for you.
Pages: 316 | ASIN: B01MU6S0P5
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Thing Bailiwick is a collection of short horror stories by the ever-talented Fawn Bonning who pulled no punches in the gathering of these works. Stretching from the horribly, “pus-filled” scenes of stomach-wrenching gore to the much lighter, yet psychologically damming sets and characters, Ms. Bonning did not hesitate to irrevocably leave the reader checking corners and under beds. Her mix of both psychological fear and physical torment coincide within these pages as a ghoul may live at peace within a swamp; the epitome of bliss.
Within this particular swamp, a word I have chosen to use affectionately, there can be found many ghouls and shadows. Containing 12 individual stories, some longer, some shorter, each and every one leaves the reader wondering what would happen next, and what in the world happened throughout! The sense of mystery one feels at the conclusion of each story is enough to drive one insane, not to mention the insanity gained from reading just one or two of these tales. From hell hounds to the trials and tribulations of a young boy, this collection of horror stories has some form of terror for everyone!
I would have to say that I thoroughly enjoyed Thing Bailiwick; each story had its own bit of charm and personality to it. The various styles and settings used within the collection make it seem as if there were multiple authors involved, instead of just reading the works of one single artist. As minuscule a feature as that may seem, it was almost unhinging for me personally when multiple stories were read in one sitting or within a short amount of time. The reader was initially in one location learning about the personality of this character and their problems when suddenly you start another story and it is something completely different. Now, this wouldn’t be so unhinging if it wasn’t for the different types of language the author is able to use. It was definitely the changes in dialect and characters ways of speaking that provided me with the feeling of being lost within the book; a feeling I have found to be most fun to deal with within the confines of horror fiction.
While I had a lot of love for this collection and for the authors writing styles, I must admit that the previous mention of mystery at the end of these stories is done much more gracefully in some stories than others. I did find myself wondering what the author meant to imply after finishing two or three of the tales. It is obvious that the beginning of some of the stories foreshadow the endings, but I could not get a handle on some. It appeared that the author attempted to make some endings very deep and pensive in order to allow the reader to continue thinking about the story long after they’ve finished it. I love that angle, it works, and I respect it.
Ms. Bonning has an affinity for pulling the monsters, kicking and screaming, right out of the closet and forcing them into the light. She has taken the seemingly innocent and innocuous and made them into devils, and sorcerers, and anything else one may fear. This collection is phenomenal and I recommend it highly to those who have a taste for horror fiction and psychological trauma! A sure cure for hypersomnia, this collection will prevent you from ever sleeping again!
Pages: 452 | ASIN: B015EQAM02
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